A, B, C, D, E, F, G, H, I, J, K, L, M, N, O, P, Q, R, S, T, U, V, W, Y.
A dip and a wallop for a bawbee!, 29, 125, 126
Act, Chimney Sweeps’, 64
Addison, Cries of London, 25, 30
Albert Smith’s “Covered Uncertainties”, 111
Ale Scurvy-grass, 32
All my teeth ache!, 30
All the fun of the fair!, 50
Ancient tavern sign, 110
Anecdote of a simpler, 32
Aphorisms, Book of, 36
Area sneak thieves, 48
’Arry and Emma Ann, 50
Bartholomew Fair, 38, 39, 42
Bartholomew Fair, Ben Jonson’s (1614), 25
Beating of one’s wife, 51
Beaumont and Fletcher’s Bonduca, 25
Beau pot? Will you buy a, 86
Bellows-mender, 94
Bells, Merry Christ Church, 33
Belman, 20
Blacking, cake, 44
Black sheep, 48
Blowing a horn in the night, 51
Bonduca, Beaumont and Fletcher’s, 25
Book of Aphorisms, 36
Boot-black, The modern, 44
Boot laces—AND the boot laces!, 54
Brickdust, 92
Bridgwater Library, 14
British Museum, Collection of cries in, 16
Buggs! Water for the, 29, 125, 126
Buns! Hot cross, 97
Busby’s Costumes of the Lower Orders, 35
Business card of pussy’s butcher, 65, 120
Buy a beau pot?, 86
Buy a bill of the play?, 97
“Buy a broom” criers, Flemish, 96
Buy a flower, sir?, 68
Buy my rumps and burrs?, 38
Buy my singing glasses?, 12
Cake blacking, 44
Calling price before quantity, 64
Candlewick, 5
Cantlie’s (Dr. J.) “Degeneration among Londoners”, 72
Canwyke Street, 5
Caricature, political, Cries the vehicle for, 29
Catnach illustrations, 118
Cats, London, 64
Caveat against cut-purses, 42
Chairs in Queen Anne’s time, 108
Chairs in Queen Elizabeth’s time, 108
Chairs, rush-bottomed, 108
Characteristic sketches of the lower orders (1820), 117
Characters, Humorous, 52
Charles II., Cries in the time of, 18
Cherryes in the ryse, 3
Chimney Sweeps’ Act, 64
Clean yer boots?, 44
Coachman, Hackney, 70
Cockney pronunciation, 31, 53, 72, 73, 74, 126-129
Cockney pronunciation, London Globe, 78
Colly Molly Puffe! Spectator, 12
Costermonger, or Costardmonger, 46
Costumes of the Lower Orders, Busby’s, 35
“Covered Uncertainties,” Albert Smith’s, 111
Crawhall’s (Joseph) illustrations, 119
Cream made of turnips, 60
Cries—Collection in British Museum, 16
Cries, Old London Street—Examples of, 76-92
Cries, Tempest’s, 6
Cries in the time of Charles the Second, 18
Cries, Under-street, 70
Cries, vehicle for political caricature, 29
Cries of London, Addison’s mention of, 25, 30
Cries of London as they are daily Practised, J. Harris (1804), 120
Cries of London, earliest mention of, 3
Cries of London, engraved by Schiavonetti and Wheatley, 42
Cries of London for the amusement of good children, 119
Cries of London, Humorous, 52, 53, 54
Cries of London, Lumsden’s, 119
Cries of London, Roxburgh collection of, 25-33
Cries of London, Sandby’s, 31
Cries of London (J. T.) Smith’s, 16
Cries of London. Specimens of versification, 111-117
Cries of London, Spectator, 25
Cries of York, 14
Cruikshank’s London barrow-woman, 100
“Cryer,” Public, 22
Cryes, Tempest’s, 6
Cuckoo flowers, 35
Cut-purses, Caveat against, 42
Dead letter act, A, 51
“Degeneration amongst Londoners,” Dr. Jas. Cantlie’s, 72
Description of Illustrations, 117-120
“Doing” the public, 47
Door Mats, 94
Doublets, Old, 10
Do you want a lick on the head?, 30
Du Maurier’s Steam Launch in Venice, 72
Earliest mention of London Cries, 3
Early green peas, 94
Early matches, 56
Early umbrellas, 70
Elizabethan Statutes of the streets, 51
Everyday Book, Hone’s, 36, 42, 52, 96, 102, 110, 120
Facetious salesmen of the streets, 52
Fair, Bartholomew, 38, 39, 42
Faux, the Conjurer, 40
Fine tie or a fine bob, sir?, 36
Fleas! Tormentor for, 24, 121-125
Flea trap, 25
Flemish “Buy a broom” criers, 96
Flower girls at the Royal Exchange, 68
“Flowers, Penny a Bunch!” (frontispiece), 119
Frontispiece, “Flowers, Penny a Bunch!”, 119
Gardner’s Collection of Prints, 7
Gay’s poor apple girl, 28
Gay’s Trivia, 26
Gazette, London, 14
Gingerbread, Hot spiced, 102
Green peas, Early, 94
Green rushes, O!, 98
Grose, Francis—The Olio, 30, 62
Ha! ha! Poor Jack!, 8
Hackney Coachman, 70
Hanway (Jonas) the philanthropist, 64
Herb gatherers, 32
Heywood’s Rape of Lucrece, 24
Highest ground in London, 109, 110
Hokey-pokey, 58
Hone’s Everyday Book, 36, 42, 52, 96, 102, 110, 120
Honest John Newbery, 120
Hot-baked wardens!, 38
Hot cross buns!, 97
Hot mutton trumpery!, 30
Hot pies, 111
Hot pudding, 96
Hot rolls, 96
Hot spiced gingerbread, 102
Hogarth’s Idle Apprentice, 104
Hogarth’s Laughing Audience, 98
Houndsditch, 47, 50
Humorous characters, 52
Humorous Cries of London, 52, 53, 54
Humorous nonsense, 104
Ices, Neapolitan, 58
Ices, penny, 58
Idle Apprentice, Hogarth’s, 104
Illustrations, Catnach, 118
Illustrations, Crawhall’s, 119
Illustrations, Description of, 117-120
Illustrations, McEgan’s, 120
Illustrations, Rowlandson’s, 117
I’m on the woolsack!, 31
Imitators of Tiddy Diddy Doll, 104
Inner and Outer Circle Railway, 75
Inner Circle Railway, 73
Irons! Marking, 42
Itinerant traders, Plates representing (1805), 118
Jack-in-the-box seller, 56
Japan your shoes, your honour?, 44
Jaw-work, up and under jaw-work!, 54
Johnson (Dr.), Turnips and carrots, O!, 43
Jonson’s (Ben) Bartholomew Fair (1614), 25
Knives to grind!, 98
Laughing Audience, Hogarth’s, 98
Laroon, Capt., 7
Laroon, Marcellus, 6
Lice, penny a pair, boot lice!, 53
Lights—pipe and c’gar, 56
Loftie’s Old London, 110
London barrow-woman, Cruikshank’s, 100
London cats, 64
London Cries, as they are daily Practised, J. Harris (1804), 120
London Cries, earliest mention of, 3
London Cries, engraved by Schiavonetti and Wheatley, 42
London Cries, Humorous, 52, 53, 54
London, Cries of—for the Amusement of Good Children, 119
London Cries, Sandby’s, 31
London Cries, Specimens of versification, 111-117
London Gazette, 14
London, Highest ground in, 109, 110
London Lyckpenny, 3
London Spy (1703) Ned Ward’s, 38
London street cries, Old, Examples of, 76, 92
London, The Three Ladies of (1584), 96
Lord Mayor’s day, 50
Lower Orders, Busby’s Costumes of the, 35
Lower orders, Characteristic sketches of (1820), 117
Lucifer match, The, 56
Lumsden’s Cries of London, 119
Lyckpenny, London, 3
Lydgate, John, 3
Marking irons!, 42
Marking stones, 16
Marquis Townshend’s, The Pedlars (1763), 29
Match, Brimstone, 56
Match, Lucifer, 56
Match-selling, 48
Match, Vesuvian, 56
Matches, Early, 56
McEgan’s illustrations, 120
Merry Christ Church bells, 33
Metropolitan and District Railways, 73
Milk below, maids!, 67
Modern boot-black, 44
Modern street cries, 62, 64, 67-70
Morning in Town, Swift’s, 10
Muffin man, 62
My name and your name, etc., 42
Nameless toy, A, 54
Neapolitan ices, 58
New laid eggs, crack ’em and try ’em!, 54
New laid eggs, eight a groat, 110
Newsman, The, 68
Newspaper, Shilling for a, 68
Nonsense, Humorous, 104
Notes and Queries, References to, 36, 121, 122, 125
Novelties from the continent, 50
Newbery, Honest John, 120
O’ Clo!, 62
Old chairs to mend!, 106
Old doublets, 10
’Okey-pokey, 58
Old London, Loftie’s, 110
Old London street cries, Examples of, 76-92
Olio, The—Francis Grose, 30, 62
On the bough, 3
On’y a ha’penny!, 54
Orange seller, Dr. Randal, The, 52
Oranges! Oratorio, 53
Ornaments for your fire stoves!, 60
’Orrible railway haccident—speshill ’dishun, 68
Outcries in the night, 51
Panyer Alley, 109
Pedlars, The (1763) List of Cries in, 29
Penny for a shillin’ ’lusterated magazine!, 51
Penny ices!, 58
Penny pieman, The, 111
Philanthropist, Jonas Hanway, The 64
Pieman, The penny,
EXTRACTS FROM
FIELD & TUER’S BOOK LIST,
The Leadenhall Press,
50, LEADENHALL STREET, LONDON, E.C.
? All these books are on sale at The Old London Street,
728, Broadway, New York.
MR. F. G. HILTON PRICE, F.S.A.
The Signs of Old Lombard Street. By F. G. Hilton Price, F.S.A., with Sixty full-page 4to Illustrations by James West. LONDON: Field & Tuer, The Leadenhall Press, E.C.
[One Guinea.
MR. NORMAN PRESCOTT DAVIES.
Gray’s Elegy: with Sixteen beautiful Illustrations by Norman Prescott Davies, facsimiled from his original drawings in the possession, and published by the gracious permission, of H.R.H. The Princess of Wales. Bound in gold lettered vellum, with broad silken bands and strings. LONDON: Field & Tuer, The Leadenhall Press, E.C.
[One Guinea.
“A work of very great beauty.”—Leeds Mercury.
MR. ANDREW W. TUER.
(Dedicated by gracious permission to Her Majesty the Queen.)
Bartolozzi and his Works. (New Edition.) Biographical, Anecdotal, and Descriptive. By Andrew W. Tuer. LONDON: Field & Tuer, The Leadenhall Press, E.C.
[Twelve-and-Sixpence.
A guide to the study of old-fashioned prints of the Bartolozzi school. Revised with new and interesting matter: in one thick handsome vellum-bound volume, gold lettered, broad silken bands and strings. Limited to 500 signed and numbered copies.
Views of English Society. By a little Girl of Eleven. Illustrated. LONDON: Field & Tuer, The Leadenhall Press, E. C. [Two-and-Eightpence.
“We have read through the ‘Views’ with intense amusement and satisfaction.”—Tablet.
MISS ALICE CORKRAN.
The Bairns’ Annual: for 1886-7. Edited by Alice Corkran. Illustrated with marginal sketches of child life by Lizzie Lawson. LONDON: Field & Tuer, The Leadenhall Press, E.C.
[Sixteen-Pence.
SAMUEL RICHARDSON.
Sir Charles Grandison. By Samuel Richardson. With Six Illustrations from the original copper-plates engraved in 1778 by Isaac Taylor; and a Preface by John Oldcastle. LONDON: Field & Tuer, The Leadenhall Press, E.C.
[Sixteen-Pence.
THE beautiful illustrations have been carefully and separately struck off direct from the original copper-plates themselves—the only method of printing by which the minuteness and beauty of the engraved work can be properly rendered.
“A marvellously cheap series illustrated with charming survivals of the age of copperplate printing.”—Saturday Review.
SOLOMON GESSNER.
Solomon Gessner, “The Swiss Theocritus.” With Six Illustrations and Extra Portrait from the Original Copper-plates engraved in 1802 by Robert Cromek, from Drawings by Thomas Stothard, R.A., and a Preface by John Oldcastle. LONDON: Field & Tuer, The Leadenhall Press, E.C.
[Sixteen-Pence.
THE beautiful illustrations have been carefully and separately struck off direct from the original copper-plates themselves—the only method of printing by which the minuteness and beauty of the engraved work can be properly rendered.
“The choice engravings from the original plates will have a charm of thousands.”—St. James’s Gazette.
MR. ANDREW W. TUER.
(Dedicated by gracious permission to Her Majesty the Queen.)
The Follies and Fashions of Our Grand-Fathers (1807). Embellished with Thirty-seven whole-page Plates, including Ladies’ and Gentlemen’s Dress (hand-coloured and heightened with gold and silver), Sporting and Coaching Scenes (hand-coloured), Fanciful Prints, Portraits of Celebrities, etc. (many from original copper-plates). By Andrew W. Tuer, author of “Bartolozzi and his Works,’ etc. LONDON: Field & Tuer, The Leadenhall Press, E.C.
Large paper copies, crown 4to, with earliest impressions of the plates; 250 only, signed and numbered, at Three Guineas.
Demy 8vo copies at Twenty-five Shillings.
QUAINT, amusing, dependable, and distinctly covetable. The binding more than suggests buckskin breeches and needlework samplers: in fact, they are there. The extra illustrations include many quaint prints of the period printed direct from the original copper-plates.
“May at any time be confidently dipped into by readers in search of quiet diversion.”—Graphic.
1,000 Quaint Cuts from Books of Other Days, including Amusing Illustrations from Children’s Story Books, Fables, Chap-books, etc., etc.; a Selection of Pictorial Initial Letters and Curious Designs and Ornaments, from Original Wooden Blocks belonging to The Leadenhall Press. LONDON: Field & Tuer, The Leadenhall Press, E.C.
[Sixteen-Pence.
A limited number printed on one side of the paper only at Two-and-Eightpence.
“A wonderful collection of entertaining old wood engravings ... any one of these delights is worth the one-and-fourpence.”—Saturday Review.
MR. A. R. COLQUHOUN.
Amongst the Shans: By A. R. Colquhoun, F.R.G.S., etc., Author of “Across ChrysÊ,” “The Truth about Tonquin,” “The Opening of China,” “Burma and the Burmans,” &c. With upwards of Fifty Illustrations, and an Historical Sketch of the Shans by Holt S. Hallett, preceded by an Introduction on the “Cradle of the Shan Race,” by Terrien de Lacouperie. LONDON: Field & Tuer, The Leadenhall Press, E.C.
[Twenty-one Shillings.
“Should be read by every English merchant on the look-out for new markets.”—Globe.
MR. JOSEPH CRAWHALL.
Izaak Walton: his Wallet Book, being the Songs in “The Compleat Angler” newly set forth and Illustrated by Joseph Crawhall. Hand-made paper; vellum bound, with inside humorously lettered silk-sewn pockets. Edition de luxe, limited and numbered. The numerous illustrations all separately hand-coloured. LONDON: Field & Tuer, The Leadenhall Press, E.C.
[One Guinea (500 Copies only); Large Paper, Two Guineas (100 copies only).
ONE of Mr. Crawhall’s engraved blocks—that is, the boxwood block itself—is attached as a pendant to a silk bookmarker to each copy of the large paper edition only.
MRS. ALFRED W. HUNT.
Our Grandmothers’ Gowns. By Mrs. Alfred W. Hunt. With Twenty-four Hand-coloured Illustrations, drawn by G. R. Halkett. LONDON: Field & Tuer, The Leadenhall Press, E.C.
[Seven-and-Sixpence.
MRS. HUNT gives a short history of the dress of the period, in which she carefully preserves the original descriptions of the plates as given in contemporary fashion-books.
? All these books are on sale at The Old London Street, 728, Broadway, New York.
