When the curtain drew up, the stage was occupied by the two heroes of the establishment, who said not a word, but rushed at each other with prodigious swords, and hacked and hewed with the most amazing vigour. The fight had a running accompaniment from the partisans of the two belligerents. "Go it, Fitz-Neddie!" (this was familiar for Fitz-Edward) was answered with outcries of "At him, Martingale!" And, inspired by these demonstrations, the battle was prolonged till the combatants were fairly out of breath. While they were resting on their swords, and grinning horribly at each other, Miss de la Rose rushed upon the stage, with dishevelled locks and white satin shoes, and explained, in a very long soliloquy, the state of affairs. Baron Fitz-Edward had made various attempts to storm Baron Martingdale's castle, in search of his runaway ward—who, of course, was Miss de la Rose herself; and, on the present occasion, he had been surprised by the watchful Martingdale in the very act of applying a ladder to the donjon wall. But virtue such as Miss de la Rose's has surer guards than even the courage of Martingdale; for when that noble warrior is likely to be overcome, there uniformly appears the "sylvan demon, or the blood-red knight," whose strokes it is impossible to resist. When this exposition of the state of affairs had given breath enough to the still panting enemies to enter into conversation, Fitz-Edward sneered, and scorned, and threatened, and walked up the stage, and across it, and stamped with his feet, and clenched his hands, in a way that brought down thunders of applause, which, from another part of the house, were answered by rival peals, when Martingdale gave full career to the rage that was in his heart, and roared to an extent that shook the scene on which his baronial castle was painted, "as if a storm passed by." If it had not been of very strong canvass, it must have burst. While this dialogue was going on, it was painful to observe that some duplicity was at work, for several bearded fellows slipt across the stage in a mysterious manner, and were evidently posted between Adelgiza—Miss de la Rose—and the castle. The discovery of this stratagem was made too late, and Fitz-Edward grasped the arm of Adelgiza in triumph, and was about to lead her out for the purpose of being married to her on the spot by a convenient old priest, who accompanied all his expeditions with a special license, when suddenly a dead silence fell upon the stage, and, with noiseless steps, a tall knight, with visor closed, and a whole bush of red feathers growing luxuriantly out of his helmet, marched towards Fitz-Edward, touched his arm with his sword, and motioned majestically for Adelgiza to retire in safety to her home. At this point of the story I was summoned to go behind the scenes, where Mr Montalban wished to have a few minutes' conversation.

"Difficulties have arisen, my dear sir," said the manager, "about your very excellent play. Mr Martingdale says he is willing to be quiet and subdued in presence of Fitz-Edward; but, to make up for it, he must have one or two 'bits' entirely to himself. He doesn't care whether it be as part of a scene with others or a soliloquy. He suggests a description of a shipwreck, though he thinks his powers of voice would qualify him more for a bull-fight. Perhaps you can put him asleep for a few minutes, and then he can give us his dream."

"It might be managed, no doubt," I said; "but how would it help the progress of the play?"

"O, he doesn't care for that. He is an ignorant ass; but if he gets sulky, he may spoil the run."

"Is there anything else?"

"You must omit that young girl who attends Edith and says nothing. Miss de la Rose complains that her beauty is so great, and her action so graceful, that nobody attends to anything else while she is on the stage."

"Why don't you put an ugly person in her place?"

"I have more sense," chuckled the manager. "These here ugly critturs may be as clever as they like, but the house is always pleased with the sight of a pretty girl: and there she is. Here!" he added, beckoning condescendingly to a young lady, who had been looking at us for some time, "come and speak to the author of our next new play."

She came up; and, in spite of the absurd apparel she was in—a dress composed of Greek and Turkish and Hindoo articles indiscriminately, she being a feasting lady in Baron Martingdale's castle—she struck me to be the most beautiful creature I had ever seen. She did not seem above twenty years of age; tall, and exquisitely made; with an expression that led one to expect a higher position for her than a walking figure.

"I will tell you some other suggestions they make," said Mr Montalban. "In the mean time, I must go and get the daggers ready for the next scene."

"Do you think they are going to bring out your play?" inquired the young lady.

"Certainly. I should say it will be acted in a month."

"It will never be acted here, I assure you of that. Notice is already given of a play which our translator has just finished from the French; and if you have advanced any money, it is to buy dresses for that. We keep a translator at twenty-five shillings a-week, and as much gin as he requires, and I am told this next spectacle will be very fine indeed."

When I had recovered my breath after this astounding communication, I replied, "I am afraid you see everything in this theatre in an unfavourable light. Your own position is certainly not equal to your merits."

"And therefore I tell you that Hengist and Horsa is never meant to appear? It doesn't seem to follow; but, nevertheless, what I tell you is true. My situation here is exactly what I wish."

"Then your ambition is easily satisfied, for I am told you are never allowed to speak."

"I am Miss de la Rose's double," she replied, "and gain confidence and a knowledge of the stage."

"Her double?" I inquired.

"Yes. I learn every part that she learns; so that if she were taken unwell, or were run over by a cab, I should be able to take her place; and, once give me the chance, she should never get it again!"

"And for this remote hope you hang on here every night, and probably have a very small salary?"

"No salary at all—is not worth mentioning," she said. "It is not for money I devote myself to the stage, and I don't require any profession for my support. Will you let me read your play?"

"With all my heart," I answered. I have another copy at home."

"Give me your address," she said, "and I will send for it to-morrow. Say nothing in the mean time of what I have told you, but be prepared for disappointment; for now I am off to preside at the second table." A round of applause saluted her graceful walk across the stage, which rose into a tempest of admiration when she acknowledged the compliment by a salaam of the deepest respect.

Miss de la Rose touched me on the shoulder. "She's the vainest fool, that Miss Claribel, that ever stept on boards. Why can't she walk quietly to her place without such coquetting with the pit?"

"Has she been an actress here long?"

"Never an actress at all, and never will be," replied the first tragedienne. "She has long watched for an opening; but we stop it up, sir, as if it were a rat-hole. So she may practise her Ophelia to the glass in the green-room. She shall never sing her ballads or spread out her hair before the lamps, I can tell her that. More applause!—what is it? It makes me quite nervous to hear all those disgusting noises. It is only Miss Claribel presenting a cup of wine to that brute Martingdale."

"She is so very beautiful," I said, and so majestic in her motion."

"Is she? You and I differ very much on that point. She certainly limps with the left leg; and—oh! there they're applauding again! It kills me, this nonsense! Why, she has only made her exit in search of me, for I am now going on to quarrel with the baron." So saying, she settled her dagger in her belt, and glided on to the stage.

Miss Claribel came to me again.

"Miss de la Rose is a severe critic—as most people are who are ignorant and vain," she began.

"I assure you I did not agree with her judgments; but one thing she told me that gives me great pleasure, and that is, that you are prepared to make a debÛt in Ophelia."

"And why should that give you pleasure?" she inquired. "It is a beautiful character, and I think I can enter into its simple purity and poetic charm."

"I have no doubt you can; and, in fact"—but here her bright eye was so fixed on me, that I coloured and hesitated.

"Oh," she said, "I see; you have the boy's fever on you yet, and think you could shake the spheres in Hamlet."

"I certainly have studied the character."

"And can you declaim?"

"I think so."

"Will you let me hear you?"

"Most proudly."

"Then I'll come for the play myself to-morrow, and we can rehearse a scene."

"My mother will be delighted to see you. I shall expect you at twelve o'clock." She nodded her consent to the appointment, and we parted.

"Are you quite sure, Mr Montalban," I said, "that Hengist and Horsa will be produced without delay?"

"Call me no gentleman if I deceive you," replied the manager, laying his hand on his waistcoat, a little above the left side pocket; "and the day that sees me forfeit my word of honour, will be the last of my management of this here theatre."

What could I say? I determined to wait for more certain information from Miss Claribel, and, in rather a desponding frame of mind, I slipt out of the theatre before the play was over, and wended my way home.

As I applied the latch-key, the door was opened by the lodger on the upper floor, whose performances on the violin we had often heard, but whom I had never encountered before. He was enveloped in whisker and moustache to an extent that nearly hid his features. He wore a braided coat, very wide in the tails; loose trousers, and glossy boots. He grinned when he saw me, and revealed a row of white teeth which looked like some mother-o'-pearl ornaments set in hair; and, lifting up the low-crowned, broad-brimmed hat which adorned his head, he said, "Ver' fine night for de valk—I hope you quite vell?" And with a very gracious bow he replaced his hat, tucked a long green baize parcel under his arm, and left the house. It is quite possible for people who live at the opposite ends of any great city not to meet, but London is the only place in the world where the inhabitants of the same house shall never come in each other's way. This foreigner had been our fellow-lodger for several months, and we had never thought of making his acquaintance. He continued to be an abstraction as long as we merely listened to his fiddle, and heard his step on the floor; but now that our eyes had actually met, and we had exchanged words, he became a real existence, and I felt ashamed of our unsocial reserve.

Punctually at twelve Miss Claribel made her appearance, plainly dressed, modest in her demeanour, and low-toned in the voice. There was very little in her present style to recal the feasting lady of the night before. There was still great beauty in her face, and great elegance in her motion, but they had no resemblance to stage features or stage attitudes. My mother received her very kindly. "Your acquaintance with the interior workings of a theatre," she said, "will be of great use to my son, if you will be kind enough to give him the results of your experience."

"My experience is very small, except in so far as the actors in a theatre are concerned. With authors we have never had anything to do, except on this occasion."

"How?—not with authors?" I broke in. "Then how do you get possession of new plays?"

"Steal them," replied Miss Claribel quietly. "I told you we keep a translator—a remarkably clever man while he is sober; and we owe everything to the French and Germans."

"But when a new play is offered to the management?"

"The management laughs, and puts in a few advertisements in the papers about the encouragement to native talent; gets a little money, if it can, from the vanity of the aspirant, and ends with a fresh version from Scribe or Kotzebue."

"Charles, my dear," said my mother, "I wish we had known Miss Claribel some days ago."

"But still, Miss Claribel," I said, "there must be some exceptions at the Stepney Star, for Mr Montalban told me his principle was novelty and home manufacture. He did not profess the Shakspearian drama, but laid himself out for the poets of the present day."

"He has an original pantomime at Christmas-time every year, and no other poets are ever engaged in our service; but, perhaps, the merit of Hengist may open the eyes even of Mr Montalban. Will you let me judge of it for myself?"

I gave her the copy I had promised.

"There was another thing you talked of last night," I added. "You have not forgotten your promise about Ophelia?" In a moment she took off her bonnet, slung it across her arm in the manner of a basket, let loose her hair, which fell in wavy ringlets down to the middle of her back, assumed a wandering expression in the eyes, but still retained intellect enough in their look to give full effect to the pathos, and began, "There's rosemary—that's for remembrance; pray you, love, remember; and there is pansies—that's for thoughts." And it was not many minutes before my mother was in tears. I was a great deal too manly to follow her example, but I felt a choaking at the throat which was very uncomfortable.

"Is it possible," I inquired, "that you have never had the opportunity of showing your delightful talents on the stage?"

"Very possible, indeed," she replied; "and, unless by some accident, I feel sure also I never shall. In fact, the rise of a junior performer entirely depends on the health or longevity of the senior. There have been limping old men tottering through Ranger and Charles Surface, exactly as they had done for forty years; and keeping in those parts for the express purpose of debarring younger men from them, whose talents, they think, would eclipse their reputation."

"But can't a manager give the part to any one he likes?"

"O, no. It is down in Miss de la Rose's engagement that she is to have all the principal characters."

"But when there are two principal characters in one play?" inquired my mother.

"Mrs Ferdinand Windleshaw has secured all the second characters. She is always the Emilia to Miss de la Rose's Desdemona."

"And you!" I cried—"is there no part left for you?"

"Both those ladies would leave the theatre at once if I were allowed to speak one line."

"Then, my dear Miss Claribel," said my mother, greatly won by the simple openness of the visitor, "why do you remain on the stage, or rather not on the stage, but behind the scenes? You could surely find some other way of making your extraordinary talents of use."

"I draw a little in the intervals of study," she replied, "and compose a little music. I make quite enough for my own support; and, in short, there are reasons why I continue true to the stage."

"I have known you too short a time," replied my mother, "to ask you for your confidence; but I assure you I take a great interest in your success, and I hope you will always consider me a friend."

Miss Claribel took my mother's hand. "I won't try to thank you," she said; "for such kindness overcomes me. If you knew the loneliness of a poor actress's life, the solitude of the desolate room she goes back to after the glare of the lamps, the friendlessness she experiences in the very midst of the clapping of innumerable hands, you would know how doubly valuable to her heart is the kind sympathy of a lady in your position. You give me a new tie to existence in letting me feel assured of your goodwill, and I will come and see you whenever I feel my griefs too much for me to sustain alone."

Things had now got a great deal too sentimental for me to say a word about Hamlet. I believe both the ladies had utterly forgotten the existence of the Danish prince, and, for a while, the presence of his representative. There was a feeling of disappointment in my heart as I shook hands with Miss Claribel at the door. I did not acknowledge the reason of it even to myself; but I have no doubt now it arose from her neglect of my dramatic powers. Neglect is the most difficult to bear of all the ills that theatric flesh is heir to. My mother was delighted with her visitor. She felt sure there was a mystery about her; and she was determined to unravel it. In the mean time I determined to wait patiently for a week, as requested by Mr Montalban, and then go to the rehearsal of Hengist and Horsa.

CHAPTER VII.

That same evening the landlady brought me a polite message from Mr Catsbach, the occupant of the upper floor, and an invitation to visit him at eight o'clock. I was received with many apologies for the liberty he had taken—with many apologies also for not having taken it before—for he had long had a violent inclination to make my acquaintance—the more especially as he perceived, from my excellent touch on the flute, that I was as great a musical enthusiast as himself. I returned his compliment by declaring my gratification at catching the sounds of his violin; and ventured to hope that, now that we were acquainted, we might practise sometimes together.

"Dat vill most pleasant be," said Mr Catsbach; "and meantimes ve vill have die branty and wader." In a short time the table was replenished with bottles and glasses, the frost of non-acquaintance rapidly wore off, and I examined my companion more minutely than I had hitherto done. Though very much disguised, and, I thought, disfigured by the mass of whisker, beard, and moustache, in which he enveloped his countenance, I saw that his features were regular and handsome; and if he had told me he was count or baron, I should have believed him on the strength of his gentlemanly manners and appearance. However, he did not mention anything of the kind. In fact, he mentioned very little about himself at all; and I had the pleasing reflection on the following morning that I had concealed very few incidents of my own life, without getting the slightest return of confidence from him. My forthcoming triumph at the Stepney Star and my ambition to appear in Hamlet were not forgotten. I even went so far as to tell him I had discovered an Ophelia who would play up to me in very first-rate style, and that I thought of very soon astonishing the world with my debÛt. There are few educated foreigners now who do not understand and enjoy Shakspeare as much as the generality of Englishmen. Catsbach was quite at home in Hamlet, and, after the third tumbler of our brandy and water, gave a recitation of "To be or not to be," which was very effective to me, (who never drank so much before,) in spite of the foreign pronunciation. There were now two points of sympathy between us; and what music began, Shakspeare—not to mention the brandy—completed. We parted that night as if we had been friends for years, and he was to return my visit on the following night. All people are capable of being thawed, however thick the coat of ice may appear to be at first—only it takes longer to melt in some than in others. After my mother had retired—for our fellow lodger returned my visit without delay—when the second tumbler shone upon the table, and a small shining brass kettle on the hob was singing its accompaniment to our conversation, I began a few fishing questions as to his history and position, for I felt rather ashamed of my own openness on the previous evening.

"Have you been long in England?" I inquired.

"'Es—no; a few months—or 'ears. I not know."

"You speak the language extremely well, considering you have been here so short a time."

The foreigner twirled his moustaches, and took a pull at the tumbler.

"I must say John Bull, though a little rough in his manner, is very kind and generous to foreigners."

"Ver'; too mosh," said Catsbach.

"And this is truly and honourably called the home of the patriot and the exile," I said.

"The fact is," said Mr Catsbach, in a perfectly English pronunciation, and with some energy, "our friend Jack is the greatest fool alive."

I started back. "Why, how well you speak," I cried; "but who is Jack?"

"Why, John Bull," he said. "The shallowest, bellowingest old beast that ever carried a horn. You talk of those exiles and fellows who can find no living in their own country, and come over here to eat up the fat of the land."

"You amaze me. Aren't you one of the refugees yourself?"

"Never was out of England in my life, and never will be," replied Mr Catsbach. "But you must pardon me, my dear fellow, for not having explained myself to you before. I am no foreigner, and never was—only I wear these embellishments on cheek and chin for a particular purpose; and fortunately Jack is fool enough for anything, and never suspects any man if he speaks with a strange accent and wears a queer-cut coat."

I drew back a little, not feeling quite sure of the reason for which Mr Catsbach had assumed his disguise.

He saw my movement. "You're not such a fool as Jack, I perceive," he said; "and suppose that all may not be right, in spite of foreign garb and hairy countenance. Be easy on that score," he continued. "You are a fine, honourable young fellow, full of learning and genius—your mother is a perfect lady—the brandy also is excellent; and I will tell you a small portion of my story, just to show you that I am not altogether unworthy of the society of all three."

My mother was absent; the brandy, however, and I were present, and I bowed to his compliment.

"As to birth, parentage, and education," he began, "these are matters of no consequence; and I must say for Jack, if a man behaves himself pretty well, it doesn't much matter whether his name be Mowbray or Smith."

"I beg your pardon," I interposed. "I consider there is a very great difference indeed."

"Ah! but Jack at large doesn't think so; and so I have no hesitation in telling you my name is Tooks. When I came to years of discretion, which I managed to do pretty early, I felt thankful it was not Snooks, and looked out of the window of my private existence, as it were, to see what was going on on the High Street of life. From my earliest days I devoted myself to the study of Jack—that is short for 'John Bull,' and prose for 'my country.' I took a personal interest in all his concerns. He was no abstraction like Athens or Rome, but a real breathing personage, with great peculiarities of character, and the most extraordinary position the world had ever seen. I studied the Army List, the Navy List, the Shipping Gazette, and felt that Jack was the most astonishing potentate on the face of the earth. I studied the Parliamentary debates—the reports of public meetings—the list of railway directors and committee men—and I was forced to confess that Jack was little better than an ass. At sixteen I was secretary to the agglomerated association for vindicating the rights of man. The rights of property, however, were left to take care of themselves, and our chairman was transported for theft. I lost a silver watch, the bequest of my grandmother, in an unaccountable manner—an upper coat, and a gold pencil-case; so, in case of being stript of everything, I resigned my secretaryship, and had to pay half-a-year's rent of the cellar in which our meetings were held. But Jack, after all, is a noble fellow; and there are thieves and impostors in all parties. At seventeen I was an eloquent speaker among the 'Constitutional Brothers.' We were all great admirers of Jack, and would have died for the glorious constitution, the envy of surrounding nations, and the glory of our own; but we differed from the rest of the world on the date at which this constitution had been in its purest and best condition. We fixed on the reign of Harold, and were most hostile to the Norman invaders. Whatever had been introduced since then we considered a badge of conquest and subjection. We called the Parliament the Wittenagemote, and hated the feudal system. Our innovations were all in a backward sense. We wished to undo the Battle of Hastings, and find out a lineal descendant of King Harold. It was reported that one did exist in the person of a shoemaker at Northampton. We went to see him, and found him one of the constables in the town, who threatened to take us into custody if we tried on any more of our nonsense. Low fellows have no ambition, though they were grandsons of Julius CÆsar. We talked very high of what we should do in this appalling absence of a legitimate possessor of the throne; and just when we had nearly resolved to proceed to use the ancient privilege of the English people and elect a king, an uncle of mine, a merchant in Swithin's Alley, interfered with my royal candidature, and I became a clerk in his counting-house, at a hundred a-year."

Here Mr Catsbach, or rather Mr Tooks, refreshed himself with the whole remainder of his tumbler; made himself another with the utmost expedition, and proceeded.

"I need a little support," he said, "for I am now coming to a period when I fell in love. I will be very brief in my account of the interesting event, for it sticks in my throat, and has made me miserable for many months. She was the prettiest girl that ever was seen—of course they are all that when we see them through the spectacles of admiration and vanity; for a girl's principal beauty consists in the willingness, more or less, with which she reciprocates your feelings. That's the reason why misogynists are all ugly fellows—it's the reason also why old men think the average amount of beauty fallen off. The prettiest creature in the world was Ellinor Bones, a niece of my aunt; so, in a sort of way, we were cousins. She was a ward of my uncle's, with three thousand pounds in the four per cents; and the moment I saw her, I said there's my destiny. There have been few books, and no play of my acquaintance, without a young fellow marrying his uncle's ward; so I made up my mind at once, and had no doubt of converting the beautiful Ellinor into Mrs Tooks. The course of true love never did run smooth, our immortal friend says. Doesn't it?—ours flowed like a mill-pond; so either ours was not true love, or William for once is wrong. A divided allegiance now held my whole being, the beauty of Ellinor and the political condition of Jack. There was no room for bills of lading, and I hated the very sight of a ledger, unless under its canonised form, when I betted on it at Doncaster. I made love—I thought politics—I neglected my three-legged stool. My love was reciprocated. Jack improved very much; and my uncle shook his head with more ominous wisdom than the Earl of Burleigh. Ellinor was the strangest character I ever knew—a sort of miniature in enamel of Jack himself. She had all his honesty and openness—his self-reliance and fixed determination. She said she would marry me, and I defied the Spanish Inquisition to torture her into a recantation. But how was the ceremony to be achieved? We put up the banns in Mary-le-Bone church. The number of matrimonial candidates is infinite. The curate speaks as if his mouth were full of hot potatoes; and you are at perfect liberty to marry any of the lot, for there is no distinction made between 'any of these parties respectively.' We had made calculations as to the expense of housekeeping, and many plans for enlarging our income. I had always one resource. Jack is the most generous of patrons, and very fond of music. I relied on my fiddle, if the worst came to the worst. I determined, in the mean time, to make myself a name, if possible, in eloquence and statistics, that might be beneficial to me if I thought of standing for a borough. I made a speech at a preliminary meeting for Westminster, and was kicked out of the room as a dishonest swindler, for advocating justice to the public creditor; at the same time I was reported in the papers as having been powerful in favour of the spunge. So, on the following morning, I got notice from my uncle that he had no farther occasion for my services. I saw Ellinor on the subject. What was to be done? We resolved to marry, and trust to our talents and good fortune for the rest. We met next morning at Mary-le-Bone church, and were bound for ever, for better for worse. At our exit from the hymeneal altar, who was waiting for us at the door? My uncle and two bailiffs!—my aunt and the housekeeper! A hand was laid on my shoulder. 'Debt?—or criminal?' I inquired. 'You'll see that in plenty of time,' growled my uncle. 'But Jack,' I exclaimed, 'will never stand this; he has too great a regard for the liberty of the subject. I will set Habeas Corpus at work.' They tore me away. 'Where's my Ellinor?' I exclaimed, as I sat in the cab, and was rapidly driven off to Swithin's Alley; but echo made its usual unsatisfactory answer. A few days put all straight. My uncle found his ruse of no use; and I discovered myself one morning on the pavement, with no particular amount of money, and a wife, without the power of offering her a home. I hurried off to my uncle's. 'Where's my wife?' I distractedly asked the cook—for I had taken the precaution to enter by the kitchen. She was a Scotchwoman—very popular for sheep's-head broth. 'Gae wa' wi' ye, ye ne'er-do-weel, rinning awa' wi' bonny lasses for the sake o' their siller.'

"'But where is she?' I again exclaimed.

"'She's as bad's yersel, and has gane aff in the search o' ye. She eloupit within an hour o' her return; so ye had best keep out o' the way, for the maister swears ye'll never get a fardin o' her tocher.'

"'Caledonian impostor!' I cried, 'I'll find my Ellinor, if she is in rerum natura;' and I distractedly rushed off to commence my search. But she is not in rerum natura, or I have never been lucky enough to discover where rerum natura is. I've tried the Times till I'm tired. 'Ellinor! your distracted husband is perishing with despair. A note addressed MISERRIMUS, Old Slaughter's, will make him the happiest of men.'—'Has Ellinor forgotten her Augustus? Come to me at the door of the New Hummums at eight to-night. Fortune smiles, and a fig for uncles and aunts.'

"I can't tell you the annuity I settled for the first year on the Times. There I was every morning. No answer at Old Slaughter's—no appearance at the New Hummums. In the mean time, how was I to live? My dear fellow, I must pause a little, for there are secrets about John Bull, and the way he manages to grub on, which it requires some ingenuity to discover, and a greater amount of ingenuousness to confess." Mr Tooks paused, and occupied his leisure moments in the concoction of another tumbler. "How do you think all the people in this tremendous London live?" he continued. "Do you think they have all money lying incubating in the bank; or with snug little farms in Suffolk or Kent, doing nothing all day long but growing wheat and hops for their benefit? What if they had? Why, every fellow would live on his income, and eat his home-grown bread. There would be nobody to do anything for anybody else, and the world would stand still. Excuse my political economy, but I see great advantages in poverty, in the abstract; but when it comes too close, it loses, like many other things, the charm that distance gives them. I, sir, had nothing. Ellinor had saved ninety-two pounds seven; but it was in her reticule when we were separated at the door of Mary-le-Bone church. I had not a farthing. Was I to lie down and die for that? Had I studied Jack so ill? No. I was one of his children, and I would show all the dogged unthrashability of my sire at Waterloo and elsewhere. In short, I let my hair grow. I grew strong, like Samson, under the process. I rough-paved my throat with German gutturals. I put on pantaloons that seemed cut according to the pattern of the cover of a celestial globe, with two little dependences in which to insert the legs. I got a coat, with its tails widening like a fan. I took my fiddle in my hand, and here I am—very comfortable as regards income and enjoyment, and only miserable for the loss of my beloved Ellinor. Come with me to-morrow night, and I will show you how the world moves."

CHAPTER VIII.

But I couldn't give myself up to Mr Tooks's guidance, for my destiny was now drawing near at the Stepney Star, and I had no spirits for anything else till that was decided. Once or twice Miss Claribel came, but her confidences were all to my mother. For several hours at a time they would retire to my mother's room, and both would reappear with their eyes rather red, as if they had been crying. Was Miss Claribel growing despondent? Was there no chance of accident or illness befalling the sempiternal Emily de la Rose? If she was indeed in low spirits, she took remarkably good care that I should bear her company. She was like the hero or heroine, I forget which, in Moore's ballad, who held a feast of tears, and was social in the deepest of woes. "You expect the rehearsal on Thursday?" she said. "Not a chance of it. They are getting up a rhyming version of the Miller and his Men, and Martingdale and Fitz-Edward are on the point of borrowing the property pistols to fight a duel with, to decide which of them goes into the sack. But come on Thursday, and then you will see for yourself." On Thursday I went. With more politeness and friendliness than usual, Mr Montalban invited me up to his room. "Great news," he said; "I have great news for you. I think I may now say our fortunes are made."

"Does the play go well at rehearsal?" I inquired, with a glow of gratification not unmingled with triumph over the sinister auguries of Miss Claribel.

"Never has been put in rehearsal at all. The Lord Chamberlain has positively said no. It is not to be done."

"On what ground has the Lord Chamberlain put his veto?" I asked, compressing my lips to restrain my anger. "Does he find anything injurious to morals or religion in Hengist and Horsa?"

"Far from it," replied Montalban. "You are aware that the Lord Chamberlain is appointed for the express purpose of seeing that plays are worthy of public approbation, both for their literary merit and moral tendency. Well, his lordship—who is always the most distinguished man in the Peerage for his literary tastes and performances—has devoted several days to the study of your excellent play, and his final decision is, that it deserves a wider field than we can afford it here. He has ordered its representation to be delayed till arrangements can be made for its appearance at one of the great national theatres. What do you say to that, Mr Dipbowing? Think of the thousands at Drury Lane! Think of the Queen in the royal box, attended by all her court? I give you joy, upon my honour, and feel highly charmed that it is through me that your glory is to be secured." Here Mr Montalban shook hands with me so heartily, that I couldn't resist the influence of his friendly manner, and returned his pressure with a warmth equal to his own.

"Will it be long before arrangements can be made for its appearance at Drury Lane?" I inquired, in the midst of our gratulations.

"Well, that is a sensible question," replied Montalban. "I must consult his Lordship on the point. I have certainly made an offer for it; but as the trustees are hard-hearted people, with no love for the modern drama, they insist on a deposit towards the rent; and as I am deficient to the amount of fifty pounds——"

"Is that the whole deficiency?" I said; "for if such a sum——"

"Forty-eight pound fifteen is the exact amount that would enable me to table their demand; but with such enormous expenses as I am at here, where could a man look for assistance, even to that paltry extent? The Lord Chamberlain, I have no doubt, would forego his fee——"

"What!" I inquired, "is there a fee on the production of a new play?"

"Isn't there?" answered Montalban. "The advantage of a censorship of the press or of the stage, which is the same thing, is not to be had for nothing. No, no: we pay his Lordship—per self or deputy—a very handsome acknowledgment for the trouble he takes in correcting, altering, and improving the tragedies that are submitted to his approval."

"Has his Lordship condescended to amend any of the lines in Hengist?" I asked with gratified interest.

"He has only blotted out all the Heavens, and put in a number of skies. He has also done away with all the fiends and devils; for our improver is a very devout man, and seems to have an awful veneration for Beelzebub. O! it's well worth the money, I assure you, to have the certificate that all's right from such high literary and religious authority."

"And fifty pounds would do it," I said half to myself.

"Forty-eight pound fifteen," said Mr Montalban, altogether to the same individual.

"It shall be done," I said, and shook his hand again. "Send in your agreement to the trustees; I will give you the sum you require."

"I don't for a moment scruple to take your offer," replied the manager, "for I feel—I know—I am only acting as your trustee in doing so. Your terms, Mr Dipbowing, are quadrupled. You shall have twenty pounds a-night from the very commencement of the run. And old Drury shall feel the breath of the Legitimate again. Is there anything else that strikes you?"

"Couldn't you find an opening for Miss Claribel?" I said. "I am confident she has great dramatic powers, and only requires an opportunity to display them in order to take the town by storm."

"Name what part you like, and she shall be in the bills, in letters two inches long, on our opening night." Again I shook hands, and the matter was satisfactorily settled.

"O," said Mr Montalban, calling me back, as if he had forgotten something, "if you don't happen to have the money in hand, I can tell you of a way which will be more easy for you, and quite as agreeable to me."

I was delighted at his thoughtful friendship; and did not scruple to confess that, till some money which we expected came from India, the outlay would put me to inconvenience.

"Better and better," he exclaimed. "I can put you in clover in the mean time, and you can do as you like when the payments for the play begin. I have a friend who is oppressed with ready money, and is always delighted to make a safe and honourable investment. Here is a bill at two months for a hundred and fifty pounds. Just write your name there, and this day week I will pay you a hundred, keeping the other fifty as a loan for our Drury Lane transaction; and in consequence of the play being now sure to go on at Old Drury, we will have a dress rehearsal on that day. On Thursday, sir, you will receive a hundred pounds, and see Hengist in all his glory."

I never signed a paper with so much pleasure in my life. I considered it was merely receiving prepayment of part of my theatrical gains; and felt now perfectly assured that the manager had no doubt of my success, as he in a joking manner offered to consider the money repaid, if I would give him an order on the treasurer of Old Drury for my profits of the first ten nights.

"You look very happy," said Miss Claribel to me, as I passed the wing, "and yet you have not been on the stage to see the rehearsal of your play."

"It is not in rehearsal," I said; "and moreover, my dear Miss Claribel, it isn't going to be rehearsed—to-day."

"I told you so," replied Miss Claribel, tying her bonnet and putting on her shawl; "but as I have now got up my rÔle of standing behind Miss de la Rose's chair, I will walk a part of the way home with you, and hear what you have said to Montalban."

"What I have said to Montalban is this," I said, when we had got out into the street, "that you were lost and buried here, and that I requested a more prominent position for a young lady of so much beauty and so much talent."

"And he said?"

"That you should very shortly make your appearance in whatever character I chose to name."

"Did you name any character?"

"I resolved to consult you first. Will you try Desdemona or Ophelia?"

"You lent him money," said Miss Claribel, in a sad voice.

"On the contrary," I said, "he has advanced some to me." We walked for five minutes in silence. I thought she was speechless with gratitude for my interference in her behalf; I thought also it might be with reverence of my genius, now that she saw it was appreciated by the bestowers of wealth and fame.

"Will you tell my dear and kind Mrs de Bohun, that I will come to her for an hour to-morrow at twelve o'clock? In the mean time, my good young friend, I wish you good day." And without a word of thanks or congratulation, she walked away.

As I saw her graceful figure and elegant motion, I again felt a gush of gratification fill my heart at having interfered so effectually in her favour. Beautiful and modest Miss Claribel! I thought; it is to me you will owe your triumph at Drury Lane, and not solitary shall you be in your success! No, there's a Hamlet shall respond to all the divine tendernesses of the sweet Ophelia—an Othello who will weep tears of blood over the death-couch of your Desdemona—a Romeo—But here I was nearly run over by a West End omnibus; and wondering whether Miss Claribel would be as delighted with my support as I was with hers, I got into the 'bus, which awoke me from my reverie, and returned home.

I met Catsbach in the passage. "My dear fellow," he said, "I insist on your coming with me to-night. I have something very interesting to show you."

"Where'er you like," I cried in a sort of rapture—"'whatever realms to see.' My arm a nobler victory ne'er gained, and I am at your command. 'Go on: I follow thee.'"

"Come up to me at seven; bring your flute. We shall have a cheerer or two before we start; and you can tell me all about the rehearsal of your play."

"Is all right about the rehearsal, Charles?" said my mother, as I entered her room radiant with delight.

"Yes, mother—all is going charmingly—but not at the Stepney Star. No! brighter skies are opening—more enduring glory and wealth, mother—sweetened by the delightful thought that it has been honourably won, and that it will all be spent in adding comforts—ay! luxuries to you! I am to be paid a hundred pounds next week; the play is to be brought out at Drury Lane; my uncle will hear of my triumph the moment he steps on English ground, and conscience will gnaw his prosaic heart for his neglect and harshness; the Queen will probably attend the first night; horses, and spectacles, and tableaux vivants shall be banished from the English stage; and when people in the street see you and me in the nice little Brougham I intend to keep for you, they'll say the good times of the drama are come back again; that's the author of Hengist and Horsa."

It is useless to describe our rapture. We got a map of London, and looked over it all in search of a nice new street to go and live in. My mother rather leant to the classic retirements of Brompton, but I put a great splash of ink on Wilton Place. "Lord John Russell," I exclaimed, "began by writing a play, and I, too, will be a Belgravian."

CHAPTER IX.

We left the house at half-past eight. Catsbach carried a long green bag, and I my flute-case in my pocket. We got into an omnibus, and, after a half-hour's drive, were put down at the end of a wide street. We walked a few hundred yards, and went into a long dark passage. We then mounted some steps, and, on opening a small door, emerged on the upper floor of an orchestra, in an immense assembly-room, magnificently lighted with numerous chandeliers, and already occupied by two or three hundred people, very gaily dressed. A clapping of hands saluted the appearance of my companion, who bowed to his admirers, and took his place at a small desk in the middle of the orchestra. I took up my station at his side. About ten other musicians were seated at their desks, and we waited for the amusements to begin. The floor on which the company promenaded was about twenty feet wide, and was in the shape of the letter T. It was surrounded on all sides by a raised platform about eight feet in width and six feet in elevation; at the front of which were banisters for the protection of a line of spectators, who had already begun to assemble in considerable numbers. The floor was exactly like the dried-up bed of a canal, with a great gathering of observers on the banks. Six or eight elegantly-dressed gentlemen, with silver bows at their breasts, and white wands in their hands, were busy among the company, making introductions, arranging partners, and placing the couples in their proper places. Suddenly one of them stept into the middle of the floor, looked intently at Catsbach, who had now stood up with the violin on his shoulder, and clapping his hands three times, exclaimed, "Valse a deu tang!" and with a crash from the whole orchestra, the music began, and the ball was opened.

A pretty sight as ever I saw, though I have seen many assemblies of higher pretensions since then. There was as much decorum and as much politeness, as far as I could judge, as could be shown in a duke's palace. There was a great amount of beauty; several groups were very pleasant to look on; evidently parties made up for the purpose of the evening's enjoyment: tradesmen, thought I to myself, and their wives, with two or three daughters and a son—or perhaps a lover of Marianne—dancing only with the families of their neighbours, and enjoying the gay scene and exhilarating exercise at a very moderate expense, and no damage to morals or reputation. Others, no doubt, found their way in who were not so respectably guarded as by their fathers or lovers; but from my lofty field of contemplation I saw no evidence whatever that it was not a festival of the vestal virgins held in the temple of Diana. Dance succeeded to dance; the masters of the ceremonies were indefatigable in their attentions, and all went happy as a marriage bell. Catsbach resumed all his German incomprehensibility, scolded the inferior fiddlers with a plentiful infusion of donners and blitzens, and was in all respects a most hairy and distinguished conductor of the band. In one of the pauses of the music, he whispered to me to take out my flute and accompany the next dance. With trembling hand I did so; and there was the heir of the De Bohuns, the author of Hengist and Horsa, performing at a Casino! However, one comfort is, I performed extremely well. There were several rounds of applause as the new instrument made itself heard above the violins and bassoons, and I thought I perceived a greater liveliness in the movements of the dancers when they caught the clear notes of the flute. I could have played all night; and asked Catsbach how long the assembly would last.

"Do you see those three gentlemen," he said, "leaning over the banisters, and enjoying so heartily the gay scene at their feet?"

"Yes—the stout old squire, with his two sons, probably?"

"They are very pleasant fellows—a constable and two other officers of the detective police. When the clock strikes a quarter to twelve, you will see the Essex freeholder, as you thought him, pull out his watch, and in exactly fifteen minutes the hall will be deserted, the lights out, and you and I sitting down to a jolly supper in the refreshment parlour behind the assembly-room."

"Do they expect any crime to be committed at these places?" I inquired.

"No, not a crime. Sometimes a row is threatened, but it is generally by snobs whose fathers are in the peerage, or still lower snobs, who think it shows gentle blood to behave like blackguards when they have paid a shilling at the door. There's a young lord," he continued, "with one of his parasites; I shouldn't be surprised if you saw your friend the squire make his debÛt on the floor."

"Country dance!—the haymakers!" exclaimed the senior master of the ceremonies, and Catsbach resumed his fiddlestick.

It was most merrily and beautifully danced; and as I did not contribute to the music, I was at full liberty to watch the whole scene. I followed the young noble and his obsequious attendant in all his motions. He was a fine-featured, tall-figured youth, with soft eyes shaded by long silken lashes, a classically-shaped head, and altogether a soft, almost feminine, expression, that was at first sight very captivating, till you saw that, though the face was eminently handsome, there was no intellect in its look, and the lips, the great revealers of character, were selfish and cold. When my eyes rested on the other, I felt a sudden thrill of some strong feeling, which I could not define, rush to my heart like an electric shock. In spite of the black neckcloth, the carefully buttoned-up coat, the coloured gloves, and the green spectacles that half hid his face, I knew I had seen him before. I couldn't tell where nor when, but I felt it was in enmity we had met. At last I saw a slavish smile put fresh slime on his thick blubber lips, and I knew the man. Before I had time to ask advice from Catsbach how I could revenge myself on my enemy, I lost them for a moment in the crowd. Suddenly I saw a hand raised, and, after a sharp sound, like a stroke with the flat hand on water, I saw the young nobleman procumbent on the floor, and a stream of blood issuing from his nose and mouth. My friend the Squire in an instant was on the spot; the sufferer raised from the ground; and the music ceased. I hurried round into the front.

"See if he's a gentleman, and get his card," said the noble, still supported in the Squire's arms.

"He a gentleman, my lord! Nothing of the sort; but let us get out of this; they're nothing but thieves and shop-boys. Do come, my lord; I wouldn't have this known on any consideration," whispered the sycophant, taking him by the arm.

"We must hear more of this," said the Squire. "Don't let that man go." And one of the attendant freeholders touched the gentleman's shoulder.

"You don't know who it is," he said to the officer. "You will repent of this insolence, I assure you. He is the Right Honourable the Earl Maudlin, eldest son of the Marquis of Missletoe. I must insist on your letting us go, and punishing that low person who dared to assault his lordship."

"Take down his name," said the Squire calmly; "and have the goodness to give me your own."

A shade of despair fell on the follower's countenance.

"I am a friend of his lordship," he said; "but I won't give my name. For heaven's sake! let us go."

"I say gub'nor," interposed his lordship, "this is a pretty mess we have got into. You'll look rather queer before the beek to-morrow. As to me, I'm used to it."

"Hush, my lord! Mention no names," replied the terrified friend. "I have really nothing to do with this," he continued, addressing the Squire; "and I insist on leaving the room."

"Not yet," replied the Squire with a smile. "We must teach you fine-feathered birds from Grosvenor Square to keep to your own grounds. I am Sergeant Smiffins of the police, and you must both come with me on charge of an assault—give your names or not, as you like. Many anonymous gentlemen step up and down the mill, and enjoy teazing oakum in the house of correction for two months, for far less than this."

"All in the newspapers to-morrow, gub'nor," said Earl Maudlin, who evidently enjoyed the confusion and despair of his companion.

"Do any of you know this man," inquired Sergeant Smiffins, who seemed to enter into the fan of the scene himself.

"For any sake," whispered the prisoner, taking his captor aside; "don't push this any farther. I am his lordship's tutor. I dined with his lordship at the Clarendon. I accompanied his lordship here with no evil intention."

"But only because you can't get manliness into your heart to say no to a lord," replied the sergeant. "I've met with many fellows like you before, and think you far worse than any of the thieves and pickpockets my duty brings me acquainted with. Has anybody lost a handkerchief, or a watch?" he cried aloud. "This man must be detained and I will take him on suspicion if any of you have missed anything. I can't let him go without ascertaining his name."

"I can tell you his name," I said; and a circle was made round me. "He is the Reverend Mr Vatican Scowl, a wolf in sheep's clothing, and I have every reason to believe a Jesuit in disguise."

"All up, gub'nor!" chuckled Lord Maudlin. "The Times will have you at full length; and what will the bishop say—not to mention the pope?" Mr Scowl sank in despairing silence, and seemed little moved with the hisses of the assembly. "But where is the gentleman who planted that one-two?" inquired Lord Maudlin. His antagonist stept forward. "I am sorry," continued his lordship, "that the difference of our position can't allow me to settle this matter as I should like. But as I should infallibly have apologised to you after receiving your fire, I don't see why I shouldn't do so now after feeling your bunch of fives. I beg to tell you, I am very sorry for what has occurred, and feel that I behaved like an ass."

"Do you give his lordship in charge after this?" inquired the sergeant.

"Not I," said his antagonist; "he only tried to take my partner from me. I bear no malice, and am sorry I put so much force into the blow I gave. A China vase is soon cracked, and I regret very much I didn't hit him a gentler tap."

"In that case I have nothing more to say," answered the sergeant, letting his prisoner go; "and the ball had better proceed." I therefore hurried back to my place in the orchestra, but not before I had whispered in Mr Scowl's ear, in a voice borrowed from Fitz-Edward, with a tap on the breast borrowed from Edmund Kean,—

"Remember your examination of Puddlecombe-Regis school!" Mr Scowl, I am happy to say, appeared at full length in the newspapers, and lost the patronage of the Marquis of Missletoe. Catsbach applauded my conduct very much, and offered me fifteen shillings as my share of the orchestral profits, which I need not say I declined; and having refused all his solicitations to accompany him to his musical engagements, sometimes at public assemblages, and sometimes at dances and quadrilles in private houses, I braced myself for the decisive event, and on the morning of Thursday set off with solemn steps and slow, towards the Stepney Star. I determined not to enter the theatre till the play was fairly begun, and I anticipated the rapture with which an author hears his own words delivered by intelligent actors to a delighted audience. On arriving at the little passage which led through a house in the long row of buildings, shops, offices, store-rooms, and humble private dwellings that constitute a main street in the district, I was surprised to see none of the lower potentates of the stage lounging on the step, and looking on the passengers in a heroic and presumptuous manner, as if to persuade them that they were Coriolanuses or Brutuses. There was not even the dirty-faced little errand boy, who on previous occasions used to spy me from the end of the row, and prepare his expectant hand for the half-crown as he opened the swinging door. People passed and repassed, on business thoughts intent, as if that entrance conducted to a warehouse, and were not the gates that opened into a newer and nobler world. O blind pursuers of mammon! I thought, are you aware that within thirty feet of where you are bustling and struggling about bills of lading, and the prices of chicoried coffee, there is a scene at this moment going on that would rivet your souls to higher and purer thoughts? Know you not that the heroic Hengist is developing his grandeur and generosity,—Horsa, the fiery courage that made the Saxons triumphant in this land,—and over all an atmosphere of love and poetry, breathed from the impassioned bosom of Editha the British maid, that would elevate and refine the soul of a ship-agent or bill-broker, if he once placed himself within their influence? How can you be so absurd, I continued, getting angry at the evident ignorance of the busy crowd that there was a rehearsal of a new play going on so near them? How can you be so disgustingly dull, you miserable pork butcher, as to deny yourself such gratification? Insane grocer—delirious coal-merchant—cowardly lawyer's clerk! But the loss is yours, I went on, tossing my head, after mentally addressing the people I met, affixing trades and occupation to them according to their respective looks—the loss is yours, not mine. Here I have touched the haven's mouth, and beyond it is romance, beauty, happiness, fame! By this time I had reached the door, and was rather surprised to see it shut,—a vast red expanse of wood, with the name of the theatre conspicuously painted on it in white letters. "Every individual about the building," I thought, "so intent on the proceedings on the stage, that they have closed the entrance, to enjoy them without interruption." I felt in my pocket for five shillings to reward the errand boy's good sense, instead of the usual half-crown, and knocked gently with my cane. There was no answer, and I increased the vigour of my application. "They must be terribly interested in Hengist," I thought, and waited with patience, till I concluded they must have finished the first act. I turned about with the intention of knocking again in a more authoritative manner, when a man with a long stick in his hand, and a tin case hung round his neck, stopt at the door. He unfolded an immense bill in green and blue letters, and was proceeding to paste it up over the very name of the Stepney Star.

"What are you doing there?" I said—"Mr Montalban will give you in charge of the police. You mustn't stick your disgusting rubbish here."

"P'raps you'll let me paste it over your tatae trap," said the man, going on brushing his paste over the door. "A very fine advertising post you would make; and folks would think you was one of 'em yourself."

"One of whom?" I inquired, getting wroth at the man's impertinence.

"Why, one of the chickens," he said. "It only needs your nose to be a little sharper to make you pass for a prize bantam." Before I had time to make any retort either with stick or tongue, the man completed his work, and on the enormous expanse of paper I read "Incubitorium! Chickens hatched here by artificial heat. Admittance twopence. Parties are requested to bring their own eggs."

"There!" he said, "ain't that a finer name than the Stepney Star. Incubitorium! It fills a bill well, and will be a far better concern than the last."

"Does Mr Montalban know of this?"

"He's bolted—him and all the kit."

"And are they not at rehearsal on the stage?"

"No; they're fitting up nests for the young poultry, and won't let you in at no price. You needn't kick at the door; you'll disturb the old hens, and p'raps they wouldn't do their duty to-night."

So saying, the man passed on to ornament the neighbouring walls with the announcements of the Incubitorium. The passengers must have thought me mad, so continued and powerful were my kicks upon the unopening door. I paused for breath—tried to laugh myself out of the belief that the whole proceeding wasn't a ludicrous mistake; and just as I was going at it again with fresh vigour, a hand was laid on my arm.

"Are you going to crack the eggs before they're hatched?" said Miss Claribel. "They'll take you up for a housebreaker, if you're not quiet."

"For heaven's sake," I said, "tell me what is all this?"

"It is that you are swindled by Mr Montalban; and if you have only lost the money you advanced, you may hold yourself very fortunate."

"But he is to give me a hundred pounds," I said.

"You've accepted a bill?"

"I have."

"I thought so. Do you see that man with the fishy kind of eyes, the large nose beginning in the middle of his forehead, and the white hat perched on one side of his head?"

"Yes; I see him. A blackguard Jew-looking fellow he is."

"He has been taking note of you for some time, that he may know you when the bill is due. He is a bailiff, and, I believe, brother-in-law of Mr Montalban."

"But I have not had a farthing; how can they ask me to pay it?"

"O, that makes no difference. I hear a great deal of talk on these subjects, and I fear you will have to advance the full amount. When was it due?"

"In two months. The amount a hundred and fifty pounds."

"We must make the money," she said, "before that time. We must make our debÛt in Hamlet. Now I am free from the Stepney Star, I feel that I am certain of success. Have you any friend who could get us an engagement in some country theatre, for our first appearance? I want nothing more than an opportunity of showing what I can do."

"Ha!" I said; "yes. I have a friend—a German. His name is Catsbach. I know he can do what we require. Long before the two months are over we shall both be rolling in wealth; and who knows, after all, if this disappointment may not turn out the best piece of good fortune that could have befallen us?"

Full of brighter anticipations than ever, I went up stairs that evening to consult with Mr Tooks. He entered most warmly into the scheme; undertook to get us permission to give a taste of our quality at a theatre a few miles from town, to act as leader of the band; and, in short, was the very best man I could have applied to on the subject. In return, however, he insisted on my accompanying him to his musical engagements, where he felt sure my flute would be as popular as it had proved on the last occasion. He added, also, that he could not allow me to be so useful without being paid; and, in short, I saw the good fellow's design was to be useful to me, at the same time that he put it entirely on the awkward position it put him into if I declined all compensation. I told him he might arrange about that entirely as he pleased, and we shook hands half-a-dozen times in satisfaction of the new agreement.

"Consider, my dear fellow," he said, as he made me my fourth tumbler, "consider what respectability it brings to the profession that we have the heir of the De Bohuns first flute in the orchestra. I feel as the tailors must have felt when the King of Prussia and Alexander of Russia used to cut out the soldiers' jackets. It isn't the profession that makes the gentleman, it's the gentleman that makes the profession."