You preach to me of laws, you tie my limbs With rights and wrongs and arguments of good, You choke my songs and fill my mouth with hymns, You stop my heart and turn it into wood. I serve not God, but make my idol fair From clay of brown earth, painted bright with blood, Dressed in sweet flesh and wonder of wild hair By Beauty's fingers to her changing mood. The long line of the sea, the straight horizon, The toss of flowers, the prance of milky feet, And moonlight clear as glass my great religion, And sunrise falling on the quiet street. The coloured crowd, the unrestrained, the gay, And lovers in the secret sheets of night Trembling like instruments of music, till the day Stands marvelling at their sleeping bodies white. Age creeps upon your timid little faces Beneath each black umbrella sly and slow, Proud in the unimportance of your places You sit in twilight prophesying woe. So dim and false and grey, take my compassion, I from my pageant golden as the day Pity your littleness from all my passion, Leave you my sins to weep and whine away! 1914 We are the caretakers of empty houses, The moon leans her slender body against the door, But the lock is jarred with rust. The sun looks in through the window, But its closed shutters are as blinded eyes. Our souls are full of dead and beautiful things Like bowls of potpourri, A dust of petals Rustling through the tired fingers of a ghost. 1918 From far away the lost adventures gleam, The print of childhood's feet that dance and run, The love of her who showed me to the sun In triumph of creation, who did seem With vivid spirit like a rainbow stream To paint the shells, young blossoms, one by one Each strange and delicate toy, whose hands have spun The woven cloth of wonder like a dream ... The row of soldiered books, authority Sharp as the scales I strummed upon the keys, The priest who damned the things I dared not praise, Rebellion, love made sad with mystery— And like a firefly through the twilit trees Romance, the golden play-boy of my days. 1917 Give me, O God, the power of laughter still, I shall have need of humour, deftest foil Against the army of infuriated pride, Against the shields of reason, and the spears Of savage moments, sharp-edged bitterness; Against the blazoned armour of intolerance, And all the flags of sentiment waved aloft.... Love, Humour, and Rebellion, go with me, Three musketeers of faithful following. We will fear nothing.—Is not laughter brave, That unconcerned goes rippling through despair? Is not rebellion brave, that fiercely moves Against the buttressed prisons of the world? And is not love the bravest of them all, So frail to hold his white hands up to Heaven While the red fists are threatening all around, And hate is beating on the battledrums? As d'Artagnan upon a starved grey horse Goes singing ballads on adventurous roads, I ride my fancy blithely into danger To throw my gauntlet at the feet of pride And stick my roses in the cap of Love.... 1916 Winding down the street in wearied gaiety, the barrel-organ dribbled out its song Merged with the thud of feet forever dallying indifferent and indefinite along. The houses stood like rows of cripples, some paralysed, some hunch-backed and some bent with age, They seemed at war, their chimneys threatening, their brows hung heavy in a sombre rage. Crab-like the children crawled, while always hammering above their heads the scolding shrewish tongue; They grew as bloodless flowers unflourishing, waxen and pale from out the dust and dung. Above I saw the strip of sunset fluttering, even as washed-out rags upon the line, I listened to the sparrows twittering, and the hours ticking in a slow decline. Then beaded on the hem of evening, the coloured lights were threaded here and there, Till proud with sweets and plumes and oranges, the shops grew brilliant in the tinsel glare. Grey was the death-bed of the twilight, shuddering the faint hands of the day stretched to the night, Fending it off, or feebly wavering over the pallid glints of stolen light. And grey the faces that were gathering among the fallen ashes of the day, And red the faces, yellow, flickering, under the lamps upon the long highway. And some were gashed with smiles, and quaint grimaces of hate and pain and hunger and despair, And some wore coloured hats and meek frivolities, limp ribbons, and false pansies in their hair, But all were cold, and all seemed passionless; there shone no zest or splendour in their lives, Nor hope in anything but holidays, or watching funerals, or taking wives. I dared not think, for truth rose horrible, slapping the face with coarse uncaring hand, But like them cheated into merriment, I wilfully refused to understand; Turned me away from wan-eyed poverty, trod pity underfoot, oh, danced on grief, Bade the crowd sing and fill my desolation, bade them be glad and hide my disbelief. Strange we so love the world—for presently, out of my window looking on the city, I blessed the night, and the roofs slumbering all huddled, and I felt no shame nor pity For all our dusty days of journeying amid the wreck and ruins of our dreams, Meandering in a bleared forgetfulness, where lethe laps the wharf of sleeping streams. I only breathed the air, intensified by the ascending breath of million lungs, And heard the labouring metropolis, quickened by whispers of a million tongues; And felt a king of splendid loneliness, and felt an atom of the peopled spaces, And felt again my lordly egoism, one face distinct among the blur of faces. 1913 Tranquility stirred by a sudden spasm, Knives of rain that cut the silence, Storms that rattle the bones of the forest, Calm of the marble-terraced night Charred with the spattering of rockets. Drums will I hear and battles now, And the long death howl of wolves by night, Watching the moon on the forest tops, Walking with delicate frightened steps To the slaughter-house of a red sunrise. 1918 I could explain The complicated lore that drags the soul From what shall profit him To gild damnation with his choicest gold. But you Are poring over precious books and do not hear Our plaintive, frivolous songs; For we in stubborn vanity ascend On ladders insecure, Toward the tottering balconies To serenade our painted paramours; Caught by the lure of dangerous pale hands, Oblivion's heavy lids on sleepless eyes That cheat between unrest and false repose. And we are haunted By spectral Joy once murdered in a rage, Now taking shape of Pleasure, Disguised in many clothes and skilful masks. I could disclose The truth that hangs between our lies And jostles sleep to semi-consciousness; Truth, that stings like nettles Our frail hands dare not pluck From out our garden's terraced indolence. We are not happy, And you make us dumb with loving hands Reproachful on our lips. Nor can we sob our sorrows on your breast, For we have bartered diamonds for glass, Our tears for smiles, Eternity for now. 1917 I feel in me a manifold desire From many lands and times and clamouring peoples, And I the Queen Of crowding vagabonds, Ghosts of lost years in seeming fancy dress, With pathos of torn laces And broken swords; Cut-throats and kings and poets Who have loved me In visions wild, not knowing What I was. In me no end Even where the last content Clasps on my head a crown Of shining endurance— I slip from all my robes Into the rags of a tattered romance; The stars crowd at the window, Their jealous destiny Raps at the door— They bob and wink and leer, And I must leave the lamplight for the road To keep strange company. Farewell and Hail! 1917 Silence— Somewhere on earth There is a purpose that I miss or have forgotten. The trees stand bolt upright Like roofless pillars of a broken temple. There is a purpose in Heaven, But for me Nothing. 1917 I should like to say to the world: I have launched my soul like a ship upon free waters; Beautiful she stands in the docks with proud masts cutting the sky, Perfectly poised, her white sails spreading like wings, Her figurehead a woman with breasts that daunt the spray, Her flag a flutter of coloured exuberance. I should like to see her plunging out of the idle harbour Where the sulky tide drifts scum, and the sailors wrangle and shout, In a thunder of churning waves ramping before her like dappled stallions, Blossoming behind her a field of etiolate lilies.... But to the mimicking, plotting, miserly, cynical, To the rabble and gabble that dance and kill on the quay, I can only say that my soul is a sleeping gondola Lulled by a jester's mandolin, till night is atinkle with tunes And lantern-lights, along the indolent backwaters. 1915 You pass as in a drugged delirium Wrought strange upon the mind's distraction; You sing a blasphemous Te Deum To harlot virgins, and a fraction Of your fulginous colour passes, Stains my spirit's great conception As it dips into your glasses. I that am the sole exception To your stillborn, false devices, I that know you, I that hate you, I that drank now spit your vices Through my loathing reinstate you; Dive once more into the stagnance, Kiss your cynic lips and drink you, Concentrate your cruel fragrance, Steal your flowers before I sink you, Lift with hate instead of praises, Show you honour of my scorning, Garlanded you go to blazes With my rhymes for your adorning! 1913 O faces that look so coldly at me, Colder than dawn through the windows of festival, Colder than dawn with her grey nun's face. You blame me, you curse me with your eyes, While your lips are filled with flattering syllables, With tinkling bells that harass my calm, Disturb my silence and shatter my thoughts. Your laughter waltzes like musical boxes, How can I hear the triumphant symphonies? The scarlet rhapsodies and beryl-cold sonatas? ... Ah, strangers, ah, vacant tedious faces, Bobbing beneath the feathery hats, You have stolen the wings of birds for your garnishing, And the stars and the dim pale petals of the sea To make your breasts resplendent, to glitter your dress,— How I might love you and weep for you, Crowning your brows with a wreath of songs If you could understand my singing, If you could understand my love! But you are waltzing with your marionettes And marching to the music of the clock— I cannot bear you to watch me With those cold eyes through which I see, Emptiness only and dust. 1918 I see myself in many different dresses, In many moods, and many different places; All gold amid the grey where solemn faces Are silence to my mirth—a flame that blesses From yellow lamp the darkness which oppresses ... Or mid the dancers in their trivial laces Aloof, as in the ring a lion paces, Disdainful of their slander or caresses. I see myself the child of many races, Poisoners, martyrs, harlots and princesses; Within my soul a thousand weary traces Of pain and joy and passionate excesses— Eternal beauty that our brief love chases With snatch of desperate hands and dying tresses. 1917 There are songs enough of love, of joy, of grief: Roads to the sunset, alleys to the moon; Poems of the red rose and the golden leaf, Fantastic faery and gay ballad tune. The long road unto nothing I will sing, Sing on one note, monotonous and dry, Of sameness, calmness and the years that bring No more emotion than the fear to die. Grey house, grey house and after that grey house, Another house as grey and steep and still: An old cat tired of playing with a mouse, A sick child tired of chasing down the hill. Shuffle and hurry, idle feet, and slow, Grim face and merry face, so ugly all! Why do you hurry? Where is there to go? Why are you shouting? Who is there to call? Lovers still kissing, feverish to drain Stale juices from the shrivelled fruit of lust: A black umbrella held up in the rain, The raindrops making patterns in the dust. If this distaste I hold for fools is such, Shall I not spit upon myself as well? Do I not eat and drink and smile as much? Do I not fatten also in this hell? Sadness and joy—if they were melted up, Things that were great—upon the fires of time Drop but as soup in the accustomed cup, Settle in stagnance, trickle into grime. Faith, freedom, art that fire a man or two And set him like a pilgrim on his way With Beauty's face before him—what of you, Priest, Butcher, Scholar, King, upon that day? The dullard-masses that no god can save! If I were God, to rise and strike you down And break your churches in an angry wave And make a furious bonfire of your town! God in a coloured globe, alone and still, Embroidering wonders with a fearless brain, On loom of spaces measureless, to fill The empty air with passion and with pain. Emblazon all the heavens with desire And Wisdom delved for in the depths of time— Thoughts sculptured mountainous, and fancy's fire Caught in the running swiftness of a rhyme. Passion high-pedestalled, pangs turned to treasure, Perfected and undone and built afresh With concentrated agony and Pleasure ... If I were God, and not a weight of flesh! 1914 How often, when the thought of suicide With ghostly weapon beckons us to die, The ghosts of many foods alluring glide On golden dishes, wine in purple tide To drown our whim. Things danced before the eye Like tasselled grapes to Tantalus: The sly Blue of a curling trout, the battened pride Of ham in frills, complacent quails that lie Resigned to death like heroes—July peas, Expectant bottles foaming at the brink— White bread, and honey of the golden bees— A peach with velvet coat, some prawns in pink, A slice of beef carved deftly, Stilton cheese, And cup where berries float and bubbles wink. 1917 It is still something to have cheated God And bored the Devil with so easy prey, And in the midst of summer woods to raise A leafless tree whose stark limbs mock at Heaven, Flaunting an iron hatred in the midst of hope— Yet sometimes in the loneliness of night My buried longings blossom on the boughs, My wistful longings come out star by star, Till the great sky is light with my desire, And on the winds my songs are galloping.... Ah, to what dismal greyness creeps the soul Too weak, too tired, to struggle from the slough! My weapons rust, my pen is in the dust, The moulting feathers plucked from out my wings Lie dangling in the hats I stole them for. My heart is floating in a claret cup, My brain is toppling drunken at the brim, My life is drowned within the lurid dregs. I turn and fold my hands in a last appeal, What heaven shall I pray to and for what, Now that my songs to penny tunes are set, And nothing is to save of me but flesh? 1913 What words that move on wings in a long drift Can waft this silence into weary ears, And steal into the veins and fingertips Of restless bodies, like magnificent ships Proud from the seas that calmly sail through fears, Mean streets, and miseries, with passage swift. What words pricked from the stars and shimmering together, Or swept like little winds through leaves alert, Can filter through the chinks of bolted doors Deaf to the clamours knocking without pause, Steeled with indifference against all hurt, Deaf to the cry of man, and rack of weather: To sing the hubbub of this glittering night, Where all the lamps each with a separate soul Throb to the ecstasies of dancing life; And Beauty, gleaming high her magic knife Cuts free the tethered heart from long control And flings it like a ball with mad delight Into the silver lap of the young moon. What needles quick, what threads, what fingers fine Can broider tapestries as rich as these, Stranger than dreams and drifting melodies, Transparent as the gods we half divine, Frail as the thoughts that dwindle in a swoon Ghostly before begetting. Tinged with pain That glimmers pale on hands we cannot find, And visioned faces that our dreams create Born in the land forbidden us of fate And longed for all our lives ... What words can bind Forever Joy, that never comes again! 1915 I think myself The fool of tragedy strutting upon the stage Where murder creeps and whispers. The jester clad in piebald tights Half black, half golden, with no company Save bells that jingle, And an effigy, The grinning image painted like myself Upon a stick.... I think myself The fool of comedy mournfully straying Amid the revellers, Loving the moon and my own shadow With its strange solemn gestures— Loving the painted moon That lets me play with shadows. I am the jester on an empty stage Playing a pantomime To spectres in the stalls, Listening at last For ghostly mirth and phantom hands applauding, And for some king with decadent tired fingers To fling a white gardenia at my feet. 1918 The adored, wild, strange, irresistible, How they fail one at the last! What is there in your faces That we should worship with our souls? Most lovable, perfidious, Vague— Molesting even our visions With treacherous pathos. O vulgarity, mediocrity, stupidity, What is it in you that makes us lavish our love, Covering your meagre bodies With our passionate mantle, dyed with blood and dreams? Life and its grey days, and time Are a thin curtain through which you shadow, Or a dim glass through which you peer. You climb in at the windows of our souls With ladders and stratagems, You mope in corners with reproachful eyes. But what do you do for us Lute players, dancers, deceivers, Other than lie with red lips And cajole with tears of beryl? People— Men and women with laughable, tragic faces Winking at love, Treading our songs and illusions Under petulant feet! 1917 |