CHAPTER XXII.

Previous

Melrose Abbey—The Eildon Hills—Thomas the Rhymer—Dryburgh—Monuments to the Author of 'The Seasons' and Sir William Wallace—Kelso—Beautiful scenery—A Pleasant Evening—Biographical Sketch of Leyden, Poet, Antiquary, Scholar and Traveller—The Duncan Family—Journey Resumed—Twisel Bridge—Battle of Flodden—Norham Castle—Berwick upon Tweed—Biographical Sketch of Thomas Mackay Wilson, author of 'The Border Tales'—Conclusion—'Auld Lang Syne.'

After visiting "fair Melrose," whose rains, rising in the centre of a rich landscape, and rendered immortal by the exquisite descriptions of Sir Walter Scott, are the most interesting and beautiful of any in Scotland;—wandering over the Eildon Hills, the Trimontium of the Romans, from the summits of which some thirty miles of wild and varied scenery can be surveyed; gazing on the ruins of Ercildoune, the manor-house of Thomas the Rhymer, whose real name was Thomas Learmont, author of "The Romance of Tristan," a poem of the thirteenth century, in the language of antique Chaucer; lingering in Dryburgh Abbey, embosomed in a richly wooded haugh on the banks of the Tweed; and especially gazing, in reverent homage, on the grave of "the Great Magician of the North," in St. Mary's Aisle, so sad and yet so fair; crossing the Tweed, and pausing a few moments, to examine a circular temple on the banks of the river, dedicated to the Muses, and surmounted by a bust of Thomson, author of "The Seasons," and a little further on the colossal statue of Sir William Wallace, the hero of Scotland, which stands upon a rocky eminence and overlooks the river, and a fine prospect of "wood and water, mountain and rock scenery," we pass along the banks of the Tweed, till we come to the handsome town of Kelso, on the margin of the river, with its ancient Abbey and delightful environs.

As the day is far spent, we will stay here for the night. But, before the sun goes down, let us wander over the neighborhood, which is singularly beautiful, and redolent with the genius of Scott and of Leyden, who has described it in his "Scenes of Infancy."

"Bosom'd in woods where mighty rivers run,
Kelso's fair vale expands before the sun;
Its rising downs in vernal beauty swell,
And fringed with hazel, winds each flowery dell,
Green spangled plains to dimpled lawns succeed,
And Tempe rises on the banks of Tweed:
Blue o'er the river Kelso's shadow lies,
And copse-clad isles amid the water rise."

As the view from the bridge which spans the river is said to be one of the richest in Scotland, we linger there till the sun goes down. 'Tis a soft, still, summer afternoon, beginning to glide into the long and beautiful twilight. The rays of the sun are yet upon the mountains, and tinge the summits of the woods, the rocks, and the castellated edifices, which adorn the landscape. The Tweed is gliding, in shadow, through the wooded vale, and the songs of the mavis and blackbird are echoing among the trees. A little above the bridge the clear waters of the Teviot and the Tweed flow together, as if attracted by each other's beauty. Beyond are the picturesque ruins of Roxburgh Castle, and somewhat nearer the ducal palace of Fleurs, rising amid a rich expanse of wooded decorations, sloping down to the very margin of the river; in front are gleaming two green islets of the Tweed, and between that river and the Teviot reposes the beautiful peninsula of Friar's Green, with the soft meadow in its foreground. On the south bank of the river are the mansion and woods of Springwood Park, and the bridge across the Teviot, on which are reposing the mellow rays of the setting sun. On the right the town lies along the bank of the river, with its elegant mansions and venerable abbey. There too is Ednam House, near which the poet Thomson had his birth. Far beyond these, the eye rests pleasantly on "the triple summits" of the Eildon Hills, looking down protectingly upon the vale of Tweed, the hills of Stitchell and Mellerstain, and the striking ruin of Home Castle, still arrayed in the purple and gold of departing day. Intermingled with all these are the windings and rippling currents of the river, clumps of rich green foliage, orchards laden with fruit, tufted rocks, verdant slopes, single trees of lofty stature, standing out from the rest, in the pride and pomp of their "leafy umbrage," cattle browsing peacefully on the banks of the stream, here and there a sylvan cottage, and an infinite variety of light and shade, of blending colors and changing forms, hallowed, moreover, by the hoary memories and poetical associations of by-gone days. No wonder that Leyden loved to wander in such scenes, or that Scott, a more transcendent genius, should have ascribed to this influence the awakening in his soul "of that insatiable love of natural scenery, more especially when combined with ancient ruins, or remains of our fathers' piety and splendor," which gave a charm to his life, and imparted to the productions of his genius a warmth and richness of coloring unequalled in the history of literature.

But it is time to return to our comfortable hotel in Kelso, where mine host, who is an honest, round-faced, rosy-cheeked, good-natured Scot, will give us good cheer for supper, and a bed soft as down upon which to repose our weary limbs.

Well now, this is pleasant! Here in this snug room, with a cheerful cup of tea, and such toast, broiled chicken, and other edibles, as mine host only can produce, we feel as easy and independent as kings, aye, and a great deal more so; for who so satisfied and happy as the man, whatever his estate, who has a clear conscience, a mind brimful of sweet memories, a heart grateful to God and attached to those he loves? Let any person only do what is right, trust in God, enjoy nature, cultivate his mind, exercise his body, and he may secure as much happiness as falls to the lot of mortals. Trials may come, but joys will come also. All things shall "work together for good."

But it is easy moralizing over a good cup of tea, with a cheerful fire blazing in the grate, and a soft bed in prospect for weary limbs. Moreover, I promised to give you some account of Leyden, poet and antiquary, scholar and traveler.

John Leyden was born in 1775, in Denholm, Roxburghshire, not far from Kelso, of poor but honest parents. He displayed in early life the most eager desire for learning, but possessed few opportunities for gratifying it, as he had to spend much of his time in manual toil. His parents, however, seeing his thirst for knowledge, resolved to send him to Edinburgh University. He entered this institution in his fifteenth year, and made unusual progress in his studies. He distinguished himself in the Latin and Greek languages, acquired the French, Spanish, Italian and German, besides forming some acquaintance with the Hebrew, Arabic and Persian. During his college vacations he returned to the humble roof of his parents, and as the accommodations of the house were scanty, he looked for a place of study elsewhere. "In a wild recess," says Sir Walter Scott, who has furnished an animated biography of Leyden, "in the den or glen which gives name to the village of Denholm, he contrived a sort of furnace for the purpose of such chemical experiments as he was adequate to performing. But his chief place of retirement was the small parish church, a gloomy and ancient building, generally believed in the neighborhood to be haunted. To this chosen place of study, usually locked during week days, Leyden made entrance by means of a window, read there for many hours in the day, and deposited his books and specimens in a retired pew. It was a well chosen spot for seclusion, for the kirk, (excepting during divine service,) is rather a place of terror to the Scottish rustic, and that of Cavers was rendered more so by many a tale of ghosts and witchcraft, of which it was the supposed scene, and to which Leyden, partly to indulge his humor, and partly to secure his retirement, contrived to make some modern additions. The nature of his abstruse studies, some specimens of natural history, as toads and adders, left exposed in their spirit vials, and one or two practical jests played off upon the more curious of the peasantry, rendered his gloomy haunt, not only venerated by the wise, but feared by the simple of the parish."

Leyden was originally intended for the clerical profession, but abandoned it for more secular employments. His spirit was intense, restless and ambitious, and he longed for foreign travel and literary distinction. After spending five years at college, he became tutor to a highly respectable family, with whose sons he repaired to the University of St. Andrews, where he pursued his Oriental studies, and in 1799 published a History of African Discoveries. He was the author, also, of various translations and poems, which attracted considerable attention and introduced him to the best society. In 1800 he was ordained as a minister, and his discourses were highly popular; but he was dissatisfied with them, and felt that he was called to a different sphere. He continued to write and compose, contributed to Lewis's "Tales of Wonder," and Scott's "Border Minstrelsy." He was an enthusiastic admirer of the old ballads, and on one occasion actually walked between forty and fifty miles for the sole purpose of visiting an old person who possessed an ancient historical ballad. He edited the "Scot's Magazine," for a year, and published "The Complaynt of Scotland," an old work written about 1548, which he accompanied with a learned dissertation, notes and a glossary. His strong desire to visit foreign lands induced his friends to procure for him an appointment in India, where he might study the oriental languages and literature. The only situation which they found available was that of assistant surgeon, for which it was necessary to have a medical diploma. But such was the energy, decision and perseverance of Leyden's character, that he qualified himself in six months; and not long after set out for Madras. Before taking his departure he finished his "Scenes of Infancy," as it were, the last token of his love for Scotland, which he never again beheld. He was resolved to distinguish himself or die in the attempt. Indeed a premonition of such an issue seems to have haunted his mind, and was expressed, with touching beauty, in his "Scenes of Infancy."

"The silver moon at midnight cold and still,
Looks sad and silent o'er yon western hill;
While large and pale the ghostly structures grow,
Reared on the confines of the world below.
Is that dull sound the hum of Teviot's stream?
Is that blue light the moon's or tomb-fire's gleam?
By which a mouldering pile is faintly seen,
The old deserted church of Hazeldean,
Where slept my fathers in their natal clay,
Till Teviot's waters rolled their bones away?
Their feeble voices from their stream they raise—
'Rash youth! unmindful of thy early days,
Why didst thou quit the simple peasant's lot?
Why didst thou leave the peasant's turf-built cot,
The ancient graves where all thy fathers lie,
And Teviot's stream that long has murmur'd by?
And we, when death so long has clos'd our eyes,
How wilt thou bid us from the dust arise,
And bear our mouldering bones across the main.
From vales that knew our lives devoid of stain?
Rash youth! beware, thy home-bred virtues save,
And sweetly sleep in thy paternal grave.'"

After his arrival in Madras, his health became impaired, and he removed to Prince of Wales Island. He resided there some time, visiting the neighboring countries, and amassing curious information on the literature and history of the Indo-Chinese, which he embodied in an elaborate dissertation read before the Asiatic Society at Calcutta. Quitting Prince of Wales Island, Leyden was appointed a professor in the Bengal College, which he soon exchanged for the office of judge, a more lucrative employment. His spare time was devoted to the prosecution of his oriental studies. "I may die in the attempt," he wrote to a friend, "but if I die without surpassing Sir William Jones a hundredfold in oriental learning, let never a tear for me profane the eye of a borderer." In 1811 he accompanied the governor general to Java. His spirit of bold adventure led him literally to rush upon death. He threw himself into the surf in order to be the first Briton who should set foot upon Java. When the invaders had taken possession of Batavia, the same reckless eagerness took him into a cold damp library, in which were many books and manuscripts. Affected perhaps by the disease of the climate he had a fit of shivering on leaving the library, and declared that the atmosphere was enough to give any one a mortal fever. In three days after he died, August 28, 1811, on the eve of the battle which secured Java to the British Empire.

Leyden's Poetical Remains were published in 1819, with a memoir. In addition to the "Scenes of Infancy," it contains some vigorous ballads. To one of these, "The Mermaid," as well as to the untimely death of its author, Sir Walter Scott has referred in his "Lord of the Isles."

"Scarba's Isle, whose tortured shore
Still rings to Corrievreckin's roar,
And lovely Colonsay;
Scenes sung by him who sings no more:
His bright and brief career is o'er,
And mute his tuneful strains;
Quenched is his lamp of varied lore,
That loved the light of song to pour:
A distant and a deadly shore
Has Leyden's cold remains."

His "Scenes of Infancy" is distinguished for the sweetness of its versification, and its pleasant pictures of the vale of Teviot. In strength and enthusiasm, it is much inferior to his ballads. The opening of "The Mermaid," has been praised by Sir Walter Scott "as exhibiting a power of numbers, which for mere melody of sound has rarely been excelled."

On Jura's heath how sweetly swell
The murmurs of the mountain bee!
How softly, mourns the writh'd shell,
Of Jura's shore, its parent sea.
But softer, floating o'er the deep,
The mermaid's sweet, sea-soothing lay,
That charmed the dancing waves to sleep,
Before the bark of Colonsay.

But better known, and far more affecting, is Leyden's "Ode to an Indian Gold Coin," written in Cherical, Malabar, which in addition to its vigor and beauty, has a fine moral which it is not necessary to point out.

Slave of the dark and dirty mine!
What vanity has brought thee here?
How can I love to see thee shine
So bright, whom I have bought so dear?
The tent-ropes flapping lone I hear,
For twilight converse arm in arm;
The jackal's shriek bursts on my ear,
When mirth and music wont to cheer.
By Cherical's dark wandering streams,
Where cane-tufts shadow all the wild,
Sweet visions haunt my waking dreams
Of Teviot loved while still a child;
Of castled rocks stupendous piled
By Esk or Eden's classic wave,
Where loves of youth and friendship smiled
Uncursed by thee, vile yellow slave!
Fade, day-dreams sweet, from memory fade!
The perished bliss of youth's first prime,
That once so bright on fancy played,
Revives no more in after time.
Far from my sacred natal clime
I haste to an untimely grave;
The daring thoughts that soared sublime
Are sunk in ocean's southern wave.
Slave of the mine, thy yellow light
Gleams baleful as the tomb-fire drear.
A gentle vision comes by night
My lonely widowed heart to cheer.
Her eyes are dim with many a tear,
That once were guiding-stars to mine;
Her fond heart throbs with many a fear!
I cannot bear to see thee shine.
For thee, for thee, vile yellow slave,
I left a heart that loved me true!
I crossed the tedious ocean wave,
To roam in climes unkind and new.
The cold wind of the stranger blew
Chill on my withered heart; the grave
Dark and untimely met my view—
And all for thee, vile yellow slave!
Ha! com'st thou now so late to mock
A wanderer's banished heart forlorn,
Now that his frame, the lightning shock
Of sun-rays tipt with death has borne?
From love, from friendship, country, torn,
To memory's fond regrets the prey:
Vile slave, thy yellow dross I scorn!
Go mix thee with thy kindred clay!

While conversing about Leyden, we must not forget a gentler, purer spirit, Mary Lundie Duncan, who first saw the light "amid the blossoms of Kelso," and whose young heart first warbled its poetic strains on the banks of the Tweed. Her "Memoir," by her gifted mother, is one of the most beautiful and touching biographies in the English language. Possessed of genius and piety, at once pure and tender, her brief life was the fair but changeful spring-time which preceded the long summer of eternity.

Sweet bird of Scotia's tuneful clime,
So beautiful and dear,
Whose music gushed as genius taught,
With Heaven's own quenchless spirit fraught,
I list—thy strain to hear.
Bright flower on Kelso's bosom born,
When spring her glories shed,
Where Tweed flows on in silver sheen,
And Tiviot feeds her valleys green,
I cannot think thee dead.
Fair child—whose rich unfoldings gave
A promise rare and true,
The parent's proudest thoughts to cheer,
And soothe of widowed woe the tear,—
Why hid'st thou from our view?
Young bride, whose wildest thrill of hope
Bowed the pure brow in prayer,
Whose ardent zeal and saintly grace,
Did make the manse a holy place,
We search—thou art not there.
Fond mother, they who taught thy joys
To sparkle up so high;
Thy first born, and her brother dear
Catch charms from every fleeting year:—
Where is thy glistening eye?
Meek Christian, it is well with thee,
That where thy heart so long
Was garnered up, thy home should be;—
Thy path with Him who made thee free;—
Thy lay—an angel's song.
Lydia H. Sigourney.

Some of Mary Lundie Duncan's poems are characterized not merely by purity and elevation of sentiment, but by sweetness and melody of versification. The following written at "Callander," though not without defects, indicates the possession of true poetical genius.

How pure the light on yonder hills,
How soft the shadows lie;
How blythe each morning sound that fills
The air with melody!
Those hills, that rest in solemn calm
Above the strife of men,
Are bathed in breezy gales of balm
From knoll and heathy glen.
In converse with the silent sky,
They mock the flight of years;
While man and all his labors die
Low in this vale of tears.
Meet emblem of eternal rest,
They point their summits grey
To the fair regions of the blest,
Where tends our pilgrim way.
The everlasting mountains there
Reflect undying light;
The ray which gilds that ambient air,
Nor fades, nor sets in night.
Then summer sun more piercing bright.
That beam is milder too;
For love is in the sacred light
That softens every hue.
The gale that fans the peaceful clime
Is life's immortal breath,
Its freshness makes the sons of time
Forget disease and death.
And shall we tread that holy ground,
And breathe that fragrant air;
And view the fields with glory crowned
In cloudless beauty fair?
Look up! look up, to yonder light,
That cheers the desert grey:
It marks the close of toil and night,
The dawn of endless day.
How sweet your choral hymns will blend
With harps of heavenly tone;
When glad you sing your journey's end
Around your Father's throne.

Mary's contributions to "The Philosophy of the Seasons," over the signature of M. L. D., such as "The Rose," "The Bat," "Sabbath Morning," an "Autumnal Sabbath Evening," are simple and elegant, indicating the possession of good sense and a refined imagination. Like her brother Archibald Lundie, who went to the South Sea Islands in order to benefit his health, and to labor in the sublime work of Christian missions, Mary passed away in the morning of her days, but not without leaving a blessed fragrance behind her, which yet lingers, not over Scotland alone, but over the whole Christian world. And well might her stricken yet resigned and hopeful mother say, in the words quoted at the close of her daughter's Memoir:

The Duncan family to which Mary Lundie, by her marriage with one of the sons, belonged, is one of the most interesting in Scotland. All of its members seem possessed of fine talents, devoted piety, and generous affections. Two of the sons, with the father, were ministers of the established church of Scotland at the time of the secession of the Free Church from that body, and made a sacrifice, for conscience' sake, of agreeable situations and handsome incomes. Without the slightest hesitation, and without a murmur even, they abandoned their beautiful manses, their churches and people, and threw themselves, with their brethren of the Free Church, upon the providence of God, not knowing what might be the issues of that sublime movement. "The Philosophy of the Seasons,"[179] though written mainly by the father, the Rev. Dr. Duncan of Ruthwell, received contributions from all the members of the family, and remains a splendid monument of their talents, piety and mutual affection. It is fast becoming a classic. Filled with information, and imbued with a spirit of fervid piety, and, moreover, written in a lucid, flowing style, it is well fitted at once to instruct and please.

As Dr. Duncan has recently deceased, a brief sketch of his life may not be uninteresting in this connection.

Dr. Henry Duncan was "a son of the Manse." He was born in 1774, at Lochrutton, in the stewartry of Kirkcudbright, of which his father and his grandfather were ministers successively, during a period of eighty years, a striking instance of pastoral permanence. If wealth consists "in the number of things we love," then those good men must have been rich beyond the common lot of ministers; and young Henry must have received from them a rich heritage of blessings. He was educated at the Universities of St. Andrews, Glasgow, and Edinburgh. While attending the latter he was a member of the "Speculative Society," to which many of the most distinguished literary characters belonged, and associated freely with Lord Brougham, the Marquis of Landsdowne, Dr. Andrew Thomson and others. He became the pastor of the Established church in Ruthwell, Dumfriesshire, where he labored with great success for many years. He died in the forty-seventh year of his ministry.

Dr. Duncan was imbued with a spirit of enlarged Christian benevolence, and felt a peculiar interest in the amelioration of the condition of the poorer classes. Hence he formed the scheme of the "Cheap Repository Tracts," addressed to the working classes, and designed to enforce the most useful lessons suited to their condition. It was in this collection that his "Cottage Fireside" was first published, a production which became exceedingly popular, and passed through many editions. The book abounds in happy delineations of Scottish manners, fine strokes of humor, and admirable lessons of practical wisdom. "The South Country Weaver," possesses the same qualities and aims; and, in a time of excessive political excitement, did much to allay the discontent and revolutionary tendency of the people. He is also said to be the author of another work of a higher grade, written in the same style of fictitious narrative, and intended to vindicate the principles and proceedings of the Scottish Covenanters, from the aspersions cast upon them by the author of Waverley. This production has been highly esteemed by good judges of literary merit, but it never became popular.

It may well be supposed that Dr. Duncan felt a peculiar interest, not only in the spiritual but also in the temporal condition of his own parish, and hence he was ever devising plans for its benefit. In this respect he much resembled the benevolent Oberlin, whose well directed schemes turned the barren parish of Waldbach into a little paradise. Entering upon the duties of his charge at a time of national scarcity and distress, he imported from Liverpool, at considerable expense, and with great personal inconvenience, large quantities of food which he distributed among his poor parishioners He also devised new modes and sources of employment, and cheered them amid their privations by his counsel and sympathy. He instituted among them two admirable "Friendly Societies," one for males and another for females, the advantages of which are enjoyed to this day. But perhaps his highest claim to distinction as a philanthropist was the establishment of "The Ruthwell Parish Bank," the first "Savings Bank" in Europe, which, it is said, was suggested to him partly by the beneficial results and partly by the admitted defects of the Friendly Societies. His undoubted title to be regarded as the originator of "Savings Banks," has been acknowledged by the highest authorities; but it is not so generally known at what an immense expenditure of time, talent, energy and pecuniary means he succeeded in accomplishing this good object.

Dr. Duncan's learning and talents were of a high order, and these were devoted exclusively to the benefit of his fellow men. His principal literary work, "The Sacred Philosophy of the Seasons," was planned and written in a single year, an astonishing instance of mental energy, industry and talent. "Never were the different kingdoms and varying aspects of nature, the characteristics of the seasons, and all the grand and beautiful phenomena of the year, more philosophically and more eloquently described than in this charming book. The comprehensive views of the philosopher, the poetic feeling of the lover of nature, and the pious reflection of the Christian divine, are all combined in its pages, and win at once the admiration and affection of the reader." Here genius and piety, the love of nature and the love of God spread their sunlight over the face of creation, and make visible to all reverent and thoughtful minds

"The Gospel of the stars—great Nature's Holy Writ."

As a preacher Dr. Duncan was interesting and instructive, but not particularly striking and popular. In 1839 he was elected Moderator of the General Assembly, the highest honor the church could confer. Warmly attached to evangelical religion, and deeply interested in the purity and progress of the church of Christ throughout the world, he earnestly promoted the cause of Christian missions, and kindred schemes of benevolence. He was intimately associated with Dr. Chalmers and others, in sustaining the great principles of vital Christianity, the supremacy of Christ in his own church, and particularly the freedom and independence of his ministers. "True, therefore, to the principles he had espoused, and ever warmly defended—true to what he considered the genuine constitution of the Scottish church, this venerable and amiable father left, in the ever memorable year 1843, that manse, which he had inhabited for four and forty long and happy years, and which his own fine taste had so greatly beautified and adorned—that hallowed home in which his dutiful and attached children had been reared—in which his first beloved wife had died, and which was associated with many delightful recollections of joy and kindness, and prayer, indelibly engraven on many hearts—for there was many a young idea fostered, and many a guest and many a stranger hospitably entertained. But with a cloud of many eminent witnesses, whose names will be embalmed in the records of their country, Dr. Duncan lifted up his testimony for the glorious prerogative of Zion's King, and counted the reproach of Christ greater riches than all the treasures of earth. And actuated by the same spirit of faith as the martyrs and confessors of other days—the men of whom the world was not worthy—he abandoned, at an advanced age, all the comforts of his lovely and endeared home, and all the emoluments and delights connected with it, and meekly took up his lowly dwelling in an humble cottage by the way-side, willingly enduring hardship, and submitting to ingratitude from man, that he might honor his God and hold fast his integrity, dearer to him than life. He was one of seven moderators of the old General Assembly, men like himself of high name and holy deeds, who sacrificed all their honors and emoluments, and cast in their lot with the Free Church of Scotland, that they might display a banner for the truth, and who, when driven by a cruel and miserable policy from those altars which they sanctified, went forth, a veteran band of Christian heroes, and preached the Gospel of peace and salvation under the broad canopy of heaven, with gray hairs streaming in the breeze."

During the summer of 1843 Dr. Duncan preached in the open air, but finally succeeded by great efforts, in securing a site, and erecting upon it a church and a manse, a school and a schoolmaster's house. A suitable successor was appointed to this charge, and Dr. Duncan removed his residence to the city of Edinburgh. But his affections lingered around his beloved Ruthwell, and he undertook a journey to England to secure funds to pay off the debt upon the new buildings and bring them to a state of completion. Having accomplished his object, he returned to Scotland in excellent spirits, and reached Comlogan Castle, the residence of his brother-in-law. On that and the succeeding day he occupied himself in laying out the grounds about the manse and giving directions respecting the buildings. On the following Sabbath he preached to an overflowing audience. Monday and Tuesday were devoted to visiting his old parishioners. He was invited to address a prayer meeting at the house of an elder of the Established church, and it was while engaged in the performance of that duty that the messenger of Death met him. He had not spoken ten minutes, when his voice trembled, his body shuddered, and it was evident to all that he was struck with a sudden paralysis. He was immediately conveyed to Comlogan Castle. "On his way, though his speech was much affected, his consciousness was entire, and he repeatedly lifted up his hand, in devout admiration of God's beautiful works, for the moon, surrounded by thousands of stars, was shedding its calm and chastened lustre over the face of Nature, and presented a meet emblem of the inward peace of the dying saint, whose characteristic taste and love of Nature's beauties were still manifested even in this trying hour."[180] After two days, in which he suffered little pain, he gently "fell asleep in Jesus," on Thursday evening, 12th of February, 1846.

Behold the western evening light,
It melts in deepening gloom;
So calmly Christians sink away,
Descending to the tomb.
The winds breathe low; the yellow leaf
Scarce whispers from the tree;
So gently flows the parting breath,
When good men cease to be.
How beautiful on all the hills,
The crimson light is shed!
'Tis like the peace the Christian gives
To mourners round his bed.
How mildly on the wandering cloud
The sunset beam is cast!
So sweet the memory left behind,
Where loved ones breathe their last
And lo! above the dews of night
The vesper star appears;
So faith lights up the mourner's heart,
Whose eyes are dim with tears.
Night falls, but soon the morning light
Its glories shall restore;
And thus the eyes that sleep in death
Shall wake to close no more.
Peabody.

Daylight is on the hills, and we are off once more down the Tweed, which gathers volume by accessions from tributary streams, and mirrors in its clear bosom many a happy home, nestling among the trees on its banks. We pass Coldstream, on the north bank of the Tweed, from its proximity to England a sort of Gretna Green in former times, where Lord Brougham was married at one of the hotels; whence we journey to Tillmouth; at which place the Till, a narrow, deep, sullen stream, flows into the Tweed. Beneath Twisel Castle, which stands upon its banks, you see the ancient bridge by which the English crossed the Till before the battle of Flodden.

—"They cross'd
The Till, by Twisel Bridge.
High sight it is, and haughty, while
They drew into the deep defile;
Beneath the cavern'd cliff they fall,
Beneath the castle's airy wall.
By rock, by oak, by hawthorn-tree,
Troop after troop are disappearing;
Troop after troop their banners rearing,
Upon the eastern bank you see,
Still pouring down the rocky den
Where flows the sullen Till,
And rising from the dim wood glen
Standards on standards, men on men
In slow succession still,
And sweeping o'er the Gothic arch,
And passing on, in ceaseless march
To gain the opposing hill."
Marmion.

Flodden Field, on which the "flowers of the forest," were cut down so mercilessly, is not far from here, and the whole region seems invested with an air of "dule and wae."

"Dule and wae for the order sent our lads to the Border!
The English, for once by guile won the day;
The Flowers of the Forest, that focht aye the foremost.
The prime o' our land are cauld in the clay.
"We hear nae mair lilting at our yowe-milking,
Women and bairns are heartless and wae;
Sighing and moaning on ilka green loaning—
The Flowers of the Forest are a' wede away."[181]

Pursuing our way, we come to Norham Castle, so magnificently described in Marmion.

"Day set on Norham's castle steep,
And Tweed's fair river broad and deep,
And Cheviot's mountains lone;
The battled towers, the donjon keep,
The loop-hole grates where captives weep,
The flanking walls that round it sweep,
In yellow lustre shone."

Nine miles further on, we arrive at "Berwick upon Tweed," where the river falls into the German Ocean, and where our wanderings in Scotland cease,—the scene of fierce struggles between the Scots and English. North Berwick was sometimes in the hands of the one, sometimes in the hands of the other. Its streets often ran blood; its walls echoed the tramp of armies, the shrieks of the wounded and the groans of the dying. Its old ramparts are yet standing; but all is quiet and passionless now. A sort of stillness pervades the place, in striking contrast with the havoc and turmoil of the ancient Border wars. The environs are full of historic recollections, which have been well illustrated in the "Border Tales," by John Mackie Wilson, who was a native of Berwick, and resided here till his death. This event took place, suddenly and unexpectedly, on the 2d of September, 1835, when he was only thirty-one years of age. His early days were spent, in peace and happiness, under the parental roof. At school he was distinguished for his love of knowledge, and the rapidity with which he executed all his tasks. At a suitable age he was apprenticed to a printer, and found the employment congenial, as it brought him into contact with books. Eagerly thirsting for knowledge, he soon exhausted his scanty means of gratifying his taste in Berwick on Tweed, and leaving the place of his nativity, repaired to London, where he encountered the greatest difficulties and hardships. It is said that some of the most touching descriptions of the sufferings endured by the aspirant for fame were actually endured by himself, and "that the sobs and tears which involuntarily burst from the family circle when these tales were read, were poured forth for him whose pen had described them." Often amid the splendor of London, did he wander "homeless and friendless." But nothing could repress the native ardor and buoyancy of his mind. And amid all the darkness of the night which enveloped his pathway, he was ever looking for sunrise. Despair and poverty, however, drove him from the British metropolis, and he was forced to seek in the provinces what he could not find in London, nor did he seek in vain. He reaped "a golden harvest of opinions;" but poverty continued to be his companion for years. During a sojourn in the city of Edinburgh, he published several dramas and other poems, which had a share of success. He wrote a series of "Lectures and Biographical Sketches," which he delivered with considerable eclat in different towns of Scotland and England. Three years before his death "he rested from his wanderings," in his native village, among his friends and early associates, having been invited to become editor of "The Berwick Advertiser," which he conducted with great spirit. Amid his labors as an editor, he found time to indulge his taste for literature, and the matter of his journal was often enlivened by his own literary and poetical effusions. But it was "The Border Tales," which made him a decided favorite with the public, and gave him a warm place in the Scottish heart. They were published in a fugitive form, and commanded a circulation far beyond the author's most sanguine hopes. It was from these that he and his friends saw a prospect of reward for his toils. But the scene which was thus opening upon him was blighted,—and from the high place which he had gained in the estimation of his townsmen, from the caresses of his friends, and from the reproaches of his foes, he now lies "where the wicked cease from troubling and the weary are at rest."

We do not admire Wilson's poetry as a whole; and yet some beautiful strains might be culled from it. He wrote rapidly and diffusely; throwing off everything at a first draft, without much correction or polish. His "Border Tales" are quite miscellaneous in their character, and contain much that he would doubtless have thrown out, had he lived to place them in a permanent form. They are written diffusely and carelessly. But with all their faults, they give indications of genius, humor and pathos, a keen insight into character, great descriptive powers, and a fine conception of the beautiful and true. Some of them are told with great pith and raciness; and though inferior in some respects, to Professor Wilson's "Lights and Shadows of Scottish Life," are more natural and easy, more characteristic and amusing. Upon the whole, they give a better idea of the Scottish character than the Professor's splendid, but exaggerated pictures. James Mackay Wilson died too young for his fame; but his simple tales will be read, for many a day, in the homes of "bonny Scotland." Among other things, they give a just representation of the religious character of the Scottish peasantry. While their faults and foibles are depicted with graphic power, their solemn faith, their profound enthusiasm, and their leal-hearted piety are exhibited in beautiful relief. Justice is done to the old Covenanters, whose rough patriotism and burning zeal were the salvation of their native land. Long may their martyr spirit, softened by charity, prevail in Scotland; and generations yet unborn shall "rise up and call her blessed."

In this series of sketches, now brought to a close, it has been the author's aim to make a contribution to literature, which, while it might prove attractive, would yet exert a pure moral influence. Such an excursion beyond the peculiar limits of his profession, he thinks, was permitted him, and may tend in some slight degree to promote the great object for which he desires to live. At all events, if he has accomplished nothing more, he has yet succeeded in calling up "a gentle vision" of "Auld Lang Syne," by which his own heart has been solaced and cheered.

"Lang Syne! how doth the word come back,
With magic meaning to the heart,
As memory roams the sunny track,
From which hope's dreams were loath to part!
No joy like by-past joy appears;
For what is gone we fret and pine;
Were life spun out a thousand years,
It could not match Lang Syne!
"Lang Syne!—ah, where are they who shared
With us its pleasures bright and blithe?
Kindly with some hath fortune fared;
And some have bowed beneath the scythe
Of death; while others scattered far
O'er foreign lands, at fate repine,
Oft wandering forth 'neath twilight's star,
To muse on dear Lang Syne!
"Lang Syne!—the heart can never be
Again so full of guileless truth;
Lang Syne!—the eyes no more shall see
Ah, no! the rainbow hopes of youth.
Lang Syne!—with thee resides a spell
To raise the spirit, and refine.
Farewell!—there can be no farewell
To thee, loved, lost Lang Syne!"
Dr. Moir.

[1] The following eloquent passage from an address by the Honorable Edward Everett, before the "Scots' Charitable Society," Boston, well illustrates the fact referred to.

"Not to speak of the worthies of ages long passed; of the Knoxes, the Buchanans, and the early minstrelsy of the border; the land of your fathers, sir, since it ceased to be a separate kingdom, has, through the intellect of her gifted sons, acquired a supremacy over the minds of men more extensive and more enduring, than that of Alexander or Augustus. It would be impossible to enumerate them all,—the Blairs of the last generation, the Chalmerses of this; the Robertsons, and Humes; the Smiths, the Reids, the Stuarts, the Browns; the Homes, the Mackenzies; the Mackintoshes, the Broughams, the Jeffreys, with their distinguished compeers, both on physical and moral science. The Marys and the Elizabeths, the Jameses and the Charleses will be forgotten, before these names will perish from the memory of men. And when I add to them those other illustrious names—Burns, Campbell, Byron, and Scott, may I not truly say, sir, that the throne and the sceptre of England will crumble into dust like those of Scotland: and Windsor Castle and Westminster Abbey will lie in ruins as poor and desolate as those of Scone and Iona, before the lords of Scottish song shall cease to reign in the hearts of men.

For myself, sir, I confess that I love Scotland. I have reason to do so. I have trod the soil of the

Land of brown heath and shaggy wood,
Land of the mountain and the flood,

I have looked up to the cloud-capt summit of Ben Lomond; have glided among the fairy islets of Loch Katrine; and from the battlements of Stirling Castle, have beheld the links of Forth sparkling in the morning sun. I have done more, sir; I have tasted that generous hospitality of Scotland, which her Majesty's Consul has so justly commemorated; I have held converse with her most eminent sons; I have made my pilgrimage to Melrose Abbey, in company with that modern magician, who, mightier than the magician of old that sleeps beneath the marble floor of its chancel, has hung the garlands of immortal poesy upon its shattered arches, and made its moss-clad ruins a shrine, to be visited by the votary of the muse from the remotest corners of the earth, to the end of time. Yes, sir, musing as I did, in my youth, over the sepulchre of the wizard, once pointed out by the bloody stain of the cross and the image of the archangel:—standing within that consecrated enclosure, under the friendly guidance of him whose genius has made it holy ground; while every nerve within me thrilled with excitement, my fancy kindled with the inspiration of the spot. I seemed to behold, not the vision so magnificently described by the minstrel,—the light, which, as the tomb was opened,

broke forth so gloriously,
Streamed upward to the chancel roof,
And through the galleries far aloof:

But I could fancy that I beheld, with sensible perception, the brighter light, which had broken forth from the master mind; which had streamed from his illumined page all-gloriously upward, above the pinnacles of worldly grandeur, till it mingled its equal beams, with that of the brightest constellations, in the intellectual firmament of England."

[2] This is spoken, of course, of the great body of the people.

[3] Letter to Robert Burns, by Mr. Telford, of Shrewsbury, a native of Scotland.

[4] Withered cheeks.

[5] Supposed to be Dr. Moir.

[6] Tannahill was a weaver in Paisley. He excelled in song writing. Under the pressure of poverty and deep depression of spirits he committed suicide.

[7] The reference here is to the residence, or rather imprisonment of Mary in Lochleven Castle.

[8] Roslin Castle, on the banks of the Esk, about seven miles from Edinburgh.

[9] Brow, in Scotland, is often pronounced as if spelt brue.

[10] Ewes, pronounced as if it were yowes.

[11] We give the version of Leitch Ritchie, who has thrown the facts into the form of a dialogue, and given a false name to the hero; otherwise the narration is entirely authentic.

[12] At present it is used as a barracks for soldiers and a magazine of arms.

[13] Carlyle—"Hero Worship," p. 174.

[14] "Of Reformation in England." By John Milton.

[15] The writer describes not an imaginary, but an actual lecture of Professor Wilson's, which he heard some years ago.

We have honestly given our own impressions relative to Wilson's metaphysical powers, and stated simply what we heard and saw while attending his Lectures in Edinburgh University. Others however may have different impressions; and we cheerfully append the following from Gilfillan as an offset to our strictures:

"It is probable that the very variety and versatility of Wilson's powers have done him an injury in the estimation of many. They can hardly believe that an actor, who can play so many parts, is perfect in all. Because he is, confessedly, one of the most eloquent of men, it is doubted whether he can be profound: because he is a fine poet, he must be a shallow metaphysician;—because he is the Editor of Blackwood, he must be an inefficient professor. There is such a thing on this round earth, as diffusion along with depth, as the versatile and vigorous mind of a man of genius mastering a multitude of topics, while others are blunderingly acquiring one, or as a man 'multiplying himself among mankind, the Proteus of their talents,' and proving that the Voltairian activity of brain has been severed, in one splendid instance, at least, from the Voltairian sneer and the Voltairian shallowness. Such an instance as that of our illustrious Professor, who is ready for every tack,—who can, at one time, scorch a poetaster to a cinder, at another cast illumination into the 'dark deep holds' of a moral question, by a glance of his genius; at one time dash off the picture of a Highland glen, with the force of a Salvator, at another, lay bare the anatomy of a passion with the precision and force of an Angelo,—write, now, the sweetest verse, and now the most energetic prose,—now let slip, from his spirit, a single star, like the 'evening cloud,' and now unfurl a Noctes upon the wondering world,—now paint Avarice till his audience are dying with laughter, and now Emulation and Sympathy till they are choked with tears,—write now 'the Elder's Deathbed,' and now the 'Address to a Wild Deer,'—be equally at home in describing the Sufferings of an Orphan girl, and the undressing of a dead Quaker, by a congregation of ravens, under the brow of Helvellyn."—Literary Portraits, p. 209.

[16] The following graphic description of the residence, personal appearance and conversation of Carlyle is from the pen of Elizur Wright, Junr. "Passing the long lines of new buildings which have stretched from Westminster up the Thames, and engulphed the old village of Chelsea, in omnivorous London, you recognize at last the old Chelsea Hospital, one of the world-famous clusters of low brick palaces, where Britain nurses her fighting men when they can fight no more. A little past this and an old ivy-clad church, with its buried generations lying around it, you come to an antique street running at right angles with the Thames, and a few steps from the river, you find Carlyle's name on the door. A Scotch lass ushers you into the second story front chamber, which is the spacious workshop of the world-maker. Here are lots of books—ponderous tomes in Latin, Greek, and black letter English,—some are on shelves occupying nearly all the walls, and some are piled on tables and a reading rack as having just been read. The furniture speaks of Scotch economy, and the whole face of things of more than common Scotch tidiness. In fact, a superbly wrought bell-rope indicates that the wife is a true hero worshipper. Carlyle is a mere man, ordinary size, lofty and jutting brow, keen—exceedingly keen eye, and modest unassuming manners. His voice is melodious, and with its rich Scotch cadence, and rapid flow, reminds you of Thalberg's music in some strange out of the way key. Just set him agoing, and he runs without stopping, giving you whole masses of history, painting and poetry, and a great mass of the boundless system of Carlyleism. There is nothing which he does not touch; and figures of speech come tumbling in from all corners, top and bottom of the universe, as the merest matter of course. Doubt, hesitation or qualification have no place among his opinions, he having kicked them all out of doors when he began his philosophy."

Many inquiries have been made respecting Carlyle's religious opinions; but it is difficult to say anything very decisive in reply. That he has a deep reverence for the Christian faith,—that he strongly inclines to a sort of transcendental orthodoxy,—that he loves, moreover, true-hearted piety, and is himself a model of integrity and affection cannot be doubted. He often speaks of Jesus as divine,—as the most perfect of all heroes—as the God man—as the Divine man. He possesses a profound sympathy for the higher and more beautiful forms of Christian virtue, and describes the lives and characters of good men with the liveliest relish. We incline therefore to believe, that notwithstanding his transcendental speculations, and philosophical doubts, he has a true (though not thoroughly defined) heart faith in the essential doctrines of the Christian system. Clouds and darkness hang upon the horizon of his spiritual vision, but gloriously irradiated with light from heaven, and here and there opening into vistas of serene and ineffable beauty. Many of his followers, we think, do not understand him, and we fear, will never reach his purity and elevation of mind. They are more likely to be led astray, by the magnificent illusions of his gifted but somewhat erring fancy. Instead of resting in the simple-hearted and heroic faith which he loves so much to describe, they may plunge into the abysses of doubt and despair.

[17] In looking over the Doctor's printed works, we have found this discourse in a somewhat different garb from that in which we have presented it. We were not at first aware of this, or we might have selected some other discourse; for it was our good fortune to hear the Doctor frequently. This and other delineations, however, are taken from personal observation.

[18] All these, with the addition of four volumes of Sermons, forming the Theological Works of Dr. Chalmers, have been republished, in handsome form, by Mr. Carter of New York.

[19] In the introduction to "Vinet's Vital Christianity," I have given a more elaborate estimate of the mental peculiarities of Dr. Chalmers, in connection with those of Vinet, "the Chalmers of Switzerland."

Since the above sketch was written Dr. Chalmers has gone to his rest. He died suddenly and unexpectedly on the 31st of May, 1847.

[20] Singing noise.

[21] Alone.

[22] Old woman.

[23] Thatch.

[24] Pools.

[25] Barn for the cows.

[26] Turf.

[27] Wayward.

[28] Belabored.

[29] Place or socket.

[30] Powerless.

[31] Examine it.

[32] A fire of peats.

[33] In Scotland the old peasant houses have the fire in their centre.

[34] Cups of beech wood.

[35] Shelves opposite the door.

[36] Brown ale.

[37] Fortune-tellers.

[38] Bashful.

[39] Your health.

[40] If.

[41] Makes.

[42] Good befall.

[43] A glass of beer.

[44] Mottled.

[45] Smoke.

[46] Clear up, unravel.

[47] Birch or strap.

[48] Ghost.

[49] Covered.

[50] Two years.

[51] Since then.

[52] Know not.

[53] Whipt.

[54] Sorely frightened.

[55] Fuss or perhaps flattering speech.

[56] Keep off.

[57] To-morrow.

[58] Dangled.

[59] Shoulder.

[60] Tassels or dangles.

[61] Thatch.

[62] Head.

[63] Of a dark complexion.

[64] Does this mean Spectator?

[65] Foe.

[66] Sirloin.

[67] Wrinkled.

[68] Since.

[69] Loth.

[70] Uncouth sloven.

[71] Reluctant.

[72] Proud or stiff.

[73] Halter.

[74] Through.

[75] Blaze.

[76] Caused.

[77] Roll.

[78] Age.

[79] Begin.

[80] Pennycuick House, the romantic and elegant residence of Sir George Clerk, Baronet. "It stands on a flat, in a curve of the river, with a picturesque glen behind, carrying up the view to the ruins of Branstane Castle, and the western extremity of the Pentlands—a a little plain in front, gemmed with a beautiful artificial pond, and overhung by ascents which are mantled all over with wood—and swells and eminences on each side, dissevered by ravines, and moulded into many curvatures of beauty. On the opposite side of the river, at the end of an avenue at the top of a bank, stands an obelisk, raised by Sir James Clerk, to the memory of his friend and frequent inmate, Allan Ramsay."

[81] Fresh.

[82] Abundance.

[83] Warbling.

[84] The prison vault.

[85] Hollow, or glen.

[86] Sheltered.

[87] Thatched.

[88] Boards.

[89] Serene and lonely.

[90] Smoked.

[91] Half.

[92] Gable.

[93] Clothing.

[94] Rattling, or running.

[95] Then.

[96] Fine clothing and money.

[97] Bewildered.

[98] Foolish.

[99] Stupid.

[100] Clothes.

[101] Cloth.

[102] Sold.

[103] Stubble field.

[104] Sold at auction.

[105] Engaged.

[106] Children.

[107] Limping.

[108] Carefully.

[109] Untoward.

[110] Lost.

[111] Way.

[112] Sighed.

[113] High.

[114] Walk.

[115] Low.

[116] Gleam.

[117] Peep.

[118] Child.

[119] Merry.

[120] You shall.

[121] To.

[122] As much as possible.

[123] Dying.

[124] One of these chimnies is said to be over 400 feet high.

[125] Edinburgh Review.

[126] Holyrood day.

[127] Until.

[128] Christmas.

[129] Salt.

[130] Gleams, or flashes.

[131] Each other.

[132] One.

[133] Low bench.

[134] To teach.

[135] Hand.

[136] Remember.

[137] School children.

[138] Clasped.

[139] Dismissed.

[140] Climb.

[141] Honied.

[142] Deafening.

[143] Noisy.

[144] Murmur.

[145] Thrush or mavis.

[146] Knoll.

[147] Wept.

[148] If.

[149] Swells.

[150] A darting pain.

[151] Lark.

[152] Sky.

[153] Sings.

[154] Cover.

[155] Clods.

[156] Soil.

[157] Since the above was written, the Rev. Dr. Heugh has gone to his reward in heaven. He was a man of fine talents, deep piety, and most engaging manners. We met him some years ago on the banks of Lake Leman, whither he had gone for his health, in company with Merle D'Aubigne, Joseph J. Gurney and others; on which occasion Dr. Heugh gave an interesting and graphic account of the Free Church movement, which was translated for the benefit of those who did not understand English, by Professor La Harpe. Never shall we forget that interview. There were present, French and English, German and Swiss, Scots and Americans. Some of these were Presbyterians, others Episcopalians, and others Baptists, Lutherans and Quakers; but all were "one in Christ Jesus." Joseph J. Gurney closed our interview with a prayer in the French language, the most simple, solemn, and touching we ever heard. Ah! little did we think that one of the most agreeable of that happy company was so soon to pass away from the scenes of earth. The following sketch of Dr. Heugh as a preacher, is from a funeral sermon by Dr. John Brown, of Edinburgh.

"As a preacher, he was judicious, faithful, discriminating; not exclusively doctrinal or practical, or experimental, but all by turns, and often all in the same discourse. The matter of his discourses was drawn from the living oracles, and his constant aim was to explain and to apply the saving doctrines of the cross—to bring the mind and hearts of men into harmony with the mind and will of God, especially as those are revealed in the person and work of his incarnate Son. He was eminently a scriptural preacher, both in substance and in form. The commands of the Master, 'Divide rightly the word of truth,' 'Feed my sheep,' 'Feed my lambs,' seemed to be ever present to his mind, and to guide all his ministerial studies; and hence it was that his pulpit services were marked by a lucid, pointed, and affectionate inculcation of those varied truths which the circumstances of his hearers required. There was nothing trivial or extraneous in his discussions. He stated massy important thoughts, wide and comprehensive views—the result of much reflection and experience—illustrative of his subject and suited to the occasion—in simple and appropriate words; and the hearer was made to feel that he was not listening to human speculations, but that Christ was, by the preacher, unfolding his mind and will—'making manifest the savor of his knowledge.'

"His manner in the pulpit was singularly easy, graceful and pleasing. All that he said and did was natural and becoming. His fine open countenance, his animated appearance, his fluency of utterance, the pleasantly modulated tones of his voice, his graceful action, and the solemn devotional feeling which obviously pervaded all these, rivetted attention, and threw a peculiar charm over his whole discourse. There was no seeking for effect, no going out of the way for ornaments, no efforts to dazzle and to overwhelm. He was occupied with his subject, and sought to fill the minds of his hearers with it, as his own mind was filled with it. There were occasionally passages of great beauty, touchingly tender statements, stirring suddenly the deeper emotions of the heart; but the ordinary character of his eloquence was instructive and pleasing, rather than affecting or overpowering."

[158] Memoir of Bruce, by Dr. Mackelvie, to which I am chiefly indebted for the facts of which the accompanying sketch is composed.

[159] In his own copy Bruce had written, "Starts thy curious voice to hear;" curious is a Scotticism, being equivalent to strange. This Logan probably altered to save the quantity. But the original expression is preferred by good judges, as more natural and poetical. "It marks the unusual resemblance of the note of the cuckoo to the human voice the cause of the start and imitation which follow."

[160] The following is a different, and probably a more correct version of Binnoch's adventure, from Sir W. Scott's Tales of a Grandfather. "Binnoch had been ordered by the English governor to furnish some cart-loads of hay, of which they were in want. He promised to bring it accordingly; but the night before he drove the hay to the castle, he stationed a party of his friends, as well armed as possible, near the entrance, where they could not be seen by the garrison, and gave them directions that they should come to his assistance as soon as they should hear him cry a signal, which was to be, 'Call all, call all!' Then he loaded a great waggon with hay. But in the waggon he placed eight strong men, well armed, lying flat on their breasts, and covered over with hay, so that they could not be seen. He himself walked carelessly beside the waggon; and he chose the stoutest and bravest of his servants to be the driver, who carried at his belt a strong axe or hatchet. In this way Binnoch approached the castle, early in the morning; and the watchmen, who only saw two men, Binnoch being one of them, with a cart of hay, which they expected, opened the gates, and raised up the portcullis, to permit them to enter the castle. But as soon as the cart had gotten under the gateway, Binnoch made a sign to his servant, who, with his axe, suddenly cut asunder the soam, that is, the yoke which fastens the horses to the cart, and the horses finding themselves free, naturally started forward, the cart remaining behind under the arch of the gate. At the same time Binnoch cried, as loud as he could, 'Call all, call all!' and drawing his sword, which he had under his country habit, he killed the porter. The armed men then jumped up from under the hay where they lay concealed, and rushed on the English guard. The Englishmen tried to shut the gates, but they could not, because the cart of hay remained in the gateway, and prevented the folding doors from being closed. The portcullis was also let fall, but the grating was caught in the cart, and so could not drop to the ground. The men who were in ambush near the gate hearing the cry, 'Call all, call all!' ran to assist those who had leaped out from among the hay; the castle was taken, and all the Englishmen killed or made prisoners. King Robert rewarded Binnoch by bestowing on him an estate, which his posterity long afterward enjoyed. The Binnings of Wallyford, descended from that person, still bear in their coat armorial a wain loaded with hay, with the motto, 'virtute doloque.'"

[161] Two apartments.

[162] Finely.

[163] The Scottish eagle.

[164] Yesternight.

[165] Walked.

[166] We quote only a portion of Hamilton's ballad.

[167] Mother

[168] Alone.

[169] Blazed.

[170] Lonesome flame.

[171] Hollow and den.

[172] Ornament.

[173] Snood or headband.

[174] Swelled or swept.

[175] Briefly the meaning is, that in the greenwood there is a sweet lonely place where a spiritual being wanders alone.

[176] Vanished.

[177] Swept or spirited away, with a rapid motion.

[178] Forsook.

[179] Published by R. Carter, in four handsome octavos.

[180] "Dumfries Advertiser and Galloway Standard," from which we quoted a preceding extract.

[181] "The Flowers of the Forest," by Miss Jane Elliot, one of the sweetest and most affecting ballads of Scotland. By the 'Flowers of the Forest' are meant the young men of Ettrick Forest, slain at Flodden Field.


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