Lonchamps.—The "Three Hours' Agony" at St. Roch.—Sermons on the Gospel of Good-Friday.—Prospects of the Catholics.—O'Connell.

I dare say you may know, my friend, though I did not, that the Wednesday, Thursday, and Friday of Passion-week are yearly set apart by the Parisians for a splendid promenade in carriages, on horseback, and on foot, to a part of the Bois de Boulogne called Lonchamps. What the origin could be of so gay and brilliant an assemblage of people and equipages, evidently coming together to be stared at and to stare, on days so generally devoted to religious exercises, rather puzzled me; but I have obtained a most satisfactory explanation, which, in the hope of your ignorance, I will communicate. The custom itself, it seems, is a sort of religious exercise; or, at any rate, it was so at the time of its institution.

When the beau monde of Paris first adopted the practice of repairing to Lonchamps during these days of penitence and prayer, a convent stood there, whose nuns were celebrated for performing the solemn services appointed for the season with peculiar piety and effect. They sustained this reputation for many years; and for many years all who could find admittance within their church thronged to hear their sweet voices.

This convent was destroyed at the revolution (par excellence), but the horses and carriages of Paris still continue to move for evermore in the same direction when the last three days of Lent arrive.

The cavalcade assembled on this occasion forms an extremely pretty spectacle, rivalling a spring Sunday in Hyde Park as to the number and elegance of the equipages, and greatly exceeding it in the beauty and extent of the magnificent road on which they show themselves. Though the attending this congregation of wealth, rank, and fashion is still called "going to Lonchamps," the evolutions of the company, whether in carriages, on horseback, or on foot, are at present almost wholly confined to the noble avenue which leads from the entrance to the Champs ElysÉes up to the BarriÈre de l'Etoile.

From about three till six, the whole of this ample space is crowded; and I really had no idea that so many handsome, well-appointed equipages could be found collected together anywhere out of London. The royal family had several handsome carriages on the ground: that of the Duke of Orleans was particularly remarkable for the beauty of the horses, and the general elegance of the "turn-out."

The ministers of state, and all the foreign legations, did honour to the occasion; most of them having very complete equipages, chasseurs of various plumage, and many with a set of four beautiful horses really well harnessed. Many private individuals, also, had carriages which were handsome enough, together with their elegant lading, greatly to increase the general brilliancy of the scene.

The only individual, however, except the Duke of Orleans, who had two carriages on the ground, two feathered chasseurs, and twice two pair of richly-harnessed steeds, was a certain Mr. T——, an American merchant, whose vast wealth, and still more vast expenditure, is creating considerable consternation among his sober-minded countrymen in Paris. We were told that the exuberance of this gentleman's transatlantic taste was such, and such the vivacity of his inventive fancy, that during the three days of the Lonchamps promenade he appeared on the ground each day with different liveries; having, as it should seem, no particular family reasons for preferring any one set of colours to another.

The ground was sprinkled, and certainly greatly adorned, by many very elegant-looking Englishmen on horseback; the pretty caprioles, sleek skins, and well-managed capers of that prettiest of creatures, a high-bred English saddle-horse, being as usual among the most attractive parts of the show. Nor was there any deficiency of Frenchmen, with very handsome montures, to complete the spectacle; while the ample space under the trees on either side was crowded with thousands of smart pedestrians; the whole scene being one vast moving mass of pomp and pleasure.

Nevertheless, the weather on the first of the three days was very far from favourable: the wind was so bitterly cold that I countermanded the carriage I had ordered, and instead of going to Lonchamps, we actually sat shivering over the fire at home; indeed, before three o'clock, the ground was perfectly covered with snow. The next day promised something better, and we ventured to emerge: but the spectacle was really vexatious; many of the carriages being open, and the shivering ladies attired in all the light and floating drapery of spring costume. For it is at Lonchamps that all the fashions of the coming season are exhibited; and no one can tell, however fashion-wise they be, what bonnet, scarf or shawl, or even what prevailing colour, is to be worn in Paris throughout the year, till this decisive promenade be over. Accordingly the milliners had done their duty, and, in fact, had far outstripped the spring. But it was sad to see the beautiful bunches of lilac, and the graceful, flexible laburnums—each a wonder of art—twisted and tortured, bending and breaking, before the wind. It really seemed as if the lazy Spring, vexed at the pretty mimicry of blossoms she had herself failed to bring, sent this inclement blast on purpose to blight them. Everything went wrong. The tender tinted ribbons were soon dabbled in a driving sleet; while feathers, instead of wantoning, as it was intended they should do, on the breeze, had to fight a furious battle with the gale.

It was not therefore till the following day—the last of the three appointed—that Lonchamps really showed the brilliant assemblage of carriages, horsemen, and pedestrians that I have described to you. Upon this last day, however, though it was still cold for the season—(England would have been ashamed of such a 17th of April)—the sun did come forth, and smiled in such a sort as greatly to comfort the pious pilgrims.

We remained, like all the rest of Paris, driving up and down in the midst of the pretty crowd till six, when they gradually began to draw off, and all the world went home to dinner.

The early part of this day, which was Good-Friday, had been very differently passed. The same beautiful and solemn music which formerly drew all Paris to the Convent in the Bois de Boulogne is now performed in several of the churches. We were recommended to hear the choir of St. Roch; and it was certainly the most impressive service at which I was ever present.

There is much wisdom in thus giving to music an important part in the public ceremonies of religion. Nothing commands and enchains the attention with equal power: the ear may be deaf to eloquence, and the thoughts may often grovel earthward, despite all the efforts of the preacher to lead them up to heaven; but few will find it possible to escape from the effect of music; and when it is of such a character as that performed in the Roman Catholic church on Good-Friday, it can hardly be that the most volatile and indifferent listener should depart unmoved.

This service was advertised as "The Three Hours' Agony." The crowd assembled to listen to it was immense. It is impossible to speak too highly of the composition of the music; it is conceived in the very highest tone of sublimity; and the deeply effective manner of its performance recalled to me an anecdote I have heard of some young organist, who, having accompanied an anthem in a manner which appeared greatly superior to that of the usual performer, was asked if he had not made some alteration in the composition. "No," he replied, "I have not; but I always read the words when I play."

So, I should think, did those who performed the services at St. Roch on Good-Friday; and nothing can be imagined more touching and effective than the manner in which the whole of these striking ceremonies were performed and arranged there.

The awful gospel of the day furnished a theme for the impassioned eloquence of several successive preachers; one or two of whom were wonderfully powerful in their manner of recounting the dreadful narrative. They were all quite young men; but they went through the whole of the appalling history with such deep solemnity, such strength of imagery and vehemence of eloquence, as to produce prodigious effect.

At intervals, while the exhausted preachers reposed, the organ, with many stringed instruments, and a choir of exquisite voices, performed the same gospel, in a manner that made one's whole soul thrill and quiver within one. The suffering—the submission—the plaintive yet sublime "It is finished!" and the convulsive burst of indignant nature that followed, showing itself in thunder, hail, and earthquake, were all brought before the mind with most miraculous power. I have been told since, that the services at Notre Dame on that day were finer still; but I really find some difficulty in believing that this is possible.

During these last and most solemn days of Lent, I have been endeavouring by every means in my power to discover how much fasting, of any kind, was going on. If they fast at all, it is certainly performed in most strict obedience to the very letter of the gospel: for, assuredly, they "appear not unto men to fast." Everything goes on as gaily as if it were the season of the carnival. The restaurans reek with the savoury vapour of a hundred dishes; the theatres are opened, and as full as the churches; invitations cease not; and I can in no direction perceive the slightest symptom of being among a Roman Catholic population during a season of penitence.

And yet, contradictory as the statement must appear, I am deeply convinced that the clergy of the church of Rome feel more hope of recovered power fluttering at their hearts now, than they have done at any time during the last half-century. Nor can I think they are far wrong in this. The share which the Roman Catholic priests of this our day are said to have had in the Belgian revolution, and the part, more remarkable still, which the same race are now performing in the opening scenes of the fearful struggle which threatens England, has given a new impulse to the ambition of Rome and of her children. One may read it in the portly bearing of her youthful priests,—one may read it in the deep-set meditative eye of those who are older. It is legible in their brand-new vestments of gold and silver tissue; it is legible in the costly decorations of their renovated altars; and deep, deep, deep is the policy which teaches them to recover with a gentle hand that which they have lost by a grasping one. How well can I fancy that, in their secret synods, the favourite text is, "No man putteth a piece of new cloth unto an old garment; for that which is put in to fill it up, taketh from the garment, and the rent is made worse." Were they a whit less cautious, they must fail at once; but they tickle their converts before they think of convincing them. It is for this that the pulpits are given to young and eloquent men, who win the eye and ear of their congregations long before they find out to what point they wish to lead them. But while the young men preach, the old men are not idle: there are rumours of new convents, new monasteries, new orders, new miracles, and of new converts, in all directions. This wily, worldly, tranquil-seeming, but most ambitious sect, having in many quarters joined themselves to the cause of democracy, sit quietly by, looking for the result of their work, and watching, like a tiger that seems to dose, for the moment when they may avenge themselves for the long fast from power, during which they have been gnawing their heart-strings.

But they now hail the morning of another day. I would that all English ears could hear, as mine have done, the prattle that prophesies the downfall of our national church as a thing certain as rain after long drought! I would that English ears could hear, as mine have done, the name of O'Connell uttered as that of a new apostle, and his bold bearding of those who yet raise their voices in defence of the faith their fathers gave them, triumphantly quoted in proof of the growing influence both of himself and his popish creed,—which are in truth one and inseparable! But forgive me!—all this has little to do with my subject, and it is moreover a theme I had much better not meddle with. I cannot touch it lightly, for my heart is heavy when I turn to it; I cannot treat it powerfully, for, alas! I have no strength but to lament.

"HÉ! que puis-je au milieu de ce peuple abattu?

Benjamin est sans force, et Juda sans vertu."