One of the first inquiries that engages the mind of the visitor to Uruguay and Argentina is why the great body of water that separates the two countries—apparently an arm of the sea—should not be called the Gulf of La Plata. After a brief stay in this region of great cities, great productiveness, and great opportunities, it will probably occur to him that dwellers among such great things could be satisfied with nothing less than an estuary of the broad Atlantic to serve as a river for their capitals. If the ParanÁ and Uruguay—mighty rivers which rank in size immediately behind the Mississippi—had joined their floods some miles above Buenos Aires, instead of flowing separately into La Plata, a stream of unquestionable status might have satisfied their demands; but the God of Waters willed otherwise, evidently not anticipating the greatness The exact point at which La Plata River merges with the Atlantic is also a matter of speculation among geographers. For all practical purposes, however, Montevideo, the capital, metropolis, and chief port of Uruguay, lies just beside this phenomenon. One can say, therefore, that the eastern side of the little peninsula on which the main city is built faces the ocean, while the southern and western fronts, bordering the bay of the actual port, look upon the river Plata. Taking the night boat at Buenos Aires, one arrives in Montevideo in the early morning after a pleasant ride of just a hundred miles diagonally across the river, and is immediately impressed with the picturesqueness of El Cerro, an ancient fortress that still poses as the guardian of the entrance of the river. Much more important to-day, however, is the lighthouse that rises from this height. Entering the port the visitor comes upon a modern city of almost four hundred thousand inhabitants, possessed of all the attributes of the present-day metropolis; an adequate and up-to-date system of docks, To the Buenos Airean, naturally enough, Montevideo is a second Brooklyn, for the “ferry” trip of a hundred miles is not incongruous where people think in superlatives. Here the Buenos Airean may come, after a period of consuming activity in his own more closely built city, for rest and soul expansion among the leisurely and dignified Montevideans, and, at the expense of his neighbor, even permit himself a bit of friendly chaff in which he might venture to use the word “soporific.” The Montevidean by no means resents the imputation. There is no resentment because, although a restful atmosphere does pervade the city, there is not the slightest taint of stagnation. The Montevidean is conscious that his sturdy, vigorous, and even bellicose race has built up a nation unique in South America in its promise of material prosperity; that his country is among the richest in the quality and varied productiveness of its soil of any on the continent, Montevideo was founded in 1726, but remained a comparatively unimportant way station until some thirty years ago, when it began to imbibe the modernism of its big rivals in Brazil and Argentina. To-day it is almost as cosmopolitan as Buenos Aires, the Italian element predominating among the foreigners, with the British preËminent as investors of capital, as in the latter city. To the superb Solis Theater come all the European companies that appear in Buenos Aires; club life is best represented in the Club Uruguay and the English Club, situated on opposite sides of the Plaza Matriz; and afternoon tea has come to be an important feature of the social life, several tea houses being now distributed over the leisure sections of the city. The pride of the Montevidean is Prado Park. He has made of it one of the fairest gardens imaginable—its lakes and rolling lawns and great variety of trees and flowering bushes, its intersecting avenues of towering In these excursions he has an excellent opportunity to note the varied styles of architecture coming into vogue in the more progressive cities of South America; they range from the comfortable bungalow of the British residents, to that strange development of the old Spanish home (the quinta) in which the wealthy Spanish-Americans love to house themselves on the outskirts of the cities. Until recent years the Spanish house in town and country was bare and unlovely on the outside; its beauty and richness were confined to the interior surroundings of the patio; where, in feudal privacy, the family secluded itself. To-day, in the new era of civic pride and the freer association of society in the modern boulevard and cafÉ life, the adornment is extended to the outside, and the effort made, by the addition of pinnacles SOLIS THEATER, MONTEVIDEO. CAGANCHA PLAZA, MONTEVIDEO. In October, when the summer comes into these latitudes south of the Equator, the quintas assume a most entrancing aspect. Some of them, set in the midst of gardens many acres in extent, are veritable haunts of delight. Toll has been levied upon every resource to add to their charm. The gardens are inclosed within hedges that blaze with the color of the hedge-rose, honeysuckle, bougainvillea, wistaria, and other creeping vines. Inside, forming a background, may be seen a goodly growth of ivy-covered oaks or chestnut trees. Within, nearer the fairy-like home, and in the random of artistic disorder, are many flowering bushes and trees—lilacs mingling their scent with magnolia, orange, myrtle, and mimosa—while the lawns are carpeted with a brilliant profusion of periwinkles, pansies, marigolds, arum lilies, and carnations, the whole yielding up the delights of its ever changing fragrance as the In entire harmony with this perfection of nature is the beauty of the women. They are justly famous. To the far-famed grace and natural Spanish stateliness of her sisters throughout South America, the Uruguayan seÑorita adds a freshness of complexion and sprightliness of temperament that go to make a most bewitching consummation of feminine charm. Her praises are sung by all visitors; not less appreciative, her own kith and kin liken her, in their poetic way, to all pleasant things from a dove to the moon. It is with genuine regret that the traveler leaves the hospitable capital for a trip through the country; but he will soon discover that the delightful climate (like that of Tennessee, but without the snows of winter) is characteristic of Uruguay as a whole. From the capital radiate some fifteen hundred miles of good railways penetrating Brazil at several points, and also tapping the commerce along the Uruguay River. The country he will see is one great rolling pasture as large as all New England, and with occasional ridges of mountains. At Fray Bentos, on the Uruguay River, the Liebig Company has located a great plant, slaughters over three hundred thousand Uruguay, as one historian expresses it, has always been the cockpit of the southern half of the continent. From the time of the appearance of the first whites in the Plata region—Diaz de Solis in 1515, and ten years later Sebastien Cabot—down to the period of Hernando Arias and Garay, who, in about 1580, permanently established the power of Spain on the river Plata, the Spanish and Portuguese settlements on the Plata and Uruguay had to contend with the incessant Throughout the colonial rÉgime, Uruguay constituted the eastern border province (Banda Oriental) of Spain’s La Plata colony, and was the storm center of the Spanish and Portuguese strife for territorial control. Following this period came the abortive invasion of the English in 1806, and, a few years later, the wars of independence. When Spanish rule came to an end in the Plata country, the Banda Oriental became the bone of contention between Brazil and the newly born state that is now Argentina—a veritable new-world Flanders and the theater of many fierce battles. Brazil held the province from 1817 to 1829, and called it her Cis-platine Province. Finally, on May 1, 1829, Uruguay achieved her independence and set up a government of her own under the style of the Oriental Republic of Uruguay. There is good reason, then, why the Uruguayans should have emerged from these three hundred years of turbulent character |