Another book from the active pen of our American acquaintance, the able seaman. The question having been raised whether Mr Herman Melville has really served before the mast, and has actually, like the heroine of a well-known pathetic ballad, disfigured his lily-white fingers with the nasty pitch and tar, he does his best to dissipate all such doubts by the title-page of his new work, on which, in large capitals, is proclaimed that Redburn is "The Sailor-boy Confessions and Reminiscences of the son of a gentleman in the merchant service;" and, collaterally, by a dedication to his younger brother, "now a sailor on a voyage to China." An unmerited importance has perhaps been given to the inquiry whether Mr Melville's voyages were made on quarterdeck or on forecastle, and are genuine adventures or mere Robinsonades. The book, not the writer, concerns the critic; and even as there assuredly are circumstances that might induce a youth of gentle birth and breeding to don flannel shirt, and put fist in tar-bucket as a merchant seaman, so the probably unpleasant nature of those circumstances precludes too inquisitive investigation into them. We accept Mr Melville, therefore, for what he professes to be, and we accept his books, also, with pleasure and gratitude when good, just as we neglect and reject them when they are the contrary. Redburn, we are bound to admit, is entitled to a more favourable verdict than the author's last previous work. We do not like it so well as Typee and Omoo; and, although quite aware that this is a class of fiction to which one cannot often return without finding it pall, by reason of a certain inevitable sameness, we yet are quite sure we should not have liked it so well as those two books, even though priority of publication had brought it to a palate unsated with that particular sort of literary diet. Nevertheless, after a decided and deplorable retrogression, Mr Melville seems likely to go a-head again, if he will only take time and pains, and not over-write himself, and avoid certain affectations and pedantry unworthy a man of his ability. Many of the defects of Mardi are corrected in Redburn. We gladly miss much of the obscurity and nonsense that abound in the former work. The style, too, of this one is more natural and manly; and even in the minor matter of a title, we find reason to congratulate Mr Melville on improved taste, inasmuch as we think an English book is better fitted with an English-sounding name than with uncouth dissyllables from Polynesia, however convenient these may be found for the purposes of the puff provocative.

Redburn comprises four months of the life of a hardy wrong-headed lad, who ships himself on board a trading vessel, for the voyage from New York to Liverpool and back. As there is no question of shipwreck, storm, pirates, mutiny, or any other nautico-dramatic incidents, during Wellingborough Redburn's voyage out and home; and as the events of his brief abode in England are neither numerous nor (with the exception of one rather far-fetched episode) by any means extraordinary, it is evident that a good deal of detail and ingenuity are necessary to fill two volumes, on so simple and commonplace a theme. So a chapter is devoted to the causes of his addiction to the sea, and shows how it was that childish reminiscences of a seaport town, and stories of maritime adventure told him by his father, who had many times crossed the Atlantic, and visions of European magnificence, and, above all, the frequent contemplation of an old-fashioned glass ship which stood in his mother's sitting-room, and which is described with considerable minuteness, and some rather feeble attempts at the facetious—how all these things combined had imbued young Wellingborough with a strong craving after salt water. Other circumstances concurred to drive him forth upon the world. He hints at family misfortunes. His father had been a merchant at New York, in a flourishing business. Things were now less prosperous. "Some time previous, my mother had removed from New York to a pleasant village on the Hudson river, where we lived in a small house, in a quiet way. Sad disappointments in several plans which I had sketched for my future life; the necessity of doing something for myself, united to a naturally roving disposition, had now conspired within me to send me to sea as a sailor." And yet it would appear that he might have done better than plunge thus recklessly into the hardships and evil associations of a merchantman's forecastle; for he more than half admits that he was erring and wilful, and that he had kind relatives and sympathising patrons, who would have put him in the way of earning a living otherwise. Redburn, however, seems to have been in some respects as precocious as in others we shall presently find him simple and inexperienced. A mere boy, adversity had already converted him into a misanthrope, at an age when most lads are as yet without plans for their future, and know not disappointment in any more important matters than a treat to the play, or an extra week's holiday. The forwardness of the rising generation is remarkable enough in England, and has been amusingly hit off by one of our cleverest caricaturists. In America, therefore, which notoriously goes a-head of the old country in most particulars, and whose inhabitants lay claim to an extraordinary share of railroad and earthquake in their composition, boyish precocity is possibly still more remarkable; and one must not wonder at finding Master Redburn talking in misanthropic vein of the world's treatment of him, how bleak and cheerless everything seemed, and how "the warm soul of him had been flogged out by adversity." This, at an age when the stinging memory of the schoolmaster's taws must still have been tolerably vivid about the seat of his breeks, seems rather absurd to begin with. It was under the influence of such feelings, however, that this infant Timon left his home to cast his lot upon the wide waters. His friends were evidently either very angry with him or very poor; for they allowed him to depart with but one dollar in his pocket, a big shooting-jacket with foxes' heads on the buttons, and a little bundle, containing his entire kit, slung at the end of the fowling-piece which his good-natured elder brother pressed upon him at parting. Thus equipped, he tramps of to the steamer that is to carry him down the Hudson, early on a raw morning, along a muddy road, and through a drizzling rain. The skyey influences will at times affect even the most stoical, and the dismal aspect of external nature makes Master Redburn revert to his blighted prospects—how his soul is afflicted with mildew, "and the fruit which, with others, is only blasted after ripeness, with him is nipped in the first blossom and bud." The blight he complains of is evidently of a most virulent description, for it "leaves such a scar that the air of Paradise might not erase it." As he has just before told us how, whilst walking along, his fingers "worked moodily at the stock and trigger" of his brother's rifle, and that he had thought this was indeed "the proper way to begin life, with a gun in your hand," we feel, upon hearing him croak so desperately, some apprehension for his personal safety, and think his brother would have done as well to have kept his gun. On this last point we quite make up our minds, when we shortly afterwards find him levelling the weapon at the left eye of a steamboat passenger who is so imprudent as to stare at him, and bullying the steward for demanding the fare, (which is two dollars, whereas Redburn has but one,) and looking cat-a-mounts at his less needy fellow-voyagers, because they have the rudeness to enjoy their roast beef dinner, whilst he has had the improvidence to leave home without even a crust in his wallet. It seems the author's aim to start his hero in life under every possible circumstance of disadvantage and hardship; and to do this, he rather loses sight of probability. At last, however, Redburn reaches New York, with gun and bundle, foxes' heads and shooting-jacket, and hastens to visit a friend of his brother's, to whom he is recommended. A kind welcome, good supper, and warm bed, go some way towards dissipating his ill humour; and next morning the friend accompanies him to the docks to seek a ship. But none of his brother's kindnesses prosper him. The gun, as we have seen, has already led him to the verge of homicide, the foxes' heads are yet to be the source of innumerable vexations; and Mr Jones, a silly young man, does more harm than good, by taking the direction of Redburn's affairs, and acting as his spokesman with Captain Riga, of the regular trader, Highlander, then loading for Liverpool.

"We found the captain in the cabin, which was a very handsome one, lined with mahogany and maple; and the steward, an elegant-looking mulatto, in a gorgeous turban, was setting out, on a sort of sideboard, some dinner-service which looked like silver, but it was only Britannia ware highly polished. As soon as I clapped my eye on the captain, I thought to myself he was just the captain to suit me. He was a fine-looking man, about forty, splendidly dressed, with very black whiskers and very white teeth, and what I took to be a free frank look out of a large hazel eye. I liked him amazingly."

The scene that ensues is quietly humorous, and reminds us a good deal of Marryat, in whose style of novel we think Mr Melville would succeed. The upshot of the conference is that Redburn ships as a boy on board the Highlander. By vaunting his respectability, and the wealth of his relations, his injudicious friend furnishes Riga with a pretext for withholding the customary advance of pay; and although the sale of the fowling-piece to a Jew pawnbroker produces wherewith to purchase a red woollen shirt, a tarpaulin hat, and jack-knife, Redburn goes on board but slenderly provided. His reception is not very cheering.

"When I reached the deck, I saw no one but a large man in a large dripping pea-jacket, who was calking down the main-hatches.

"'What do you want, Pillgarlic?' said he.

"'I've shipped to sail in this ship,' I replied, assuming a little dignity to chastise his familiarity.

"'What for—a tailor?' said he, looking at my shooting-jacket.

"I answered that I was going as a 'boy;' for so I was technically put down on the articles.

"'Well,' said he, 'have you got your traps aboard?'

"I told him I didn't know there were any rats in the ship, and hadn't brought any 'trap.'

"At this he laughed out with a great guffaw, and said there must be hay-seed in my hair.

"This made me mad; but, thinking he must be one of the sailors who was going in the ship, I thought it wouldn't be wise to make an enemy of him, so only asked him where the men slept in the vessel, for I wanted to put my clothes away.

"'Where's your clothes?' said he.

"'Here in my bundle,' said I, holding it up.

"'Well, if that's all you've got,' he cried, 'you'd better chuck it overboard. But go forward, go forward to the forecastle; that's the place you live in aboard here.'

"And with that he directed me to a sort of hole in the deck of the bow of the ship; but looking down, and seeing how dark it was, I asked him for a light.

"'Strike your eyes together and make one,' said he, 'we don't have any lights here.' So I groped my way down into the forecastle, which smelt so bad of old ropes and tar, that it almost made me sick. After waiting patiently, I began to see a little; and, looking round, at last perceived I was in a smoky-looking place, with twelve wooden boxes stuck round the sides. In some of these boxes were large chests, which I at once supposed to belong to the sailors, who must have taken that method of appropriating their 'bunks,' as I afterwards found these boxes were called. And so it turned out.

"After examining them for a while, I selected an empty one, and put my bundle right in the middle of it, so that there might be no mistake about my claim to the place, particularly as the bundle was so small."

The ship is not to sail till the next day; the crew are not yet aboard; there is no mess, and Redburn has no money. He passes a wretched night in his evil-smelling bunk, and next morning is crawling about the deck, weak from hunger, when he is accosted by the first mate, who curses him for a lubber, asks his name, swears it is too long to be handy, rebaptizes him by that of Buttons, and sets him to clean out the pig-pen, and grease the main-topmast. Having accomplished these savoury duties, and narrowly escaped falling overboard from his unwonted elevation, Redburn is ordered to the quarterdeck, where the men are divided into watches, and he falls to the lot of his friend the first mate, who tries hard to get rid of him to Mr Rigs, the second mate; but Mr Rigs refuses the tyro, even as a free gift. Redburn now gets sea-sick, and, when ordered on deck to stand the first night-watch, from eight o'clock to midnight, he, feeling qualmish, requests one of the sailors to make his excuses very civilly to the chief mate, for that he thinks he will go below and spend the night in his bunk. The sailor, a good-natured Greenlander, laughs at his simplicity, and doctors him with a canikin of rum and some ship biscuits, which enable him to get through his watch. Minute incidents of this kind, reflections, reminiscences, and thoughts of home, occupy many chapters; and, at times, one is inclined to think they are dwelt upon at too great length: but, as before hinted, it is necessary to do something to fill two volumes. A slight inconsistency strikes us in this first portion of the book. Redburn, a sharp enough lad on shore, and who, it has been seen, is altogether precocious in experience of the world's disappointments, seems converted, by the first sniff of salt water, into as arrant a simpleton as ever made mirth in a cockpit. Mr Melville must surely have had Peter Simple in his head, when describing "Buttons" at his first deck-washing. "The water began to splash about all over the decks, and I began to think I should surely get my feet wet, and catch my death of cold. So I went to the chief mate and told him I thought I would just step below, till this miserable wetting was over; for I did not have any waterproof boots, and an aunt of mine had died of consumption. But he only roared out for me to get a broom, and go to scrubbing, or he would prove a worse consumption to me than ever got hold of my poor aunt." Now Redburn, from what has previously been seen of him, was evidently not the lad to care a rush about wet soles, or even about a thorough ducking. On the Hudson river steamer, he had voluntarily walked the deck in a dreary storm till soaked through; and his first night on board the Highlander had been passed uncomplainingly in wet clothes. He has borne hunger and thirst and other disagreeables most manfully, and the impression given of him is quite that of a stubborn hardy fellow. So that this sudden fear of a splashing is evidently introduced merely to afford Mr Melville opportunity of making a little mild fun, and is altogether out of character. Equally so is the elaborate naivetÉ with which Redburn inquires of a sailor whether, as the big bell on the forecastle "hung right over the scuttle that went down to the place where the watch below were sleeping, such a ringing every little while would not tend to disturb them, and beget unpleasant dreams." The account of his attempts at intimacy with the captain, although humorous enough, is liable to a similar objection; and, in so sharp a lad, such simple blunders are not sufficiently accounted for by ignorance of sea usages. His recollection of the bland urbanity with which Captain Riga had received him and Mr Jones, when they first boarded the Highlander, induces him to believe that he may reckon on sympathy and attention in that quarter, when bullied by the rough sailors, and abused by the snappish mate. He had vague ideas of Sunday dinners in the cabin, of an occasional lesson in navigation, or an evening game at chess. Desirous to realise these pleasant visions, but observing that the captain takes no notice of him, and altogether omits to invite him aft, Buttons, as he is now universally called on board the trader, thinks it may be expected that he, the younger man, should make the first advances. His pig-sty and chicken-coop cleanings have not greatly improved the aspect of his clothes, or the colour of his hands; but a bucket of water gets off the worst of the stains, and a selection from his limited wardrobe converts him into a decent enough figure for a forecastle, although he still would not have excited much admiration in Broadway or Bond Street.

"When the sailors saw me thus employed, they did not know what to make of it, and wanted to know whether I was dressing to go ashore. I told them no, for we were then out of sight of land, but that I was going to pay my respects to the captain. Upon which they all laughed and shouted, as if I were a simpleton; although there seemed nothing so very simple in going to make an evening call upon a friend. When some of them tried to dissuade me, saying I was green and raw; but Jackson, who sat looking on, cried out with a hideous grin—'Let him go, let him go, men; he's a nice boy. Let him go; the captain has some nuts and raisins for him.' And so he was going on, when one of his violent fits of coughing seized him, and he almost choked.... For want of kids, I slipped on a pair of woollen mittens, which my mother had knit for me to carry to sea. As I was putting them on, Jackson asked me whether he shouldn't call a carriage; and another bade me not forget to present his best respects to the skipper. I left them all tittering, and, coming on deck, was passing the cook-house, when the old cook called after me, saying I had forgot my cane."

The Jackson here referred to is a prominent character in the book, an important personage amongst the inmates of the Highlander's forecastle. He was a yellow-visaged, whiskerless, squinting, broken-nosed ruffian, and his head was bald, "except in the nape of his neck and just behind the ears, where it was stuck over with short little tufts, and looked like a worn-out shoe-brush." He claimed near relationship with General Jackson, was a good seaman and a great bully, and, although physically weak, and broken down by excess and disease, the other sailors gave way to, and even petted him. He had been at sea ever since his early childhood, and he told strange wild tales of his experiences in many lands and on many distant seas, and of perils encountered in Portuguese slavers on the African coast, and of Batavian fevers and Malay pirates, and the like horrible things, which composed, indeed, all his conversation, save when he found fault with his shipmates, and cursed, and reviled, and jeered at them—all of which they patiently endured, as though they feared the devil that glared out of "his deep, subtle, infernal-looking eye." All who have read Omoo, (the best of Mr Melville's books,) will remember that the author is an adept in the sketching of nautical originals. Jackson is by no means a bad portrait, and doubtless he is "founded on fact;" although much of his savage picturesqueness may be attributed to the clever pencil of his former shipmate. Riga is another good hit. The handsome captain, with the fine clothes and the shining black whiskers, who spoke so smooth and looked so sleek when his craft lay moored by New York quay, is altogether another sort of character when once the anchor is up. Seamen never judge a captain by his shore-going looks. Tyrants and martinets afloat are often all simper and benevolence across a mahogany plank ashore. But certainly there never was a more thorough metamorphosis than a four-and-twenty hours' sail produced in Captain Riga. His glossy suit and gallant airs disappeared altogether. "He wore nothing but old-fashioned snuff-coloured coats, with high collars and short waists, and faded short-legged pantaloons, very tight about the knees, and vests that did not conceal his waistbands, owing to their being so short, just like a little boy's. And his hats were all caved in and battered, as if they had been knocked about in a cellar, and his boots were sadly patched. Indeed, I began to think he was but a shabby fellow after all, particularly as his whiskers lost their gloss, and he went days together without shaving; and his hair, by a sort of miracle, began to grow of a pepper and salt colour, which might have been owing, though, to his discontinuing the use of some kind of dye while at sea. I put him down as a sort of impostor." This the captain certainly is, and ultimately proves to be something worse, for he swindles poor Buttons and another unfortunate "boy" out of their hard-earned wages, and proves himself altogether a far worse fellow than the rough mate, whose first salutation is often a curse or a cuff, but who, nevertheless, has some heart and humanity under his coarse envelope. Of various other individuals of the ship's company sketches are given, and prominent amongst these is the dandy mulatto steward, called Lavender by the crew, from his having been a barber in New York. Following the example of the captain, whose immediate dependant he is, Lavender, when at sea, lays by his gorgeous turban, and sports his wool, profusely scented with the residue of his stock in trade. "He was a sentimental sort of darky, and read the Three Spaniards and Charlotte Temple, and carried a lock of frizzled hair in his vest pocket, which he frequently volunteered to show to people, with his handkerchief to his eyes." It must have been sympathy of race, not congeniality of disposition, that made cronies of Lavender and the methodistical black cook. Thompson, the sable Soyer of the Highlander, was known as the Doctor, according to the nautical practice of confounding the medical and the gastronomical professions. He is a capital portrait, scarcely caricatured. On a Sunday morning, "he sat over his boiling pots, reading out of a book which was very much soiled, and covered with grease spots, for he kept it stuck into a little leather strap, nailed to the keg where he kept the fat skimmed off the water in which the salt beef was cooked." This book was the Bible, and what with the heat of the five-feet-square kitchen, and his violent efforts to comprehend the more mysterious passages of scripture, the beads of sweat would roll off the Doctor's brow as he sat upon a narrow shelf, opposite the stove, and so close to it that he had to spread his legs out wide to keep them from scorching. During the whole voyage he was never known to wash his face but once, and that was on a dark night, in one of his own soup-pots. His coffee, by courtesy so called, was a most extraordinary compound, and would not bear analysis. Sometimes it tasted fishy, at others salt; then it would have a cheesy flavour, or—but we abridge the unsavoury details with which Redburn disgusts us upon this head. Sambo's devotional practices precluded due attention to his culinary duties. For his narrow caboose he entertained a warm affection. "In fair weather he spread the skirt of an old jacket before the door by way of a mat, and screwed a small ringbolt into the door for a knocker, and wrote his name, 'Mr Thompson,' over it, with a bit of red chalk." The old negro stands before us as we read; cooking, praying, perspiring, and with all the ludicrous self-sufficiency of his tribe. Mr Melville is very happy in these little touches. Max the Dutchman is another original. Although married to two highly respectable wives, one at Liverpool and the other at New York, at sea he is quite an old bachelor, precise and finical, with old-fashioned straight-laced notions about the duties of sailor boys, which he tries hard to inculcate upon Redburn. Upon the whole, however, Red Max, as he is sometimes called—his shirt, cheeks, hair, and whiskers being all of that colour—is tolerably kind to the youngster, in whose welfare he occasionally shows some little interest. Jack Blunt, to whose description the author devotes the greater part of a chapter, is not quite so happy a hit—rather overdone—overloaded with peculiarities. Although quite a young fellow, his hair is turning gray, and, to check this premature sign of age, he thrice in the day anoints his bushy locks with Trafalgar Oil and Copenhagen Elixir, invaluable preparations retailed to him by a knavish Yankee apothecary. He is also greatly addicted to drugging himself: takes three pills every morning with his coffee, and every now and then pours down "a flowing bumper of horse salts." Then he has a turn for romance, and sings sentimental songs, which must have had an odd enough sound from the lips of one whose general appearance is that of "a fat porpoise standing on end;" and he believes in witchcraft, and studies a dream-book, and mutters Irish invocations for a breeze when the ship is becalmed, &c., &c. Rather much of all this, Mr Melville, and not equal, by a long chalk, to what you once before did in the same line. As we read, we cannot help a comparison with some former pencillings of yours, which, although earlier made, referred to a later voyage. Involuntarily we are carried back to the rat-and-cockroach-haunted hull of the crazy little Jule, and to the strange collection of originals that therein did dwell. We think of bold Jermin and timid Captain Guy, and, above all, of that glorious fellow Doctor Long-Ghost. We remember the easy natural tone, and well-sustained interest of the book in which they figured; and, desirous though we are to praise, we are compelled to admit that, in Redburn, Mr Melville comes not up to the mark he himself has made. It is evident that, on his debut, he threw off the rich cream of his experiences, and he must not marvel if readers have thereby been rendered dainty, and grumble a little when served with the skim-milk. Redburn is a clever book, as books now go, and we are far from visiting it with wholesale condemnation; but it certainly lacks the spontaneous flow and racy originality of the author's South Sea narration.

To proceed, however. "Redburn grows intolerably flat and stupid over some outlandish old guide-books." Such is the heading of Chapter XXX.; and, from what Mr Melville says, we do not, in this instance, presume to differ. We are now in Liverpool. Much of what Redburn there sees, says, and does, will be more interesting to American than to English readers, although to many even of the latter there will be novelty in his minute account of sailor life ashore—of their boarding-houses, haunts, and habits; of the German emigrant ships, and the salt-droghers and Lascars, and of other matters seemingly commonplace, but in which his observant eye detects much that escapes ordinary gazers. We ourselves, to whom the aspect and ways of the great trading city of northern England are by no means unfamiliar, have derived some new lights from Redburn's account of what he there saw. Clergymen of the Church of England, we are informed, stand up on old casks, at quay corners, arrayed in full canonicals, and preach thus, al fresco, to sailors and loose women. Paupers are allowed to linger and perish unaided, almost in the public thoroughfare, within sight and knowledge of neighbours and police. Curious, seemingly, of the horrible, Redburn visits the dead-house, where he sees "a sailor stretched out, stark and stiff, with the sleeve of his frock rolled up, and showing his name and date of birth tattooed upon his arm. It was a sight full of suggestions: he seemed his own head-stone." We would implore Mr Melville to beware of a fault by no means uncommon with a certain school of writers at the present day, but into which it would be unworthy a man of his ability to fall. We refer to that straining for striking similes, at the expense of truth and good taste, of which he has here furnished us with a glaring example. A dead sailor's name is tattooed upon his arm; therefore—mark the consequence—he seems his own head-stone. How totally inapt is this; how violent and distorted the figure! Such tricks of pen may, by a sort of tinsel glitter, dazzle for a moment superficial persons, who weigh not what they read; but they will never obtain favour, or enhance a reputation with any for whose verdict Mr Melville need care. Neither will he, we apprehend, gain much praise, that is worth having, for such exaggerated exhibitions of the horrible as that afforded in chapter VI. of his second volume. Passing through Lancelott's Hey, a narrow street of warehouses, Redburn heard "a feeble wail, which seemed to come out of the earth.... I advanced to an opening, which communicated downwards with deep tiers of cellars beneath a crumbling old warehouse; and there, some fifteen feet below the walk, crouching in nameless squalor, with her head bowed over, was the figure of what had been a woman. Her blue arms folded to her livid bosom two shrunken things like children, that leaned towards her, one on each side. At first I knew not whether they were dead or alive. They made no sign; they did not move or stir; but from the vault came that soul-sickening wail." We cannot quite realise the "opening" in question, but take it for granted to be some sufficiently dreary den, and are only puzzled to conjecture how, considering its depth, the woman and children got there. Redburn himself seems at a loss to account for it. This, however, his compassionate heart tarried not to inquire; but, perceiving the poor creatures were nearly dead with want, he hurried to procure them assistance. In an open space hard by, some squalid old women, the wretched chiffoniÈres of the docks, were gathering flakes of cotton in the dirt heaps. To these Redburn appealed. They knew of the beggar-woman and her brats, who had been three days in the pit or vault, with nothing to eat, but they would not meddle in the matter; and one hag, with an exaggerated morality that does not sound very probable, declared "Betsy Jennings deserved it, for she had never been married!" Turning into a more frequented street, Redburn met a policeman. "None of my business, Jack," was the reply to his application. "I don't belong to that street. But what business is it of yours? Are you not a Yankee?"

"Yes," said I; "but come, I will help you to remove that woman, if you say so."

"There now, Jack, go on board your ship, and stick to it, and leave these matters to the town."

Two more policemen were applied to with a like result. Appeals to the porter at an adjacent warehouse, to Handsome Mary the hostess, and Brandy Nan the cook at the Sailors' boarding-house, were equally fruitless. Redburn took some bread and cheese from his dinner-room, and carried it to the sufferers, to whom he gave water to drink in his hat—descending with great difficulty into the vault, which was like a well. The two children ate, but the woman refused. And then Redburn found a dead infant amongst her rags, (he describes its appearance with harrowing minuteness,) and almost repented having brought food to the survivors, for it could but prolong their misery, without hope of permanent relief. And on reflection, "I felt an almost irresistible impulse to do them the last mercy, of in some way putting an end to their horrible lives; and I should almost have done so, I think, had I not been deterred by thought of the law. For I well knew that the law, which would let them perish of themselves, without giving them one sup of water, would spend a thousand pounds, if necessary, in convicting him who should so much as offer to relieve them from their miserable existence." The whole chapter is in this agreeable style, and indeed we suppress the more revolting and exaggerated passages. Two days longer, Redburn informs us, the objects of his compassion linger in their foul retreat, and then the bread he throws to them remains untasted. They are dead, and a horrible stench arises from the opening. The next time he passes, the corpses have disappeared, and quicklime strews the ground. Within a few hours of their death the nuisance has been detected and removed, although for five days, according to Redburn, they had been allowed to die by inches, within a few yards of frequented streets, and with the full knowledge and acquiescence of sundry policemen. We need hardly waste a comment on the more than improbable, on the utterly absurd character, of this incident. It will be apparent to all readers. Mr Melville is, of course, at liberty to introduce fictitious adventure into what professes to be a narrative of real events; the thing is done every day, and doubtless he largely avails of the privilege. He has also a clear right to deal in the lugubrious, and even in the loathsome, if he thinks an occasional dash of tragedy will advantageously relieve the humorous features of his book. But here he is perverting truth, and leading into error the simple persons who put their faith in him. And, from the consideration of such misguidance, we naturally glide into the story of Master Harry Bolton. Redburn had been at Liverpool four weeks, and began to suspect that was all he was likely to see of the country, and that he must return to New York without obtaining the most distant glimpse of "the old abbeys, and the York minsters, and the lord mayors, and coronations, and the maypoles and fox-hunters, and Derby races, and dukes, and duchesses, and Count d'Orsays," which his boyish reading had given him the habit of associating with England,—when he one day made acquaintance, at the sign of the Baltimore Clipper, with "a handsome, accomplished, but unfortunate youth, one of those small but perfectly-formed beings who seem to have been born in cocoons. His complexion was a mantling brunette, feminine as a girl's; his feet were small; his hands were white; and his eyes were large, black, and womanly; and, poetry aside, his voice was as the sound of a harp." It is natural to wonder what this dainty gentleman does in the sailors' quarter of Liverpool, and how he comes to rub his dandified costume against the tarry jackets of the Clippers' habitual frequenters. On these points we are presently enlightened. Harry Bolton was born at Bury St Edmunds. At a very early age he came into possession of five thousand pounds, went up to London, was at once admitted into the most aristocratic circles, gambled and dissipated his money in a single winter, made two voyages to the East Indies as midshipman in a Company's ship, squandered his pay, and was now about to seek his fortune in the New World. On reaching Liverpool, he took it into his head, for the romance of the thing, to ship as a sailor, and work his passage. Hence his presence at the docks, and his acquaintance with Redburn, who, delighted with his new acquaintance, prevails on him to offer his services to Captain Riga of the Highlander, who graciously accepts them.

"I now had a comrade in my afternoon strolls and Sunday excursions; and as Harry was a generous fellow, he shared with me his purse and his heart. He sold off several more of his fine vests and trousers, his silver-keyed flute and enamelled guitar; and a portion of the money thus furnished was pleasantly spent in refreshing ourselves at the roadside inns, in the vicinity of the town. Reclining side by side in some agreeable nook, we exchanged our experiences of the past. Harry enlarged upon the fascinations of a London life; described the curricle he used to drive in Hyde Park; gave me the measurement of Madame Vestris' ankle; alluded to his first introduction, at a club, to the madcap Marquis of Waterford; told over the sums he had lost upon the turf on a Derby day; and made various but enigmatical allusions to a certain Lady Georgiana Theresa, the noble daughter of an anonymous earl."

Even Redburn, inexperienced as he is in the ways of the old country, is inclined to suspect his new friend of "spending funds of reminiscences not his own,"—that being as near an approach as he can make to accusing the he-brunette with the harp-like voice of telling lies—until one day, when passing a fashionable hotel, Harry points out to him "a remarkable elegant coat and pantaloons, standing upright on the hotel steps, and containing a young buck, tapping his teeth with an ivory-headed riding-whip." The buck is "very thin and limber about the legs, with small feet like a doll's, and a small, glossy head like a seal's," and presently he steps to "the open window of a flashing carriage which drew up: and, throwing himself into an interesting posture, with the sole of one boot vertically exposed, so as to show the stamp on it—a coronet—fell into a sparkling conversation with a magnificent white satin hat, surmounted by a regal marabout feather, inside." The young gentleman with the seal's-head and the coroneted-boot, is, as Harry assures Redburn, whilst dragging him hastily round a corner, Lord Lovely, a most particular "old chum" of his own. "Sailors," Redburn somewhere observes, "only go round the world without going into it; and their reminiscences of travel are only a dim recollection of a chain of tap-rooms surrounding the globe, parallel with the equator." This being the case, we would have him abstain from giving glimpses of the English aristocracy, his knowledge of which seems to be based upon the revelations of Sunday newspapers, and upon that class of novels usually supposed to be written by discarded valets-de-chambre. But we are not let off with this peep at a truant fashionable. Mr Bolton, having found a purse, or picked a pocket, or in some way or other replenished his exchequer, rigs out Redburn in a decent suit of clothes, and carries him off to London, previously disguising himself with false whiskers and mustaches. Enchanted to visit the capital, Redburn does not inquire too particularly concerning these suspicious proceedings, but takes all for granted, until he finds himself "dropped down in the evening among gas-lights, under a great roof in Euston Square. London at last," he exclaims, "and in the West End!" If not quite in the West End, he is soon transported thither by the agency of a cab, and introduced by his friend into a "semi-public place of opulent entertainment," such as certainly exists nowhere (at least in London) but in our sailor-author's lively imagination. The number of this enchanted mansion is forty, it is approached by high steps, and has a purple light at the door. Can any one help us with a conjecture? The following passage we take to be good of its kind: "The cabman being paid, Harry, adjusting his whiskers and mustaches, and bidding me assume a lounging look, pushed his hat a little to one side, and then, locking arms, we sauntered into the house, myself feeling not a little abashed—it was so long since I had been in any courtly society." A pair of tailors strutting into a casino. It would seem there are cockneys even in America. The "courtly society" into which the Yankee sailor boy and his anomalous acquaintance now intrude themselves is that of "knots of gentlemanly men, seated at numerous Moorish-looking tables, supported by Caryatides of turbaned slaves, with cut decanters and taper-waisted glasses, journals, and cigars before them." We regret we have not room for the description of the magnificent interior, which is a remarkable specimen of fine writing; but we must devote a word to the presiding genius of the mysterious palace, were it only for the sake of a simile indulged in by Redburn. At the further end of the brilliant apartment, "behind a rich mahogany turret-like structure, was a very handsome florid old man, with snow-white hair and whiskers, and in a snow-white jacket—he looked like an almond-tree in blossom." Enshrined in mahogany turrets, and adorned by so imaginative a pen, who would suspect this benign and blooming old sinner of condescending to direct waiters and receive silver. Nevertheless these, we are told, are his chief duties—in short, we are allowed to suppose that he is the steward of this club, hell, tavern, or whatever else it is intended to be. Bolton speaks a word to the almond tree, who appears surprised, and they leave the room together. Redburn remains over a decanter of pale-yellow wine, and catches unintelligible sentences, in which the words Loo and Rouge occur. Presently Bolton returns, his face rather flushed, and drags away Redburn, not, as the latter hoped, for a ramble, "perhaps to Apsley House, in the Park, to get a sly peep at the old Duke before he retired for the night," but up magnificent staircases, through rosewood-doors and palatial halls, of all which we have a most florid, high-flown, and classical description. Again Bolton leaves him, after being very oracular and mysterious, and giving him money for his journey back to Liverpool, and a letter which he is to leave at Bury, should he (the aforesaid Bolton) not return before morning. And thereupon he departs with the almond-tree, and Redburn is left to his meditations, and hears dice rattle, has visions of frantic men rushing along corridors, and fancies he sees reptiles crawling over the mirrors, and at last, what with wine, excitement, and fatigue, he falls asleep. He is roused by Harry Bolton, very pale and desperate, who draws a dirk, and nails his empty purse to the table, and whistles fiercely, and finally screams for brandy. Now all this sort of thing, we can assure its author, is in the very stalest style of minor-theatre melodrama. We perfectly remember our intense gratification when witnessing, at country fairs in our boyish days, a thrilling domestic tragedy, in which the murderer rushes on the stage with a chalked face and a gory carving-knife, howling for "Brandy! Brandy!!" swallows a goblet of strong toast and water, and is tranquillised. But surely Mr Melville had no need to recur to such antiquated traditions. Nor had he any need to introduce this fantastical gambling episode, unless it were upon the principle of the old cakes of roses in the apothecary's shop—to make up a show. We unhesitatingly qualify the whole of this London expedition as utter rubbish, intended evidently to be very fine and effective, but which totally misses the mark. Why will not Mr Melville stick to the ship? There he is at home. The worst passages of his sea-going narrative are better than the best of his metropolitan experiences. In fact, the introduction at all of the male brunette is quite impertinent. Having got him, Mr Melville finds it necessary to do something with him, and he is greatly puzzled what that is to be. Bolton's character is full of inconsistencies. Notwithstanding his two voyages to the East Indies, and his great notion of "the romance" of working his passage as a common sailor, when he comes to do duty on board the Highlander he proves himself totally ignorant of nautical matters, and is so nerveless a mariner that, on ascending a mast, he nearly falls into the sea, and nothing can induce him again to go aloft. This entails upon him the contempt and ill-treatment of his officers and shipmates, and he leads a dog's life between Liverpool and New York. "Few landsmen can imagine the depressing and self-humiliating effect of finding one's self, for the first time, at the beck of illiterate sea-tyrants, with no opportunity of exhibiting any trait about you but your ignorance of everything connected with the sea-life that you lead, and the duties you are constantly called on to perform. In such a sphere, and under such circumstances, Isaac Newton and Lord Bacon would be sea-clowns and bumpkins, and Napoleon Buonaparte be cuffed and kicked without remorse. In more than one instance I have seen the truth of this; and Harry, poor Harry, proved no exception." Poor Harry, nervous, effeminate, and sensitive, was worried like a hare by the rude sea-dogs amongst whom he had so imprudently thrust himself. His sole means of propitiating his tormentors was by his voice, and "many a night was he called upon to sing for those who, through the day, had insulted and derided him." Amidst his many sufferings, Redburn was his only comforter, and at times, of an evening, they would creep under the lee of the long-boat and talk of the past, and still oftener of the future; for Harry referred but unwillingly to things gone by, and especially would never explain any of the mysteries of their London expedition, and had bound Redburn by an oath not to question him concerning it. He confessed, however, that his resources were at end; that besides a chest of clothes—relics of former finery—he had but a few shillings in the world; and, although several years his senior, he was glad to take counsel of the sailor boy as to his future course of life, and what he could do in America to earn a living, for he was determined never to return to England. And when Redburn suggested that his friend's musical talents might possibly be turned to account, Harry caught at the idea, and volunteered the following curious information:—

"In some places in England, he said, it was customary for two or three young men of highly respectable families, of undoubted antiquity, but unfortunately in lamentably decayed circumstances, and threadbare coats—it was customary for two or three young gentlemen, so situated, to obtain their livelihood by their voices; coining their silvery songs into silvery shillings. They wandered from door to door, and rang the bell—Are the ladies and gentlemen in? Seeing them at least gentlemanly-looking, if not sumptuously apparelled, the servant generally admitted them at once; and when the people entered to greet them, their spokesman would rise with a gentle bow, and a smile, and say, We come, ladies and gentlemen, to sing you a song; we are singers, at your service. And so, without waiting reply, forth they burst into song; and, having most mellifluous voices, enchanted and transported all auditors; so much so, that at the conclusion of the entertainment they very seldom failed to be well recompensed, and departed with an invitation to return again, and make the occupants of that dwelling once more delighted and happy."

Should it not be added that these errant minstrels of ancient family, decayed circumstances, and courtly manners, had their faces lamp-blacked, and carried bones and banjos, and sang songs in negro slang with gurgling choruses? Some such professors we have occasionally seen parading the streets of English towns, although we are not aware of their being customarily welcomed in drawing-rooms. We ask Mr Herman Melville to explain to us his intention in this sort of writing. Does it contain some subtle satire, imperceptible to our dull optics? Does he mean it to be humorous? Or is he writing seriously? (although that seems scarcely possible,) and does he imagine he is here recording a common English custom? If this last be the case, we strongly urge him immediately to commence a work "On the Manners and Customs of the British Isles." We promise him a review, and guarantee the book's success. But we have not quite done with Harry Bolton, and may as well finish him off whilst our hand is in. Objections being found to troubadourising in New York, the notion of a clerkship is started, Harry being a good penman; and this brings on a discussion about hands, and Redburn utterly scouts the idea of slender fingers and small feet being indicative of gentle birth and far descent, because the half-caste paupers in Lima are dainty-handed and wee-footed, and moreover, he adds, with crushing force of argument, a fish has no feet at all! But poor Harry's tender digits and rosy nails have grievously suffered from the pollution of tar-pots, and the rough contact of ropes, and oftentimes he bewails his hand's degradation, and sighs for the palmy days when it handed countesses to their coaches, and pledged Lady Blessington, and ratified a bond to Lord Lovely, &c. &c. All which is abundantly tedious and commonplace, and will not bear dwelling upon.

Part of the Highlander's cargo on home-voyage was five hundred emigrants, to accommodate whom the "between-decks" was fitted up with bunks, rapidly constructed of coarse planks, and having something the appearance of dog-kennels. The weather proved unfavourable, the voyage long, the provisions of many of the emigrants (who were chiefly Irish) ran short, and the consequences were disorder, suffering, and disease. Once more upon his own ground, and telling of things which he knows, and has doubtless seen, Mr Melville again rises in our estimation. His details of emigrant life on board are good; and so is his account of the sailors' shifts for tobacco, which runs short, and of Jackson's selfishness, and singular ascendency over the crew. And also, very graphic indeed, is the picture of the steerage, when the malignant epidemic breaks out, and it becomes a lazar-house, frightful with filth and fever, where the wild ignorant Irishmen sat smoking tea leaves on their chests, and rise in furious revolt, to prevent the crew from taking the necessary sanitary measures of purification, until at last favourable breezes came, and fair mild days, and fever fled, and the human stable (for it was no better) was cleansed, and the Highlander bowled cheerily onwards, over a pleasant sea, towards the much-desired haven. Two incidents of especial prominence occur during the voyage—one at its outset, the other near its close. Whilst yet in the Prince's Dock, three drunken sailors are brought on board the Highlander by the crimps. One of them, a Portuguese, senseless from intoxication, is lowered on deck by a rope and rolled into his bunk, where the crimp tucks him in, and desires he may not be disturbed till out at sea. There he lies, regardless of the mate's angry calls, and seemingly sunk in a trance, until an unpleasant odour in the forecastle arouses attention, and Jackson discovers that the man is dead. Yet the other sailors doubt it, especially when, upon Red Max holding a light to his face, "the yellow flame wavered for a moment at the seaman's motionless mouth. But then, to the silent horror of all, two threads of greenish fire, like a forked tongue, darted out from between the lips; and in a moment the cadaverous face was crawled over by a swarm of wormlike flames. The lamp dropped from the hand of Max, and went out, which covered all over with spires and sparkles of flame, that faintly crackled in the silence; the uncovered parts of the body burned before us, precisely like a phosphorescent shark in a midnight sea." Spirit-drinking, the seaman's bane, had made an end of Miguel the Portuguese. What shocked Redburn particularly, was Jackson's opinion "that the man had been actually dead when brought on board the ship; and that knowingly, and merely for the sake of the month's advance, paid into his hand upon the strength of the bill he presented, the body-snatching crimp had shipped a corpse on board the Highlander." The men trembled at the supernatural aspect of the burning body, but reckless Jackson, with a fierce jeer, bade them hurl it overboard, which was done. Jackson knew not how soon the waves were to close over his own corpse. Off Cape Cod, when the smell of land was strong in the nostrils of the weary emigrants, orders were given, one dark night, in a stiff breeze, to reef topsails; and Jackson, who had been deadly ill and off duty most part of the voyage, came upon deck, to the surprise of many, to do his duty with the rest, by way of reminder, perhaps, to the captain, that he was alive and expected his wages. Having pointed pretty freely to Mr Melville's defects, it is fair to give an example of his happier manner.

"At no time could Jackson better signalise his disposition to work, than upon an occasion like the present; which generally attracts every soul on deck, from the captain to the child in the steerage.

"His aspect was damp and deathlike; the blue hollows of his eyes were like vaults full of snakes, [another of Mr Melville's outrageous similes]; and, issuing so unexpectedly from his dark tomb in the forecastle, he looked like a man raised from the dead.

"Before the sailors had made fast the reef-tackle, Jackson was tottering up the rigging; thus getting the start of them, and securing his place at the extreme weather end of the topsail-yard—which is accounted the post of honour. For it was one of the characteristics of this man, that, though when on duty he would shy away from mere dull work in a calm, yet in tempest time he always claimed the van, and would yield it to none; and this, perhaps, was one cause of his unbounded dominion over the men.

"Soon we were all strung along the main-topsail yard; the ship rearing and plunging under us, like a runaway steed; each man griping his reef-point, and sideways leaning, dragging the sail over towards Jackson, whose business it was to confine the reef corner to the yard.

"His hat and shoes were off; and he rode the yard-arm end, leaning backward to the gale, and pulling at the earing-rope like a bridle. At all times, this is a moment of frantic exertion with sailors, whose spirits seem then to partake of the commotion of the elements, as they hang in the gale, between heaven and earth—and then it is, too, that they are the most profane.

"'Haul out to windward!' coughed Jackson with a blasphemous cry, and he threw himself back with a violent strain upon the bridle in his hand. But the wild words were hardly out of his mouth when his hands dropped to his side, and the bellying sail was spattered with a torrent of blood from his lungs.

"As the man next him stretched out his arm to save, Jackson fell headlong from the yard, and, with a long seethe, plunged like a diver into the sea.

"It was when the ship had rolled to windward; which, with the long projection of the yard-arm over the side, made him strike far out upon the water. His fall was seen by the whole upward-gazing crowd on deck, some of whom were spotted with the blood that trickled from the sail, while they raised a spontaneous cry, so shrill and wild, that a blind man might have known something deadly had happened.

"Clutching our reef-points, we hung over the stick, and gazed down to the one white, bubbling spot, which had closed over the head of our shipmate; but the next minute it was brewed into the common yeast of the waves, and Jackson never arose. We waited a few moments, expecting an order to descend, haul back the foreyard, and man the boat; but instead of that, the next sound that greeted us was, 'Bear a hand, and reef away, men!' from the mate."

If it be possible (we are aware that it is very difficult) for an author to form a correct estimate of his own productions, it must surely have struck Mr Melville, whilst glancing over the proof-sheets of Redburn, that plain, vigorous, unaffected writing of this sort is a far superior style of thing to rhapsodies about Italian boys and hurdy-gurdies, to gairish descriptions of imaginary gambling-houses, and to sentimental effusions about Harry Bolton, his "Bury blade," and his "Zebra," as he called him—the latter word being used, we suppose, to indicate that the young man was only one remove from a donkey. We can assure Mr Melville he is most effective when most simple and unpretending; and if he will put away affectation and curb the eccentricities of his fancy, we see no reason for his not becoming a very agreeable writer of nautical fictions. He will never have the power of a Cringle, or the sustained humour and vivacity of a Marryat, but he may do very well without aspiring to rival the masters of the art.

Redburn is not a novel; it has no plot; the mysterious visit to London remains more or less an enigma to the end. But having said so much about Harry Bolton, the author deems it expedient to add a tag touching the fate of this worthy, whom Redburn left in New York; in charge of a friend, during his own temporary absence, and who had disappeared on his return. For years he hears nothing of him, but then falls in, whilst on a whaling cruise in the Pacific, with an English sailor, who tells how a poor little fellow, a countryman of his, a gentleman's son, and who sang like a bird, had fallen over the side of a Nantucket craft, and been jammed between ship and whale. And this is Harry Bolton. A most lame and impotent conclusion, and as improbable a one as could well be devised, seeing that a sailor's life was the very last the broken down gambler was likely to choose, after his experience of his utter incapacity for it, and after the persecution and torments he had endured from his rude shipmates on board the Highlander.

When this review of his last work meets the eye of Mr Herman Melville, which probably it will do, we would have him bear in mind that, if we have now dwelt upon his failings, it is in the hope of inducing him to amend them; and that we have already, on a former occasion, expended at least as much time and space on a laudation of his merits, and many undeniable good qualities, as a writer. It always gives us pleasure to speak favourably of a book by an American author, when we conscientiously can do so. First, because Americans, although cousins, are not of the house; although allied by blood, they are in some sort strangers; and it is an act of more graceful courtesy to laud a stranger than one of ourselves. Secondly, because we hope thereby to encourage Americans to the cultivation of literature—to induce some to write, who, having talent, have not hitherto revealed it; and to stimulate those who have already written to increased exertion and better things. For it were false modesty on our part to ignore the fact, that the words of Maga have much weight and many readers throughout the whole length and breadth of the Union—that her verdict is respectfully heard, not only in the city, but in the hamlet, and even in those remote back-woods where the law of Lynch prevails. And, thirdly, we gladly praise an American book because we praise none but good books, and we desire to see many such written in America, in the hope that she will at last awake to the advantages of an international copyright. For surely it is little creditable to a great country to see her men of genius and talent, her Irvings and Prescotts, and we will also say her Coopers and Melvilles, publishing their works in a foreign capital, as the sole means of obtaining that fair remuneration which, although it should never be the sole object, is yet the legitimate and honourable reward of the labourer in literature's paths.

[20] Redburn: his First Voyage. By Herman Melville, author of Typee, Omoo, and Mardi. 2 vols. London, 1849.