THERE are two kinds of small talk—one which is very silly, and when it does not run to twaddle, takes the worse form of slander and cruel gossip. These two phases are not inconsistent with each other, for it takes a very silly person to be a good gossiper. The greater amount of nonsense that a woman can talk to your face, the worse will be the gossip that she will talk behind you. Her wits may be very small in one direction, but they will be very sharp in the other. The other kind of small talk is very delightful. It is chatty, sunny, spicy and brilliant. It may not be as deep as the ocean, but is not a little brook, singing over the pebbles, flashing in the sunlight, and whispering pretty little stories it learned from the naiads in the fountain where it was born, to the scarlet cardinals and golden-rods that lean over to listen, just as delightful as the uncertain depths of the ocean with dim suggestions of dirty sea-weed, slimy monsters, ribs of argosies and dead men's bones? Is not the little brook which can take the most distant star right into its heart, just as beautiful as the heavy ocean into whose depths no star beam can penetrate? This kind of small talk is an eloquent art, and fortunate This species of small talk can only exist between the opposite sexes. Between women, small talk becomes silly or it runs to confidences. In the one case it is soon exhausted, in the other it is vulgarly supposed to be eternal; and the amount of smothered grief, of heart-rending woe, of poignant anguish, of amorous doubts, of Sphynx-like mysteries, of secret grief which cannot be whispered even to her pillow, which one young woman will confide to four hundred other young women, is only equalled by the rapidity with which the latter will dispossess themselves of les confidences and the fertile imagination which will clothe them entirely new even before they are divulged for the second time. Between men, small talk is simply idiotic. You pass an evening with Serafina, and you get only simpers and syllabubs. She will not give you the ghost of a thought, although her tongue has been running like a mill-clapper for two mortal hours. She will run the whole gamut of talk, and you shall never once get a taste of the amber wine beneath the foam. Per contra, in an evening with Blanche, she will dive like a humming bird into every flower, sweet or bitter, beautiful or ugly, and extract honey from each. She does not linger long on anything. She does not go too deep to be tiresome, and yet you are aware that she would lead you a terrible chase into the real if you gave the word. With that infinite tact which no one but a clever woman possesses, she will draw you out and give you cues for conversation without your ever dreaming of it. If you have a hobby, she will quietly saddle it and help you to mount, and spur it up to a rattling pace with little ingenuous confessions of ignorance, and implied flatteries which show you at once your superiority over the rest of mankind; and she will take you off your hobby and turn him out to grass so gracefully that you will be thoroughly satisfied with your ride. She will read you a charming little homily on her gold cross, which "Jews might kiss or infidels adore," and she will lead you with that narrow edge of lace around her pretty throat, which a rude breath might dissipate, through meadows of talk, where every flower is "a thing of beauty" and "a joy forever." But to effectually do this, she must have no hobbies, and she must assume an ignorance if she have it not. Ignorance is one of the strongest weapons in the female armory, and if the small talk assumes the form of an argument, a graceful yielding, especially if one is obstinate, is also politic.
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