It is with a sad pleasure that the readers of this magazine will see in its pages the first chapter of "The Dolliver Romance," the latest record of Nathaniel Hawthorne meant for the public eye. The charm of his description and the sweet flow of his style will lead all who open upon it to read on to the closing paragraph. With its harmonious cadences the music of this quaint, mystic overture is suddenly hushed, and we seem to hear instead the tolling of a bell in the far distance. The procession of shadowy characters which was gathering in our imaginations about the ancient man and the little child who come so clearly before our sight seems to fade away, and in its place a slow-pacing train winds through the village-road and up the wooded hill-side until it stops at a little opening among the tall trees. There the bed is made in which he whose dreams had peopled our common life with shapes and thoughts of beauty and wonder is to take his rest. This is the end of the first chapter we have been reading, and of that other first chapter in the life of an Immortal, whose folded pages will be opened, we trust, in the light of a brighter day.

It was my fortune to be among the last of the friends who looked upon Hawthorne's living face. Late in the afternoon of the day before he left Boston on his last journey I called upon him at the hotel where he was staying. He had gone out but a moment before. Looking along the street, I saw a figure at some distance in advance which could only be his,—but how changed from his former port and figure! There was no mistaking the long iron-gray locks, the carriage of the head, and the general look of the natural outlines and movement; but he seemed to have shrunken in all his dimensions, and faltered along with an uncertain, feeble step, as if every movement were an effort. I joined him, and we walked together half an hour, during which time I learned so much of his state of mind and body as could be got at without worrying him with suggestive questions,—my object being to form an opinion of his condition, as I had been requested to do, and to give him some hints that might be useful to him on his journey.

His aspect, medically considered, was very unfavorable. There were persistent local symptoms, referred especially to the stomach,—"boring pain," distension, difficult digestion, with great wasting of flesh and strength. He was very gentle, very willing to answer questions, very docile to such counsel as I offered him, but evidently had no hope of recovering his health. He spoke as if his work were done, and he should write no more.

With all his obvious depression, there was no failing noticeable in his conversational powers. There was the same backwardness and hesitancy which in his best days it was hard for him to overcome, so that talking with him was almost like love-making, and his shy, beautiful soul had to be wooed from its bashful pudency like an unschooled maiden. The calm despondency with which he spoke about himself confirmed the unfavorable opinion suggested by his look and history.

The journey on which Mr. Hawthorne was setting out, when I saw him, was undertaken for the benefit of his health. A few weeks earlier he had left Boston on a similar errand in company with Mr. William D. Ticknor, who had kindly volunteered to be his companion in a trip which promised to be of some extent and duration, and from which this faithful friend, whose generous devotion deserves the most grateful remembrance, hoped to bring him back restored, or at least made stronger. Death joined the travellers, but it was not the invalid whom he selected as his victim. The strong man was taken, and the suffering valetudinarian found himself charged with those last duties which he was so soon to need at the hands of others. The fatigue of mind and body thus substituted for the recreation which he greatly needed must have hastened the course of his disease, or at least have weakened his powers of resistance to no small extent.

Once more, however, in company with his old college-friend and classmate, Ex-President Pierce, he made the attempt to recover his lost health by this second journey. My visit to him on the day before his departure was a somewhat peculiar one, partly of friendship, but partly also in compliance with the request I have referred to.

I asked only such questions as were like to afford practical hints as to the way in which he should manage himself on his journey. It was more important that he should go away as hopeful as might be than that a searching examination should point him to the precise part diseased, condemning him to a forlorn self-knowledge such as the masters of the art of diagnosis sometimes rashly substitute for the ignorance which is comparative happiness. Being supposed to remember something of the craft pleasantly satirized in the chapter before us, I volunteered, not "an infallible panacea of my own distillation," but some familiar palliatives which I hoped might relieve the symptoms of which he complained most. The history of his disease must, I suppose, remain unwritten, and perhaps it is just as well that it should be so. Men of sensibility and genius hate to have their infirmities dragged out of them by the roots in exhaustive series of cross-questionings and harassing physical explorations, and he who has enlarged the domain of the human soul may perhaps be spared his contribution to the pathology of the human body. At least, I was thankful that it was not my duty to sound all the jarring chords of this sensitive organism, and that a few cheering words and the prescription of a not ungrateful sedative and cordial or two could not lay on me the reproach of having given him his "final bitter taste of this world, perhaps doomed to be a recollected nauseousness in the next."

There was nothing in Mr. Hawthorne's aspect that gave warning of so sudden an end as that which startled us all. It seems probable that he died by the gentlest of all modes of release, fainting, without the trouble and confusion of coming back to life,—a way of ending liable to happen in any disease attended with much debility.

Mr. Hawthorne died in the town of Plymouth, New Hampshire, on the nineteenth of May. The moment, and even the hour, could not be told, for he had passed away without giving any sign of suffering, such as might call the attention of the friend near him. On Monday, the twenty-third of May, his body was given back to earth in the place where he had long lived, and which he had helped to make widely known,—the ancient town of Concord.

The day of his burial will always live in the memory of all who shared in its solemn, grateful duties. All the fair sights and sweet sounds of the opening season mingled their enchantments as if in homage to the dead master, who, as a lover of Nature and a student of life, had given such wealth of poetry to our New-England home, and invested the stern outlines of Puritan character with the colors of romance. It was the bridal day of the season, perfect in light as if heaven were looking on, perfect in air as if Nature herself were sighing for our loss. The orchards were all in fresh flower,—

the banks were literally blue with violets; the elms were putting out their tender leaves, just in that passing aspect which Raphael loved to pencil in the backgrounds of his holy pictures, not as yet printing deep shadows, but only mottling the sunshine at their feet. The birds were in full song; the pines were musical with the soft winds they sweetened. All was in faultless accord, and every heart was filled with the beauty that flooded the landscape.

The church where the funeral services were performed was luminous with the whitest blossoms of the luxuriant spring. A great throng of those who loved him, of those who honored his genius, of those who held him in kindly esteem as a neighbor and friend, filled the edifice. Most of those who were present wished to look once more at the features which they remembered with the lights and shadows of life's sunshine upon them. The cold moonbeam of death lay white on the noble forehead and still, placid features; but they never looked fuller of power than in this last aspect with which they met the eyes that were turned upon them.

In a patch of sunlight, flecked by the shade of tall, murmuring pines, at the summit of a gently swelling mound where the wild-flowers had climbed to find the light and the stirring of fresh breezes, the tired poet was laid beneath the green turf. Poet let us call him, though his chants were not modulated in the rhythm of verse. The element of poetry is air: we know the poet by his atmospheric effects, by the blue of his distances, by the softening of every hard outline he touches, by the silvery mist in which he veils deformity and clothes what is common so that it changes to awe-inspiring mystery, by the clouds of gold and purple which are the drapery of his dreams. And surely we have had but one prose-writer who could be compared with him in aËrial perspective, if we may use the painter's term. If Irving is the Claude of our unrhymed poetry, Hawthorne is its Poussin.

This is not the occasion for the analysis and valuation of Hawthorne's genius. If the reader wishes to see a thoughtful and generous estimate of his powers, and a just recognition of the singular beauty of his style, he may turn to the number of this magazine published in May, 1860. The last effort of Hawthorne's creative mind is before him in the chapter here printed. The hand of the dead master shows itself in every line. The shapes and scenes he pictures slide at once into our consciousness, as if they belonged there as much as our own homes and relatives. That limpid flow of expression, never laboring, never shallow, never hurried nor uneven nor turbid, but moving on with tranquil force, clear to the depths of its profoundest thought, shows itself with all its consummate perfections. Our literature could ill spare the rich ripe autumn of such a life as Hawthorne's, but he has left enough to keep his name in remembrance as long as the language in which he shaped his deep imaginations is spoken by human lips.