OLIVE SCHREINER.

... And now we turn to nature. All these years we have lived beside her, and we have never seen her; now we open our eyes and look at her.

The rocks have been to us a blur of brown; we bend over them, and the disorganized masses dissolve into a many-colored, many-shaped, carefully arranged form of existence. Here masses of rainbow-tinted crystals, half-fused together; there bands of smooth gray methodically overlying each other. This rock here is covered with a delicate silvery tracery in some mineral, resembling leaves and branches; there on the flat stone, on which we so often have sat to weep and pray, we look down, and see it covered with the fossil footprints of great birds, and the beautiful skeleton of a fish. We have often tried to picture in our mind what the fossilized remains of creatures must be like, and all the while we sat on them. We have been so blinded by thinking and feeling that we have never seen the world.

The flat plain has been to us a reach of monotonous red. We look at it, and every handful of sand starts into life. That wonderful people, the ants, we learn to know; see them make war and peace, play and work, and build their huge palaces. And that smaller people we make acquaintance with, who live in the flowers. The citto flower had been for us a mere blur of yellow; we find its heart composed of a hundred perfect flowers, the homes of the tiny black people with red stripes, who moved in and out in that little yellow city. Every bluebell has its inhabitant. Every day the karroo (plain) shows up a new wonder sleeping in its teeming bosom. On our way we pause and stand to see the ground-spider make its trap, bury itself in the sand, and then wait for the falling in of its enemy. Farther on walks a horned beetle, and near him starts open the door of a spider, who peeps out carefully, and quickly puts it down again. On a karroo-bush a green fly is laying her silver eggs. We carry them home, and see the shells pierced, the spotted grub come out, turn to a green fly, and flit away. We are not satisfied with what nature shows us, and will see something for ourselves. Under the white hen we put a dozen eggs, and break one daily to see the white spot wax into the chicken. We are not excited or enthusiastic about it; but a man is not to lay his throat open, he must think of something. So we plant seeds in rows on our dam-wall, and pull one up daily to see how it goes with them. Alladeen buried her wonderful stone, and a golden palace sprang up at her feet. We do far more. We put a brown seed in the earth, and a living thing starts out, starts upward—why, no more than Alladeen can we say—starts upward, and does not desist till it is higher than our heads, sparkling with dew in the early morning, glittering with yellow blossoms, shaking brown seeds with little embryo souls on to the ground. We look at it solemnly, from the time it consists of two leaves peeping above the ground and a soft white root, till we have to raise our faces to look at it; but we find no reason for that upward starting.

A fowl drowns itself in our dam. We take it out, and open it on the bank, and kneel, looking at it. Above are the organs divided by delicate tissues; below are the intestines artistically curved in a spiral form, and each tier covered by a delicate network of blood-vessels standing out red against the faint blue background. Each branch of the blood-vessels is comprised of a trunk, bifurcating into the most delicate hair-like threads, symmetrically arranged.... Of that same exact shape and outline is our thorn-tree seen against the sky in mid-winter; of that shape also is delicate metallic tracery between our rocks; in that exact path does our water flow when without a furrow we lead it from the dam; so shaped are the antlers of the horned beetle. How are these things related that such deep union should exist between them all? Is it chance? Or, are they not all the fine branches of one trunk, whose sap flows through us all?

... And so it comes to pass, in time, that the earth ceases for us to be a weltering chaos. We walk in the great hall of life, looking up and around reverentially. Nothing is despicable—all is meaning—full; nothing is small—all is part of a whole, whose beginning and end we know not. The life that throbs in us is a pulsation from it; too mighty for our comprehension, not too small.—Story of an African Farm.