This unique personality was born in Dublin in February, 1882. Stephens was discovered in an office and saved from clerical slavery by George Russell ("A. E."). Always a poet, Stephens's most poetic moments are in his highly-colored prose. And yet, although the finest of his novels, The Crock of Gold (1912), contains more wild phantasy and quaint imagery than all his volumes of verse, his Insurrections (1909) and The Hill of Vision (1912) reveal a rebellious spirit that is at once hotly ironic and coolly whimsical.
Stephens's outstanding characteristic is his delightful blend of incongruities—he combines in his verse the grotesque, the buoyant and the profound. No fresher or more brightly vigorous imagination has come out of Ireland since J. M. Synge.
THE SHELL
And then I pressed the shell
Close to my ear
And listened well,
And straightway like a bell
Came low and clear
The slow, sad murmur of the distant seas,
Whipped by an icy breeze
Upon a shore
Wind-swept and desolate.
It was a sunless strand that never bore
The footprint of a man,
Nor felt the weight
Since time began
Of any human quality or stir
Save what the dreary winds and waves incur.
And in the hush of waters was the sound
Of pebbles rolling round,
For ever rolling with a hollow sound.
And bubbling sea-weeds as the waters go
Swish to and fro
Their long, cold tentacles of slimy grey.
There was no day,
Nor ever came a night
Setting the stars alight
To wonder at the moon:
Was twilight only and the frightened croon,
Smitten to whimpers, of the dreary wind
And waves that journeyed blind—
And then I loosed my ear ... O, it was sweet
To hear a cart go jolting down the street.
WHAT TOMAS AN BUILE SAID IN A PUB
I saw God. Do you doubt it?
Do you dare to doubt it?
I saw the Almighty Man. His hand
Was resting on a mountain, and
He looked upon the World and all about it:
I saw him plainer than you see me now,
You mustn't doubt it.
He was not satisfied;
His look was all dissatisfied.
His beard swung on a wind far out of sight
Behind the world's curve, and there was light
Most fearful from His forehead, and He sighed,
"That star went always wrong, and from the start
I was dissatisfied."
He lifted up His hand—
I say He heaved a dreadful hand
Over the spinning Earth. Then I said, "Stay,
You must not strike it, God; I'm in the way;
And I will never move from where I stand."
He said, "Dear child, I feared that you were dead,"
And stayed His hand.
TO THE FOUR COURTS, PLEASE
The driver rubbed at his nettly chin
With a huge, loose forefinger, crooked and black,
And his wobbly, violet lips sucked in,
And puffed out again and hung down slack:
One fang shone through his lop-sided smile,
In his little pouched eye flickered years of guile.
And the horse, poor beast, it was ribbed and forked,
And its ears hung down, and its eyes were old,
And its knees were knuckly, and as we talked
It swung the stiff neck that could scarcely hold
Its big, skinny head up—then I stepped in,
And the driver climbed to his seat with a grin.
God help the horse and the driver too,
And the people and beasts who have never a friend,
For the driver easily might have been you,
And the horse be me by a different end.
And nobody knows how their days will cease,
And the poor, when they're old, have little of peace.
