The entrance to Newgate is through the keeper’s lodge, which, with the house in which the keeper lives, occupies the centre of what has been well called “this vast quarry of stone.” It fronts on the Old Bailey. The prisoner’s quarters are in the wings, which extend from either side of the keeper’s quarters. In the gloomy office, men with that indescribable prison air all such officials bear, lounge about, and come and go on business. There is iron everywhere, from the huge bolts on the outer doors, and the door inside of them, to the barred windows and other doors beyond number, that open and shut with a sullen clangor that goes echoing through the stone passages as if it would never die away. The smell of the jail is as powerful in its way as these evidences of its actual strength. It blows into your face in a strong breath when the door opens for you, and you find it lingering about you hours after 41 your visit has been made. Some scientist ought to analyze this odor of the prison. It is unique. A soldier’s barracks, a hospital, a ship’s forecastle—all places, in short, where men live in close quarters—have an odor that tells of their origin; but the scent of the jail is different from all, and as horrible as the thing it recalls to you whenever you breathe it, or fancy you do. “What London pedestrian is there,” writes Dickens, in chapter 24 in the “Sketches by Boz,” “who has not, at some time or other, cast a hurried glance through the wicket at which the prisoners are admitted into this gloomy mansion, and surveyed the few objects he could discern, with an indescribable feeling of curiosity. The thick door, plated with iron, and mounted with spikes just low enough to enable you to see leaning over them an ill-looking fellow, in a broad-brimmed hat, Belcher handkerchief and top-boots; with a brown coat, something between a great-coat and a ‘sporting’ jacket, on his back, and an immense key in his left hand. Perhaps you are lucky enough to pass just as the gate is being opened; then, you see on the other side of the lodge another gate, 42 the image of its predecessor, and two or three more turnkeys, who look like multiplications of the first one, seated around a fire, which just lights up the white-washed apartment sufficiently to enable you to catch a glimpse of these different objects.” In the next paper of the same series, he conducts us within the lodge. “One side is plentifully garnished with a choice collection of heavy sets of irons, including those worn by the redoubtable Jack Sheppard—genuine; and those said to have been graced by the sturdy limbs of the no less celebrated Dick Turpin—doubtful. From this lodge a heavy oaken gate, bound with iron, studded with nails of the same material, and guarded by another turnkey, opens on a few steps, if we remember right, which terminate in a narrow and dismal stone passage, running parallel with the Old Bailey and leading to the different yards, through a number of tortuous and intricate windings, guarded in their turn by huge gates and gratings, whose appearance is sufficient to dispel at once the slightest hope of escape that any newcomer may have entertained; and the very recollection of which, on eventually traversing the place again, involves one in a maze of confusion.” 43The old Newgate which the Gordon rioters sacked was a horrible place. The cells were mere black caves, which riddled the tremendous masonry like a stone honeycomb. In these at one time, while a contagious fever was raging, 800 prisoners were confined. The captives were packed in these dens like slaves in the hold of their prison-ship. Mrs. Frye describes the women as “swearing, gaming, fighting, singing, dancing, drinking, and dressing up in men’s clothes,” and as late as 1838 gambling with cards, dice and draughts was common among the male prisoners. Jail distempers now and then purged this sink of vileness of a portion of its inmates, till at last, in 1858, the reconstruction of its cellular system was completed. Even with that, however, Newgate is anything but a perfect jail. In the earlier Dickens era it preserved many of its ancient characteristics. In “Great Expectations,” when Wemmick takes Pip to visit it, we read: “At that time gaols were much neglected, and the period of exaggerated reaction consequent on all public wrong-doing—and which is always its longest and heaviest punishment—was still far off. So, felons were not lodged and fed 44 better than soldiers (to say nothing of paupers), and seldom set fire to their prisons with the excusable object of improving the flavor of their soup. It was visiting time when Wemmick took me in; and a potman was going his rounds with beer; and the prisoners behind the bars in the yards were buying beer, and talking to friends; and a frowsy, ugly, disorderly, depressing scene it was.” The earlier description, “A Visit to Newgate,” in the Boz “Sketches,” thus depicts the women’s side of the jail:
This, in itself, was a vast improvement on the style of the last century in Newgate. Then the prisoner had no comfort unless he paid roundly for it. His cell contained a stone bench or two, on which the first comer might make his bed. The rest slept on the floor. Once in a great while a truss of straw was tossed in to them, as it might have been to a beast in a stall. This straw remained until it rotted to a pulp. Then another truss was used to scatter over it. So, in time, the prisoners slept 47 on a veritable dunghill, the compost being generally left to fester till it bred a fever, when it would be carted off, to disseminate the germs of disease which it had engendered, outside the jail walls; and the same process was begun over again. In the matter of cleanliness a change for the better had been made in Dickens’s time; but one great evil of the jail was the herding together of the prisoners in the wards. Here the possibly innocent learned evil lessons from the guilty; the depraved could deprave those not yet wholly debased; the gaol became, in short, not so much a place of punishment for crime as a powerful breeder of it, and many a man and boy, and woman and girl, who went into Newgate for a trivial offense, emerged from it a full-fledged and incorrigible lawbreaker. So outrageous did this condition of things become that many thoughtful men began seriously to question whether the means of restricting crime, as practiced in Newgate, were not really worse than the crime itself. In the sketch already quoted, Dickens says:
When the prisoners had visitors a keeper always sat in the space between the gratings, so that private communication was practically 49 impossible. The only exception was made in favor of lawyers in visiting their clients; but prisoners of note could secure the privilege of privacy through the pressure of official influence on the head keeper. In fact, during later years an effort, only partially successful, was made in Newgate to grade the prisoners according to their criminal standard, and to keep the classes apart. So, persistent and desperate offenders were assigned to one ward and those less confirmed in crime to another, while boys and youths were separated from the older prisoners, whose influence on them could not be but for evil. Under the more humane management of the present century Newgate was even provided with a school. “A portion of the prison,” says Boz, in his “Visit,” “is set apart for boys under fourteen years of age.” “In a tolerable sized room, in which were writing materials and some copybooks, was the school-master with a couple of his pupils; the remainder having been fetched from an adjoining apartment, the whole were drawn up in a line for our inspection. There were fourteen of them in all, some with shoes, some without; some in pinafores without jackets, others in jackets 50 without pinafores, and one in scarce anything at all. The whole number, without an exception, we believe, had been committed for trial on charges of pocket-picking; and fourteen such terrible little faces we never beheld. There was not a glance of honesty, not a wink expressive of anything but the gallows and the hulks, in the whole collection. As to anything like shame or contrition, that was entirely out of the question. They were evidently quite gratified at being thought worth the trouble of looking at; their idea appeared to be that we had come to see Newgate as a grand affair, and that they were an indispensable part of the show; and every boy as he ‘fell in’ to the line actually seemed as pleased and important as if he had done something excessively meritorious in getting there at all.” Dickens had made a close study of this type of London gamin, as we have discovered in his Artful Dodger, Master Bates, and other demoralizing and diverting characterizations. In the Boz sketch called “Criminal Courts” he describes the trial of such an imp at the Old Bailey court:
In a similar vein, when the Artful Dodger falls into the toils (“Oliver Twist,” Chapter 43) he asserts himself.
To such scholars as these, all the schools that could be crowded into Newgate would be of no avail. Their biographies are summed up by Magwitch, in “Great Expectations,” who, blandly admitting to have been brought up to be “a warmint,” says:
One of the most curious episodes of Newgate is connected with the hanging of the Rev. W. Dodd, for forgery, on Friday, June 6, 1777. The clerical malefactor preached his own funeral sermon in the chapel of the prison before he was led out to die, the text being from Acts XV, 23. The theatre of this remarkable valedictory went up in the smoke of the Gordon Riots, but there is a chapel in the reconstructed jail: “situated,” 58 says Boz, “at the back of the governor’s house; the latter having no windows looking into the interior of the prison. Whether the associations connected with the place—the knowledge that here a portion of the burial is, on some dreadful occasions, performed over the quick and not over the dead—cast over it a still more gloomy and sombre air than art has imparted to it, we know not, but its appearance is very striking. The meanness of its appointments—the bare scanty pulpit, with the paltry painted pillars on either side—the women’s gallery with its great heavy curtains—the men’s with its unpainted benches and dingy front—the tottering little table at the altar, with the commandments on the wall above it, scarcely legible through lack of paint, and dust and damp—so unlike the velvet and gilding, the marble and the wood of a modern church—are strange and striking. There is one object, too, which rivets the attention and fascinates the gaze, and from which we may turn horror-stricken in vain, for the recollection of it will haunt us waking and sleeping for a long time afterward. Immediately below the reading desk, on the floor of the chapel, and forming 59 the most conspicuous object in the little area, is the ‘condemned pew’: A huge black pen in which the wretched people, who are singled out for death, are placed on the last Sunday preceding their execution, in sight of all their fellow prisoners, from many of whom they may have been separated but a week before, to hear prayers for their own souls, to join in the responses of their own burial service, and to listen to an address warning their recent companions to take example by their own fate and urging themselves, while there is yet time—nearly four-and-twenty hours—to ‘turn and flee from the wrath to come.’ At one time—and at no distant period either—the coffins of the men about to be executed, were placed in that pew, upon the seat by their side, during the whole service.” The chapel has been rearranged since the time in which Boz wrote, and the ghastliest part of its show done away with. In the condemned ward Boz found “five-and-twenty or thirty prisoners, all under sentence of death, awaiting the result of the recorder’s report—men of all ages and appearances, from a hardened old offender with swarthy face and grizzly beard of three days’ 60 growth, to a handsome boy not fourteen years old, and of singularly youthful appearance even for that age, who had been condemned for burglary.” It must be remembered that they hanged men for all sorts of offenses in England then, which made the population of the condemned ward abundant around sessions time, when the trials were on. The death penalty was as common then as it is now rare in its infliction. “The room was large, airy and clean. One or two decently dressed men were brooding with a dejected air over the fire; several little groups of two or three had been engaged in conversation at the upper end of the room, or in the windows; and the remainder were crowded around a young man seated at a table, who appeared to be engaged in teaching the younger ones to write. On the table lay a Testament, but there were no tokens of its having been in recent use. In the press-room below were the men, the nature of whose offense rendered it necessary to separate them, even from their companions in guilt. It is a long sombre room, with two windows sunk in the stone wall, and here the wretched men are pinioned on the mornings of their execution, before moving toward the scaffold.” 61“A few paces up the yard,” he goes on, “and forming a continuation of the building, lie the condemned cells. The entrance is by a narrow and obscure staircase, leading to a dark passage, in which a charcoal stove casts a lurid light over the objects in its immediate vicinity, and diffuses something like a warmth around. Prior to the recorder’s report being made, all the prisoners under the sentence of death are removed from the day room at five o’clock in the afternoon, and locked up in these cells, where they are allowed a candle until ten o’clock; and here they remain until seven the next morning. When the warrant for the prisoner’s execution arrives, he is removed to the cells, and confined in one of them until he leaves it for the scaffold. He is at liberty to walk in the yard; but both in the walks and in his cell, he is constantly attended by a turnkey, who never leaves him on any pretence.” The cell was “a stone dungeon eight feet long by six feet wide, with a bench at the upper end, under which were a common rug, a Bible and a prayer-book. An iron candle-stick was fixed into the wall at the side; and a small high window at the back admitted as much air and 62 light as could struggle in between a double row of heavy, crossed iron bars.” It was in one of these dens (“Oliver Twist,” Chapter 52) that Fagin spent his last hours.
When Mr. Brownlow and Oliver appeared at the wicket, and presented an order of admission to the prisoner, signed by one of the Sheriffs, they were immediately admitted to the lodge.
Since hanging by wholesale went out in England, Newgate has had no use for condemned wards, nor for its great number of condemned cells. The former are now broken up into cells, or used as exercise rooms or offices. Most of the latter are now punishment cells, in which refractory prisoners are confined. The demoralizing system of confinement in gangs has been done away with also, the cells in which the prisoners froze in cold weather have been made comfortable, and the standard of the management 68 of the jail raised in every way. Such prisoners as may be condemned to death—there are only a few a year now, where in Dickens’s boyhood there were several every week—are kept apart from their fellows and from each other. They are confined in an ordinary cell until they are convicted. Then they are transferred to a strong cell in the old condemned cell ward, and thence they travel to the scaffold. Between the Old Bailey Court House and the condemned ward of Newgate is a yard called the Press Yard. The name has a hideous origin. This spot was for many years the scene of one of the most terrible tortures ever inflicted by the cruelty of man upon his kind, the awful torture of “Pressing to Death.” This torture was imposed on prisoners held for higher crimes, like treason and felonies, who refused to answer in court. Nowadays, this would be construed into contempt of court. Until a century ago it was held an offense so hideous as to warrant death by torture. Nowadays we do not ask a prisoner to criminate himself. Then, if he did not, he was tortured; if he did he was punished anyway. The prisoner 69 condemned to be pressed was stripped naked, except, for decency’s sake, a cloth around the loins, and laid on his back on the pavement. Then iron weights were piled upon a board placed on his body, in increasing number, and on a diet of three morsels of bread a day and three draughts of water, he was left to perish miserably. He never needed a full day’s rations. Sometimes he lasted for hours, and at others, as in the case of Mayor Strangeways, who was pressed for the murder of John Fussel in 1659, he died in a few moments. This poor wretch was stoned by the mob in the prison yard while undergoing the torture. Highwaymen, house-breakers, forgers, utterers of forged and counterfeit money, as well as murderers and traitors, were pressed to death. Brutal and callous as the era was, the shocking practice excited such denunciation in time that the victims were finally subjected to the torture privately in the room known as the Press Room whose door opens into the Press Yard. But the practice of pressing was kept up until as late as 1770. The Press Yard to this day is devoted to quite as gloomy and deadly, if less revolting, service 70 under sanction of the law. It is here that the executions of Newgate are performed. The gallows is set up close to the door out of which the prisoner is brought. There is no march to the gibbet through a throng of spectators as in most of our own jails. The doomed man gets his last glimpse of the sky through a stone funnel down which no ray of sunlight ever finds its way. As far as I remember, from my London days, the only sign the outer world has of the work going on within the prison walls is the hoisting of a black flag over the lodge, and I know not if even this ceremonial is still observed. From the gallows to the grave in Newgate used to be but a step. There was an old burying ground in the prison, now disused, which was opened in 1820. Thistlewood and the other Cato Street Conspirators were the first criminals buried in it. They were buried in the night on the day of their execution, without services, and many others like them in after years. A pit and a shroud of quicklime were the appropriate Newgate epitaph. The ingenious fancy of Mr. Ainsworth has made Jack Sheppard’s escape from Newgate one of the chief episodes of his famous book. The 71 simple facts of his hero’s evasion from the gaol are much less romantic, considering the number of prisoners it held. The escapes from Newgate were very few, and in almost every instance they owed a great measure of their success to the connivance of officials within the walls. Until the tidal wave of prison reform swept it clean of its old, corrupt practices, Newgate was managed largely for the benefit and profit of its guardians, from the keeper down. Each official was an adept at the art of extortion, and every palm that held a key was troubled with the itch. The prisoner could purchase most things he might desire, and even the chance of liberty was not beyond price. It was only the chance to be sure; his keeper would wink at the effort, but he must take the risk of being stopped upon his way by others, unless he could fairly buy his passage from his dungeon to the lodge gate. A few—a very few—did this, and got away. Generally the escapes were mere attempts, frustrated before the last barrier was passed. The most remarkable escape made from the prison, because it was accomplished without aid within or without the walls, was that of the Sweep. This ruffian, from 72 practice in his trade of climbing chimneys, actually contrived to scale the rough stone wall in an angle of one of the jail yards, by working himself up with his back and feet, until he reached the leads, over which he made his way to the roof of a house in Newgate street, which he entered through the scuttle, and so went down stairs and into the street. Since that time the inner walls of Newgate have been smoothed, so that even a fly could not crawl up them, and spiked at the top to make assurance doubly sure. 73 |