V.

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The next morning I returned to L. I persuaded myself that I should take the greatest pleasure in seeing Gaguine, but the fact is that I was secretly impelled by the desire of knowing how Annouchka would behave,—if she would act as strangely as the night before. I found them both in the parlor; and a singular thing,—but perhaps because I had been dreaming so long of Russia,—Annouchka seemed to me entirely Russian. I found in her the air of a young girl of the people, almost that of one of the servants. She wore quite an old dress, her hair was drawn back behind her ears, and, seated near the window, she was quietly working at her embroidery, as if she had never done anything else in her life. Her eyes fixed upon her work, she scarcely spoke, and her features had an expression so dull, so commonplace, that I was involuntarily reminded of Macha and Katia[2] at home. To complete the resemblance she began to hum the air,—

O, ma mÈre, ma douce Colombe![3]

While observing her face, the dreams of the night before came back to mind, and without knowing why, I felt an oppression in my heart. The weather was magnificent.

Gaguine told us he intended to go out to sketch. I asked permission to accompany him if it would not trouble him.

"On the contrary," he said, "you can give me some good advice."

He put on his blouse, donned his round Van Dyck hat, took his portfolio under his arm, and started out. I followed him. Annouchka remained at home. On leaving, Gaguine begged her to see that the soup was not made too thin. She promised to keep her eye on the kitchen.

Leading me into the valley, with which I was already familiar, Gaguine seated himself upon a stone, and began to draw an old tufted oak.

I stretched myself upon the grass and took a book, but read two pages of it at the most. Gaguine, on his side, made but a poor daub. In return we did not fail to discuss very fully, and, in my opinion, not without judgment and justness, the best method to follow to work with profit, the dangers to avoid, the end to be aimed at, and the mission of the true artist in the age in which we live. Gaguine ended by declaring that to-day he did not feel sufficiently in spirits, and came and stretched himself at my side. Then we gave ourselves up to the irresistible temptation of one of those conversations so dear to youth, conversations sometimes enthusiastic, sometimes pensive and melancholy, but always sincere and always vague, in which we Russians love so much to indulge. After having talked to satiety, we took the road to the town, very well satisfied with ourselves, as if we had just accomplished a difficult task, or brought a great enterprise to a good end. We found Annouchka exactly as we left her. I observed her with the utmost attention; I could discover in her neither the slightest shade of coquetry, or indication denoting a studied part; it was impossible this time to find in her any vestiges of oddity.

"Decidedly," said Gaguine, "she is fasting and doing penance."

Towards evening she yawned two or three times without the least affectation, and went to bed early. I took leave of Gaguine soon after, and, going home, I did not allow myself to dream. The day came to an end without my mind suffering the least trouble, only it seemed to me, as I lay down, that I said involuntarily aloud,—

"Oh! that little girl—she is, indeed, an enigma. And yet," added I, after a moment's reflection, "and yet she is not his sister!"


                                                                                                                                                                                                                                                                                                           

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