WESTMINSTER-HALL AND THE WORKS OF ART, ( On a Free Admission

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WESTMINSTER-HALL AND THE WORKS OF ART, ( On a Free Admission Day. ) By B. Simmons. I. By slow degrees, like rain-fraught breeze rising in time of dearth, Whispers of Wisdom, far and wide, are muttering o'er the earth; And lo! rough Reason's breath, that wafts strong human health to all, Has blown aside the gates where Pride dozed in her feudal hall. II. Stout Carter, drop that loutish look, nor hesitate before-- Eyeing thy frock and clouted shoes--yon dark enormous door; 'Tis ten to one thy trampled sires their ravaged granges gave To spread the Wood from whence was hew'd that oaken architrave. [34] III. Take now thy turn. We'll on and in, nor need the pealing tromp (Once wont the lordlings thronging here to usher to the pomp) To kindle our dull phantasies for yon triumphal show That lights the roof so high aloof with the whiteness of its glow. IV. Red William , couldst thou heave aside the marble of the tomb, And look abroad from Winchester's song-consecrated gloom, [35] A keener smart than Tyrrel's dart would pierce thy soul to see In thy vast courts the Vileinage and peasants treading free. V. Oh, righteous retribution! Ye Shades of those who here Stood up in bonds before the slaves of sceptred fraud and fear! Unswerving Somers !-- More !--even thou, dark Somerset , [36] who fell In pride of place condignly, yet who loved the Commons well-- VI. And Ye who with undaunted hearts, immortal mitred Few! For Truth's dear sake, the Tyrant foil'd to whom ye still were true-- [37] Rejoice! Who knows what scatter'd thoughts of yours were buried seeds, Slow-springing for th' oppress'd and poor, and ripen'd now to deeds? VII. Ha, ha! 'twould make a death's-head laugh to see how the cross-bones-- The black judicial formula devised by bloody thrones -- The Axe's edge this way, now that , borne before murder'd men, Who died for aiding their true Liege on mountain and in glen, [38] VIII. Are swept like pois'nous spiders' webs for ever from the scene, Where in their place come crowding now the mighty and the mean; The Peer walks by the Peasant's side, [39] to see if grace and art Can touch a bosom clad in frieze, can brighten Labour's heart. IX. O! ye who doubt presumptuously that feeling, taste, are given To all for culture, free as flowers, by an impartial heaven, Look through this quiet rabble here--doth it not shame to-day More polish'd mobs to whom we owe our annual squeeze in May? X. Mark that poor Maiden, to her Sire interpreting the tale There pictured of the Loved and Left, [40] until her cheek grows pale:-- Yon crippled Dwarf that sculptured Youth [41] eyeing with glances dim, Wondering will he, in higher worlds, be tall and straight like him;-- XI. How well they group with yonder pale but fire-eyed Artisan, Who just has stopp'd to bid his boys those noble features scan That sadden us for Wilkie ! See! he tells them now the story Of that once humble lad, and how he won his marble glory. XII. Not all alone thou weep'st in stone, poor Lady, o'er thy Chief, [42] That huge-limb'd Porter, spell-struck there, stands sharer in thy grief. Pert Cynic, scorn not his amaze; all savage as he seems, What graceful shapes henceforward may whiten his heart in dreams! XIII. A long adieu, dark Years! to you, of war on field and flood, Battle afar, and mimic war at hone to train our blood-- The ruffian Ring--the goaded Bull--the Lottery's gates of sin-- The all to nurse the outward brute, and starve the soul within! XIV. Here lives and breathes around us proof that those all-evil times Are fled with their decrepit thoughts, their slaughter, and their crimes; Long stood this Hall the type of all could Man's grim bonds increase-- Henceforth be it his Vestibule to hope, and light, and peace! August , 1844. FOOTNOTES:

[34] Westminster-Hall, first reared by Rufus, was entirely rebuilt by Richard II.

[35] Winchester, many years the residence of Joseph Warton, is so much associated with the recollections and noble poetry of his younger brother, as to warrant the expression in the text.

[36] The Protector-Duke, beheaded on Tower-Hill in the reign of his nephew, Edward VI.—"His attention to the poor during his Protectorship, and his opposition to the system of enclosures, had created him many friends among the lower classes, who hastened to witness his end, and yet flattered themselves with the hope of his reprieve."—Lingard.

[37] The trial of the seven bishops took place in the hall. Five out of their number—worthy of note upon every occasion—(the Archbishop, the Bishops of Ely, Bath and Wells, Chichester, and Petersborough,) refused the oaths to King William, and were deprived accordingly.

[38] The unfortunate Scottish lords were tried here 1745-6, as Horace Walpole abundantly testifies.

[39] More than one noble family, very creditably, have visited the works of art on free-admission days.

[40] Maclise's fresco of The Knight.

[41] Youth at a stream, by J. H. Foley.

[42] Lough's Mourners, a group in marble.


                                                                                                                                                                                                                                                                                                           

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