  IV THE STRUGGLE FOR RECOGNITION Title: Millet Masterpieces in Colour Series Author: Percy Moore Turner Language: English Character set encoding: UTF-8 E-text prepared by sp1nd, Matthew Wheaton, | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Note: | Images of the original pages are available through Internet Archive. See https://archive.org/details/milletocad00turnuoft |
Millet
MASTERPIECES IN COLOR
MASTERPIECES
IN COLOUR
EDITED BY - -
T. LEMAN HARE
MILLET
1814-1875
| “Masterpieces in Colour” Series | |
| Artist. | Author. |
| VELAZQUEZ. | S. L. Bensusan. |
| REYNOLDS. | S. L. Bensusan. |
| TURNER. | C. Lewis Hind. |
| ROMNEY. | C. Lewis Hind. |
| GREUZE. | Alys Eyre Macklin. |
| BOTTICELLI. | Henry B. Binns. |
| ROSSETTI. | Lucien Pissarro. |
| BELLINI. | George Hay. |
| FRA ANGELICO. | James Mason. |
| REMBRANDT. | Josef Israels. |
| LEIGHTON. | A. Lys Baldry. |
| RAPHAEL. | Paul G. Konody. |
| HOLMAN HUNT. | Mary E. Coleridge. |
| TITIAN. | S. L. Bensusan. |
| MILLAIS. | A. Lys Baldry. |
| CARLO DOLCI. | George Hay. |
| GAINSBOROUGH. | Max Rothschild. |
| TINTORETTO. | S. L. Bensusan. |
| LUINI. | James Mason. |
| FRANZ HALS. | Edgcumbe Staley. |
| VAN DYCK. | Percy M. Turner. |
| LEONARDO DA VINCI. | M. W. Brockwell. |
| RUBENS. | S. L. Bensusan. |
| WHISTLER. | T. Martin Wood. |
| HOLBEIN. | S. L. Bensusan. |
| BURNE-JONES. | A. Lys Baldry. |
| VIGÉE LE BRUN. | C. Haldane MacFall. |
| CHARDIN. | Paul G. Konody. |
| FRAGONARD. | C. Haldane MacFall. |
| MEMLINC. | W. H. J. & J. C. Weale. |
| CONSTABLE. | C. Lewis Hind. |
| RAEBURN. | James L. Caw. |
| JOHN S. | SARGENT. T. Martin Wood. |
| LAWRENCE. | S. L. Bensusan. |
| DÜRER. | H. E. A. Furst. |
| MILLET. | Percy M. Turner. |
| WATTEAU. | C. Lewis Hind. |
| HOGARTH. | C. Lewis Hind. |
| MURILLO. | S. L. Bensusan. |
| WATTS. | W. Loftus Hare. |
| INGRES. | A. J. Finberg. |
| Others in Preparation. | |
PLATE I.—THE WOOD-CUTTER. Frontispiece
(In the Louvre)
An instance of Millet in a less pessimistic mood than we generally find him. The wood-cutter, pursuing his vocation on a warm sunny day, full of life and vigour, brings before us the joyous side of peasant life. We feel that he is happy and contented, and if his lot is somewhat hard, he has none of those distracting ambitions which mar the enjoyment in life to all who fall a prey to them. The wood in the background is a good example of Millet’s powers in this direction.
Millet
ILLUSTRATED WITH EIGHT
REPRODUCTIONS IN COLOUR
IN SEMPITERNUM.
LONDON: T. C. & E. C. JACK
NEW YORK: FREDERICK A. STOKES CO.
