The day Mr. Gladstone went to Dublin to receive the freedom of the city, which the town council had unanimously agreed to confer upon him, he spent a day in the docks and courts and in visiting St. Michael's Church—a place full of historical interest. On the vestry table lie two casts of the heads of the brothers Shears, who were beheaded in the rebellion of 1798. Such are the properties of the soil in the cemetery that the bodies of those are as perfect as the day on which they were hanged.

The church itself is eight hundred years old, having been built by a Danish bishop during the ascendency of his race.

Mr. Gladstone examined the communion plate, some of which came out of the spoils of the Spanish Armada.

But these were light trivialities! The grave of Robert Emmet is here. "Let no man mark my tomb," said he, "until my country takes her place among the nations of the earth."

Mr. Gladstone stood beside the rough granite, unchiselled, unlettered, silent slab. No name, no date, no word of sorrow, of hope. The sides are clipped and hacked, for emigrants have come from afar to take to their home in the new world bits of the tomb of Robert Emmet. How he comes to lie here is simply said. When his head was cut off in Thomas Street, his body was taken to Bully's Acre,—what a name!—and buried.

Rev. Mr. Dobbyn, a sympathizer in the cause, was then Rector of St. Michael's; he ordered the body to be disinterred that night, and he placed it secretly in St. Michael's church-yard. A nephew of Robert Emmet, a New York judge, corroborated this statement some years ago. But Emmet is not the only rebel that lies here in peace.

Oliver Boyd sleeps here, with God's noblest work, "an honest man," written on his tombstone. Here, too, is the grave of the hero, William Jackson, who was tried, convicted and sentenced to death. While the judge was still pronouncing the awful doom, the man grew faint and in a few minutes fell down dead. He had swallowed poison on hearing the verdict from the jury. In this vault, over which Mr. Gladstone peers anxiously, you can see a group of heads, all of 1798 men and there on one of them, is the hangman's crape as it stuck in the wounded neck since the day on which it and its owner parted company. Mr. Gladstone is silent as he sees all this and at last mournfully moves away.

Is there ever a tragedy in which clown is wholly absent? As he steps over the graves, up comes a man as drunk as a goat, and cries out, "Ah! Mr. Gladstone will you take the duty off the whiskey?" Upon which he of Hawarden Castle turns him round and says slowly—"My friend, the duty does not seem to stand much in your way."

John W. Monahan.