Parisian Women.—Rousseau's failure in attempting to describe them.—Their great influence in Society.—Their grace in Conversation.—Difficulty of growing old.—Do the ladies of France or those of England manage it best? There is perhaps no subject connected with Paris which might give occasion to such curious and inexhaustible observation as the character, position, and influence of its women. But the theme, though copious and full of interest, is not without its difficulties; and it is no small proof of this, that Rousseau, who rarely touched on any subject without persuading his reader that he was fully master of it, has nevertheless almost wholly failed on this. In one of the letters of "La Nouvelle HÉloÏse," he sketches the characters of a few very commonplace ladies, whom he abuses unmercifully for their bad taste in dress, and concludes his abortive attempt at making us acquainted with the ladies of Paris by acknowledging that they have some goodness of heart. This is but a meagre description of this powerful portion of the human race, and I can hardly All I can do for you on this subject is to recount the observations I have been myself led to make in the passing glances I have now the opportunity of giving them, supported by what I have chanced to hear from better authority than my own: but I am aware that I can do little more than excite your wish to become better acquainted with them than it is in my power to make you. It is impossible to be admitted into French society without immediately perceiving that the women play a very distinguished part in it. So, assuredly, do the women of England in their own: yet I cannot but think that, setting aside all cases of individual exception, the women of France have more power and more important influence than the women of England. I am aware that this is a very bold proposition, France has been called "the paradise of women;" and if consideration and deference be sufficient to constitute a paradise, I think it may be called so justly. I will not, however, allow that Frenchmen make better husbands than Englishmen; but I suspect they make politer husbands— "Je ne sais pas, pour moi, si chacun me ressemble, Mais j'entends lÀ-dessous un million de mots:" and, all pleasantry apart, I am of opinion that this more observant tone or style, or whatever it may be termed, is very far from superficial—at least in its effects. I should be greatly surprised to hear from good authority that a French gentleman had ever been heard to speak rudely to his wife. Rousseau says, when he means to be what he himself calls "souverainement impertinent," that "il est convenu qu'un homme ne refusera rien À aucune femme, fÛt-ce mÊme la sienne." But it is not only in refusing her nothing that a French husband shows the superiority which I attribute to him; I know many English husbands who are equally indulgent; but, if I mistake In a recent work on France, to which I have before alluded, a comparison is instituted between the conversational powers of the sex in England and in France; and such a picture is drawn of the frivolous inanity of the author's fair countrywomen, as, were the work considered as one of much authority in France, must leave the impression with our neighbours that the ladies of England are tant soit peu AgnÈs. Now this judgment is, I think, as little founded in truth as that of the traveller who accused us all of being brandy-drinkers. It is indeed impossible to say what effect might have been produced upon the ladies from whom this description was drawn, by the awful consciousness Our countrywomen however, particularly the younger part of them, labour under a great disadvantage. The majority of them I believe to be as well, or perhaps better informed than the majority of Frenchwomen; but, unfortunately, it frequently happens that they are terrified at the idea of appearing too much so: the terror of being called learned is in general much more powerful than that of being classed as ignorant. Happily for France, there is no blue badge, no stigma of any kind attached to the female possessors of talent and information. Every Frenchwoman brings forward with equal readiness and grace all she knows, all she thinks, and all she feels on every subject that may be started; whereas with us, the dread of imputed blueism weighs down many a bright spirit, and sallies of wit and fancy are withheld from the fear of betraying either the reading or the genius with which many a fair girl is endued who would rather be thought an idiot than a Blue. This is, however, a very idle fear; and that It is from this cause, if I mistake not, that the conversation of the Parisian women takes a higher tone than that to which English females venture to soar. Even politics, that fearful quicksand which engulfs so many of our social hours, dividing our drawing-rooms into a committee of men and a coterie of women,—even politics may be handled by them without danger; for they fearlessly mix with that untoward subject so much lively persiflage, so much acuteness, and such unerring tact, that many a knotty point which may have made puzzled legislators yawn in the Chamber, has been played with in the salon till it became as intelligible as the light of wit could make it. No one who is familiar with that delightful portion of French literature contained in their letters and memoirs, which paint the manners and the minds of those they treat of with more truth of graphic effect than any other biography If, however, these same minute records can be wholly trusted, I should say that no proportionate change has taken place among the women. I often fancy I can trace the same "genre d'esprit" amongst them with which Madame du Deffand has made us so well acquainted. Fashions must change—and their fashions have changed, not merely in dress perhaps, but in some things which appear to go deeper into character, or at least into manners; but the essentials are all the same. A petite maÎtresse is a petite maÎtresse still; and female wit—female French wit—continues to be the same dazzling, playful, and powerful thing Ladies still write romances, and still write verses. They write memoirs too, and are moreover quite as keen critics as ever they were; and if they had not left off giving petits soupers, where they doomed the poets of the day to oblivion or immortality according to their will, I should say, that in no good gifts either of nature or of art had they degenerated from their admired great-grandmothers. It can hardly, I think, be accounted a change in their character, that where they used to converse respecting a new comedy of MoliÈre, they now discuss the project of a new law about to be passed in the Chamber. The reason for this is obvious: there is no longer a MoliÈre, but there is a Chamber; there are no longer any new comedies In short, though the subjects are changed, they are canvassed in the same spirit; and however much the marquis may be merged in the doctrinaire, the ladies at least have not left off being light, bright, witty, and gay, in order to become advocates for the "positif," in opposition to the "idÉal." They still keep faithful to their vocation of charming; and I trust they may contrive so far to combat this growing passion for the "positif" in their countrymen, as to prevent their turning every salon—as they have already turned the Boulevards before Tortoni's—into a little Bourse. I was so much struck by the truth and elegance of "a thought" apropos to this subject, which I found the other day in turning over the leaves of a French lady's album, that I transcribed it:— "Proscrire les arts agrÉables, et ne vouloir que ceux qui sont absolument utiles, c'est blÂmer la Nature, qui produit les fleurs, les roses, les jasmins, comme elle produit des fruits." This sentiment, however, simple and natural as it is, appears in some danger of being lost sight of while the mind is kept upon such a forced march as it is at present: but the unnatural oblivion cannot fall upon France while her women remain what they are. The graces of life Yet nowhere are the higher efforts of the female mind more honoured than in France. The memory of Madame de StaËl seems enshrined in every woman's heart, and the glory she has brought to her country appears to shed its beams upon every female in it. I have heard, too, the name of Mrs. Somerville pronounced with admiration and reverence by many who confessed themselves unable to appreciate, or at least to follow, the efforts of her extraordinary mind. In speaking of the women of Paris, however, I must not confine myself to the higher classes only; for, as we all know but too well, "les dames de la Halle," or, as they are more familiarly styled, "les poissardes," have made themselves important personages in the history of Paris. It is not, however, to the hideous part which they took in the revolution of Ninety-three that I would allude; the doing so would be equally disagreeable and unnecessary, for the deeds of Alexander are hardly better known than their infernal acts;—it is rather to the singular sort of respect paid to them in less stormy times that I would call your attention, because we have nothing analogous to it with us. These ladies have, too, a literature of their own, and have found troubadours among the beaux-esprits of France to chronicle their bons-mots and give immortality to their adventures in that singular species of composition known by the name of "Chansons Grivoises." When Napoleon returned from Elba, they paid their compliments to him at the Tuileries, and sang "La Carmagnole" in chorus. One hundred days after, they repeated the ceremony of a visit to the palace; but this time the compliment was addressed to Louis Dix-huit, and the refrain of the song with which they favoured him was the famous calembourg so much in fashion at the time— "Rendez-nous notre pÈre de Gand." Not only do these "dames" put themselves forward upon all political occasions, but, if report say true, they have, parfois, spite of their revolutionary The influence and authority of these women among the men of their own rank is said to be very great; and that through all the connexions of life, as long as his mother lives, whatever be her rank, a Frenchman repays her early care by affection, deference, and even by obedience. "Consolez ma pauvre mÈre!" has been reported in a thousand instances to have been the last words of French soldiers on the field of battle; and whenever an aged female is found seated in the chimney-corner, it is to her footstool that all coaxing petitions, whether for great or small matters, are always carried. I heard it gravely disputed the other day, whether the old ladies of England or the old ladies of France have the most bonheur en partage amongst them. Every one seemed to agree that it was a very difficult thing for a pretty woman to grow old in any country—that it was terrible to "devenir chenille aprÈs avoir ÉtÉ papillon;" This is certainly the best parachute to which a drooping beauty can trust herself on either side of the Channel: but for one who can avail herself of it, there are a thousand who must submit to sink into eternal oblivion without it; and the question still remains, which nation best understands the art of submitting to this downfall gracefully. There are but two ways of rationally setting about it. The one is, to jump over the Rubicon at once at sight of the first grey hair, and so establish yourself betimes on a sofa, with all the comforts of footstool and elbow-room; the other is, to make a desperate resolution never to grow old at all. Nous autres Anglaises generally understand how to do the first with a respectable degree of resignation; and the French, by means of some invaluable secret which they wisely keep to themselves, are enabled to approach very nearly to equal success in the other. |