Sultry and wearisome the day had been in that Tennessee valley, and after drill, we had laid around under the trees—tall, noble trees they were—and the fresh grass was green and soft under them as on the old 'Campus,' and we had been smoking and talking over a wide, wide range of subjects, from deep Carlyleism—of which Carlyle doubtless never heard—to the significance of the day's orders. It was not an inharmonious picture—Camp Alabama, so we had named it—for it was with a 'here we rest' feeling that a dozen days before we had marched in at noon. The ground sloped to the eastward—a single winding road of yellow sand crept over the slope into the horizon, a mile or more away; north, a hill rose with some abruptness; south and west, a grove of wonderful beauty skirted the valley. A single building—an old but large log farmhouse—stood near the tent, whose fluttering banner indicated headquarters. This old house was well filled with commissary stores, and, following that incomprehensible Tennessee policy, four companies of our regiment, the twenty-third, had been detached to guard them under Major Fanning—'a noble soldier he, but all untried.' We had never yet seen active service, and our tents were still white and unstained. The ground had been once the lawn of the deserted house—in the long ago probably the home of a planter of some pretension; and, as we lay there under the trees watching the boys over the fires, kindled for their evening meal, the blue smoke curling up among the trees, it made, as I have said, a most harmonious picture. That fair June evening! I can never forget it, and I wish I were an artist that I could show you the sloping valley, the white tents, flushing like a girl's cheek to the good-night kisses of the sun, the curling smoke wreaths, We were all invited that evening to supper with our commanding officer and his wife—who had been with him for a few days. A fresh breeze stirred the trees at sunset, and, after slight attention to our toilette, we dropped by twos and threes into the neighborhood of the major's tent. A little back from the rows of other tents, a few fine oaks made a temple in front, worthy even of its presiding genius, Grace Fanning—but I am not going to rhapsodize. She was a fair, modest, young thing, with the girl rose yet fresh on her wife's cheek. I had known her from childhood; very nearly of the same age, and the children of neighbors, we had been inseparable; of course in my first college vacation, finding her grown tall and womanly, I had entertained for her a devoted boyish passion, and had gone from her presence, one August night, mad with rejection, and wild with what I called despair. But that passed, and we had been good friends ever since—she the confidential one, to whom I related my varied college love affairs, listening ever with a tender, genial sympathy. I had no sister, and Grace Jones (I am sorry, but her name was Jones) was dear to me as one. Two years of professional study had kept me away from my village home, and a few words came once in a long while, in my mother's letters 'to assure me of Grace's remembrance and regard.' A little of the elder sister's advising tone amused my one and twenty years and my incipient moustache amazingly; and I resolved, when I saw her, to convince her of my dignity—to patronize her. But the notes that called me home were too clarion-like for a relapse into puppyism. My country spoke my name, and I arose a man, and 'put away childish things.' I came home to say farewell. A regiment was forming there, I enlisted, and a few days before our departure, I stood in the village church, looking and listening while Grace promised eternal fidelity to Harry Fanning. I was a stranger to him. He had come to Danville after my departure, winning from all golden opinions, and from Grace a woman's priceless heart. She gave him freely to his country, and denied not her hand to his parting prayer. I had had time only to say farewell to her, and the old footing had not been restored, but I think she spoke to the major of me, for he soon sought me, giving me genial friendship and sympathy, and procuring for me, as I have related, my commission. I had seen her but once since she came to Camp Alabama, and she gave me warm and kindly welcome as I came in, the last of the group, having found in my tent some unexpected employment. Being a soldier, I shall not shock my fair readers if I confess that it was—buttons. Ah! me, I am frivolous. But I linger in the spirit of that happy hour. Grace's chair was shaded by a gracefully draped flag; the major stood near her, his love for her as visible in his eye as his cordial kindness for us. To me, in honor of my 'juniority,' as Mrs. Fanning said, was assigned a place near her. The others had choice between campstools and blankets on the grass. And the oddest but most respectable of contrabands served us soon with our supper, so homelike that we suspected 'Mrs. Major's' fair hands of interference. It was a happy evening. Merry laughter at our camp stories rang silverly from her fair lips. Or we listened eagerly to her as she told us of the homes we had left, and the bonny maidens there, sobered since our departure into patriotic industry. Stories of touching self-denial, with a wholesome pathos, and sometimes from her dainty musical talk she dropped, pebble-like, a name, as 'Fanny,' 'Carry,' We had a wild little battle song in 'Our Mess,' written by Charlie Marsh, our fair-haired boy-poet soldier, speaking of home, and the country's need, and victory, and possible deaths in ringing notes. We sang it there in the light of the slowly rising moon. The chorus was like this: 'Our country's foe before us, As we closed, Grace caught the strain, and with soft, birdlike notes sang: 'Your country's flag above you, More songs followed, and happy words of cheer in distress, of self-consecration, of past and future victory; but Major Fanning was unusually silent. Hardly sad, for he flung into our conversation occasional cheerful words; but gravely quiet, his dark eye following every motion of his fair young wife. Finally we called on Captain Carter, our 'oldest man,' a grave bachelor of forty-five, and to our surprise, who knew him harsh and sometimes profane, he sang, with a voice not faultless, but soft and expressive, that exquisite health of Campbell's: 'Drink ye to her that each loves best, Then silence for a little space; and the moonlight full and fair in soldiers' faces, young and old, but all firm and true, and fair and full on Grace Fanning's fresh, young brow. Then 'good-nights,' mingled with expressions of enjoyment, and plans for the morrow. I left them last. 'I am glad you are here, Robert,' said the major; 'Grace would not be all alone, even if I'— Her white hand flashed to his lips, where a kiss met it, and laughingly we parted. A few rods away, I paused and turned. They stood there under the flag. Her bright head on his bosom, his arms about her, and the silver moonlight over all. Fair Grace Fanning! Have I named my story wrongly, pretty reader? I called it 'Camp Sketch,' and it reads too like a love story. 'Ah! gentle girl, seeking adventure in fiction, but shrinking really from even a cut finger, there is enough of battle even in my little story, though you slept peacefully and happily that fair June night, or waltzed yourself weary to the sound of the sea at the 'Ocean House.' A few 'good nights' commendatory The long roll! None but those who have heard it when it means instant danger and possible death, can conceive the thrill with which I sprang from deep slumber, and made hasty preparation for action. Quick as I was, others had been before me, and I found the half-dressed men drawn up in battle line before the encampment. I took my place. Behind us lay the camp, a wide, street-like space, fringed with a double row of tents—at its foot the old log mansion; near that, a little in front, but at one side, the flag of headquarters—this behind. Before us the major—the western wood, and the flashing sabres of a band of hostile cavalry. They came on heedless of the fast-emptying saddles, on, on, and more following from the wood, the moon in the mid heaven, clear like day. A gallant charge—a firm repulse. Major Fanning's clear voice on the night air, rallying the men to attack the furious foe. They sweep their horses around to left, but calmly the major wheels his battalion, still unflanked; again those fierce steeds try the first point of attack; again we front them undaunted. In our turn, with lifted level bayonets we charge; the enemy falls back—a shout threads along our lines, changing suddenly into a wail, for, calling us on, our leader falls. Pitiless to his noble valor, a well-aimed carbine-shot lays him low. They lift him, some brave soldiers near; and, his young face bathed in blood, they bear him to his waiting bride; he opens his eyes, as he passes. 'Courage! victory! my boys!' he calls; then, seeing me: 'Go! tell her, Robert.' I call my orderly to my place, and before they have pierced our lines with their beloved burden, I am at the tent door. She stands there waiting, a little pistol in her hand—a light wrapper about her, and her fair hair streaming over her shoulders. I look at her mutely; she knows there is something terrible for her, and while I seek words, her eye goes on, resting where down the moonlit trees they are bringing him. A moment, she is by his side, and tearless and white, her hand on his unanswering heart, she moves beside him. The soldiers lay their leader on the ground under his flag, and her imperious gesture sends them back to their places in the battle. And then she, sinking beside him, cries out: 'Oh, Robert! will he never speak to me again? Help him!' My two years at lectures had not been passed in vain, and surgery had been my hobby. I knelt and strove to aid him. It was a cruel wound. I asked for bandages. She tore them from her garments wildly. I stilled the trickling crimson stream, and going into the tent, found some restoratives. I poured the wine down his throat, and, soon opening his eyes, he spoke: 'Grace!' I stepped away—near enough for call, not near enough for intrusion. Looking at the lines of dark forms topped by the light glimmer of stray bayonets, I saw with dismay that our men were retreating before those heavy charges; in thick, dense masses they moved back, nearing us. I thought of our soldier chief, crushed under those wild hoofs; I thought of Grace, unprotected in her youth and widowed, desolate beauty, and sprang to her side, ready with my life for her. The major saw it all, and, faint as he was, rose on his elbow, watching. Charge after charge, wild and impetuous, break the slowly retreating battalions. In vain I heard Carter's stern oaths (may the angel of tears forgive him!), and Charlie Marsh's boyish calls. The men are facing us. The enemy, 'Grace! Grace! I must rally them, let me go!' and I see Major Fanning straggling in her arms. I clasp him also. 'It is certain death,' I say to her, mad with fright and misery. 'And this is worse, worse, Grace; you might better kill me!' his voice was harsh—cruel even. Suddenly she was gone, and I held him alone; catching his sword, she sprang like a flash of lightning into the open space before the log house, and, lifting the bare blade with naked, slender arm, its loose sleeve floating from her shoulder like a wing, she faced those panic-stricken men. 'For shame!' she cried; but her weak voice was lost; then, stern as the angel of death, she stepped forward. 'The first man that passes me shall die!' and she swung the flashing blade up, ready to fall. A moment's halt, and then, she spoke to them with wonderful strange words. I cannot recall them; with inspired eloquence she spoke, a slight, white-robed figure in the clear moonlight, and the rout was stayed, and they turned bravely to meet the foe. Then she came faint and weak to her husband's side again. He looked up with glad, eager eyes. 'Darling!' Infinite love, soul-recognition, shone on both faces, and then blank unconsciousness crept over his. Firmly our boys met the charging steeds now. That moment had restored to them their courage. Emptied saddles were frequent, but still fresh forces dashed from the wood. Is there no hope for us? Must we be overpowered? Is all this valor vain? Grace from her husband's side looks mutely up to heaven. I find my place among the men. Little hope remains. Some one calls 'retreat.' 'Just once more,' cries Charlie, and falls before us. But listen; above the battle din comes a new, an approaching sound from the eastward. Along the yellow road pours swiftly a force of cavalry, behind the rumble of cannon almost flying over the ground, and high in air, reeling from the swift motion of its bearer's steed, the banner of the free. We are saved! A wild shout rings along our lines. Among the enemy, frightened consultation followed by flight; another second, and our friends are with us and beyond us in hot pursuit. Brief question and answer told us of the friendly warning in the distant camp, the hasty march to aid us. The rest we saw. Then, 'A surgeon for Major Fanning.' The man of the green sash had not grown callous. There were tears in his eyes as he rose from his vain endeavors, saying only: 'I can do nothing here; I am needed elsewhere.' Our young hero was dead! They composed his limbs, laying him on a blanket under the trees, and Grace sat down beside him, tearless still, but pale as her dress, or the white hand lying cold over the soldier's pulseless heart. 'Robert, send them away,' she said to me, as sympathizing strangers pressed round; and they left us alone with the dead. I spoke at last the commonplaces of consolation, suggested and modified by the hour and my soldier feelings. 'Yes, Robert,' she answered, 'I gave him long ago. God will comfort me for my hero—in time. Do not speak to me just yet. Do not let any one come.' The tears came now, and she wept bitterly, silently, under the starry banner, beside the dead. I heard the hum of many voices, and now and then a cry of pain, and knew they were all helping the sufferers. Then I turned to her again. Her streaming hair swept the ground, golden in the light. Her fair face was hidden on the cold dead face. And I dared not speak to her. Oh, that picture! Poor Grace Fanning! and the silver, silver moonlight over all. |