Here is a new work touching the Knickerbockers, which we are especially bound to notice; and this we do with the more satisfaction, that we can heartily commend it to the notice of our readers, or what is the same thing, to 'the public at large.' We perceive by a few pages of the work which have been laid before us, that this is an enlargement of a former edition, favorably known to the reading public, entitled 'Historic Tales of Olden Time concerning New-York.' It now notices the rise and progress of the inland country and towns, relates much concerning the pioneer settlers, and details the hostilities and ravages of their Indian neighbors. It is in fact a complete history of a buried age; and brings up to the imagination, for its contemplation and entertainment, a picture of 'things as they were in the days of rustic simplicity, so wholly unlike the present display of fashion, pomp, and splendor.' It is easy to perceive that Mr. Watson gathers facts and writes con amore; not for profit, in this book-making age, but because he feels and sees our wonderfully rapid advancement from small things to great. 'I have written,' he says, 'for New-York and State; not for money, but for patriotism. I felt it due to the country, to tell its tale of wonder; and due to God, for His gracious and signal providence, in so settling and prospering our Anglo-Saxon race, in this new field of His exercise.' To quote the warm language of one of our contemporaries: 'This is in truth a work without example for its imitation; and with equal truth, it is in execution a work sui generis. It is a museum that will never cease to attract. Its annals and statistics will have snatched from oblivion valuable reminiscences of the early youth of our country; and will furnish the historian, biographer, and the patriotic orator with matter to adorn and beautify their productions. He deserves the gratitude of his country, and the patronage of the reading community. Wherefore, no American that can read and can afford to purchase, should be without a copy of this valuable contribution to the memoirs of early American history.' We venture to predict that the aged will be delighted to be thus reminded of things which they have heard of, or perhaps witnessed; and the young will be surprised to find such a lively picture of the doings of their forefathers. Among the many subjects considered, are the first settlements and primitive incidents connected with New-York, Albany, Schenectady, Rochester, Brooklyn, etc.; notices of the early Dutch times; manners and customs; dress, furniture, and equipage; local changes; ancient memorials, and curious facts. Much is said of the Indians; of the local incidents connected with the revolutionary war; of ancient edifices and buildings; in short, of every thing calculated to bring back scenes and occurrences of by-gone times. These matters too are related in a style peculiar to the author; they are matters moreover only to have been perceived and scanned by a mind so constituted as his own. The work is undertaken by Messrs. Baker and Crane, a young and enterprising metropolitan
In the dedication of this volume, the writer alludes to its being 'deeply tinged with romance and mysticism;' but to our conception, its pages exhibit a far greater amount of truth, undeniable, and of deep import to society at large, and to our own metropolitan community especially. Here is a woman who knows 'how to observe;' and we cannot do a better service to thousands in our city, who walk its streets and thoroughfares, and visit the hundred-and-one places of resort in its vicinity, without appreciating or enjoying the objects of interest or instruction by which they are surrounded, than to call their attention to the records of the volume under notice. And having done this, we shall proceed to illustrate the reason for the faith that is in us that they will thank us for this recommendation, by presenting a few desultory extracts. Let us commence them with a remarkable case of instinctive knowledge in birds, related by the writer's grandfather, who saw the fact with his own eyes:
Here is a charming sketch of an actual occurrence, which goes far to confirm the writer's impression 'that instinct is founded on traditions handed down among animals from generation to generation, and is therefore a matter of education:'
Mrs. Child has a remarkable power of adaptation in her style. Her similes are often exceedingly forcible and felicitous. Observe the admirable comparison which closes the ensuing passage, descriptive of the services at the Synagogue of the Jews, on the Festival of the New-Year:
And in this allusion to the tyranny of public opinion, there is an important truth very adroitly enforced by an apposite anecdote, timely remembered:
Doubtless a vast number of persons as fervently desire the time when 'wars shall cease from under the whole heaven,' as our author. Like herself, thousands feel that 'Too long at clash of arms amid her bowers, And pools of blood, the earth has stood aghast:' but she will find few who will carry the prejudice which a hatred of war has created in her bosom so far as she has done. On visiting what was once the grave of Andre, she is shown by the guide the head-quarters of General Washington: 'I turned my back suddenly upon it. The last place on earth where I would wish to think of Washington is at the grave of Andre.' And she adds, that she never could look upon Andre's execution 'as other than a cool, deliberate murder!' The stern necessity which impelled the Father of his Country to this act, at which his great heart, throbbing with the cares of an infant empire, melted in pity, is termed 'a selfish jealousy, dignified with the name of patriotism!' All this, however, is creditable to the woman's-heart of our author; as is her wish, and the 'strong faith' of which it is the father, that the time is not distant when 'all prisons will cease from the face of the earth.' Human nature, howbeit, must undergo an important change before such an event can take place; and a long time must elapse before Washington's memory can receive any injury from attacks upon it like the one above cited. We are getting, however, to the end of our tether, in the 'short commons' left for us in this department; but after the written and 'illustrated' praise which we have awarded to the volume before us, we are compelled, in candor, to add a word or two of censure. Now and then, it must be admitted, our author is slightly vague and bizarre, as if to make good the declaration in her dedication; and she can be, moreover, on occasion, a little mawkish; as in the instance where, after the sentiment has been satisfied, she pumps up a feeling, and 'drags in by ear and horn' a struggling sentence touching two doves in the room that once was Andre's; their 'mated human hearts,' and so forth. These and one or two kindred simulations, or ultra-sentimentalities, are not intellectually feminine, and must be set down as defects in the generally natural and fresh style of our gifted author, whose clever volume we are glad of an opportunity warmly to commend to public acceptance. Some readers may find in it matters to condemn, perhaps, but all will encounter much that is deserving of cordial praise. Death: or Medorus' Dream. By the Author of 'Ahasuerus.' In one volume, pp. 66. New-York: Harper and Brothers. We deem it a substantial tribute to the merits of the poem before us, that it has elicited the cordial commendations of two daily journals of authority in our midst; the antipodal editors of which, (one of them the first of American poets,) in awarding their meed of praise, candidly confessed that the production was more likely to be judged by a political standard at the seat of government, than by any critical measure, based upon an impartial consideration of its literary qualities. For ourselves, we must say that we have perused the poem with a pleasure not a little enhanced by the reflection, that the author has been enabled to find leisure, amidst engagements which, if one may believe the partizan journals, must needs be numerous and pressing, to pay that attention to literary pursuits, which by so many politicians, and utilitarians of another class, are considered 'useless, if not belittling, to a man of mental calibre sufficient for any thing more manly than verse-making.' Indeed, this position we remember somewhere to have seen assumed and defended, in the words we have quoted. The opening of 'Medorus' Dream,' the fine lines on 'Death,' have already appeared in the Knickerbocker, from the manuscript of the author. They will be remembered not only by the readers of this Magazine, but also by those of very many journals throughout the Union, into which they were copied, with expressions of warm admiration. In selecting, therefore, a few extracts, in corroboration of the justice of our encomiums, we shall plunge at once in medias res into the volume before us; leaving our readers to judge whether the writer does not exhibit a hearty love and keen observation of Nature, in her various phases; a strong sense of the beautiful and the true; and an ease and smoothness of versification, which go far to controvert the theory that, for certain reasons, (among which 'a restless ambition' has been cited as the chief,) 'there can be little poetry in high places.' Take, for example, the annexed brief but comprehensive glance at the four seasons: 'A ducat to a beggarly denier' that we saw the same ocean, glowing under the same glorious summer-evening light, as is described in the lines which ensue. We have never compared notes with our author; but it seems impossible that the kindred scene in which we revelled on a memorable occasion at the Telegraph station, by the Narrows, should not have extended to Fire-Island; the locale, we cannot help inferring, of this picture: Oft hath the man who loveth Nature's ways, Musing, gone forth alone by Ocean's tide, And, gazing on that amaranthine plain, Hath mark'd the rich beams of descending day Shoot slanting o'er the light and feathery waves, Until the sea, by burning passion moved, Through all its depths, turns into liquid gold, And heaves and thrills beneath those ardent rays, With love too strong for mortal minds to know, With love too deep for mortal hearts to feel. Then, from that glorious main, his soul-lit eye Hath wander'd strait to heaven, and in one view The pearl, and flame, and amethyst, and gold, The shadowy vermeil flush, the purple light, The amber-tinted streak, and banner'd clouds, Like incense streaming up from Evening's shrine, Wafted by gentle gales along the sky, The beauty, brightness, majesty, and pomp, The gorgeous splendor of the imperial West, Burst on his raptured sight! He, happy then, While Fancy's spirit-form smiles o'er his head, Deems it the lovely sky that canopies The land of Paradise. Here is a wider reach of more varied scenery, yet not less forcible than the more 'thin compositions,' to use the painter's phrase: First, as they look'd, there rose upon the sight Long, waving chains of happy-smiling hills, Uprising gently from the sloping vales, As if to woo the rustling noontide winds: Next, wide-expansive, music-making seas, Across whose placid, soft-suspiring tides The playful breezes fly, on tireless wings. Then, 'neath their wond'ring eyes at once display'd, Behold, in one far-sweeping, lovely view, The broad green vesture of the quick'ning sod Trembling with heat, and glowing into life Under the warm sun's vivifying beams: The Desert's thirsty plains gemm'd with their green And cool oases, bright mid barren sands; Rivers whose pearly tides stretch'd far away Through fertile lands to Ocean's emerald brink; And lakes that seem'd, in their transparent depths, The crystal eyes of Earth. Here mountains, hills, And winding dales, fair seas, and shining lakes, And silvery streams, gay-blooming boughs, and flowery turf, Conspire, in all their loveliest power, to make The warm, the fresh, the pure, and beauteous form Of this enamell'd world.' Lovers of flowers; gentle maidens, scarcely less fragile and fair; and ye of the 'sterner sex,' who are not ashamed to praise heaven and earth; we ask you if the ensuing lines are not 'beautiful exceedingly:' The red Rose, blushing in its virgin pride, Hangs lightly on its green and briery stalk, And kisses from its pale-cheek'd sister's brow, With trembling lip, the pearly tear away. Here Violets, that spring by stealth at night, Of rarer scents and sweeter shapes than those Pluck'd by the village maiden in the vale, Ere yet the sun hath touch'd their dewy leaves, Mingle their balmiest odors and their hues With the soft-nectar'd sighs Of wind-flowers, pansies, hyacinths, oxlips, And sun-striped tulips tall, Until the freighted airs themselves grow faint, And on their weary way sink down to sleep Among the silent wild-flowers watching there. We have purposely abstained from a detailed review or analysis of the poem under notice; preferring that the reader should derive his impression of the performance from such portions of it, taken almost at random, as we could command space to present; leaving him to seek in the volume itself that gratification of which we are sure our extracts will give him a foretaste. It was our intention to have animadverted upon the use of certain words and compounds which struck us as being infelicitous; but we can only transcribe a few of them, without comment, from our pencilled copy: 'Jehovah's fadeless arms;' 'frost-enmirror'd;' 'sun-bedazzled;' 'ornamentless curves;' 'rich-rubied rays,' etc. 'To conclude:' we consider the present poem a manifest improvement upon 'Ahasuerus,' which was noticed at length in these pages. The author is now 'well in harness,' and moves on without incumbrance. Once more we welcome him to the quiet walks of literature, which he treads so pleasantly; and again we greet him with 'Macte virtute!'
Ah! young ladies! we wish you could 'realize' how greatly gratified we are to find you so much improved! We say 'improved,' because it can scarcely be possible that you could have written such charming compositions, before you had experienced the benefits of the system of instruction pursued at the institution upon which you reflect so much honor. We say this in no vain spirit of compliment, but in all candor. The address of the President, Miss M. Robinson, of this city, is not only excellent in its inculcations and tendency, but is written with great perspicuity and freedom. The prize poem by Miss Eliza Whitney of Philadelphia, has many of the elements of true poetry, while its trifling defects are merely mechanical. The committee who awarded the prize, one of whom we observe was Mrs. Sigourney, seem to have hesitated in their choice between this and three or four other poems of kindred excellence. 'Mary Grafton' need not have sheltered herself under a pseudonyme. Her essay on 'What should be the intellectual education of Woman, to fit her for the duties of life,' is worthy of a strong and disciplined mind and a practised pen. The honor of the best essay in French was assigned to Miss M'Cormick of Oswego, in this State; yet the committee selected it in preference to three others, only 'because they were forced to choose;' a fact which precludes the idea of 'rejection.' The capital tale entitled 'Home Education,' by Miss Mary E. Field, of Haddam, (Conn.,) must certainly have deserved the honor which it won among its rivals. We have rarely seen a story, the lessons of which were so valuable, in a national point of view, kept up with so much spirit, and eliciting so much interest, in the narrative. On the whole, so favorably are we impressed with these 'exercises' of the alumnÆ of the Albany Female Academy, that we begin to peer into the 'onward distance,' and to see our own little people winning honors in that popular institution. 'So mote it be!'
Thus is entitled a neat little volume which we find on our table. Without being a 'great gun' in literature, or destined to make much noise in the world, Mr. Cannon is yet a clever versifier, and occasionally 'goes off' with good thoughts very agreeably; while 'the habit of wishing to discover the good and the beautiful in all that meets and surrounds him' is quite apparent in his compositions. The 'crowning hour' is the period when Columbus first discovers land from the quarter deck of his vessel. Certain incidents of the voyage, and the emotions of the 'world-seeking Genoese,' form the staple of the main poem; but the prose of Irving is far better poetry than the verse which here records them. The remainder of the volume is devoted to the republication of several minor effusions from certain periodicals of these times, and from a previous volume of the author. The 'Dogberryotype' portrait of Mr. Cannon, in the opening of his book, strikes us as being in bad taste. We are loath to interfere with such an exhibition of harmless vanity; but the picture being what is negatively termed 'no beauty,' we must adopt the advice of Holmes to the plain gentleman whose portrait graced the AthenÆum exhibition: 'Don't let it be there any longer! Take it home, and hush the matter up!' It is but justice to add, however, that the portrait which fronts the volume under notice does not do justice to the features of its author. Engravings from Daguerreotype miniatures have never impressed us favorably, either as faithful likenesses, or specimens of pictorial art. |