THE MONSTER-MISERY OF LITERATURE. BY A MOUSE BORN OF THE MOUNTAIN.

Previous

Be under no apprehension, gentle public, that you are about to be kept in suspense touching the moral of our argumentation, as too often in the pamphlets addressed in Johnsonian English to Thompsonian understandings, wherein a pennyworth of matter is set forth by a monstrous quantity of phrase. We mean to speak to the point; we mean to enlighten your understanding as by the smiting of a lucifer-match. Refrain, therefore, from running your eye impatiently along the page, as you are doing at this moment, in hopes of discovering, italicized, the secret of the enigma; for we have no intention of keeping you another moment ignorant that the monster-misery of literature is—guess! Which of you hath hit it? The monster-misery of literature is—The Circulating Library!

In this devout conviction, devote we to the infernal gods the memory of the Athenian republic—the first keeper of a circulating library. Every tyro is aware that this Sams or Ebers of antiquity lent out to Ptolemy of Egypt, for a first-rate subscription of fifteen talents, the works of Euripides, Eschylus, and Sophocles; thereby affording a precedent for the abominable practice, fatal to bookmakers and booksellers, which has converted the waters of Castalia into their present disgraceful puddle!

Every scribbler of the day who has a Perryian pen in hand, is pleased to exercise it on the decline of the drama; one of the legitimate targets of penny-a-liners. But how inadequately are the goose quills, and ostrich quills, phoenix quills, and roc quills, of the few standard critics of the age, directed towards the monstrous abuse of public patience which will render the Victorian age the sad antithesis of the Elizabethan, in the literary history of the land! Content so long as they can get a new work, tale quale, as a peg whereon to hang the rusty garments of their erudition, not a straw care they for the miserable decline and fall of the great empire of letters; an empire overrun by what Goths—what Huns—what Vandals!—by the iniquitous and barbarous hosts of circulating libraries!

It has been agreed for some centuries past, that the only modern MÆcenas is the publisher. The days of patrons are past; and the author is forced to look for the reward of his labour to the man who, by selling the greatest number of copies to the public, can bestow the greatest number of pounds upon his pains. In order to augment this amount, the bibliopole naturally consults the taste of his customers; and nearly the sole remaining customers of the modern bookseller are—the circulating libraries. For what man in his senses who, for an annual mulct of half-a-dozen sovereigns, commands the whole range of modern literature, would waste his substance in loading his house with books of doubtful interest? Who that, by a message of his servant into Bond Street, procures the last new novel cut and dry, instead of wet from the press, and demanding the labour of the paper-knife, would proceed to the extremity of a purchase? And the result is, that Messrs Folio and Duodecimo, in order to procure satisfactory orders from the circulating libraries of the multitudinous cities of this deluded empire, issue orders to their helots, Mr Scribblescrawl and Mrs Wiredrawn, requiring them to produce per annum so many sets of three volumes, adapted to the atmosphere wherein they are fated to flourish.

It is an avowed fact, that the publishers of the day will purchase the copyrights of only such works as "the libraries will take;" which libraries, besotted by the mystic charm of three volumes, immutable as the sacred triad of the Graces or Destinies, would negative without a division such a work as the "Vicar of Wakefield" were it now to undergo probation. "Robinson Crusoe" or "Paul and Virginia" would be returned unread to their authors, with a civil note of "extremely sorry to decline," &c. "The Man of Feeling" would be made to feel his insignificance. "Thinks I to Myself" might think in vain; and the "Cottagers of Glenburnie" retain their rural obscurity. So much for the measure of the maw of the circulating library. Of its taste and palate it is difficult to speak with moderation; for those of Caffraria or Otaheite might be put to the blush.

The result, however, of this fatal ascendancy is, that not a publisher who has the fear of the Gazette before his eyes, presumes to hazard a guinea on speculations in the belles-lettres. Poetry is seldom, if ever, published except at the cost of the poet; and the foreman of one of the leading London houses is deputed to apprize aspiring rhymesters, that "his firm considers poetry a mild species of insanity"—Anglice, that it does not suit the appetite of the circulating library! For behold! this despot of bookmakers must have length, breadth, and thickness, to fill the book boxes dispatched to its subscribers in the country, as well as satisfy in town the demands of its charming subscriber, Lady Sylvester Daggerwood, and all her daughters.

It happens that the said Lady Sylvester does not like Travels, unless "nice little ladylike books of travels," such as the Quarterly informed us last year, in a fit of fribbledom, were worthy the neat little crowquills of lady-authors. Nor will she hear of Memoirs, unless light, sparkling, and scandalous, as nearly resembling those of Grammont as decency will allow. Essays she abominates; nor can she exactly understand the use of quartoes, unless, as Swift describes the merit of

"A Chrysostom to smooth his band in"—

to serve for flattening between the leaves her rumpled embroidery or netting!

Now you are simply and respectfully asked, beloved public, what must be the feelings of a man of genius, or of any sensible scholarly individual, when, after devoting years of his life to a work of standard excellence—a work such as in France would obtain him access to the Academy, or in Russia or Prussia a pension and an order of merit—he is told by the publisher, who in Great Britain supplies the place of these fountains of honour and reward, that "the public of the present day has no taste for serious reading;" for Messrs Folio and Duodecimo cannot, of course, afford to regard a few dons of the universities, or a few county bookclubs, parsonically presided, as representatives of the public! What the disappointed man, thus enlightened, must think of "glorious Apollo" when he goes to bed that night, we should be sorry to conjecture!

"The public of the present day"—Ang. the subscribers to the circulating libraries—constitute, to his cultivated mind, a world unknown. The public he has been wasting his life to address, is such a public as was addressed by Addison, by Swift, by Steele, or by the greater writers of the days of Elizabeth. "Bless his fine wits," we could laugh at his misconception, were we not rather inclined to cry! In instances easy to be cited, (but that there were miching malecho in the deed,) insult has been added to injury, and the anguish depicted in the face of the mortified man of letters been assuaged by friendly advice to "try his hand at something more saleable—something in the style of Harrison Ainsworth or Peter Priggins!"

O ye Athenians! to what base uses have we come, by the influence of your malpractices of old!

But all this is far from the blackest side of the picture. You have seen only the fortunes of the rejected of the circulating libraries; wait till you have studied the fate of their favourites—victims whom, like the pet-dogs of children, the publishers force to stand on their hind-legs, and be bedizened in their finery; or pet pussy-cats, whom they fondle into wearing spectacles and feeding on macaroones, instead of pursuing their avocations as honest mousers. The favourite author of the circulating libraries has a great deal to envy in the treadmill!

In the days when there existed a reading, in place of a skimming public—in the days when circulating libraries were not—the writer who followed his own devices in the choice of the subject, plot, title, treatment, and extent of his book, and made his labour a labour of love, had some chance of being cherished as the favourite of the fireside; installed on the shelf, and taken down, like Goldsmith or Defoe or Bunyan, for an hour's gossip; cried over by the young girl of the family, diverting the holiday of the schoolboy, and exercising the eyesight of the good old grandmother. But how is this ever to be achieved nowadays? Who will be ever thumbed over and spelled over as these have been?

"Invent another Vicar or another Crusoe," say the critics, "and you will see."

We should not see! No bookseller would publish them, because "no circulating library would take them;" for these bibliopoles know to a page what will be taken. Several of them have got, and several others have had, the conduct of a circulating library on their hands; and so far from venturing to present a single-volumed or double-volumed work to their subscribers, they would insist upon the dilution of the genius of Oliver or Daniel into the adequate number of pages ere they risked paper and print. O public! O dear, ingenuous public! Think how you might have ceased to delight in even the cosmogony-man, if his part had been a hundred times rehearsed in your ears; or what the matchless Lady Blarney and the incomparable Miss Carolina Wilhelmina Amelia Skeggs (I love, as old Primrose says, to repeat the whole name) might have become, as the "light conversationists" of three octavo volumes! Shakspeare was forced to kill Mercutio early in the play, lest Mercutio should kill him. We feel a devout conviction that Miss Carolina Wilhelmina Amelia Skeggs would have burked Goldsmith!

And then the incomparable Robinson! Conceive the interlarding of a funny Mrs Friday to eke out the matter, with a comical king of the Cannibal islands "to lighten the story"—according to circulating library demand! Unhappy Defoe! thy standing in the pillory had been as nothing compared with such a condemnation!

We beseech you, therefore, deluded public, when assured by critical misleadment that such writers no longer exist, do, as you are often requested to do by letters in the newspapers—from parties remanded by the police-offices for some hanging matter—"suspend your judgment," or you will deserve credit for very little. We promise you that there are giants on the earth in these days, ay, and famous giants of their cubits! But when a giant is made to drivel, his drivelings are very little better than those of a pigmy. And we swear to you, (under correction from the parish vestry, which is entitled to half-a-crown an oath,) that the circulating libraries would make a driveler of Seneca! Under the circulating library tyranny, Johnson himself would have been forced to break up his long words into smaller pieces, to supply due volume for three volumes.

Above all, we have no hesitation in declaring that the circulating libraries are indictable for manslaughter, in the matter of the death of Scott. They killed him, body and soul! In better times, when books were bought, not hired, the sale of the first half dozen of his mighty novels would have sufficed both the public and the author for thrice as many years. They would have been purchased by all people of good condition, as the works of Richardson were purchased, and read, and conned, and got by heart. But behold! the circulating libraries "wanted novelty." It suited them better to invest their capital in half a dozen new and trashy books—such as extend their catalogue from No. 2470 to 2500—instead of half a dozen copies of the one sterling work, which increases their stock in trade and diminishes their stock in consols, but leaves the catalogue, which is the advertisement of their perfections, halting at No. 2470.

Now, as it happened that the same boss of constructiveness which has endowed our language with such a world of creations from the pen of Scott, betrayed him also into inventiveness per force of brick and mortar—just as the same bent of genius which created the Castle of Otranto, created also that other colossus of lath and plaster, Strawberry Hill—the author of the Scotch novels was fain to sacrifice to the evil genius of the times; and behold! as the assiduous slave of the circulating libraries, he extinguished one of the greatest spirits of Great Britain. But for the hateful factory system of the twice three volumes per annum, he would have been still alive among us—happy and happy-making, in a green old age—watching over the maturity of his grandchildren, and waited upon by the worship of the land.

Therefore again we say, as we said a short time ago,—O ye Athenians! what have ye not to answer for in the consequence of your malpractices of old!

The only great success of the day in works of fiction, (for the laurels of Bulwer have been spindled among the rest by the factitious atmosphere of the circulating libraries), is that of Boz. And we attribute, in a great measure, the enormous circulation of his early works, to their having set at defiance the paralysing influence of the monster-misery. Shilling numbers were as the dragon's teeth. They rose up like armed men, and slew the circulating librarians. People were forced to buy them if they wanted to read them; and they were bought. Those who desired to read "Night and Morning," were not forced to purchase it, and it was not bought; and the circulation of the two works consequently remains as 2000 to 35,000 copies.

The state and prospects of authors, however, concerns you less, dear public, than the state and prospects of literature. You are a contemplative body of men, and can see into a millstone as far as most nations. You make leagues and anti-leagues for the sake of your morsel of bread; and teach the million to sing to your own tune; and, weary of keeping your heads above water, tunnel your way below it; nor will you allow the suffering shirtmakers of your metropolis to be put upon, nor Don Carlos, nor Queen PomarÉ, nor any other victim of oppression. You applauded Alice Lowe, and shook hands with Courvoisier at the gallows; and it is clear you stand no nonsense, and bear no malice.

Be so good, therefore, as seriously to consider what sort of figure you will cut in the eyes of posterity, if this kind of thing is suffered to go on.

There is not one publisher in the three kingdoms (we throw down the gauntlet) who would give an adequate sum of money for any new historical work. There is not one publisher in the three kingdoms who would give even a moderate sum for a poem. We state the case liberally; for our conviction is, that they would refuse one poor half-crown. So much for the prospects; for, without a premium production is null.

As regards the state of literature, take out your pencils, (you all carry pencils, to calculate either the long odds or the odds on 'Change,) and make out a list of the works published during the last five years, likely to be known, even by name, a hundred years hence! It is some comfort to feel, that by sight they cannot be known—that few of them will survive to disgrace us—that the circulating libraries possess the one merit of wear and tear for the destruction of their filthy generation, like Saturn of old; for it would grieve us to think of even the trunks of the two thousandth century being lined with what lines the brains of our contemporaries. So that in the year of grace two thousand and forty-four, we shall have the Lady Blarney of Kilburn Square (the Grosvenor Square of that epoch,) enquiring of the Miss Carolina Wilhelmina Amelia Skeggs of Croydon Place (the Belgium Square)—"My dear soul, what could those poor people do to amuse themselves? They had positively no books! After Scott's time till the middle of the nineteenth century not a single novelist; after the death of Byron, not a poet! I believe there was an historian of the name of Hallam, not much heard of; and the other day, at a book-stall, I picked up an odd volume of an odd writer named Carlyle. But it is really curious to consider how utterly the belles-lettres were in abeyance."

To which, of course, Miss C. W. A. S.—(even Dr Panurge could not get through the whole name again!)—"My dear love! they had Blackwood's Magazine, which, like the Koran after the burning of the Alexandrian library, supplied the place of ten millions of volumes!"

But, alas! some Burchell may be sitting by, to exclaim "fudge!" Some groper into archives will bring forth one of those never-to-be-sufficiently-abominated catalogues of Bond and other streets, showing that, on a moderate calculation, twenty books were published per diem, which, at the end of three months, possessed the value of so many bushels of oyster-shells!

And then, pray, what will you have to say for yourselves, O public! from your tombs in Westminster Abbey or your catacombs at Kensal Green? Which among you will dare come forward, with blue lights in his hand and accompanied by a trombone, like the ghost of Ninus in Semiramide, and say—"We warned these people to write for immortality. We told them it was their duty to stick in a few oaks for posterity, as well as their Canada poplars and Scotch firs. It was not our fault that they chose to grow nothing but underwood. It was the fault of the circulating libraries, which, instead of allowing the milk of human genius to set for cream, diluted it with malice prepense, and drenched us with milk and water even to loathing!"

No, dear public! you will put your hand in your breeches' pocket like a crocodile, as you do now, and say nothing. Yon are fully aware how much of the fault is your own; but you are stultified and hardened to shame. With the disgrace of your National Gallery, and National Regency Buildings, and Pimlico Palace, and all your other vulgarisms and trivialities on your shoulders, you bully your way out of your disgrace of duncehood, like Mike Lambourne on forgetting his part in the Kenilworth pageant. "For your part, you can do very well without book-learning. You've got Shakspeare, and if with that a nation can't face the literature of Europe, the deuce is in it! With Cocker's arithmetic and Shakspeare, any public that knows what it's about, may snap its fingers at the world!"

Such, such are the demoralizing results of the ascendancy of the circulating libraries! Such is the monster-misery of literature!

Again, therefore, we say, confound those fifteen talents! What have ye not to answer for, O ye Athenians! in the consequences of your malpractices of old!


                                                                                                                                                                                                                                                                                                           

Clyx.com


Top of Page
Top of Page