MEMOIRS OF DR. BURNEY,

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Arranged from his own Manuscripts, from Family Papers, and from Personal Recollections. By his Daughter, Madame D’ARBLAY. Moxon, Bond-street, 9 vols. 8vo.

HAD we supposed, after so long a delay, that Madame D’Arblay really meant to publish a life of her father, we certainly should have delayed our memoir of Dr. Burney till enabled to profit by so authentic an account as the present, which was written under advantages that only one of his family could have possessed, and which give an interest to it that could not have been imparted by any other pen.

In the year 1782, while yet in his prime, and possessing in full vigour his intellectual faculties, Dr. Burney contemplated and even commenced writing memoirs of his own life. An introduction which he began to draw up for his intended work, says, ‘Perhaps few have been better enabled to describe, from an actual survey, the manners and customs of the age in which he lived, than myself; ascending from those of the most humble cottagers, and lowest mechanics, to the first nobility, and most elevated personages with whom circumstances, situation, and accident, at different periods of my life, have rendered me familiar. Oppressed and laborious husbandmen; insolent and illiberal yeomanry; overgrown farmers; generous and hospitable merchants; men of business and men of pleasure; men of letters; men of science; artists; sportsmen and country squires; dissipated and extravagant voluptuaries; gamesters; ambassadors; statesmen; and even sovereign princes, I have had opportunities of examining in almost every point of view: all these it is my intention to display in their respective situations; and to delineate their virtues, vices, and apparent degrees of happiness and misery.’

It must be acknowledged that this bill of fare is marked by self-confidence, and that it would have required no common observation and talent to fulfil the promises held out. Unfortunately we are left in the dark how far Dr. Burney could have kept his word, for the plan appears to have been abandoned as rapidly as it was conceived, and never returned to till the year 1807, when the doctor was already an octogenarian, and a paralytic attack had perhaps acted on his mind as it certainly had on his body. From this time, however, he is said to have composed many manuscript volumes of various sizes, containing the history of his life, from his cradle nearly to his grave.—Whether in these memoirs the doctor displayed the characters, and entered into the concerns of the cottagers, mechanics, husbandmen, yeomanry, farmers, or even artists (of the same profession) according to the promises of his own prospectus, the present work affords us no means of judging: it is essentially, and from title-page to colophon, a book of the drawing-room and the boudoir; it is conversant alone with the Corinthian order of society, the porcelain clay of humanity; not an individual undistinguished either by rank, title, fashion, or literary fame, is judged worthy the honours of the sitting, and although the enumeration of dinner and evening parties, visitings and conversazioni, is far from scanty, yet, for all that appears in these three volumes, the historian of music may never have formed an acquaintance with, or received at his table, a brother musician in the course of his long life; except, indeed, some foreign singers, of whose private performances at his house we shall presently have to extract an account.

A list of some dozen celebrated names is given, indeed, as always happy to accept Dr. Burney’s invitations, and assist at his musical parties; but of the private familiar intercourse which must have taken place between him and his fellow-professors, we have not a trace. If this is his own omission, we must say it is in bad taste; he may have wished towards the close of his life to be considered rather as a literary man and a wit than as a musician; but, if so, he forgot that it was the union of the two characters which rendered his case remarkable, and called so much of public attention to him.

The memoirs, however, form a very amusing book, full of anecdotes, which if sometimes a little too long, and at others scarcely of importance enough to have merited recording at this distance of time, are always lively and well told, and are the more interesting, as they introduce the reader to the familiar society of Dr. Johnson, Garrick, Burke, Bruce the traveller, Sir Joshua Reynolds, and the whole constellation of wits and literary characters both male and female, which shone with such lustre from fifty to sixty years ago. The picture of parental and family attachment, too, which these volumes display, is in the highest degree charming in itself, and honorable to the parties concerned, who must all have been highly amiable to have been thus, without exception, beloved and loving.

Our readers are aware that Dr. Burney’s first introduction to London was as an articled scholar to Dr. Arne, who appears to have given him very little instruction, but to have, on the other hand, worked him very hard in the monotonous drudgery of music copying; nevertheless, the young apprentice, drawing upon his own resources, both of genius and industry, contrived to compose anonymously a part of the music for a revival of Thomson’s Masque of Alfred, and two other small pieces, a burletta of Robin Hood, and a pantomime called Queen Mab. From this unworthy servitude the doctor was at length rescued before the expiration of his articles, by an event so odd in itself, so creditable to the good sense and manly feeling of two, at least, of the parties concerned in it, and so well told by the authoress, that we extract her account at length.

A Mr. Fulke Greville, a near relation of Lord Warwick, and a man of large fortune and high fashion,—

One morning while trying a new instrument at the house of Kirkman, the first harpsichord-maker of the times, expressed a wish to receive musical instruction from some one who had mind and cultivation, as well as finger and ear; lamenting, with strong contempt, that, in the musical tribe, the two latter were generally dislocated from the two former; and gravely asking Kirkman whether he knew any young musician who was fit company for a gentleman.

Kirkman, with honest zeal to stand up for the credit of the art by which he prospered, and which he held to be insulted by this question, warmly answered that he knew many; but, very particularly, one member of the harmonic corps, who had as much music in his tongue as in his hands, and who was as fit company for a prince as for an orchestra.

Mr. Greville, with much surprise, made sundry and formal inquiries into the existence, situation, and character of what he called so great a phenomenon; protesting there was nothing he so much desired as the extraordinary circumstance of finding any union of sense with sound.

The replies of the good German were so exciting, as well as satisfactory, that Mr. Greville became eager to see the youth thus extolled; but charged Mr. Kirkman not to betray a word of what had passed, that the interview might be free from restraint, and seem to be arranged merely for showing off the several instruments that were ready for sale, to a gentleman who was disposed to purchase one of the most costly.

To this injunction Mr. Kirkman agreed, and conscientiously adhered.

A day was appointed, and the meeting took place.

Young Burney, with no other idea than that of serving Kirkman, immediately seated himself at an instrument, and played various pieces of Geminiani, Corelli, and Tartini, whose compositions were then most in fashion. But Mr. Greville, secretly suspicious of some connivance, coldly and proudly walked about the room; took snuff from a finely enamelled snuff box, and looked at some prints, as if wholly without noticing the performance.

He had, however, too much penetration not to perceive his mistake, when he remarked the incautious carelessness with which his inattention was returned; for soon, conceiving himself to be playing to very obtuse ears, young Burney left off all attempt at soliciting their favour; and only sought his own amusement by trying favourite passages, or practising difficult ones, with a vivacity which showed that his passion for his art rewarded him in itself for his exertions. But coming, at length, to keys of which the touch, light and springing, invited his stay, he fired away in a sonata of Scarlatti’s with an alternate excellence of execution and expression, so perfectly in accord with the fanciful flights of that wild but masterly composer, that Mr. Greville, satisfied no scheme was at work to surprise or to win him; but, on the contrary, that the energy of genius was let loose upon itself, and enjoying, without premeditation, its own lively sports and vagaries, softly drew a chair to the harpsichord, and listened, with unaffected earnestness, to every note.

Nor were his ears alone curiously awakened; his eyes were equally occupied to mark the peculiar performance of intricate difficulties; for the young musician had invented a mode of adding neatness to brilliancy, by curving the fingers, and rounding the hand, in a manner that gave them a grace upon the keys quite new at that time, and entirely of his own devising.

To be easily pleased, however, or to make acknowledgment of being pleased at all, seems derogatory to strong self-importance; Mr. Greville, therefore, merely said, “You are fond, Sir, it seems, of Italian music?”

The reply to this was striking up, with all the varying undulations of the crescendo, the diminuendo, the pealing swell, and the “dying, dying fall” belonging to the powers of the pedal, that most popular masterpiece of Handel’s, the Coronation Anthem.

This quickness of comprehension, in turning from Italian to German, joined to the grandeur of the composition, and the talents of the performer, now irresistibly vanquished Mr. Greville; who, convinced of Kirkman’s truth with regard to the harmonic powers of this son of Apollo, desired next to sift it with regard to the wit.

Casting off, therefore, his high reserve, with his jealous surmises, he ceased to listen to the music, and started some theme that was meant to lead to conversation.

But as this essay, from not knowing to what the youth might be equal, consisted of such inquiries as, “Have you been in town long, Sir?” or, “Does your taste call you back to the country, Sir?” &c. &c., his young hearer, by no means preferring this inquisitorial style, to the fancy of Scarlatti, or the skill and depth of Handel, slightly answered, “Yes, Sir,” or “No, Sir;” and, perceiving an instrument not yet tried, darted to it precipitately, and seated himself to play a voluntary.

The charm of genuine simplicity is nowhere more powerful than with the practised and hackneyed man of the world; for it induces what, of all things, he most rarely experiences, a belief in sincerity.

Mr. Greville, therefore, though thwarted, was not displeased; for in a votary of the art he was pursuing, he saw a character full of talents, yet without guile; and conceived, from that moment, an idea that it was one he might personally attach. He remitted, therefore, to some other opportunity, a further internal investigation.

Mr. Kirkman now came forward to announce, that in the following week he should have a new harpsichord, with double keys, and a deepened base, ready for examination.

They then parted, without any explanation on the side of Mr. Greville; or any idea on that of the subject of these memoirs, that he and his acquirements were objects of so peculiar a speculation.

At the second interview young Burney innocently and eagerly flew at once to the harpsichord, and tried it with various recollections from his favourite composers.

Mr. Greville listened complacently and approvingly; but, at the end of every strain, made a speech that he intended should lead to some discussion.

Young Burney, however, more alive to the graces of melody than to the subtleties of argument, gave answers that always finished with full-toned chords, which as constantly modulated into another movement; till Mr. Greville, tired and impatient, suddenly proposed changing places, and trying the instrument himself.

He could not have devised a more infallible expedient to provoke conversation; for he thrummed his own chosen bits by memory with so little skill or taste, yet with a pertinacity so wearisome, that young Burney, who could neither hearken to such playing, nor turn aside from such a player, caught with alacrity at every opening to discourse, as an acquittal from the fatigue of mock attention.

This eagerness gave a piquancy to what he said, that stole from him the diffidence that might otherwise have hung upon his inexperience; and endued him with a courage for uttering his opinions, that might else have faded away under the trammels of distant respect.

This meeting concluded the investigation; music, singing her gay triumph, took her stand at the helm; and a similar victory for capacity and information awaited but a few intellectual skirmishes, on poetry, politics, morals, and literature,—in the midst of which Mr. Greville, suddenly and gracefully holding out his hand, fairly acknowledged his scheme, proclaimed its success, and invited the unconscious victor to accompany him to Wilbury House.

Of Mr. Greville, young Burney soon became a confidential companion; he accompanied his patron into all companies; was introduced to all his friends and associates; and, of course, made many connexions that were highly valuable in after life. After Mr. Greville’s marriage, Burney still continued to reside in the family, and was to have accompanied it on a foreign tour, but love had by this time taken possession of his heart, and instead of travelling on the continent, he, while still in his minority, married his first wife, Miss Esther Sleepe, a lady, whose personal charms and genuine worth are beautifully enshrined by the eloquence and affection of her daughter.

The account given of Dr. Burney’s first settlement in London after his marriage, and of his migration to Lynn, affords us no opportunity of altering or adding, in any material point, to the biographical article in our number for last October. His residence in Norfolk was fruitful in new and valuable connexions, and contributed to the full restoration of his health. It was while thus an exile from the capital and its circles, however, that Mr. Burney laid the foundation of his intimacy with Dr. Johnson; an intimacy which never suffered interruption or diminution, and ended but with the life of the latter. Burney had always been an enthusiastic admirer of Johnson’s writings, and when his dictionary was announced, exerted himself so strenuously in its favour throughout his Norfolk circuit, that he soon collected a little list of subscribers, which afforded him an opportunity of expressing his admiration to the object of it; and the following letter made the opening to a connexion he always considered as one of the greatest honours of his life.

MR. BURNEY TO MR. JOHNSON.

Sir,—Though I have never had the happiness of a personal knowledge of you, I cannot think myself wholly a stranger to a man with whose sentiments I have so long been acquainted; for it seems to me as if the writer, who was sincere, had effected the plan of that philosopher who wished men had windows at their breasts, through which the affections of their hearts might be viewed.

It is with great self-denial that I refrain from giving way to panegyric in speaking of the pleasure and instruction I have received from your admirable writings; but knowing that transcendent merit shrinks more at praise, than either vice or dulness at censure, I shall compress my encomiums into a short compass, and only tell you that I revere your principles and integrity, in not prostituting your genius, learning, and knowledge of the human heart, in ornamenting vice or folly with those beautiful flowers of language due only to wisdom and virtue. I must add, that your periodical productions seem to me models of true genius, useful learning, and elegant diction, employed in the service of the purest precepts of religion, and the most inviting morality.

I shall waive any further gratification of my wish to tell you, Sir, how much I have been delighted by your productions, and proceed to the business of this letter; which is no other than to beg the favour of you to inform me, by the way that will give you the least trouble, when, and in what manner, your admirably planned, and long wished-for Dictionary will be published? If it should be by subscription, or you should have any books at your own disposal, I shall beg of you to favour me with six copies for myself and friends, for which I will send you a draft.

I ought to beg pardon of the public as well as yourself, Sir, for detaining you thus long from your useful labours; but it is the fate of men of eminence to be persecuted by insignificant friends as well as enemies; and the simple cur who barks through fondness and affection, is no less troublesome than if stimulated by anger and aversion.

I hope, however, that your philosophy will incline you to forgive the intemperance of my zeal and impatience in making these inquiries; as well as my ambition to subscribe myself, with very great regard,

Sir, your sincere admirer, and most humble servant,

CHARLES BURNEY.

Lynn Regis, 16th Feb., 1755.

In 1760, Mr. Burney returned to London, and fixed his residence in Poland-street, soon collecting round him a circle of pupils, in the highest degree encouraging to his prospects. The anxiety displayed in this part of the Memoir to satisfy the reader that Poland-street was not then the vulgar despised thoroughfare that it is now, but that even dukes and right honourable ladies shared it with Dr. Burney and his family, is rather amusing; but we are too speedily called to a much more serious subject, the death of the first Mrs. Burney, who appears to have been most tenderly loved, and most deeply regretted by her husband. After a widowhood of six years’ duration, however, Mr. Burney entered a second time into the pale of matrimony with a Mrs. Stephen Allen, a lady who was at the head of society in Lynn, while the Burneys resided there, and had been the intimate friend of the first Mrs. Burney.

The next musical record of the doctor’s life, while it obliges us to correct a passage in our own Memoir, awakens something like a painful feeling. We have stated what has hitherto been the received account, that the idea of the General History of Music suggested itself to Dr. Burney, and that the foundation of his collections for that task were laid, during his residence at Lynn. From these Memoirs it appears that it was not till 1769 that Dr. Burney had any idea of undertaking such a work. Now this revives, and seems to give some countenance to the complaint of Sir John Hawkins’s friends, that it was undertaken in direct rivalry to the learned knight’s work, which, though not published till some years after, the literary world well knew that he had long been employed on it. The immediate result of this plan was the two Musical Tours to Italy and Germany. And here we must express our regret and disappointment at not finding one word in the Memoirs relative to these journies, except a story, in which we own we can see no joke, that on his return from one of them the Doctor was so exhausted with sea-sickness, that when the packet reached Dover, instead of going ashore, he went to sleep, and awoke just in time to find himself half way over to Calais again. The reason given for this omission; viz. that the Doctor published detailed accounts of them during his lifetime, we venture to submit, is no reason at all; to say nothing of the books referred to being out of print, and consequently out of the reach of a majority of readers, these tours form important eras in his literary and professional life, and an abstract of them at least should surely have found a place in his Memoirs, except the work now before as is intended only as a contribution towards the labours of some person who shall hereafter compile a complete life of Dr. Burney.

He had been so pleased with the Conservatorios or Musical Schools of the Continent, that very soon after his return he made strenuous efforts to establish a similar foundation in London. He proposed to the directors of the Foundling Hospital to engraft his plan on their institution and select the pupils from the objects of that charity; but notwithstanding the friendly assistance of Sir Charles Whitworth, the president, it was eventually negatived by the general body, and the Doctor gave up the attempt.

The History of Music procured Dr. Burney also the acquaintance of Bruce, the celebrated Abyssinian traveller, who had brought home with him a drawing, made on the spot, of the Theban harp, as beautiful in its execution as in its form, though copied from a model at least 3000 years old. This led to two or three interviews, first at the house of a musical friend, then at the Doctor’s own residence. These are described in letters from the authoress, then very young, to a Mr. Crisp, her father’s oldest friend. The letters do infinite credit to the young lady’s quick observation of manners, and her power of graphic and lively description, and prove her command of her pen. They are, however, too long for quotation; and the parts really relating to Mr. Bruce are so interspersed with the complete details of long tea-table and after-supper conversations, that it is no easy task to pick them out. The following description, however, of the great traveller’s personal appearance, will give our readers some idea of the powers of the writer:—

MEETING THE FIRST

took place at the tea-table, of Mrs. Strange, to which my mother, by appointment, had introduced her Lynn friends, Mr. and Mrs. Turner, who were extremely curious to see Mr. Bruce. My dear father was to have escorted us; but that provoking Marplot, commonly called Business, came, as usual, in the way, and he could only join us afterwards.

The Man-Mountain, and Mr. and Mrs. Turner, were already arrived; and no one else was invited, or, at least, permitted to enter.

Mr. Bruce, as we found, when he arose—which he was too stately to do at once—was placed on the largest easy chair; but which his vast person covered so completely, back and arms, as well as seat, that he seemed to have been merely placed on a stool; and one was tempted to wonder who had ventured to accommodate him so slightly. He is the tallest man you ever saw in your life—at least, gratis. However, he has a very good figure, and is rather handsome; so that there is nothing alarming, or uncomely, or I was going to say, ungenial—but I don’t think that is the word I mean—in his immense and authoritative form.

My mother was introduced to him, and placed by his side; but, having made her a cold though civilish bow, he took no further notice even of her being in the room. I, as usual, glided out of the way, and got next to Miss Strange, who is agreeable and sensible: and who, seeing me, I suppose, very curious upon the subject, gave me a good deal of information about Man-Mountain.

As he is warmly attached to Mrs. Strange and her family, he spends all his disengaged evenings at their house, where, when they are alone, he is not only chatty and easy, but full of comic and dry humour; though, if any company enters, he sternly, or gloutingly, Miss Strange says, shuts up his mouth, and utters not a word—except, perhaps, to her parrot, which, I believe, is a present from himself. Certainly, he does not appear more elevated above the common race in his size, than in his ideas of his own consequence. Indeed, I strongly surmise, that he is not always without some idea how easy it would be to him—and perhaps how pleasant—in case any one should dare to offend him, to toss a whole company of such pigmies as the rest of mankind must seem to him, pell-mell down stairs,—if not out of the window.

There is some excuse, nevertheless, for this proud shyness, because he is persuaded that nobody comes near him but either to stare at him as a curiosity, or to pick his brains for their own purposes: for, when he has deigned to behave to people as if he considered himself as their fellow-creature, every word that has been drawn from him has been printed in some newspaper or magazine, which, as he intends to publish his travels himself, is abominably provoking, and seems to have made him suspicious of some dark design, or some invidious trick, when anybody says to him “How do you do, Sir?” or “Pray, Sir, what’s o’clock?”

And, after all, if his nature in itself is as imperious as his person and air are domineering, it is hardly fair to expect that having lived so long among savages should have softened his manners.

There was, however, no conversation. Mr. Bruce’s grand air, gigantic height, and forbidding brow, awed everybody into silence except Mrs. Strange, who, with all her wit and powers, found it heavy work to talk without reply.

[To be continued.]

                                                                                                                                                                                                                                                                                                           

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