The publisher of the various anthologies of Georgian Poetry, Harold Monro, was born in Brussels in 1879. He describes himself as "author, publisher, editor and book-seller." Monro founded The Poetry Bookshop in London in 1912, a unique establishment having as its object a practical relation between poetry and the public, and keeping in stock nothing but poetry, the drama, and books connected with these subjects. His quarterly Poetry and Drama (discontinued during the war and revived in 1919 as The Monthly Chapbook), was in a sense the organ of the younger men; and his shop, in which he has lived for the last seven years except while he was in the army, became a genuine literary center.
Here is the soundless cypress on the lawn:
It listens, listens. Taller trees beyond
Listen. The moon at the unruffled pond
Stares. And you sing, you sing.
That star-enchanted song falls through the air
From lawn to lawn down terraces of sound,
Darts in white arrows on the shadowed ground;
And all the night you sing.
My dreams are flowers to which you are a bee
As all night long I listen, and my brain
Receives your song; then loses it again
In moonlight on the lawn.
Now is your voice a marble high and white,
Then like a mist on fields of paradise,
Now is a raging fire, then is like ice,
Then breaks, and it is dawn.
Since man has been articulate,
Mechanical, improvidently wise,
(Servant of Fate),
He has not understood the little cries
And foreign conversations of the small
Delightful creatures that have followed him
Not far behind;
Has failed to hear the sympathetic call
Of Crockery and Cutlery, those kind
Reposeful Teraphim
Of his domestic happiness; the Stool
He sat on, or the Door he entered through:
He has not thanked them, overbearing fool!
What is he coming to?
But you should listen to the talk of these.
Honest they are, and patient they have kept;
Served him without his Thank you or his Please ...
I often heard
The gentle Bed, a sigh between each word,
Murmuring, before I slept.
The Candle, as I blew it, cried aloud,
Then bowed,
And in a smoky argument
Into the darkness went.
The Kettle puffed a tentacle of breath:—
"Pooh! I have boiled his water, I don't know
Why; and he always says I boil too slow.
He never calls me 'Sukie, dear,' and oh,
I wonder why I squander my desire
Sitting submissive on his kitchen fire."
Now the old Copper Basin suddenly
Rattled and tumbled from the shelf,
Bumping and crying: "I can fall by myself;
Without a woman's hand
To patronize and coax and flatter me,
I understand
The lean and poise of gravitable land."
It gave a raucous and tumultuous shout,
Twisted itself convulsively about,
Rested upon the floor, and, while I stare,
It stares and grins at me.
The old impetuous Gas above my head
Begins irascibly to flare and fret,
Wheezing into its epileptic jet,
Reminding me I ought to go to bed.
The Rafters creak; an Empty-Cupboard door
Swings open; now a wild Plank of the floor
Breaks from its joist, and leaps behind my foot.
Down from the chimney, half a pound of Soot
Tumbles and lies, and shakes itself again.
The Putty cracks against the window-pane.
A piece of Paper in the basket shoves
Another piece, and toward the bottom moves.
My independent Pencil, while I write,
Breaks at the point: the ruminating Clock
Stirs all its body and begins to rock,
Warning the waiting presence of the Night,
Strikes the dead hour, and tumbles to the plain
Ticking of ordinary work again.
You do well to remind me, and I praise
Your strangely individual foreign ways.
You call me from myself to recognize
Companionship in your unselfish eyes.
I want your dear acquaintances, although
I pass you arrogantly over, throw
Your lovely sounds, and squander them along
My busy days. I'll do you no more wrong.
Purr for me, Sukie, like a faithful cat.
You, my well trampled Boots, and you, my Hat,
Remain my friends: I feel, though I don't speak,
Your touch grow kindlier from week to week.
It well becomes our mutual happiness
To go toward the same end more or less.
There is not much dissimilarity,
Not much to choose, I know it well, in fine,
Between the purposes of you and me,
And your eventual Rubbish Heap, and mine.
