[1] One evidence of this is that his works are eagerly sought after and treated tenderly by the second-hand book-sellers. Some of them command fancy prices.

[2] For an account of PÉladan see my essay on Erik Satie in "Interpreters and Interpretations."

[3] You will find an account of Balzac's interesting theory regarding names and letters, which may well have had a direct influence on Edgar Saltus, in Saltus's "Balzac," p. 29 et seq. For a precisely contrary theory turn to "The Naming of Streets" in Max Beerbohm's "Yet Again."

[4] "Wit and Wisdom from Edgar Saltus" by G. F. Monkshood and George Gamble, and "The Cynic's Posy," a collection of epigrams, the majority of which are taken from Saltus, may be brought forward in evidence.

[5] Certain books by Edgar Saltus have been announced from time to time but have never appeared; these include: "Annochiatura," "Immortal Greece," "Our Lady of Beauty," "Cimmeria," "Daughters of Dream," "Scaffolds and Altars," "Prince Charming," and "The Crimson Curtain."

[6] Houghton, Mifflin and Co,; 1884. Reprinted 1887 and 1890.

[7] Houghton, Mifflin and Co.; 1885. Reprinted by the Belford Co.

[8] George J. Coombes; 1886. Reprinted by Brentano's.

[9] Scribner and Welford; 1887. Revised edition, Belford, Clarke and Co.; 1889.

[10] Brentano's; 1887.

[11] Benjamin and Bell; 1887.

[12] Belford Co.; 1888.

[13] Belford, Clarke and Co.; 1888.

[14] Belford Co.; 1889.

[15] Belford Co.; 1889.

[16] Belford, Clarke and Co.; 1889.

[17] Belford Co.; 1890.

[18] Belford Co.; 1891.

[19] Belford Co.; 1891. Reprinted by Mitchell Kennerley; 1906.

[20] P. F. Collier; 1892; "Written especially for 'Once a Week Library.'"

[21] Morrill, Higgins and Co;. 1893. Reprinted by Mitchell Kennerley; 1906.

[22] F. Tennyson Neely; 1893.

[23] Tudor Press: 1894.

[24] The Transatlantic Publishing Co.; 1895.

[25] Ainslee; 1903.

[26] A. Wessels Co.; 1905.

[27] Mitchell Kennerley; 1906.

[28] J. B. Lippincott Co.; 1906.

[29] Mitchell Kennerley; 1907.

[30] Mitchell Kennerley; 1907.

[31] Mitchell Kennerley; 1909.

[32] Pulitzer Publishing Co.; 1912.

[33] In an essay entitled "The Great American Composer" in my book, "Interpreters and Interpretations."