EPILOGUE

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As I write these lines the war which has cost so many brave lives, and carried so much desolation through the fields and cities of Manchuria is still raging.

The great fleet of Admiral Rojestvensky, from which the stains of the innocent fisherman’s blood have not yet been washed, is plowing its way to meet a terrible retribution at the hands of the victorious Togo.[C] A curse is on that fleet, and it may be that the British Government foresaw that they could punish the crime of the Dogger Bank more terribly by letting it proceed, than by bringing it into Portsmouth to await the result of the international trial.

In the great affairs of nations it is not always wise to exact strict justice, or to expose the actual truth.

I, too, am a lover of peace. Not of that hysterical, sentimental horror of bloodshed which would place a great civilized nation at the mercy of more barbarous powers, which would stay the wheels of progress, and be indistinguishable from cowardice in the face of wrong.

But I am a friend of the peace which is the natural result of a better understanding between peoples, of respect for one another’s character and aims, of a wise recognition of facts, and an honorable determination not to play the part of the aggressor.

It is in the hope of promoting such a peace on earth, and such good-will toward men, that I have allowed myself to publish the foregoing narrative.

In order to soften the character of this revelation I have endeavored to impart to it a character of romance.

So far as my abilities extend, I have sought to give the reader the impression that he has been reading an allegory rather than a dry, business record. I have tried to cover certain incidents with a discreet veil. I have as much as possible refrained from using real names.

I trust that my narration will be accepted in the spirit in which it has been written and that no reader will allow his feelings of curiosity to lead him into going further, or raising questions which it might be indiscreet on my part to answer.

But there is one part of the story to which the foregoing remarks do not apply.

Whatever else be mythical, there is nothing mythical about the bright figure whose portrait has accompanied me through so many perils. There is a home for me in far-off Tokio, and when the blood-begrimed battalions of Asia sheathe their swords, I shall go thither to claim my reward.

THE END


                                                                                                                                                                                                                                                                                                           

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