Though it appears to be impossible to fix on the time when skating first took root in England, there can be no doubt that it was introduced there from more northern climates, where it originated more from the necessities of the inhabitants than as a pastime. When snow covered their land, and ice bound up their rivers imperious necessity would soon suggest to the Scands or the Germans some ready means of winter locomotion. This first took the form of snow-shoes with two long runners of wood, like those still used by the inhabitants of the northerly parts of Norway and Sweden in their journeys over the immense snow-fields. These seem originally to have been used by the Finns, "for which reason," says a Swedish writer, "they were called 'Skrid Finnai' (Sliding Finns)—a common name for the most ancient inhabitants of Sweden, both in the North saga and by foreign authors."

When used on ice, one runner would soon have been found more convenient than the widely separated two, and harder materials used than wood: first bone was substituted; then it, in turn, gave place to iron; and thus the present form of skate was developed in the North at a period set down by Scandinavian archÆologists as about A.D. 200.

Frequent allusions occur in the old Northern poetry, which prove that proficiency in skating was one of the most highly esteemed accomplishments of the Northern heroes. One of them, named Kolson, boasts that he is master of nine accomplishments, skating being one; while the hero Harold bitterly complains that though he could fight, ride, swim, glide along the ice on skates, dart the lance, and row, "yet a Russian maid disdains me."

In the "Edda" this accomplishment is singled out for special praise: "Then the king asked what that young man could do who accompanied Thor. Thialfe answered that in running upon skates he would dispute the prize with any of the countries. The king owned that the talent he spoke of was a very fine one."

Olaus Magnus, the author of the famous chapter on the Snakes of Iceland, tells us that skates were made "of polished iron, or of the shank bone of a deer or sheep, about a foot long, filed down on one side, and greased with hog's lard to repel the wet." These rough-and-ready bone skates were the kind first adopted by the English; for Fitzstephen, in his description of the amusements of the Londoners in his day (time of Henry the Second), tells us that "when that great fen that washes Moorfields at the north wall of the city is frozen over, great companies of young men go to sport upon the ice. Some, striding as wide as they may, do slide swiftly; some, better practiced to the ice, bind to their shoes bones, as the legs of some beasts, and hold stakes in their hands, headed with sharp iron, which sometimes they strike against the ice; these men go as swiftly as doth a bird in the air, or a bolt from a cross-bow." Then he goes on to say that some, imitating the fashion of the tournament, would start in full career against one another, armed with poles; "they meet, elevate their poles, attack and strike each other, when one or both of them fall, and not without some bodily hurt."

Specimens of these old bone skates are occasionally dug up in fenny parts of Great Britain. There are some in the British Museum, in the Museum of the Scottish Antiquaries, and probably in other collections; though perhaps some of the "finds" are not nearly as old as Fitzstephen's day, for there seems to be good evidence that even in London the primitive bone skate was not entirely superseded by implements of steel at the latter part of last century.

One found about 1839 in Moorfields, in the boggy soil peculiar to that district, is described as being formed of the bone of some animal, made smooth on one side, with a hole at one extremity for a cord to fasten it to the shoe. At the other end a hole is also drilled horizontally to a depth of three inches, which might have received a plug, with another cord to secure it more effectually.

There is hardly a greater difference between these old bone skates and the "acmes" and club skates of to-day, than there is between the skating of the Middle Ages and the artistic and graceful movements of good performers of to-day. Indeed, skating as a fine art is entirely a thing of modern growth. So little thought of was the exercise, that for long after Fitzstephen's day we find few or no allusions to it, and up to the Restoration days it appears to have been an amusement confined chiefly to the lower classes, among whom it never reached any very high pitch of art. "It was looked upon," says a recent writer, "much with the same view that the boys on the Serpentine even now seem to adopt, as an accomplishment, the acme of which was reached when the performer could succeed in running along quickly on his skates, and finishing off with a long and triumphant slide on two feet in a straight line forward. A gentleman would probably then have no more thought of trying to execute different figures on the ice than he would at the present day of dancing in a drawing-room on the tips of his toes." Even as an amusement of the common people it is not alluded to in any of the usual catalogues of sport so often referred to.