Pursuing our journey southward, next day finds us on the banks of Lochleven, distinguished not so much from the beauty of its situation, as from its poetic and historical associations. It is adorned with four small islands, the principal of which are St. Serf's Isle near the east end, so called from its having been the site of a priory dedicated to St. Serf, and another near the shore on the west side, which immediately attracts the eye, from its containing the picturesque ruins of Lochleven Castle, in which Mary, Queen of Scots, was confined, and from which she made her wonderful escape. Here, also, Patrick Graham, Archbishop of St. Andrews, and grandson of Robert the Third, was imprisoned, in consequence of a generous attempt to reform the profligate lives of the Catholic clergy. In this place he died, and was buried in the monastery of St. Serf. The keys of the castle, thrown into the lake at the time of Queen Mary's flight, have recently been found by a young man belonging to Kinross, and are now in the possession of the Earl of Morton. The castle, with its massive tower yet standing, looks dismal enough, but how much it is beautified by the fine old trees and shrubbery which encircle it, and the mellow light which mantles its hoary sides! "Gothic the pile, and high the solid walls, With warlike ramparts, and the strong defence Of jutting battlements: an age's toil! No more its arches echo to the noise Of joy and festive mirth. No more the glance Of blazing taper through its window beams, And quivers on the undulating wave; But naked stand the melancholy walls, Lash'd by the wint'ry tempest, cold and bleak That whistles mournful through the empty halls And piecemeal crumble down the towers to dust." This description is by Michael Bruce, whose early promise and premature death have awakened so much sympathy among all classes in Scotland. He was born in the vicinity of Lochleven, and has written a poem of considerable merit descriptive of the lake and surrounding scenery. His "Ode to Spring," and especially his "Ode to the Cuckoo," now universally acknowledged to be his, are among the most beautiful poems in the English language. He was born at Kinnesswood, parish of Portmoak, on the 27th of March, 1746. By going round to the north-east bank of the lake, we shall find this village, insignificant in itself, but sweetly situated on the south-west declivity of the Lomond hills. Ascending a narrow lane, we reach, near its centre, the house in which Bruce was born. It consists of two stories, with a thatched roof. Michael's Saunders Bruce, as he was called, the father of Michael, had eight children, and as the business of weaving has always been a poor one in Scotland, it was with extreme difficulty that he was enabled to give Michael a suitable education, though early perceiving in him the seeds of genius. Saunders was a pious thoughtful man, universally respected, and a sort of village chronicle. He is supposed to be referred to in the poem of Lochleven, in the lines commencing,— "I knew an aged swain whose hoary head Was bent with years, the village chronicle," etc. Of his mother we have no means of forming a judgment, and suspect that her character was not particularly marked. It is his father to whom Michael himself, and the friends that knew him, chiefly refer in connection with his early studies and pursuits. Some indeed have intimated that the stern orthodoxy of the old man was called into requisition to repress the youthful aspirings of his son, particularly in the matter of books, but of this not the slightest evidence can be adduced. He succeeded in procuring copies of Shakspeare, Pope, Milton, Fontenelle and Young, all of which he devoured with avidity and delight. The Scriptures he read at home and at school, and thus became familiar with the magnificent images and thrilling conceptions of oriental inspiration. Michael was a great favorite at school, and made rapid progress in his studies. But he was frequently called away from school, partly by sickness, to which he was subject at an early age, and partly by his fathers straitened circumstances. On this latter account he was employed for a time as a shepherd, on the Lomond hills, which rise in verdant beauty behind his native village. This, however, was rather a benefit than an injury to his mind as well as body. His poem of "Lochleven" is made up of reminiscences of the romantic scenes with which at that time he became familiar:— "Where he could trace the cowslip-covered bank Of Leven, and the landscape measure round." "The late proprietor of the upper Kinneston, a small estate upon the south-west declivity of the Lomond hills, used to relate with much feeling, the amusing stories told him, and the strange questions put to him by Michael when herding his father's cattle, and how he would offer his services to carry the boys' meals to the hill, for the sake of having half an hour's conversation with this interesting youth." "Silent when glad, affectionate though shy, And now his look was most demurely sad, And now he laughed aloud, and none knew why, And neighbors stared and sighed, and bless'd the lad; Some deemed him wondrous wise, and some believed him mad." Beattie's Minstrel. The same deference, it is said, was paid him at home. Indeed, he was the pet of the family, and all vied to make Michael comfortable and happy, a homage to genius and worth infinitely more precious than the plaudits of the world. While attending school, he formed some interesting friendships, particularly with William Arnot, a peculiarly amiable young man, who died in early life, and to whom Bruce makes a touching reference in "Lochleven." Through the son he became acquainted with the father, a wise and liberal "How blest the man, who, in these peaceful plains, Ploughs his paternal field; far from the noise, The care and bustle of a busy world! All in the sacred, sweet, sequestered vale Of solitude, the secret primrose path Of rural life he dwells; and with him dwells Peace and content, twins of the sylvan shade, And all the graces of the golden age. Such is Agricola, the wise, the good; By nature formed for the calm retreat, The silent path of life. Learned, but not fraught With self-importance, as the starched fool Who challenges respect by solemn face, By studied accent, and high-sounding phrase, Enamored of the shade, but not morose, Politeness, raised in courts by frigid rules With him spontaneous grows. Not books alone, But man his study, and the better part; To tread the ways of virtue, and to act The various scenes of life with God's applause. Deep in the bottom of the flowery vale, With blooming sallows, and the leafy twine Of verdant alders fenced, his dwelling stands Complete in rural elegance. The door By which the poor or pilgrim never passed Still open, speaks the master's bounteous heart. Then, O how sweet! amid the fragrant shrubs, At evening cool to sit; while, on their boughs The nested songsters twitter o'er their young; And the hoarse low of folded cattle breaks The silence, wafted o'er the sleeping lakes, Whose waters glow beneath the purple tinge Of western cloud; while converse sweet deceives The stealing foot of time!" He found an opportunity of acquiring the Latin But he was of a slender make, and gave early indications of pulmonary consumption. In his personal appearance he is said to have resembled Shelley; having yellowish curling hair, a long neck and narrow chest, skin white and shining, and his cheeks "tinged with red rather than ruddy." He was "early smitten with the love of song," and began occasionally to write verses. Possessed of a fine musical ear, he was impatient to get hold of all sorts of old ballads and songs; and while the other children of the village or school were amusing themselves with play, or spending their money on trash, he was poring with delighted eyes over "Chevy Chase," or "The Flowers of the Forest." When he had made himself familiar with the music and sentiments of these ballads, he would endeavor "to supply his lack of novelty with verses of his own." It is in this way, probably, that his fine ballad of "Sir James the Ross," and some of his pastorals originated. After he had left school, and saw no way of pursuing his studies, a relative left him the sum of two hundred merks Scots, about sixty dollars, when it was resolved forthwith that Michael should repair to Edinburgh University. Mr. Arnot encouraged him in this enterprise, and promised some assistance, in the shape of provisions and so forth. Accordingly he set out for the metropolis, and At college Bruce became acquainted with several young men who subsequently acquired distinction. Dr. Lawson and the Rev. John Logan were his fellow students and warmly attached friends. His relations with Logan subsequently became involved, much to the discredit of the latter, who is suspected of having dealt ungenerously with his friend's poems, which, after the death of Bruce, were committed to his care. He is charged particularly with purloining the "Ode to the Cuckoo," and publishing it as his own. Logan was a singular man—an orator of a high order, an accomplished scholar, and an elegant poet. Some of his poems, particularly his "Visit to the Country in Autumn," "The Braes of Yarrow," "The Lament of Nature," and other odes and hymns, are beautiful and finished productions. Some of his discourses, preached at Leith, though not profound, are eloquent and effective. But he was imperfectly imbued with the high principles which he endeavored to recommend to others, and he has The companion to whom, of all others, Bruce became the most attached at college, was Mr. William Dryburgh, from Dysart. Like Bruce, he was possessed of piety and genius, and like him, too, suffered from pulmonary disease, and died in early life. Both had a presentiment that they were destined to a premature grave. And this, with their bright hope of a blessed immortality, was the frequent subject of their conversations. Dryburgh died in his eighteenth year, and Bruce followed him in less than a year after. How keenly he felt this separation may be gathered from the following letter to a friend, written on receiving the intelligence of Dryburgh's death:— "I have not many friends, but I love them well. Death has been among the few I have. Poor Dryburgh!—but he is happy. I expected to have been his companion through life, and that we should have stepped into the grave together; but Heaven has seen meet to dispose of him otherwise. What think you of this world? I think it very little worth. You and I have not a great deal to make us fond of it; and yet I would not exchange my condition with any unfeeling fool in the universe, if I were to have his dull hard heart into the bargain. Farewell, my rival in immortal hope! My But the grief of a true poet embodies itself in verse. The following lines, on the death of Dryburgh, were found among Bruce's papers. Alas! we fondly thought that heaven designed His bright example mankind to improve; All they should be was pictured in his mind, His thoughts were virtue, and his heart was love. Calm as the summer sun's unruffled face, He looked unmoved on life's precarious game, And smiled at mortals toiling in the chase Of empty phantoms, opulence and fame. Steady he followed virtue's onward path, Inflexible to error's devious way, And firm at last, in hope and fixed faith Through death's dark vale he trod without dismay. Whence then these sighs? And whence this falling tear In sad remembrance of his merit just? Still must I mourn! for he to me was dear And still is dear, though buried in the dust. Bruce's father made great efforts, by means of "Edinburgh, Nov. 27, 1764.—I daily meet with proofs that money is a necessary evil. When in an auction, I often say to myself, how happy should I be if I had money to purchase such a book! How well should my library be furnished, 'nisi obstat res angusta domi,' 'My lot forbids, nor circumscribes alone My growing virtues, but my crimes confines.' Whether any virtues would have accompanied me in a more elevated station is uncertain, but that a number of vices of which my sphere is incapable, would have been its attendants, is unquestionable. The Supreme Wisdom has seen this meet, and the Supreme Wisdom cannot err." The annual session in the colleges of Scotland lasts only from six to eight months, and thus leaves considerable time for relaxation and private study, or for other occupations necessary to recruit the students' exhausted finances. At the end of each of these terms, Michael returned home, much exhausted by his application to study. His system, however, soon recovered its wonted energy in the congenial scenes of his boyhood, and the kind attentions of the proprietor of Portmoak. Still he was seldom in perfect health, and often complained During his last session at College, Michael accepted a proposal to teach a small school at Gairney Bridge, which lies on a small stream running into Lochleven. He finished his collegiate studies honorably, having distinguished himself chiefly in rhetoric and belles lettres. At Gairney Bridge he had some thirty or forty pupils under his care, whom he governed entirely without the rod, then pretty thoroughly used in Scotland. But the compensation was a mere trifle, not exceeding more than sixty or seventy dollars a year. It was in this place that he wrote several of his poems, and became deeply attached to a beautiful young woman in the neighborhood, to whom, however, he never declared his passion. About this time he joined the church in Kinross, under the pastoral care of the Rev. Mr. Swanston, recently appointed professor of Theology in the United Secession Church. This learned and amiable man conceived a strong attachment for Michael, and ever treated him with the greatest consideration and kindness. Subsequently he engaged to teach a school at Forest Mill, a dreary sort of place, with miserable school accommodations. His health too, was declining. While fording the Devon on horseback, the horse stumbled and immersed him in the stream, a circumstance which greatly aggravated his consumptive tendency. Moreover he 'Si res sola potest facere et servare beatum Hoc primus repetas opus, hoc postremus omittas.' "Things are not very well in the world, but they are pretty well. They might have been worse, and such as they are may please us who have but a few short days to use them. This scene of affairs, though a very perplexed, is a very short one, and in a little while all will be cleared up. Let us endeavor to please God, our fellow creatures and ourselves. In such a course of life we shall be as happy as we can expect in such a world as this. Thus you, who cultivate your farm with your own hands, and I who teach a dozen blockheads for bread, may be happier than he, who having more than he can use, tortures his brain to invent some new methods of killing himself with the superfluity." In this letter, worthy of Cowper or of Foster, we see a brave spirit struggling with the direst misfortunes, poverty Another thing which greatly afflicted Bruce at Forest Mill, was the total want of agreeable scenery, and it was only by an effort of memory and imagination that he could, in some measure make up this deficiency, by recalling the delightful scenery of his early home. To this combination of unfavorable circumstances he touchingly refers in the poem of Lochleven, which was actually produced under their influence, as a means of relaxation and enjoyment. "Thus sang the youth amid unfertile wilds, And nameless deserts, unpoetic ground! Far from his friends he strayed, recording thus The dear remembrance of his native fields, To cheer the tedious night, while slow disease Preyed on his pining vitals, and the blasts Of dark December shook his humble cot." "Lochleven" is his longest, and in most respects, his most beautiful poem. It has defects, obvious enough to a critical eye, but its general excellence strikes every reader. Its descriptions and delineations are natural and striking, its imagery is simple and poetical, and its measure sweet and melodious. Nearly the whole of it has been "used up," in beautiful extracts by different writers of distinction. But the composition of this poem seems to have been too much for Bruce's shattered frame; for he was compelled almost immediately to relinquish his school. He had just strength to walk home to He had expected, in the quiet of his father's home and in the vicinity of his dear Lochleven, a restoration of health; but in this hope he was disappointed. The mark of death was upon him. The heart of the beauteous tree was poisoned by disease, and all its leaves faded and fell to the ground. It was under the consciousness of this fact, that he wrote his beautiful and affecting "Ode to Spring," which he sent to a dear friend to apprise him of his approaching dissolution. The following are its concluding stanzas. Now spring returns: but not to me returns The vernal joy my better years have known; Dim in my breast, life's dying taper burns, And all the joys of life with health are flown. Starting and shivering in the inconstant wind, Meagre and pale, the ghost of what I was, Beneath some blasted tree I lie reclined, And count the silent moments as they pass: The winged moments, whose unstaying speed No art can stop, or in their course arrest; Whose flight shall shortly count me with the dead, And lay me down in peace with them at rest. Oft morning dreams presage approaching fate; And morning dreams, as poets tell, are true; Led by pale ghosts, I enter Death's dark gate, And bid the realms of light and life adieu. I hear the helpless wail, the shriek of wo; I see the muddy wave, the dreary shore, The sluggish streams that slowly sleep below, Which mortals visit, and return no more. Farewell, ye blooming fields! ye cheerful plains! Enough for me the church-yard's lonely mound, Where melancholy with still silence reigns, And the rank grass waves o'er the cheerless ground. There let me wander at the shut of eve, When sleep sits dewy on the laborer's eyes; The world and all its busy follies leave, And talk with Wisdom where my Daphne lies. There let me sleep, forgotten in the clay, When death shall shut these weary, aching eyes; Rest in the hopes of an eternal day, Till the long night is gone, and the last morn arise. He intimated his approaching death to another friend, in prose, as affecting as his poetry, and if possible, more instructive. "A few mornings ago, as I was taking a walk on an eminence which commands a view of the Forth, with the vessels sailing along, I sat down, and taking out my Latin Bible, opened by accident, at a place in the Book of Job, chap, ix: 23, 'Now my days are passed away as the swift ships.' See that fragile form, then, with the glowing spirit within, panting for freedom and its "native skies," borne along in the vessel of Religion, upon a calm and sunny sea. He looks aloft, and anticipates with serene and joyful trust, his entrance into the port of everlasting peace. The vessel glides, with increasing velocity, her sails all set, and gleaming in the reflected radiance of the spirit-world. Now she enters the port, and nears that blessed shore, "Where tempests never beat, nor billows roar." The few days which remained to Michael on earth, he spent in correcting his poem of the "Last Judgment," and in pluming his spirit for its upward flight. His bodily strength was exhausted, and he was obliged to keep his bed. His mind was meditative and hopeful, dwelling almost wholly upon various passages of Holy Writ, which he would repeat and comment upon to his friends. Mr. George Lawson, afterwards Dr. Lawson, professor of theology in the "Secession Church," being called to preach for a settlement in the neighborhood of Kinnesswood, hastened upon his arrival there, to see his friend Bruce. He found him in bed, with his countenance pale as death, while his eyes shone like lamps in a sepulchre. The poet This cheerfulness continued during his illness, till his mother, one morning, announced to him, just as he was awaking out of sleep, that Mr. Swanston was dead. He looked at her with a fixed stare, as if stunned by the intelligence. Upon recovering he satisfied himself as to the correctness of the statement, and was never afterwards seen to smile! Still we do not attach much importance to this circumstance; for it often happens that when the countenance is cold and ghastly, the heart within is warm and serene. He lingered for a month, manifesting little interest in what was said or done around him, and on the 5th of July, calmly and imperceptibly fell asleep, aged twenty-one years and three months. So fades a summer cloud away, So sinks the gale when storms are o'er, So gently shuts the eye of day, So fades a wave along the shore. Life's labor done, as sinks the clay, Light from its load the spirit flies, While heaven and earth combine to say, How bless'd the Christian when he dies! His Bible was found upon his pillow, marked down at Jer. xxii: 10, "Weep ye not for the dead, neither bemoan him;" and on the blank leaf this homely but expressive verse was written:— "'Tis very vain for me to boast, How small a price my Bible cost; The day of judgment will make clear, 'Twas very cheap or very dear." He was buried in the church-yard of Portmoak, in the very centre of the scenes hallowed and beautified by his muse. A monument has been erected to Bruce through the subscription of his friends, of which the following is the simple but appropriate inscription: MICHAEL BRUCE, Bruce was designed for the service of the church. In this view, as well as with reference to the cultivation of his fine poetical talents, his death may be deemed a calamity. And yet, such a view of the case may fairly be questioned. For himself, is he not happier, in the bosom of his God; and for us, does he not, by means of his Christian life, his heroic death, his ethereal strains, embalmed in blessed memories of the past, preach more effectually than he could have done, even had he lived to occupy a material pulpit. "Being dead he yet speaketh," and speaketh with a power and pathos which can be reached only by the dead. Had we room we might give many pleasant extracts from his poetry; but we must content ourselves with his "Ode to the Cuckoo," in our judgment one of the most beautiful and perfect little poems in any language. TO THE CUCKOO. Hail, beauteous stranger of the grove! Thou messenger of Spring! Now heaven repairs thy rural seat, And woods thy welcome sing. What time the daisy decks the green, Thy certain voice we hear; Hast thou a star to guide thy path, Or mark the rolling year? Delightful visitant! with thee, I hail the time of flowers, And hear the sound of music sweet, From birds among the bowers. The schoolboy wandering through the wood, To pull the primrose gay, And imitates thy lay. What time the pea puts on the bloom, Thou fliest thy local vale, Another guest in other lands, Another spring to hail. Sweet bird! thy bower is ever green, Thy sky is ever clear; Thou hast no sorrow in thy song, No winter in thy year! O could I fly, I'd fly with thee! We'd make, with joyful wing, Our annual visit o'er the globe, Companions of the spring. |