He avoided Rainsford, gave himself up to his engine and his train, and took a dislike to his black-headed fireman, who dared to be Italian and to recall the aurora of days he had buried fathoms deep. The heat pouring on him in summer time made him suffer physically. He rather welcomed the discomfort; his skin grew hardened and tanned and oiled and grimed, and his whole body strong and supple; and his devotion to his work, the air that filled him as he flew, made him the perfect, splendid animal that he was.

At night, when the darkness blotted out the steel rails, and the breeze blowing through the car-window fluttered his sleeve till it bellied, and the cinders, red and biting, whirled by, and on either side the country lay dark and fragrant with its summery wealth—at night his eyes, fixed on the track under the searchlight, showed him more than once a way to end his unhappy life, but his confused reveries and his battle, spiritual and physical, helped him, and he came out of it with a love for life and a stronger hold upon it each time than the last. He gave up wearing his Sunday clothes, he went as the others did; he had not been for months to Albany or to Troy.

One Sunday in midsummer his local did not run on the seventh day. He considered his own image in the glass over his bureau and communed with his reflection. The result of his musings was that he opened his trunk and took out the precious packet; started to unfold it, turned it over in his uncertain hands, thrust it back, set his teeth and went out to the junction and took the train for Troy.

He found her in the boarding-house where she was passing her Sunday, rocking the landlady's teething baby. He bade her to come as she was, not to fix up. The idea of a toilet which would end in a horrible frock rasped his nerves. She detected a great change in him, simple-minded though she was, and she tried to get him to talk and failed. Down at the Erie Canal, by the moored boats and the motionless water, he seized her arm and facing her, said, his lips working—

"I have come to ask you to marry me, Molly."

She grew as white as the drying linen on the windless air, as the family wash hung on the canal boat lines behind her. Her grey eyes opened wide on Antony.

"I'm making a good living: too much for me alone."

He saw her try to find her voice and her senses, and with something of his old radiance, he said—

"I'm a brute. I reckon I don't know how to make love. I've startled you."

"Ah, shure, ye don't know what ye're saying," she whispered; "the likes o' me ain't good enough."

"Hush, hush," he answered, "don't say foolish things."

She gasped and shook her head. "Ye shouldn't tempt me so. It's crool. Ye shouldn't tempt me so."

With a self-abandonment and a humility which he never afterward forgot, as her life and colour came back Molly said under her breath—

"Take me as I am, shure, if I'm the least bit of good to ye. I love ye enough for both."

He exclaimed and kissed her.

Dreams of women! Visions of the ecstasy of first love, ideals and aspirations, palpitating, holy, the young man's impassioned dream of The Woman, the Only Woman, the notion and conception that the man of nature and of talent and of keen imagination sleeps upon and follows and seeks and seeks and follows all his life, from boyhood to the grave—where were they then?

He had brushed his aunt's cheek, he had touched her hand and trembled; now he kissed fresh young lips that had yearned for his, and he gave his first embrace to woman, put his arms round Molly Shannon and her young body filled them. As she had said, she had love enough for both. He felt a great gratitude to her, a relaxation of his tense senses, a melting of his heart, and his tenderness was deep for her when his next kiss met her tears.