Reader, do you know those little homesteads of country gentlefolks, which were plentiful in our Great Russian OukraÏne twenty-five or thirty years ago? Now one rarely comes across them, and in another ten years the last of them will, I suppose, have disappeared for ever. The running pond overgrown with reeds and rushes, the favourite haunt of fussy ducks, among whom one may now and then come across a wary ‘teal’; beyond the pond a garden with avenues of lime-trees, the chief beauty and glory of our black-earth plains, with smothered rows of ‘Spanish’ strawberries, with dense thickets of gooseberries, currants, and raspberries, in the midst of which, in the languid hour of the stagnant noonday heat, one would be sure to catch glimpses of a serf-girl’s striped kerchief, and to hear the shrill ring of her voice. Close by would be a summer-house standing on four legs, a conservatory, a neglected kitchen garden, with flocks of sparrows hung on stakes, and a cat curled up on the tumble-down well; a little further, leafy apple-trees in the high grass, which is green below and grey above, straggling cherry-trees, pear-trees, on which there is never any fruit; then flower-beds, poppies, peonies, pansies, milkwort, ‘maids in green,’ bushes of Tartar honeysuckle, wild jasmine, lilac and acacia, with the continual hum of bees and wasps among their thick, fragrant, sticky branches. At last comes the manor-house, a one-storied building on a brick foundation, with greenish window-panes in narrow frames, a sloping, once painted roof, a little balcony from which the vases of the balustrade are always jutting out, a crooked gable, and a husky old dog in the recess under the steps at the door. Behind the house a wide yard with nettles, wormwood, and burdocks in the corners, outbuildings with doors that stick, doves and rooks on the thatched roofs, a little storehouse with a rusty weathercock, two or three birch-trees with rooks’ nests in their bare top branches, and beyond—the road with cushions of soft dust in the ruts and a field and the long hurdles of the hemp patches, and the grey little huts of the village, and the cackle of geese in the far-away rich meadows.... Is all this familiar to you, reader? In the house itself everything is a little awry, a little rickety—but no matter. It stands firm and keeps warm; the stoves are like elephants, the furniture is of all sorts, home-made. Little paths of white footmarks run from the doors over the painted floors. In the hall siskins and larks in tiny cages; in the corner of the dining-room an immense English clock in the form of a tower, with the inscription, ‘Strike—silent’; in the drawing-room portraits of the family, painted in oils, with an expression of ill-tempered alarm on the brick-coloured faces, and sometimes too an old warped picture of flowers and fruit or a mythological subject. Everywhere there is the smell of kvas, of apples, of linseed-oil and of leather. Flies buzz and hum about the ceiling and the windows. A daring cockroach suddenly shows his countenance from behind the looking-glass frame.... No matter, one can live here—and live very well too.