The addition of "hagia" might be rather too Attic for English ears; and I know not whether "the Sacred Heptalogia" would not also be too mystical. This series of tales is capable of like illustration with the last, except in the matter of portraits, unless indeed some eminent fathers of the church, or some authenticated enamels, gems, or coins, (if any,) displaying our Lord's likeness, served the purpose; and of course the character of the stories should not be much in dissonance with the sacredness of the text. The first might well enforce forgiveness of enemies, especially if their hatred springs from misapprehension. "Father, forgive them; for they know not what they do:" many a true story of religious persecution, as of Inquisitorial torture, exacted by sincere bigotry, and endured by equally sincere conviction, would illustrate the prayer, and the scene might be laid among Waldensian saints and the friars of Madrid. The second tale might enlarge upon a promised Paradise, the assurance of pardon, and the efficacy of repentance: the certainty of hope and life being co-extensive, so that it might still be said of the seeming worst, the brigand and the blasphemer, "To-day shalt thou be with me in Paradise;" a story to check presumption, while it encourages the humility of pentitent hope; the details of a It is scandalously reported of some folks that they are not musical, a calumny that has been whispered of myself: and, though against my own convictions, (who will confess he "has not music in his soul?") I partly acquiesce; that is to say—for, of such a charge, self-defence claims to explain a little—although I am charmed with all manner of music, still for choice I prefer a German chorus to an Italian solo, and an English glee to a French jig. Accordingly the operatic world have every reason to despise my taste: especially if I add that Welsh songs, and Scotch and Irish national melodies—[where are our English gone?]—rejoice my heart beyond Mozart and Rossini. And now this next little notion is scarcely of substance sufficient to assume the garb of authorship: it is little more than a passing whim, but I choose for the very notion's sake to make it better known. Except in a very few instances—as Haydn's 'Seasons,' e.g.—Oratorios, from some conventional idea of Lent, we may suppose, seem obligated to concern matters sacred. Of course, every body is aware of the prayerful meaning of the name; but we know also that a madrigal has long ago put off its monkish robe of a hymn to the Virgin, and worn the more laic habit of a love song. Now, it is a fact, that very many good men who delight in Handel's melody, and of course cannot object to psalms and anthems, entertain conscientious objections to hearing the Bible set to music in a concert-room; and sure may we all be, that, unless the whole thing be regarded as a religious service, (in a mixed gay company who think of sound more than sense, not very easy,) the warbling of sacred phrases, and variations on the summoning trumpet, and imitated angelic praise, ALFRED;and he would minister as well to the harmonies of an oratorio as Abel, or Jephtha, Moses, or St. Paul—nay, as the Messiah, or the last dread Judgment. Remember, our Alfred was a proficient himself, and spied the Danish forces in the character of a harper. What scope were here for gentle airs, and stirring Saxon songs! He harangues his patriot band, and a manly Phillips would personify with admirable taste the truly royal bard: he leaves Athel-switha his wife, and a fair flock of children in sanctuary, while he rushes to the battle-field: the churchmen might receive their queenly charge with music: the Danes riot in their unguarded camp with drinking-snatches, and old-country-staves: a storm might occur, with elemental crash: the succeeding silence of nature, and distant coming on of the patriot troops at midnight; their war-songs and marches nearer and nearer; the invaders surprised in their camp and in their cups; the hurlyburly of the fight—a hail-stone chorus of arrows, a clash of thousand swords, trumpets, drums, and clattering horse-hoofs; a silent interval, to introduce a single combat between Alfred and Hubba the Dane, with Homeric challenges, tenor and bass; the routed foe, in clamorous and discordant staccato; the conquerors pressing on in steady overwhelming concord; how are the mighty fallen—and praise to the God of battles! Most briefly, then, thus: there is religion enough to keep it solemn, without being so experimental as to intrude upon personal prejudice. The notion is too slight, and too slenderly worked out, even for admis The authorial mind is infinitely versatile: books and book-making are indeed its special privilege, forte, and distinguishing peculiarity; but still its thoughts and regards are ever cast towards originality of idea, though unwritten and unprinted, in all the multitudinous departments of science and of art. Thus, mechanical invention, chemical discovery, music as above, painting as elsewhere, sculpture as below, give it exercise continually. The authorial mind never is at rest, but always to be seen mounted and careering on one hobby-horse or other out of its untiring stud. If the coin of some rude Parthian, or the fragments of some old Ephesian frieze, serve not as a scope for its present ingenuities, it will break out in a new method of grafting raspberries on a rosebush, in the comfortable cut of a pilot-coat, or the safest machinery for a steamer. Ne sutor ultra crepidam is a rule of moderation it repudiates; incessant energy provokes unabated meddling, and its intuitive qualities of penetration, adaptation, and concentration, are only hindered by the accidents of life from carrying any one thing out to the point at least of respectable attainment. Look at Michael Angelo; poet, painter, sculptor, architect, and author: and if indeed we are not told of Milton having modeled, or Horace having built up other monuments than his own imperishable fame, still nothing but manual habit and the world's encouragement were wanting to perfect, in the concrete, the conceptions of those plastic minds. Who will deny that Hogarth was a novelist and play-wright, if not indeed a heart-rending tragedian? Who will refuse to those nameless monastic architects who planned and fashioned the fretted towers of Gloucester, the stern solidity of Durham, the fairy steeple of Strasburg, or the delicate pinnacles of Milan, the praise due to them of being genuine poets of the immortal Epic? Phidas and Praxiteles, Canova and Thorswaldsen, are in this view real authors, as undoubtedly as Homer or Dante, Sallust or Racine; and to rise highest in this argument, the heavens and the earth are but mighty scrolls of But let me not seem to prove too much, and so leap over my horse instead of vaulting into the saddle: though authorship may claim thus extensively every master-mind, from the Adorable Former of all things down to the humblest potter at his wheel fashioning the difficult ellipse; still, in human parlance, must we limit it to common acceptations, and think of little more than scribe, in the name of author. Nevertheless, let such seeds of thought as here are carelessly flung out, nurtured in the good soil of charity, and not unkindly forced into foolish accusations of my own conceit, whereas their meaning is general, (as if forsooth selfishly dibbled in with vain particularity, and not liberally broadcast that he may run that reads,)—let such crude considerations excuse my own weak and uninjurious invasion of the provinces of other men. The wisdom for social purposes of infinitesimal division of labour, may be proved good by working well; but its lowering influences on the individual mind cannot be doubted: that an intelligent man should for a life-time be doomed to watch a valve, or twist pin-heads, or wind cotton, or lacquer coffin-nails, cannot be improving; and while I grant great evil in my desultory excesses, still I may make some use of that argument in the converse, and plead that it is good to exercise the mind on all things. Thus, in my assumed mÉtier of authorship, let notions be extenuated that popularly concern it little, and yield admittance to any thought that may lead to that Athenian desideratum, "some new thing." While the echoes of the name of Alfred still linger on the mind, and our patriotism looks back with gratitude on his thousand virtues unsullied by a fault, (at least that History, seldom so indulgent, has recorded,)—while we reflect that in him were combined the wise king, the victorious general, the enlightened scholar, the humble Christian, the learned author, the excellent father, the admirable MAN in all public and private relations, in domestic alike with social duties, I cannot help wishing that forgetful England had raised some architectural trophy, as a worthy testimonial of Alfred the noble and the good. Whether Oxford, his pet child—or Westminster Hall, as mindful of the code he gave us—or Greenwich, as the evening resting-place of those sons of thunder whom the genius of Alfred first raised up to man our wooden walls—should be the site of some great national memorial, might admit of question; but there can be none that something of the kind has been owing now near upon a thousand years, and that it will well become us to claim LIFE OF ALFRED:my little reading knows of none, beyond what dictionaries have gathered from popular history and vague tradition, rather than manuscripts of old time, and Asser, the original biographer. Of this last work, written originally in Saxon, and since translated into Latin, I submit that a popular English version is imperatively called for; a translation from a translation being never advisable, (compare Smollett's Anglo-Gallified dilution of 'Don Quixote,') the primary source should be again consulted; and seeing that profound ignorance of the ancient Saxon coupled with, as now, total indifference about its acquisition, place me in the list of incapables, I leave the good suggestion to be used by pundits of the Camden or Roxburghe or other book-learned society. If it may have been already done by some neglected scribe, bring it to the light, and let us see the bright example set to all future ages by that early Crichton; if never yet accomplished, my zeal is over-paid should the hint be ever acted on; and if, which is still possible, an English version of the life of Alfred should be positively rife and common among the reading public, your humble ignoramus has nothing for it but to pray pardon of its author for not having known him, and to walk softly with the world for writing so much before he reads. But this is an accessory—an episode; I plead for a statue to King Alfred: and—(now for another episode; is there no cure for these desperate parentheses?)—apropos of statues, let me, in the simple untaught light of nature, suggest a word or two with regard to some recent under-takings. Notwithstanding classical precedents, whereof more presently, it does seem ridiculous to common sense, to set a man like a scavenger-bird at Calcutta, or a stork at Athens, or a sonorous Muezzin, or a sun-dried Simeon Stylites, on the top of a column a hundred feet high: sculpture imitates life, and who would not shudder at such an unguarded elevation? sculpture imitates life, and who can recognise a countenance so much among the clouds? Again for the precedents: I presume that Pompey's pillar, (which, indeed, perhaps never had any thing on its summit except some Egyptian emblem, as the cap and throne of higher and lower Egypt, or a key of the Nile as likely as any thing,) is the The magnificent column of Trajan is exempted from this hasty bit of criticism, (as also of course is its modern counterpart, Napoleon's,) because it is, both from decoration and proportions, out of the recognised orders of architecture; it partakes rather of the character of a triumphal tower, than of one among many pillars separated chiefly from the rest; the man is a superlative accessory, a climax to his positive exploits; he does not stand a-top, as if dropt from a balloon, but like a gallant climber treading on his conquests: and, as to Phocas's column at Rome, I shall only say, that it illustrates my meaning, except in so far as an immense base to the super-imposed statuere deems it from the jockey imputation of carrying too light a weight. Now, with respect to the Nelson memorial, your meddlesome scribe had an unexhibited notion of his own. Mehemet Ali is understood to have given certain two obelisks respectively to the French and English nations: the Parisians appropriated theirs, and have set it up, thorn-like, in their midst, perhaps as an emblem of what African conquest has been in the heartside of France; but we English, less imaginative, and therefore less antiquarian, have permitted our petit cadeau to lie among its ruins of Luxor or Karnac, unclaimed and unconsidered. Nelson of the Nile might have had this consecrated to his honour: and if, as is probable, it be of insufficient elevation, I should have proposed a high flight of steps and a base, screened all round by shallow Egyptian entrances, with an Etruscan sarcophagus just within the principal one, (Egypt and Etruria were cousins germane,) and an alto-relievo of Nelson dying, but victorious, recumbent on the lid: the globe and wings, emblems alike of Nelson's rapidity, his universal fame, and his now-emaciated spirit, might be sculptured over each entrance; a sphinx, or a Prudhoe lion, being allusive to England as well as Egypt, should sit guardiant at each corner of the steps; and the three remaining doorways would be represented closed, and carved externally with some allegorical personations of Nelson's career, of the Nile, Copenhagen, and Trafalgar. This, then, had it been strictly in my mÉtier, (a happy mÉtier mine of literary leisure,) should have been my limnÈd outline for the Nelson testimonial: the real interesting antique needle, rising from the midst of its solid Egyptian architecture, and pointing to the skies; not a steeple, however, but merely the obelisk raised upon a heavy base, only hollowed far enough to admit of an interior alto-relievo. It is probable that the exhibition of designs, which an alibi prevented me from seeing, included several obelisks; but the peculiarities I should have insisted on, would have been first to make good use of the real thing, the rarely carved old Egypt's porphyry; and, next, to have had our hero's likeness within reasonable distance of the eye. But to return from this other desperate digression: Alfred, the great and wise, deserves his Saxon cross; or let him lie enshrined in a grove of florid Gothic pinnacles, a fretted roof on clustered columns reverently keeping off the rain; or, best of all, let him stand majestic in his own-time costume, colossal bronze on a cube of granite, and so put to shame the elegancies of a Windsor uniform, and the absurdity of sticking heroes, as at St. George's, Bloomsbury, and elsewhere, on the summit of a steeple. So, friend, let all this tirade serve to introduce a most unlikely and chaotic treatise on NATIONAL MEMORIALS.Politics are a sore temptation to any writer, and of dalliance with a Delilah so seductive it is futile to declare that I am innocent. My principles positively are known to myself; which is a measure of self-knowledge, in these any-thing-arian days, of that cabinet coin-climax A rabid Tory—you see it is a pet name of mine—feels no little contempt for a squeezable character; and he is well assured, from history as well as on his own conviction, that the noble army of martyrs lived and died upon his principles: whereas the retrograde regiment of cow One may hate principles without hating men; and for this sentiment we have the Highest Example. Things are either right or wrong; if right, do; if wrong, forbear: nothing can be absolutely indifferent, and to do a little actual evil in order to compass great hypothetical good, is false morality, and, therefore bad government. Why should not honesty and plain-dealing be as inviolable publicly as privately? Why be guilty of such mean self-stultification as to say one thing and do another? It is criminal in rulers to give a helping hand to the evil which they deem unavoidable; let them, in preference, cease to rule, and imitate But to come abruptly on a title-page: often-times, in reading deleterious leading articles in wrong-sided newspapers, have I longed to set before the world of faction A MANUAL OF GOOD POLITICS,which indeed has already been half-done, if decently begun be synonymous. With this view has my author's mind heretofore thought over many scriptural texts, characters, doctrines, and usages; yet, let me freely confess the upshot of those efforts to be little satisfactory: for I fear much, that though there be grounds enough to go upon for one who is already fixed in right political principle, [orthodoxy being, as is common among arguers, my doxy,] there may not be sufficient so to reason from as to convince the thousands, ready and willing to gainsay them: and Locke's utter annihilation of poor ridiculous well-intentioned Filmer, makes one wary, of taking up and defending a position so little tenable, as, for instance, Adam's primary grant for the foundation of absolute monarchy, or of attempting to nullify natural freedom by the dubious succession of patriarchal power. At the same time, (competency for so great a task being conceded—no small supposition, by the way,) much remains to be done in this field of discourse; as, the fearful example made of Korah, Dathan, and Abiram, for conduct very analogous with numberless instances of modern Liberalism; the rights of rulers, as well as of the governed; of kings, as well as people; the connexion subsisting now, as through all former ages, between church and state—well indeed and deeply argued out already by such great minds as Coleridge and Gladstone, but perhaps, for general usefulness, requiring a more brief and popular discourse; the question of passive obedience; the true though unfashionable doctrine of man's general depravity invalidating the consignment of power to the masses; and so forth. There are, however, if Scripture is to be held a constitutional guide, some examples to a certain extent contrary to the argument: as, elective monarchy in the case of Saul; non-legitimate succession in families even where election is omitted, as in the case of Solomon; and, honestly to say it, many other difficulties of a like nature. In fact, upon the whole, this distinction might be drawn; that although the Bible at large favours what we may, for shortness' sake, term Conservative politics, still it would not be easy to deduce from its page as code of This manual was commenced in the form of familiar letters to a radical acquaintance, whom I had resolved to convert triumphantly; but John Locke disarmed me, without, however, having gained a convert: he made me drop my weapon as Prospero with Ferdinand; but the fault lay with Ferdinand, for want of equal power in the magic art. "Measures, not men" is, as we have hinted already, the ground-work of a true Tory's political creed; and measures themselves only in so far as they expound and are consistent with principles. A man may fail; the stoutest partisan become a renegado; and the pet measure of a doughtiest champion may after all prove traitorous, unwise, unworthy: but principle is eternally an unerring guide, a master to whose words it is safe to swear, a leader whose flag is never lowered in compromise, nor sullied by defeat. Defalcations of the generally upright, derelictions of duty by the usually noble-minded, shake not that man's faith which is founded on principle: for the cowardice, or rashness, or dishonesty of some individual captain, he may feel shame, but never for the cause in which such hold commissions; he may often find much fault with soi-disant Tories, but never with the 'ism they profess. We over-step their follies; we disclaim their corruptions; we date above their faults; we wash our hands of their abuses. An abstracted student in his chamber, building up his faith from the foundations, and trying every stone of the edifice, takes little heed of who is for him, and who against him, so Conscience is the architect, and the Master of the house looks on approving. A man's mind is but one whole; be it palace or hovel, I rejoice in being accounted one of those unheroic, and therefore more useful, members of society, who profess to be by no means ambitious of reigning. A plain country gentleman, with a mind (thank Heaven!) well at ease, and things generally, both external and internal, being in his case consentaneous with happiness, would appear to have reached the acme of human felicity; and no one but a fool cares, in any world, to exemplify the dog's preference for the shadow. Unenvious, therefore, of royalty, and fully crediting that never-quoted sentiment of Shakspeare's "Uneasy," &c., my motto, within the legitimate limits of right reason, and in common with that of some ridiculed philosopher of Roundhead times, is the prudent saying, "Whoever's king, I'll be subject!"—ay, and for the masculine I place the epicene. While, however, in sober practice of right subordination, and under existing circumstances of just rule, we gladly would amplify the maxim, (as in courtesy, gallantry, loyalty, and honest kind feeling strongly bound,) still in mere speculation, and irrespectively of things as they are, our abstract musings tended to approve the original word in its unextended gender. Every one of Edmund Burke's school would honour the ensign of Divine vice-regency wherever he found it; but, apart from this uninquisitive respect, he will claim to be reasonably patriotic, patriotically rational; habit encourages to practice one thing, but theory may induce to think another. Now, little credence as so unenlightened so illiberal an integer as I give to an equalization in the rights of man, certainly on many accounts my blindness gives less to the rights of women with man, and very far less to those rights over man: it might be inconvenient to be specific as to reason; but the working of an ultra-republican scheme, in which females should ballot as well as males, would briefly illustrate my meaning. Barbarism makes gentle woman our slave; right civilization raises her into a loving helpmate; but what kind of wisdom exalts her into mastery? Readily, however, shall sleep in dull suppression sundry comments on a certain Rhenish law, whereof my author's mind had at one time studiously cogitated a grave and wholesome homily. For our censor of the press, one strait-laced Mr. Better Judgment, has, "with his abhorred shears," clipped off the more eloquent and spirited portion of a trenchant it was a mere speculative argument; a flock of fancies now roaming unregarded in some cloudy limbo. Let them fly into oblivion—"black, white, and gray, with all their trumpery." Notwithstanding these present hostile argumentations, politics are to me what they doubtless are to many others, subjects and disquisitions little short of hateful; perpetual mulligatawney; curried capsicums; a very heating, unsatisfactory, unwholesome sort of food. How many pleasant dinner-parties have been abruptly broken up by the introduction of this dish! How many white waistcoats unblanched by projectile wine-glasses on account of this impetuous theme! How many little-civil wars produced from the pips of this apple of contention! Yes, I hate it; and for this cause, good readers, (who may chance to have been used scurvily, some six pages back, in respect of your opinions, honest |