CHARLES DE BERNARD.

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The position of French novels and novelists in the appreciation of the English public, has undergone, within the last few years, a notable change. We need revert to no distant period to recall the day when the word "Paris" on the title-page of a book of fiction, was, to the work so inscribed, virtual sentence of exclusion from respectable library and decent drawing-room this side the Channel. It was the foul-bill of health, the signal of a moral quarantine, interminable and hopeless of pratique. French novels came to England and were read; but the arrivals were comparatively rare, the readers scarce more numerous; whilst by the masses they were condemned as contraband and dangerous merchandise, and eschewed as religiously as Lyons silks by the humane, when Spitalfields are starving. The wilful and wicked minority who took pleasure in their pungent pages, did so clandestinely, and with precaution. In carefully-locked desk, or on topmost shelf of bookcase, lurking behind an honourable front-rank of history and essay, the disreputable literature was bestowed. Nor was its reception more openly hospitable when arrayed in English garb. Translators there were, who strove to render into the manly, wholesome Anglo-Saxon tongue, the produce—witty, frivolous, prurient, and amusing—of Gallic imagination. But either the translations shared the interdict incurred by the objectionable originals, or the plan adopted to obtain their partial acceptance, destroyed pith and point. Letters from plague-ridden shores are fitted for the perusal of the uninfected by fumigation and other mysterious processes. They reach us reeking with aromatics and defaced by perforations, intended doubtless to favour the escape of the demon of pestilence bodily imprisoned within their folds. But their written contents are uninjured by the salutary operation; the words of affection, the combinations of commerce, the politician's plans, are still to be read upon their stained and punctured surface. Not so with the French novels that underwent fumigation and curtailment at the hands of decorous translators. The knife that extirpated the gangrene, unavoidably trenched upon the healthy flesh: in rooting up the abundant tares, the scanty grain was shaken out, and chaff and straw alone remained.

We speak of times past, although still recent; glance we at the present, and, Heaven help us! what a change is here! Tempora mutantur et libri—or it were perhaps more proper to say, et lectores. With headlong velocity, one extreme has been abandoned for its opposite. The denounced of yesterday is the favoured of to-day; the scouted is now the cherished; the rejected stone has a lofty place in the literary edifice. French novels, translated, if not original, are as commonly seen in the "best regulated families" as comfits at the confectioner's or poison on potter-carriers' shelves. The ban is removed, the anathema revoked; either the Upas has been discovered to be less baneful than was imagined, or the disease lurking at the core has been forgotten in the bright colours and pleasant flavour of the appetible fruit. We take up the newspaper. What heads the column? Half a score advertisements of the "Mysteries of Paris"—a new edition of the "Wandering Jew," "illustrated by the first artists"—"Memoirs of a Physician," in twopenny numbers and shilling volumes; French novels, in short, at all prices and in every form. We step into the club; the produce of Paris and Brussels presses strews the table, and an elderly gentleman, with a solemn face and quakerish coat, searches amongst them for the nine-and-twentieth volume of "Monte Christo," or of some other French romance of longitude equally sea-serpentine. We call upon our friend Tom Sterling, a worthy fellow, much respected on 'Change. Miss Sterling is deep in a natty duodecimo, whose Flemish aspect speaks volumes in favour of international copyright. Our natural clearsightedness enables us to read, even from the door, "SociÉtÉ Belge de Librairie" upon its buff paper cover. Is the book hastily smuggled under sofa-cushions, or stealthily dropped into the neglected work-basket? By no means. The fair student deliberately marks her place, and engages us in a controversy as to the merits, faults, and beauties of a score of French romancists, in whose lucubrations she assuredly is far better read than ourselves. In short, English aversion for French modern literature has disappeared, and been replaced by partiality—not to say affection. Dumas is a staple commodity; Sue is voted delightful; English authors of talent and standing translate or "edite"—to use the genteel word now adopted—the works of French ones; even George Sand finds lady-translators, and, we fear, lady readers; French books are reprinted in London, and the Palais Royal is transported to the arcade of Burlington. We shall not take upon ourselves to blame or applaud this change in public taste, to decide how far such large importation and extensive patronage of foreign wares are advantageous or deplorable—to tax with laxity those who write, or with levity those who read, the lively and palatable productions of the present French school. Without encouraging, we will venture to direct, the prevailing appetite, by pointing the attention of Maga's readers—whose name is Legion—to the writings of an author not the best known, but certainly one of the most accomplished, of his class. In France, his reputation stands very high; and if in England it is not yet equally well-established, it must be attributed to his having written little, and to the absence of that charlatanry and egotism which has brought other cultivators of the Belles Lettres into such universal notice here and on the Continent. M. Dumas, for instance, even had his writings, and those of the numerous staff of literary aid-de-camps to whose bairns he stands godfather, been less diverting, would still have commanded readers in every country where French is understood, and which the post from Paris reaches. The man is his own advertisement; his eccentricities are worth, at a moderate estimate, a dozen advertising vans, a daily paragraph in a score of newspapers, and a cartload of posters. He is a practical puff, an incarnate stimulant to popular curiosity. Let the public appetite for his weekly volumes flag ever so little, and forthwith he puts in practice, for the renewal of his vogue, devices so ingenious, that proceeding from any but the privileged monarch of romance-writers, they would be looked upon as the tricks of a lunatic. One day in a court of assizes, the next at that of a king, on the morrow before a civil tribunal, the illustrious inheritor of the marquisate of La Pailleterie parades his graces, jogs the world's memory as to the fact of his existence, and bids it read his books and bow before his footstool. To-day he is on the Corso, to-morrow on the sunny banks of Rhine; the next day he peeps into Etna's crater, or gasps beneath the brazen sky of shadeless Syria. Now we hear of him in Spanish palaces, figuring at royal weddings, and adding one more to the countless ribbon-ends that already grace his button-hole; and scarcely has our admiration subsided, when a Mediterranean breeze murmurs sweet tidings of his presence on African shores, taking his coffee with Beys, commanding war-steamers, riving the captive's fetters, and rivetting his claims on his country's gratitude. Wherever he goes, he stands, a modern Gulliver, pre-eminent in moral giantship, amidst surrounding pigmies, who

"Walk under his huge legs, and peep about To find themselves dishonourable graves."

And the seeming ubiquity of the famous quadroon[8] is not more marvellous than the multiplicity of characters he assumes. "Dumas at Home and Abroad" offers an inexhaustible theme and a boundless field for pen and pencil caricaturists. Alternately dramatist, novelist, tourist, ambassador, the companion of princes, the manager of theatres, an authority in courts of justice, a challenger of deputies, and shining with equal lustre in these and fifty other capacities equally diverse, what wonder that the slightest work flowing from the pen of so remarkable a genius, though it be but a forgotten "trifle of twelve thousand lines," is received with intense gratitude, and caught at like manna by a famished multitude? EugÈne Sue is another writer who has taken the world by storm, but in quite a different fashion. The ex-lieutenant of marine does not obtrude his personality upon public notice, and relies more upon the powerful calibre of his guns than upon their number. Two books, lengthy ones certainly, established his reputation. He had been many years a cultivator of literature, and had produced sundry romances of little more than average merit, when he suddenly burst upon the public, in the widely spread feuilleton of the DÉbats, with a work which, however objectionable in some respects, is unquestionably of extraordinary power and interest. Like the Pickwick Papers, the "MystÈres de Paris" at once established their author in popular estimation, not only in the land in whose language they were written, but in all the reading countries of Europe. It was the opening of a new vein in the literary mine, and though the metal might have been purer, it had all the glitter that captivates the multitude. The "Juif Errant," inferior to its predecessor, was scarcely less successful. Its bitter attacks on the Jesuits, and the consequent anathemas fulminated against it, with more zeal than wisdom, by certain of the French clergy, doubtless contributed to its vogue. After Sue and Dumas, Balzac is (with the exception, perhaps, of Madame Dudevant,) the best known, and most read, out of France, of all the living French novelists. We hold him much over-rated, but his great fertility, and the real excellence of a few of his books, have made him a widely-spread reputation. His early efforts were less successful than those of Sue; and his first thirty volumes scarcely attained mediocrity. At last he made a start, and took his place on the first line of his class, in virtue of a few masterpieces, scanty diamonds glittering in a cinder-heap. Over-production, the crying vice of the literature of the day, and an over-weening conceit, prevented HonorÉ de Balzac from maintaining the position he might and ought to have occupied. Such gems as the "PÈre Goriot" and "Eugenie Grandet" were buried and lost sight of under mountains of rubbish. True that he now denied a number of books published under supposititious names, and which had been universally attributed to him; but enough remained, which he could not deny, to tarnish, if not to cancel his fame. To these he has since, with the reckless and inconsiderate greed that cares not for the public, so long as it finds a publisher, considerably added. His self-sufficiency is unparalleled; and in the preface to an edition of his works published under the comprehensive and presumptuous title of "La ComÉdie Humaine," he puts himself on a level with the first of poets and philosophers, proposing himself the modest aim of portraying human nature in every variety of its moral physiognomy.

Less prolific, more unassuming, and far less universally known than the three authors at whose character and writings we have thus briefly glanced, Charles de Bernard need fear comparison with none of them. That he is faultless we do not assert; that he in great measure eschews the errors of his contemporaries, will be patent to all who peruse his pages. The objections that English readers will make to his books are to be traced to no aberrations of his, but to those of the society whose follies he so ably and wittily depicts. He faithfully sketches, and more often amusingly caricatures, the vices, foibles, and failings of French men and women. If those are to be delineated at all—and, with a view to their amendment, surely they may—the task could hardly be executed with a chaster and less offensive pencil. De Bernard paints immorality—it would be unjust to say that he encourages it. He neither deals in highly-coloured and meretricious scenes À la Sue and Dumas; nor supports, with the diabolical talent and ingenuity of a Sand, the most subversive and anti-social doctrines. His works are not befouled with filth and obscenity, such as that impure old reprobate Paul de Kock delights and wallows in—or disgraced by the irreligion, and contempt of things holy, found in the writings of scores of French authors whom we could name, were they worth the naming. It is undeniable that the ingenious plots of his very entertaining books turn, for the most part, on matters difficult to touch upon with propriety, and which English writers usually avoid; frequently, for instance, on illicit passion and conjugal infidelity. And therefore many Englishmen, with whatever interest and amusement they themselves might read his volumes, would hesitate to recommend them to their sisters and daughters. Some few of his tales, especially of the shorter ones, are in all respects unexceptionable. We instance "La Peau du Lion," translated as "The Cossack's Grave;" and "L'Anneau d'Argent," which has also appeared in English. Gerfaut, one of this author's earliest works, and unquestionably his masterpiece, has little that can justly offend, although its translation met, we believe, a cold reception. The plot turns on an attachment between a married woman and the hero of the story. But if M. de Bernard falls readily enough into the easy, matter-of-course tone in which his countrymen habitually discuss amatory peccadilloes—and he could hardly have attained his present popularity in France had he assumed the prude—he does not disdain or neglect to point a moral after his own fashion. In administering a remedy, a wise physician has regard to the idiosyncrasy of the patient as well as to the nature of the disease. A nation whose morality is unhealthy, must not be treated like a sick horse, whose groom crams a ball down his throat, and holds his jaws together, and his head back, to prevent its rejection. The dose must be artfully disguised, wrapped in a sweetmeat, and the invalid will take it kindly, and sooner or later feel the benefit. We would fain discern, in some of M. de Bernard's books, under a perfumed envelope of palatable trifle, a tendency worthy of applause; a design to combat, by quiet and implied ridicule, the moral maladies of his country. It is not his wont, as with many of his competitors, to make the vicious interesting and the virtuous fools. His husbands are not invariably good-natured, helpless noodles, with whom, even in their direst calamities, the most right-thinking have difficulty to sympathise: the Lovelaces who pursue married women with their insidious and dangerous attentions, are not by him for ever exalted into heroes, redeeming their pleasant vices by a host of high and chivalrous qualities. On the contrary, the apparently easy-going husband often proves a smart fellow, and thorough Tartar—the brilliant lover an emancipated bagman, or contemptible chevalier d'industrie. Of this we have an example in "Le Gendre," in some respects one of the most objectionable of De Bernard's novels, certainly not well suited for a birth-day present to misses in their teens. A seemingly tame, insipid clown of a husband counteracts the base manoeuvres of a dashing Paris rouÉ; and finally, after refusing to fight the would-be seducer, whom he has ascertained to be an arrant swindler, takes truncheon in hand, and belabours him in presence of his intended victim and of a roomful of company. But setting aside any moral tendency which goodwill towards such a vastly pleasant author as De Bernard may induce us, by the aid of our most complaisant spectacles, to discover in his writings, his gentlemanly tone is undeniable, his pictures of French life, especially in Paris, are beyond praise. In the most natural and graphic style imaginable, he dashes off a portrait typifying a class, and in a page gives the value of a volume of the much-vaunted "Physiologies." And this he does, like all he does, in a sparkling, well-bred, impertinent style, peculiar to himself, and peculiarly attractive.

We have already remarked, that M. de Bernard has written little. The assertion was comparative; we meant that he has produced, since the commencement of his literary career—not yet very remote—an average of only three or four volumes per year. This rate, in days when French scribes carry on five romances at a time, in the daily feuilletons of five newspapers, and when certain English authors, emulous of Gallic fecundity, annually conceive and elaborate their dozen or two of octavos—says little for his industry, or much for his judicious forbearance. Latterly, however, we regret to observe in him a disposition to increase the length of his books, and abandon the pleasant one, two, and three volume tales with which he began. In this he is wrong; books of so very light a description as his will not bear great prolongation. Things agreeable enough in small quantities, pall and cloy if the ration be overmuch augmented. However fragrant and well-spiced, syllabub is not to be drunk by the bucketful; neither would it be satisfactory to dine off a soufflÉ au marasquin, though compounded by the philanthropical Regenerator himself. In England, custom has decided that three volumes are the proper length for a novel, and they have become, as a maximum, a rule rarely departed from. We are content that it should be so, and, indeed, heartily rejoice at it, when we see works of fiction spun out by indefatigable French manufacturers into interminable series, through which, at twelve hours a-day, the most insatiable devourer of the romantic needs a month to toil. Following the fashion of the times, and encouraged by the example of his successfully diffuse brethren, M. de Bernard, weary of launching trim corvettes and dashing frigates, has taken to build line-of-battle ships. He had better have kept to the small craft, which he found to float so well. Two of his recent works, "Le BeaupÈre," and "Le Gentilhomme Campagnard," have lost in merit what they have gained in length. The subject of the former is most unpleasant: its catastrophe unnecessarily painful. And the "Gentilhomme Campagnard," just now concluded, although containing, as do all his books, much spirited dialogue, many well-drawn characters, and well-contrived incidents, is weakened by being spun out, and at times, by its tediousness of detail, reminds us of De Balzac. And here we will remark, that there is a certain general resemblance between the styles of De Bernard and De Balzac; so much so, that when the former first wrote, some persons conjectured his name to be a pseudonyme adopted by the latter, to the detriment of publishers, to whom, it was said, he had contracted to deliver all he should produce. And the malignant hinted, that the author of "Eugenie Grandet" was sufficiently unscrupulous and hungry of gain to render such a stratagem on his part any thing but improbable. Whether Charles de Bernard be an assumed name or not, it has long since been evident, that the books published under it proceed from a more guarded and uniformly sprightly pen, than that of M. de Balzac.

The plot of the "Gentilhomme Campagnard," is based on the dissensions of two villages, or more properly speaking, of a hamlet and a very small town, situated within a mile of each other, and which had once constituted two separate parishes, but had been amalgamated at the revolution of '89, greatly to the detriment and indignation of the weaker party. It is in 1836 that M. de Bernard takes up the imaginary history of their jealousy and squabbles, as a canvass on which to embroider the flowers of his invention. The hamlet, ChÂteaugiron-le-Vieil, is inhabited, and virtually governed, by the Gentilhomme Campagnard, the Baron de Vaudrey—a retired colonel of cuirassiers, whose services under the empire do not prevent his stanch adherence, under the citizen monarchy of July, to the legitimate and exiled sovereigns of France. His nephew, the Marquis of ChÂteaugiron, less addicted to the fallen Bourbons, arrives, at the opening of the tale, at his family mansion in ChÂteaugiron-le-Bourg, with certain electioneering projects, highly displeasing to the baron, who resolves vigorously to oppose them, and accordingly gives the whole weight of his influence to a neighbouring iron-master, M. Grandperrin, also a candidate. The iron-master has married a second wife, a heartless vindictive woman, and former mistress of the marquis. She plays an important part in the clever plot, which, although complicated, is perfectly clear. To sketch at any length even the principal of the numerous characters in the amusing comedy, would lead us much too far; we can barely afford to glance at a few of them. On the foremost line—after the Gentilhomme Campagnard himself, a fine, generous-hearted veteran, an excellent compound of the soldier and the nobleman, possessed of great good sense and shrewdness, and altogether one of those personages of whom, whether real or imaginary, one reads with pleasure—stands Madame Bonvalot, or de Bonvalot, as she best loves to be styled, the parvenue widow of a Bordeaux wine merchant. Her beautiful and amiable daughter, an excellent model of a virtuous French lady, gracefully and delicately drawn, is married to the Marquis of ChÂteaugiron. The mother, an affected, frivolous, rouged, bejewelled dowager of fifty, who, through ambition to figure at the Tuileries, has extorted from her noble son-in-law a promise that he will adhere to the new order of things, is followed from Paris by one Pichot, ex-clerk to a notary, also a former lover of Madame Grandperrin, and self-styled Viscount de Langerac. This fortune-hunter has managed to worm himself into the intimacy of the marquis, and to kindle, in the too-susceptible breast of Madame Bouvalot, a tender flame, which he diligently fans. Then we have a young country-lawyer, Froidevaux, an honest, independent fellow, and desperate sportsman, who gives advice gratis, thinks more of partridges than parchments, prefers a day's shooting to a profitable lawsuit, and is consequently as poor as he is popular, and, to all appearance, has very little chance of obtaining the hand of Mademoiselle Victorine, the iron-master's only daughter and heiress, a plump little beauty, who views Froidevaux with special favour and affection, and with whom he is deeply in love. Amongst the personages of a lower class, the most prominent is Toussaint Gilles, landlord of the Cheval Patriote, and son of one of the revolutionary butchers of the Reign of Terror; a furious republican, who wears a carmagnole and a red cap, inherits his father's hatred of the vile aristocrats, and prides himself on his principles, and on a truculent and immeasurable mustache. Amoudru, a pusillanimous mayor; Bobilier, a fiery old justice of the peace, and devoted vassal of the house of ChÂteaugiron; and Rabusson, once a sergeant in M. de Vaudrey's regiment, now his game-keeper, must not be forgotten. A festival got up by Bobilier to celebrate the marquis's arrival at the castle of his ancestors, stirs the bile of Toussaint Gilles, who sees in it a base adulation of the Çi-devants. As president of the republican club of ChÂteaugiron-le-Bourg, he, on the following day, incites a few discontented spirits to a popular demonstration, to consist in burning down the triumphal arch erected by the servile justice of peace, and in hoisting a brand-new tricolored flag on the tree of liberty—a poplar planted, during the glorious days of July, close to the gate of the marquis's chÂteau, but which had long since withered into a dry and unsightly maypole. A number of bad characters mingle in the crowd, and the demonstration assumes a more turbulent and criminal aspect than its original promoters had contemplated. The outer gate of the chÂteau is forced, and stones are thrown, one of which grazes the cheek of the Viscount de Langerac, who receives the wound, so he affirms, whilst heroically interposing his person between Madame de Bonvalot and the shower of missiles. At last the marquis arms his servants, and repels the rioters, already frightened at their own deeds; the justice of peace menaces them with the assizes, Froidevaux exerts his influence, and the disturbance is nearly at an end, when the flames communicate from the triumphal arch to the tree of liberty. Toussaint Gilles, as captain of the firemen, hurries to extinguish the conflagration that menaces the flag-staff, on whose summit Picardet the blacksmith, another zealous member of the democratic club, is busy fastening the tricolored symbol of freedom. The following scene, one of the most detachable in the book, will give a notion of M. de Bernard's lively and pointed style.

"The by-standers, whether firemen or not, hurried after the captain to a shed adjoining the Town-hall. Some of them harnessed themselves to the engine, and dragged it at full speed to the scene of the fire; others seized the buckets, and hastened to fill them; soon a line was formed from the well to the burning tree. Quickly as this was done, the progress of the flames was still more rapid, and Picardet soon found his post untenable. On first perceiving the fire, the smith had climbed, like a frightened cat, to the very top of the poplar, at risk of breaking the tapering stem by the weight of his body; but the refuge was a very precarious one, for the fire followed him, and he required wings to rise higher than the place he had attained. Three expedients offered themselves to him; all equally unpleasant. To leap from the poplar—he would inevitably break his neck; to slide down the blazing trunk—he would reach the ground roasted; to wait till assistance reached him—would it arrive in time? If not immediate, the tree would be on fire from bottom to top.

"Under such circumstances, the most intrepid might well hesitate, and Picardet, although naturally brave, remained for a moment undecided; but when he saw the flag catch fire close to his feet, he understood that delay was mortal, and heroically made up his mind. Relaxing his hold, he glided with lightning velocity from top to bottom of the tree.

"At the very moment that the smith, blinded and suffocated by the smoke, his hair blazing like the tail of a comet, his hands bleeding, and his clothes torn, rolled upon the ground, roaring with pain, a stream of water, issuing from the engine, and directed by Toussaint Gilles, inundated him from head to foot, time enough to save a part of his singed locks.

"'Now that Picardet is put out,' cried the captain of the firemen, 'save the tree of liberty! Come, men! Steady, and with a will!'

"As he spoke, Toussaint Gilles levelled the flexible hose at the poplar, and his assistants pumped vigorously; but before a single drop of water had reached its destination, the firemen saw, with surprise and alarm, the engine rise under their hands, and fall heavily on one side, deluging their legs with the whole of its contents. All eyes fixed themselves in astonishment on M. de Vaudrey, who had fallen amongst them like a bomb, and whose herculean strength had just performed this feat. The country gentleman was perfectly calm, but his complexion was high, and his brow moist with perspiration, as if he had walked very fast. A few paces in his rear stood the faithful Rabusson, motionless and in a martial attitude; in one hand he grasped a knotted stick, more like a mace than a walking-cane; with the other he led Sultan, the baron's enormous watch-dog.

"The stupified silence that ensued was at last broken by Toussaint Gilles.

"'What means this?' he demanded, his voice trembling with rage.

"'It is easy to understand,' coolly replied M. de Vaudrey.

"'Why have you upset our pump?'

"'To prevent your pumping.'

"'And why do you prevent our pumping?'

"'Because those who lighted the fire shall not put it out. It pleased you to see yonder wooden columns burn, it pleases me to see the poplar blaze.'

"'Raise the pump,' said the captain to his men, with an imperious air. 'We will see who dares upset it again.'

"'And we will see who dares raise it, when I forbid!' retorted the baron, calmly folding his muscular arms across his vast chest.

"A murmur was heard; but nobody stirred.

"'Cowards!' cried Toussaint Gilles, with a furious glance at his friends; 'are you all afraid of one man?'

"'In the first place, there are two of them,' said the prudent Laverdun to his neighbour, 'and two who are worth ten; to say nothing of their monster of a dog, who demolishes a wolf with a single bite.'

"'M. Toussaint Gilles,' said the baron, smiling ironically, 'when an officer gives an order, and is not obeyed, do you know what he should do?'

"'I want none of your advice,' cried the captain of firemen, in a brutal tone.

"'He should execute his order himself,' said M. de Vaudrey with immovable calmness.

"'So I will,' said Toussaint Gilles, advancing roughly. But at the very moment that he stooped to raise the engine, the baron grasped his collar, and compelled him to stand upright.

"'M. Toussaint Gilles,' he said, 'listen to me. You are a bad fellow, needing correction, and I undertake to correct you.'

"'To correct me!' cried the captain, struggling, as ineffectually as a hare in the clutches of an eagle, in the powerful grasp that restrained him.

"'He is strangling the captain! Help the captain!' exclaimed several of the spectators.

"But words were all the help they offered to their chief, so greatly were the boldest awed by the colossal figure and well-known strength and courage of the old officer. Gautherot the butcher, constitutionally brave and pugnacious, was the only one who went to his friend's assistance. He rushed upon M. de Vaudrey, when Rabusson barred his passage.

"'One to one,' said the sergeant; 'if you want a thrashing, here am I.'

"'You've a dog, and a cudgel,' replied the butcher; 'I have only my fists.'

"'True.'

"With a generosity bordering on imprudence, Rabusson placed his heavy stick in the dog's mouth.

"'Keep that, Sultan,' said he imperatively, 'and don't stir.' Then turning to the butcher with an air of defiance—

"'Now,' he said, 'are you ready?'

"'Ready,' replied Gautherot, putting himself on guard, with the steadiness of an experienced boxer.

"The circle which had formed round the baron and the captain, enlarged itself to leave space for the new antagonists. After a few preliminary evolutions, Gautherot assumed the offensive.

"'Guard that,' he cried, dealing his adversary a blow that would have floored an ox. Rabusson guarded it with his left arm, and repaid it with such a smashing hit in the face, that the bold butcher rolled upon the ground, blood gushing from his nose and mouth.

"Although Gautherot had numerous friends amongst the rioters, and although he was then in some sort their champion, a roar of laughter accompanied his overthrow, and all eyes were fixed admiringly upon the conqueror. Popular favour, ever ready to abandon a falling hero, is rarely withheld from him who triumphs.

"At this moment an unexpected incident increased the confusion of the stormy scene. Excited by the shouts of the mob, and by the fight he had witnessed, Sultan forgot his orders, dropped the club confided to his care, and without a bark or other notification of his intentions, sprang furiously upon the person nearest him. This unlucky individual chanced to be Laverdun the grocer.

"Under any circumstances, the honourable vice-president of the ChÂteaugiron club would have been utterly unable to contend against a dog as big as a lion, and almost as formidable; but on this occasion, attacked without warning, and petrified by fear, he did not even attempt resistance. The consequence was, that in less than a second he lay upon the ground, pale as death, and half strangled, by the side of his friend Gautherot, who, stunned by his fall, made no attempt to rise.

"Whilst this occurred, M. de Vaudrey addressed the following admonition to Captain Toussaint Gilles, who strove in vain to escape from his hands.

"'I well know, Mr Innkeeper, that you have long been in the habit of speaking against me and my nephew, and hitherto I have treated your insolence with the contempt it merited. But though I care nothing for your bark, I shall not allow you to bite. Bear this in mind: to-day I pardon you, but if you value your mustaches and your ears, don't begin again.'

"So saying, M. de Vaudrey destroyed, by an irresistible shock, the equilibrium of Toussaint Gilles, and hurled him to the ground to keep company with Gautherot and Laverdun.

"Of the five principal members of the club, three were thus humbled to the dust; the fourth, singed like a fowl in preparation for the spit, was in no condition to show fight; Vermot, the turbulent clerk of the justice of peace, who completed this political quintet, had long since abandoned the field of battle. On beholding the discomfiture of their leaders, the rioters stared at each other with a disconcerted air.

"'Messieurs les bourgeois de ChÂteaugiron,' said Monsieur de Vaudrey, looking round at the crowd with a mixture of calm assurance and ironical contempt—'I thank you, in my nephew's name, for having burned the absurd tree which obstructed the entrance to his chÂteau; you planted it, and it was for you to destroy it.'

"'It was not done on purpose,' said a bystander, with great naivetÉ.

"'We will plant another,' cried a voice from the crowd.

"'In the same place?' asked the baron.

"'Yes, in the same place,' replied the voice.

"'Then I beg to be invited to the ceremony,' said M. de Vaudrey, with imperturbable phlegm; 'some of you seem to have very confused notions with regard to other people's property, and I undertake to complete your education.'

"At that moment the poplar, into whose heart the flames had eaten, gave a loud crack, quivered above the heads of the startled crowd, and broke in the middle. The lower half remained erect, whilst the upper portion fell blazing upon the ruins of the triumphal arch, as, in a duel, a desperately wounded combatant falls expiring upon the body of his slain foe.

"Toussaint Gilles, Gautherot, and Laverdun had all risen from their recumbent attitude, but none of them showed a disposition to recommence the engagement. The butcher wiped his bleeding muzzle with a cotton handkerchief, and seemed to count, with the end of his tongue, how many teeth he had left; the grocer, pale as his own tallow candles, examined his throat with a trembling hand, to make sure that the fangs of the terrible Sultan had not penetrated beyond the cravat; finally, the Captain gnawed his mustache, but dared not manifest his fury otherwise."

This energetic interference of the baron and his two aid-de-camps, biped and quadruped, and the fall of the tree of liberty, which the rioters, superstitious in spite of their republicanism, look upon as a bad omen, put an end to the disturbance. The disaffected disperse, and M. de Vaudrey enters his nephew's house, where an amusing scene occurs between him and Madame de Bonvalot. Then come a robbery and a fire, and abundance of incidents—some tolerably new in conception, all very pleasant in narration. The good sense, perspicacity and straightforward dealing of the baron, subjugate every one. He unmasks the fictitious viscount, cures his nephew of his electioneering ambition, and the painted dowager of her longing for an invite to the Tuileries; and adopts Froidevaux—whose father had saved his life at Leipsic, and who has himself picked the baron out of a burning house—as his son and heir, thus rendering him a suitable husband for the pretty Victorine. The story ends, as all proper-behaved novels should end, with the discomfiture of the wicked, and a prospect of many years of happiness for the virtuous. In this agreeable perspective, Madame de Bonvalot is a sharer. Having, by the adoption of Froidevaux, alienated the greater part of his fortune from his nephew's children, the baron is resolved to secure them the reversion of their grandmother's ample jointure. But Madame de Bonvalot, whose wrinkles are hidden by her rouge, forgets the half century that has passed over her head, and hankers after matrimony. To preserve her from it, M. de Vaudrey commences a course of delicate attentions, sufficiently marked to prevent her favouring other admirers, but duly regulated by thermometer, and warranted never to rise to marrying point. And the fall of the curtain leaves the humorous old soldier of fifty-five and the vain coquette of fifty, fairly embarked upon the tepid and rose-coloured stream of flirtation; he quizzing her, she admiring him—she thinking of her wedding, he only of her will. A new and ingenious idea, worthy of a French novelist, and which, we apprehend, could by no possibility have occurred to any other.

We shall close this paper with a tale, appended, as make-weight, to the final volume of the "Gentilhomme Campagnard", and whose brevity recommends it for extraction. It is too short and slight to be a fair specimen of M. de Bernard's powers, but, as far as it goes, it is as witty and amusing as any thing he has written. It is entitled—

A CONSULTATION.

Towards the beginning of last autumn, amongst a number of persons assembled in Doctor Magnian's waiting room, sat a man of about forty years of age, fair complexioned, thin, pale, with a slight stoop in his shoulders, and altogether of a weak and sickly aspect, that would have convinced any one he was in the house of a physician. On his entrance, this person had established himself in a corner with an uneasy air, and there waited until all the other patients had had their consultations. When the last had departed, the master of the house approached him with a friendly smile.

"Good morning, Bouchereau," said the doctor; "excuse me for making you wait; but my time belongs in the first instance to the sick, and I trust you have no such claim on an early audience."

"The sufferings of the mind are worse than those of the body," said the pale man, with a stifled sigh.

"What's the matter?" cried the doctor. "You look haggard and anxious. Surely Madame Bouchereau is not ill?"

"My wife is in robust health," replied Bouchereau, smiling bitterly.

"Then what is the cause of your agitation? The mind, say you? If you do not speak, how am I to tell what passes in yours? Come, how can I serve you?"

"My dear doctor," said the other, sitting down with a most dejected countenance, "we have known each other for twenty years. I look upon you as my best friend, and in you I have unlimited confidence."

"Well, well!" said the doctor—"enough of compliments."

"They are not compliments; I speak from my heart. And the strange confession I have resolved to make to you will be sufficient proof of my esteem for your character."

"To the point!" cried Magnian impatiently.

"The fact is melancholy for me, and may even appear ridiculous. That is why I hesitate. Promise me, in the first place, never to reveal what I am about to tell you."

"The secret of the confessional is as sacred for the physician as for the priest," said Doctor Magnian gravely.

Bouchereau again sighed, bit his lips, and gazed up at the ceiling. "You know Pelletier?" he at last said, looking piteously at his friend.

"The captain on the staff? Of course I do. Sanguine habit, short neck, more shoulders than brains, organisation of a bull! I have always predicted he would die of apoplexy."

"Heaven fulfil your prophecy!"

"You astonish me! I thought you friends."

"Friends!" repeated Bouchereau, with mingled irony, and indignation.

"Que diantre! Speak out, or hold your tongue. I am no Œdipus to guess your riddle."

The impatience that sparkled in the doctor's eyes brought his doleful friend to the substance of his intended confession.

"Well, my dear Magnian," said he, in an agitated voice, "in two words, here is the case: Pelletier makes love to my wife."

To conceal a smile, the doctor protruded his under-lip, and nodded his head several times with affected gravity.

"Who would have thought it?" he at last exclaimed. "I never suspected the great dragoon of such good taste. But are you quite sure? Husbands are usually the last persons to discover those things."

"I am only too sure; and you shall hear how. My wife is at Fontainbleau, passing a few days with her mother. The day before yesterday I happened to remark that the key of my desk fitted her drawers. Mechanically, I opened one of them, and in a sort of mysterious pigeon-hole I found several letters from Pelletier."

"The deuce you did! But why open drawers belonging to your wife?"

"It is my right. Besides, do not judge hastily. From the tenor of the correspondence, I am convinced Virginia's only fault is to have received the letters and concealed the fact from me. I am pretty sure she has given the writer no encouragement, and I am therefore much less angry with her than with Pelletier. Him I will never pardon. A man to whom I have thrown open my house! an old comrade at Sainte Barbe! A friend, in short; at least I thought him so!"

"You forget that one is never betrayed but by one's friends."

"I called upon him yesterday."

"Ah!"

"I reproached him with his shameful conduct. Can you guess his answer?"

"He denied the fact."

"At first. But when I showed him his letters he saw it was useless to lie. 'My dear Bouchereau,' he said, in his impertinent manner, 'since you know all about it, I will not take the trouble to contradict you. It is perfectly true that I am in love with your wife; I have told her so already, and I cannot promise you that I will not tell her so again, for very likely I should not keep my promise. I perfectly understand my conduct may be disagreeable to you, but you know I am too much the gentleman not to accept the responsibility of my acts and deeds. And if you feel offended, I am at your orders, ready to give you satisfaction, when, where, and how you like.'"

"Very cool indeed!" said the physician, struggling violently to keep his countenance. "What! he had the effrontery to tell you that?"

"Word for word."

"And what was your answer?"

"That he should hear from me shortly. Then I left him, deeming further discussion unbecoming. And so the matter stands."

The Doctor looked grave. After walking once up and down the room, his eyes on the ground, his hands behind his back, he returned to his visitor.

"What shall you do?" he said, looking him steadily in the face.

"What do you advise?"

"Such behaviour is very hard to put up with, but on the other hand, I should be sorry to see you engaged in a duel with that bully Pelletier."

"A professed duellist," cried Bouchereau, his eyes opening wider and wider; "a man who passes his mornings in the shooting gallery and fencing room, and has a duel regularly once a quarter!"

"And you," said the Doctor with a piercing look, "have you ever fought a duel?"

"Never," replied the married man, looking paler even than his wont; "not but that I have had opportunities, but duelling is repugnant to my principles. The idea of shedding blood shocks me; it is a barbarous custom, a monstrous anomaly in these civilised days."

"In short, you have no very strong desire to enter the lists?"

"Were I positively outraged, had I a mortal injury to revenge, the voice of passion would perhaps drown that of humanity; for, in certain moments, the wisest man cannot answer for himself. But in this instance, the affair not being so serious, if Pelletier, instead of affecting an arrogant tone, had made the apology to which I think I have a right, and had promised to behave better in future, then—all things considered—to avoid scandal—don't you think it would have been possible and honourable—"

"Not to fight?" interrupted Magnian; "certainly. If you go out with Pelletier, ten to one that he bleeds you like a barn-door fowl, and that would be unpleasant."

"Doctor, you misunderstand me."

"Not at all. And to prove the contrary, you shall not fight, and the Captain shall make you a satisfactory apology. Is not that what you want?"

The Doctor's penetration called up a faint flush on the cheek of the lover of peace.

"Pelletier is a brute," resumed Magnian, as if speaking to himself. "Staff officers have generally more breeding than that. To make love to the wife, well and good; but to defy the husband is contrary to all the rules of polite society."

"You advise me, then, to let the matter be arranged?" said Bouchereau, in an insinuating tone.

"Certainly," replied the physician laughing, "and what is more, I undertake the negotiation. I repeat my words: to-morrow Pelletier shall retract his provocation, make you a formal apology, and swear never again to disturb your conjugal felicity. This is my share of the business; the rest concerns you."

"The rest?"

"It is one thing to promise, another to perform. It would be prudent to facilitate the observance of the Captain's vow by a little tour, which for a few months would remove Madame Bouchereau from the immediate vicinity of this military Adonis. His duty keeps him at Paris; you are free. Why not pass the winter in the South: at Nice, for instance?"

"It has already occurred to me that a short absence would be desirable, and I rejoice to find you of my opinion. But why Nice, rather than any other town?"

"The climate is extremely salutary, especially for a person whose chest is rather delicate."

"But my chest is very strong,—at least I hope so," interrupted Bouchereau, in an uneasy tone, and trying to read the Doctor's thoughts.

"Certainly; I say nothing to the contrary," replied Magnian gravely; "I have no particular motive for my advice; but precautions never do harm, and it is easier to prevent than cure."

"You think me threatened with consumption!" cried Bouchereau, who, as has been shown, entertained the warmest affection for Number One.

"I said nothing of the sort," replied the physician, as if reproaching himself for having said too much. "If you want to know why I proposed Nice, I will tell you: it is from a selfish motive. I shall probably pass part of this winter there, and my stay would be made very agreeable by the society of yourself and Madame Bouchereau."

"Well, we will see; the thing may be arranged," replied Bouchereau. And he left the house, more uneasy than he entered it; for to the apprehension of a duel was superadded the fear of a dangerous disease, by which he had never before contemplated the possibility of his being attacked.

At six o'clock that evening, Doctor Magnian entered the CafÉ Anglais, where he made pretty sure to find Pelletier. Nor was he mistaken; the gallant Captain was there, solitarily installed at a little table, and dining very heartily, without putting water in his wine. He was a tall, stout, vigorous fellow, square in the shoulder, narrow in the hip, with a bold keen eye, a well-grown mustache, a high complexion, and a muscular arm; one of those men of martial mien who would seem to have missed their vocation if they were not soldiers, and whose aspect inspires the most presumptuous with a certain reserve and modesty. More doughty champions than the cadaverous Bouchereau might have shrunk from an encounter with a lion of such formidable breed.

The physician and the officer saluted each other cordially, and after exchanging a few compliments, took their dinner at different tables. They left the coffee-house at the same time, and meeting at the door, walked arm in arm along the boulevard, in the direction of the Madeleine.

"Well, Doctor," said Pelletier jocosely, "have you found me what I have asked you for at least ten times: a pretty woman—maid or widow, fair or dark, tall or short, all one to me—who will consent to make me the happiest of men, by uniting her lot with mine? I ask only a hundred thousand crowns: you must own I am modest in my expectations."

"Too modest! you are worth more than that."

"You are laughing at me?"

"Not at all; besides the moment would be ill chosen to jest, for I have a serious affair on hand. Bouchereau has commissioned me to speak to you."

"And you call that a serious affair?" said the Captain, laughing scornfully.

"A matter that can only end in bloodshed, appears to me deserving of the epithet," said the Doctor, with assumed gravity.

"Ah! M. Bouchereau thirsts for my blood?" cried Pelletier, laughing still louder; "hitherto, I took him to be rather herbivorous than carniverous. And with what sauce does he propose to eat me—sword or pistol?"

"He leaves you the choice of arms," replied M. Magnian, with imperturbable seriousness.

"It's all one to me. I told him so already. Let me see: to-morrow I breakfast with some of my comrades; it is a sort of regimental feed, and I should not like to miss it, but the day after to-morrow, I'm your man. Will that do?"

"Perfectly. The day after to-morrow, seven in the morning, at the entrance of the forest of Vincennes."

"Agreed," said the Captain, familiarly slapping his companion's arm with his large brawny hand. "So you meddle with duelling, Doctor? I should have thought a man of your profession would have looked upon it as a dangerous competitor."

The physician replied to this very old joke, by a malicious smile, which he immediately repressed.

"At random you have touched me on the raw," he said, after a moment's silence. "Shall I tell you the strange, I might say the monstrous idea that has just come into my head?"

"Pray do. I am rather partial to monstrous ideas."

"It occurred to me that for the interest of my reputation, I ought to wish the projected duel to prove fatal to Bouchereau."

"Why so?" inquired the officer, with some surprise.

"Because if you don't kill him, in less than a year I shall have the credit of his death."

"I don't understand. Are you going to fight him?"

"Certainly not; but I am his physician, and as such, responsible for his existence in the eyes of the vast number of persons who expect medical science to give sick men the health that nature refuses them. Therefore, as Bouchereau, according to all appearance, has not a year to live——"

"What's the matter with him?" cried Pelletier, opening his great eyes.

"Consumption!" replied the Doctor, in a compassionate tone, "a chronic disease—quite incurable! I was about sending him to Nice. We, physicians, as you know, when we have exhausted the resources of medicine, send our patients to the waters or to the South. If nothing happens to him the day after to-morrow, he shall set out: God knows if he will ever return."

"Consumptive! he who is always as sallow as Debureau."

"Complexion has nothing to do with it."

"And you think he is in danger?"

"I do not give him a year to live; perhaps not six months."

The two men walked some distance, silent and serious.

"Yes, Captain," said the Doctor, breaking the pause, "we may look upon Poor Bouchereau as a dead man, even setting aside the risk he incurs from your good blade. Before twelve months are past, his wife may think about a second husband. She will be a charming little widow, and will not want for admirers."

Pelletier cast a sidelong look at his companion, but the Doctor's air of perfect simplicity dispelled the suspicion his last words had awakened.

"If Bouchereau died, his wife would be rich?" said the Captain, musingly, but in an interrogative tone.

"Peste!" replied Magnian, "you may say that. Not one hundred thousand, but two hundred thousand crowns, at the very least."

"You exaggerate!" cried the Captain, his eyes suddenly sparkling.

"Easy to calculate," said Magnian confidently—"Madame Bouchereau inherited a hundred thousand francs from her father, she will have a hundred and fifty thousand from her mother, and her husband will leave her three hundred and fifty thousand more: add that up."

"Her husband's fortune is secured to her, then, by marriage contract?" inquired Pelletier, who had listened with rapidly increasing interest to his companion's enumeration.

"Every sou," replied the physician, solemnly.

The two words were worth an hour's oration, and with a person whom he esteemed intelligent, M. Magnian would not have added another. But, remembering that the Captain, as he had said a few hours before, was more richly endowed with shoulders than with brains, he did not fear to weigh a little heavily upon an idea from which he expected a magical result.

"For you," he jestingly resumed, "who have the bump of matrimony finely developed, here would be a capital match. Young, pretty, amiable, and a fortune of six hundred thousand francs. Though, to be sure, if you kill the husband, you can hardly expect to marry the widow."

Pelletier forced a laugh, which ill agreed with the thoughtful expression his physiognomy had assumed; then he changed the conversation. Certain that he had attained his end, the Doctor pleaded a professional visit, and left the Captain upon the boulevard, struck to the very heart by the six hundred thousand francs of the future widow.

Without halt or pause, and with the furious velocity of a wounded wild-boar, Pelletier went, without help of omnibus, from the Madeleine to the Bastille. When he reached the Porte St Martin, his determination was already taken.

"Without knowing it," he thought, "the Doctor has given me excellent advice. Fight Bouchereau! not so stupid. I should kill him; I am so unlucky! and then how could I reappear before Virginia? The little coquette views me with no indifferent eye; and luckily I have made love to her for the last three months, so that when the grand day comes, she cannot suppose I love her for her money. Kill Bouchereau! that would be absurd. Let him die in his bed, the dear man—I shall not prevent it. I shall have plenty of fighting with my rivals, as soon as his wife is a widow. Six hundred thousand francs! They'll throng about her like bees round a honey-pot. But let them take care; I'm first in the field, and not the man to let them walk over my body."

The following morning, long before the consultations had begun, the Captain strode into Magnian's reception room.

"Doctor," said he, with military frankness, "what you said yesterday about Bouchereau's illness, has made me seriously reflect. I cannot fight a man who has only six months to live. Suppose I wound him: a hurt, of which another would get well, might be mortal to one in his state of health; and then I should reproach myself, all my life, with having killed an old friend for a mere trifle. Did he tell you the cause of our quarrel?"

"No," replied the Doctor, who, in his capacity of negotiator, thought himself at liberty to lie.

"A few hasty words," said Pelletier, deceived by Magnian's candid air; "in fact, I believe I was in the wrong. You know I am very hasty; À propos of some trifle or other, I was rough to poor Bouchereau, and now I am sorry for it. In short, I have had enough duels to be able to avoid one without any body suspecting a white feather in my wing. So if you will advise Bouchereau to let the matter drop, I give you carte blanche. Between ourselves, I think he will not be sorry for it."

"You may find yourself mistaken, Captain," replied the Doctor, with admirable seriousness; "yesterday Bouchereau was much exasperated: although of peaceable habits, he is a perfect tiger when his blood is up. It appears that you hurt his feelings, and unless you make a formal apology——"

"Well, well," interrupted Pelletier, "it is not much in my way to apologise, and this is the first time; but with an old friend, I will stretch a point. I would rather make concessions than have to reproach myself hereafter. Shall we go to Bouchereau?"

"Let us go," said the Doctor, who could hardly help smiling to see how the voice of interest instilled sensibility and humanity into the heart of a professed duellist.

When Magnian and the officer entered his drawing-room, Bouchereau, who had not shut his eyes the whole night, experienced all the sensations of the criminal to whom sentence of death is read. But the first words spoken restored fluidity to his blood, for a moment frozen in his veins. The Captain made the most explicit and formal apology, and retired after shaking the hand of his old friend, who, overjoyed at his escape, did not show himself very exacting.

"Doctor, you are a sorcerer!" cried Bouchereau, as soon as he found himself alone with the physician.

"It is almost part of my profession," replied Magnian laughing. "However, the terrible affair is nearly arranged. I have done my share; do yours. When shall you set out for the south?"

The satisfaction depicted on Bouchereau's physiognomy vanished, and was replaced by sombre anxiety.

"Doctor," said he, in an altered voice, "You must tell me the truth; I have resolution to hear my sentence with calmness; my chest is attacked, is it not?"

"You mean your head."

"My head also!" cried Bouchereau, positively green with terror.

"You are mad," said the Doctor, shrugging his shoulders; "I would willingly change my chest for yours."

"You deceive me. I cannot forget what escaped you yesterday. I coughed all night long, and I have a pain between my shoulders which I never perceived before."

"All fancy!"

"I feel what I feel," continued Bouchereau gloomily; "I do not fear death; but I confess that I could not, without regret, bid an eternal adieu, in the prime of life, to my wife and family. It is my duty to be cautious for their sake, if not for my own. Instead of writing to Virginia to return home, I will join her at Fontainbleau, and start at once for Nice."

"Go," said the doctor, "the journey cannot hurt you."

"But do you think it will benefit me?"

"Without a doubt."

"It is not too late, then, to combat this frightful malady."

"Oh, you are not very far gone," said Magnian ironically. "I shall be at Nice myself in less than six weeks, so that you are sure to be attended by a physician in whom you have confidence, if, contrary to all probability, your state of health requires it."

The two friends parted: the Doctor laughing at his patient's fears, the patient imagining himself in imminent peril, and almost doubting whether it would not have been better to fall by the terrible sword of Captain Pelletier than to linger and expire, in the flower of his age, upon an inhospitable foreign shore. In two days, Bouchereau, haunted by his funereal visions, had taken out his passport, arranged his affairs, and completed his preparations. Getting into a post-chaise, he made his unexpected appearance at Fontainbleau; and, exerting his marital authority to an extent he had never previously ventured upon, he carried off his wife, stupified by such a sudden decision, and greatly vexed to leave Paris, which Pelletier's languishing epistles had lately made her find an unusually agreeable residence. By the end of the week, the husband and wife, one trembling for his life, the other regretting her admirer, arrived at Nice, where, towards the close of the autumn, they were joined by Dr Magnian, who thus showed himself scrupulously exact in the fulfilment of his promise.

On an evening of the month of April following, the tragedy of Les Horaces was performed at the ThÉÂtre FranÇais. Thanks to the young talent of Mademoiselle Rachel, rather than to the old genius of Corneille, the house was crowded. In the centre of the right-hand balcony, Captain Pelletier, accompanied by some blusterers of the same kidney, talked loud, laughed ditto, criticised the actors and spectators, and disturbed all his neighbours, without any one venturing to call him to order; so powerful, in certain cases, is the influence of an insolent look, a ferocious mustache, and an elephantine build.

After examining with his opera glass every corner of the theatre, from the pit to the roof, the Captain at last caught sight of a group, snugly installed in a comfortable box, which at once fixed his attention. It consisted of Monsieur and Madame Bouchereau, in front, and of Doctor Magnian, seated behind the lady. The appearance and attitude of these three persons were characteristic. With his usual pallid complexion and unhappy look, his eyes adorned with a pair of blue spectacles—a new embellishment, which he owed to an imaginary ophthalmia—the pacific husband whiled away the entr'acte by the study of a play-bill, which he abandoned when the curtain rose, to bestow his deepest attention on the actors, even though none but the inferior characters were on the stage. Madame Bouchereau trifled with an elegant nosegay, whose perfume she frequently inhaled, and whose crimson flowers contrasted so well with the fairness of her complexion, as to justify a suspicion that there was some coquetry in the manoeuvre executed with such apparent negligence. Leaning back in her chair, she frequently turned her head, the better to hear Magnian's smiling and half-whispered remarks. The husband paid no attention to their conversation, and did not seem to remark its intimate and confidential character.

"Who is it you have been looking at for the last quarter of an hour?" inquired one of the Captain's comrades. "At your old flame, Madame Bouchereau? I thought you had forgotten her long ago."

"I did not know she had returned from Nice," replied Pelletier, with a reserved air.

"She has been at Paris a fort-night."

"Does not Bouchereau look very ill? The southern climate has not done him much good. He is twice as pale as before he went. Poor Bouchereau!"

"Ha! ha!" laughed the officer, "have you been gulled by the story of the decline? That is really too good."

"What is too good?" asked the Captain abruptly.

"The trick that rogue Magnian played Bouchereau and you; for if I may judge from your astonished look, you also have been mystified."

"Berton, you abuse my patience," said Pelletier in a surly tone.

"Wolves do not eat one another," replied Berton laughing; "so let us talk without anger. The story is this:—all Paris, except yourself, has been laughing at it for a week past. It appears that on the one hand, although no one suspected it, the aforesaid Magnian was in love with Madame Bouchereau, and that on the other, finding himself threatened with a pulmonary complaint, he thought it advisable to pass the winter in a warm climate. What did the arch-schemer? He persuaded Bouchereau that it was he, Bouchereau, whose chest was affected; sent him off to Nice with his pretty wife, and, at his leisure, without haste or hurry, joined them there. You have only to look at them, as they sit yonder, to guess the denoÛement of the history. The appropriate label for their box would be the title of one of Paul de Kock's last novels; la Femme, le Mari, el l'Amant. Magnian is a cunning dog, and has very ingenious ideas. Fearing, doubtless, that the husband might be too clear-sighted, he threatened him with an ophthalmia, and made him wear blue spectacles. Clever, wasn't it? and a capital story?"

"Charming, delightful!" cried the Captain, with a smile that resembled a gnashing of teeth.

The tragedy was over. Dr Magnian left his box; Pelletier followed his example. The next minute the two men met in the lobby.

"Doctor, a word with you," said the officer sternly.

"Two, if you like, Captain," was Magnian's jovial reply.

"It appears, that in spite of your prognostics, Bouchereau is in perfect health."

"Voudriez-vous qu'il mourÛt? Would you have him die?" said the Doctor, parodying with a comical emphasis the delivery of Joanny, who had taken the part of the father of the Horatii.

"I know you are excellent at a joke," retorted Pelletier, whose vexation was rapidly turning to anger; "but you know that I am not accustomed to serve as a butt. Be good enough to speak seriously. Is it true that Bouchereau was never in danger?"

"In great danger, on the contrary. Was he not about fighting you?"

"So that when you sent him to Nice——?"

"It was to prevent the duel. As a physician, I watch over the health of my clients; and it was my duty to preserve Bouchereau from your sword, which is said to be a terrible malady."

"One of which you will perhaps have to cure yourself before very long," exclaimed the Captain, completely exasperated by the Doctor's coolness. "The idiot Bouchereau may die of fear, or of any thing else. I certainly shall not do him the honour to meddle with him; but you, my friend, so skilled in sharp jests, I shall be glad to see if your valour equals your wit."

The part of an unfortunate and mystified rival is so humiliating, that Pelletier's vanity prevented his stating his real ground of complaint, and mentioning the name of Madame Bouchereau. The Doctor imitated his reserve, and listened to the officer's defiance with the same tranquil smile which had previously played upon his countenance.

"My dear Captain," he said, "at this moment you would particularly like to pass your good sword through my body, or to lodge a ball in my leg—for, in consideration of our old friendship, I presume you would spare my head. You shall have the opportunity, if you positively insist upon it. But if you kill me, who will arrange your marriage with Mademoiselle Nanteuil?"

Pelletier stared at his adversary with an astonished look, which redoubled the Doctor's good humour.

"Who is Mademoiselle Nanteuil?" he at last said, his voice involuntarily softening.

"An amiable heiress whom I attend, although she is in perfect health; who has two hundred thousand francs in possession, as much more in perspective, and who, if an intelligent friend undertook the negotiation, would consent, I think, to bestow her hand and fortune upon a good-looking fellow like yourself."

"Confound this Magnian!" said the Captain, taking the Doctor's arm, "it is impossible to be angry with him."

FOOTNOTES:

[8] It is pretty generally known—even to those to whom it has not been granted to stand in the imposing presence of our fast friend and ancient ally, Monsieur Alexandre Dumas—that there is a slight tinge of black in the blood of that greatest of French romanciers, past, present, or to come. In connexion with the fact, we will cite an anecdote:—

A person more remarkable for inquisitiveness than for correct breeding—one of those who, devoid of delicacy and reckless of rebuffs, pry into every thing—took the liberty to question M. Dumas rather closely concerning his genealogical tree.

"You are a quadroon, M. Dumas?" he began.

"I am, sir," quietly replied Dumas, who has sense enough not to be ashamed of a descent he cannot conceal.

"And your father?"

"Was a mulatto."

"And your grandfather?"

"A negro," hastily answered the dramatist, whose patience was waning fast.

"And may I inquire what your great-grandfather was?"

"An ape, sir," thundered Dumas, with a fierceness that made his impertinent interrogator shrink into the smallest possible compass. "An ape, sir—my pedigree commences where yours terminates."

The father of Alexander Dumas, the republican general of the same name, was a mulatto, born in St Domingo, the son of a negress and of the white Marquis de la Pailleterie. By what legitimatizing process the bend sinister was erased, and the marquisate preserved, we have hitherto been unable to ascertain.


Transcriber's note: The Greek in the footnotes of this article was very hard to read. An asterisk indicates an illegible letter.

                                                                                                                                                                                                                                                                                                           

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