THE Boston girl, necessarily, was born in Boston. Necessarily, also, her ancestors, and she can trace back her lineage to that Thankful Osgood, who came over in 1640, and owned the cow that laid out the streets of Boston. The wolf that suckled Romulus was held in no more respect by the Latins than is the bronzed image of that cow, cast by Mr. Ball, the sculptor, upon a commission from her father, a solid man, who lives on Beacon street, in a brown stone front with two "bow" windows and a brass knocker.

The ambition of every Boston girl is to live in a brown stone front with two "bow" windows and a brass knocker, before she dies. Having accomplished that, and attended a course of medical lectures, she is ready to depart in peace, for after that, all is vanity.

There are three episodes in the life of every Boston girl, viz., the Frog Pond, the Natural History Rooms, and the Fraternity Lectures. In her infancy, if so majestic a creature ever had an infancy, she sailed small boats on the Frog Pond, and was several times rescued from drowning in its depths, by the same policeman, who to-day wanders along its stone coping, watching the reflection of his star in the water, as he did a quarter of a century ago. She visits the pond daily on her way to the Natural History Rooms, where she inspects with diurnal increase of solicitude the bones of the megatherium and the nondescript foeti of human and animal births, preserved in Boston bottles, filled with Boston spirits.

But the series of Fraternity Lectures is the great fact of the Boston girl's life. She dotes on Phillips, idolizes Weiss' social problems, goes into a fine frenzy over Emerson's transcendentalism, and worships Gail Hamilton and her airy nothings.

The Boston girl is of medium height, with a pale, intellectual face, light hair, blue eyes, wears eye-glasses, squints a little, rather deshabille in dress, slight traces of ink on her second finger, blue as to her hose and large as to her feet. Of physical beauty she is no boaster, but of intellectual she is the paragon of animals. Gather a dandelion by the roadside, she will only recognize it as Leontodon taraxacum, and discourse to you learnedly of fructification by winged seeds. She will describe to you the relative voicings of the organs of Boston and the size of the stops in the Big one. She will analyze the difference in Beethoven's and Mendelssohn's treatment of an allegro con moto. She will learnedly point out to you the theological differences in the conservative and radical schools of Unitarianism, and she has her views on the rights of woman, including her sphere and mission. But I doubt whether the beauty of the flower, the essence of music, the sublimity of Beethoven and Mendelssohn, or the inspiration of theology, ever find their way into her science-laden skull, or whether her spectacled eyes ever see the way to the core of nature and art.

The Boston girl is a shell. She never ripens into a matured flesh and blood woman. She is cold, hard, dry and juiceless. Gail Hamilton is a type of the Boston girl at maturity. Abby Kelly Foster was a type of the Boston girl gone to seed. If Gail Hamilton lives as long as did Abby, she will carry a blue cotton umbrella, wear a Lowell calico, and make speeches on the wrongs of woman and the abuses of the Tyrant Man. If the Boston girl ever marries, she gives birth to a dictionary, or to a melancholy young intellect, who is fed exclusively on vegetables, at the age of six has mastered logarithms and zoology, is well up in the carboniferous and fossiliferous periods, falls into the Frog Pond a few times, dies when he is eight years of age, and sleeps beneath a learned epitaph and the Leontodon taraxacum.

September 7, 1867.