Robert Bridges was born in 1844 and educated at Eton and Corpus Christi College, Oxford. After traveling extensively, he studied medicine in London and practiced until 1882. Most of his poems, like his occasional plays, are classical in tone as well as treatment. He was appointed poet laureate in 1913, following Alfred Austin. His command of the secrets of rhythm and a subtle versification give his lines a firm delicacy and beauty of pattern.
WINTER NIGHTFALL
The day begins to droop,—
Its course is done:
But nothing tells the place
Of the setting sun.
The hazy darkness deepens,
And up the lane
You may hear, but cannot see,
The homing wain.
An engine pants and hums
In the farm hard by:
Its lowering smoke is lost
In the lowering sky.
The soaking branches drip,
And all night through
The dropping will not cease
In the avenue.
A tall man there in the house
Must keep his chair:
He knows he will never again
Breathe the spring air:
His heart is worn with work;
He is giddy and sick
If he rise to go as far
As the nearest rick:
He thinks of his morn of life,
His hale, strong years;
And braves as he may the night
Of darkness and tears.
NIGHTINGALES
Beautiful must be the mountains whence ye come,
And bright in the fruitful valleys the streams, wherefrom
Ye learn your song:
Where are those starry woods? O might I wander there,
Among the flowers, which in that heavenly air
Bloom the year long!
Nay, barren are those mountains and spent the streams:
Our song is the voice of desire, that haunts our dreams,
A throe of the heart,
Whose pining visions dim, forbidden hopes profound,
No dying cadence nor long sigh can sound,
For all our art.
Alone, aloud in the raptured ear of men
We pour our dark nocturnal secret; and then,
As night is withdrawn
From these sweet-springing meads and bursting boughs of May,
Dream, while the innumerable choir of day
Welcome the dawn.
