Charles Neville Buck, novelist and short-story writer, was born near Midway, Kentucky, April 15, 1879. He spent the first fifteen years of his life at his birthplace, save the four years he was in South America with his father, the Hon. C. W. Buck, who was United States Minister to Peru from 1885 to 1889, and the author of Under the Sun, a Peruvian romance. At the age of fifteen years, Charles Neville Buck went to Louisville to enter the high school; and, in 1898, he was graduated from the University of Louisville. He studied art and joined the staff of The Evening Post, of Louisville, as cartoonist, which position he held for a year, when he became an editorial writer on that paper. Mr. Buck studied law and was admitted to the bar, but he did not practice. In 1908 he quit journalism for prose fiction. His short-stories were accepted by American and English magazines, but he won his first real reputation with a novel of mental aberration, entitled The Key to Yesterday (New York, 1910), the scenes of which were set against Kentucky, France, and South America. Mr. Buck's next novel, The Lighted Match (New York, 1911), was an international love romance in which a rich young American falls in love with the princess, and about-to-be-queen, of a bit of a kingdom near Spain. Benton, hero, has a rocky road to travel, but he, of course, demolishes every barrier and proves again that love finds a way. The Lighted Match is a rattling good story, and it contains many purple patches between the hiss of the revolutionist's bomb and lovers' sighs. Mr. Buck's latest novel, The Portal of Dreams (New York, 1912), was a very clever story. His first Kentucky novel, and the finest thing he has done, he and his publisher think, is The Strength of Samson, which will appear in four parts in The Cavalier, a weekly magazine, for February, 1913, after which it will be almost immediately published in book form under the title of The Call of the Cumberlands. Mr. Buck's home is at Louisville, Kentucky, but he spends much of his time in New York, where he lives at the Hotel Earle, in Waverly Place, a stone's throw from the apartments of his friend, Thompson Buchanan, the Kentucky playwright.

Bibliography. Harper's Weekly (October 8, 1910); Cosmopolitan Magazine (August, 1911); Who's Who in America (1912-1913).

THE DOCTRINE ACCORDING TO JONESY[95]

[From The Lighted Match (New York, 1911)]

Despite the raw edge on the air, the hardier guests at "Idle Times" still clung to those outdoor sports which properly belonged to the summer. That afternoon a canoeing expedition was made up river to explore a cave which tradition had endowed with some legendary tale of pioneer days and Indian warfare.

Pagratide, having organized the expedition with that object in view, had made use of his prior knowledge to enlist Cara for the crew of his canoe, but Benton, covering a point that Pagratide had overlooked, pointed out that an engagement to go up the river in a canoe is entirely distinct from an engagement to come down the river in a canoe. He cited so many excellent authorities in support of his contention that the matter was decided in his favor for the return trip, and Mrs. Porter-Woodleigh, all unconscious that her escort was a Crown Prince, found in him an introspective and altogether uninteresting young man.

Benton and the girl in one canoe, were soon a quarter of a mile in advance of the others, and lifting their paddles from the water they floated with the slow current. The singing voices of the party behind them came softly adrift along the water. All of the singers were young and the songs had to do with sentiment.

The girl buttoned her sweater closer about her throat. The man stuffed tobacco into the bowl of his pipe and bent low to kindle it into a cheerful spot of light.

A belated lemon afterglow lingered at the edge of the sky ahead. Against it the gaunt branches of a tall tree traced themselves starkly. Below was the silent blackness of the woods.

Suddenly Benton raised his head.

"I have a present for you," he announced.

"A present?" echoed the girl. "Be careful, Sir Gray Eyes. You played the magician once and gave me a rose. It was such a wonderful rose"—she spoke almost tenderly—"that it has spoiled me. No commonplace gifts will be tolerated after that."

"This is a different sort of present," he assured her. "This is a god."

"A what!" Cara was at the stern with the guiding paddle. The man leaned back, steadying the canoe with a hand on each gunwale, and smiled into her face.

"Yes," he said, "he is a god made out of clay with a countenance that is most unlovely and a complexion like an earthenware jar. I acquired him in the Andes for a few centavos. Since then we have been companions. In his day he had his place in a splendid temple of the Sun Worshipers. When I rescued him he was squatting cross-legged on a counter among silver and copper trinkets belonging to a civilization younger than his own. When you've been a god and come to be a souvenir of ruins and dead things—" the man paused for a moment, then with the ghost of a laugh went on "—it makes you see things differently. In the twisted squint of his small clay face one reads slight regard for mere systems and codes."

He paused so long that she prompted him in a voice that threatened to become unsteady. "Tell me more about him. What is his godship's name?"

"He looked so protestingly wise," Benton went on, "that I named him Jonesy. I liked that name because it fitted him so badly. Jonesy is not conventional in his ideas, but his morals are sound. He has seen religions and civilizations and dynasties flourish and decay, and it has all given him a certain perspective on life. He has occasionally given me good council."

He paused again, but, noting that the singing voices were drawing nearer, he continued more rapidly.

"In Alaska I used to lie flat on my cot before a great open fire and his god-ship would perch crosslegged on my chest. When I breathed, he seemed to shake his fat sides and laugh. When a pagan god from Peru laughs at you in a Yukon cabin, the situation calls for attention. I gave attention.

"Jonesy said that the major human motives sweep in deep channels, full-tide ahead. He said you might in some degree regulate their floods by rearing abutments, but that when you tried to build a dam to stop the Amazon you are dealing with folly. He argued that when one sets out to dam up the tides set flowing back in the tributaries of the heart it is written that one must fail. That is the gospel according to Jonesy."

He turned his face to the front and shot the canoe forward. There was silence except for the quiet dipping of their paddles, the dripping of the water from the lifted blades, and the song drifting down river. Finally Benton added:

"I don't know what he will say to you, but perhaps he will give you good advice—on those matters which the centuries can't change."

Cara's voice came soft, with a hint of repressed tears.

"He has already given me good advice, dear—" she said, "good advice that I can't follow."