THEODORE O'HARA

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Theodore O'Hara, author of the greatest martial elegy in American literature, was born at Danville, Kentucky, February 11, 1820. He was the son of Kane O'Hara, an Irish political exile, and a noted educator in his day and generation. O'Hara's boyhood days were spent at Danville, but his family settled at Frankfort when he was a young man. He was fitted for college by his father, and his preparation was so far advanced that he was enabled to join the senior class of St. Joseph's College, a Roman Catholic institution at Bardstown, Kentucky. Upon his graduation O'Hara was offered the chair of Greek, but he declined it in order to study law. In 1845 he held a position in the United States Treasury department at Washington; and a few years later he proved himself a gallant soldier upon battlefields in Mexico, being brevetted major for meritorious service. After the war O'Hara practiced law at Washington for some time; and he went to Cuba with the Lopez expedition of 1850. After his return to the United States he edited the Mobile, Alabama, Register for a time; and he was later editor of the Frankfort, Kentucky, Yeoman. O'Hara was a public speaker of great ability, and his address upon William Taylor Barry, the Kentucky statesman and diplomat, is one of the climaxes of Southern oratory. During the Civil War he was colonel of the twelfth Alabama regiment. After the war Colonel O'Hara went to Columbus, Georgia, and became a cotton broker. He died near Guerrytown, Alabama, June 6, 1867. Seven years later his dust was returned to Kentucky, and re-interred in the State cemetery at Frankfort. If collected Colonel O'Hara's poems, addresses, political and literary essays, and editorials would make an imposing volume. His real fame rests upon his famous martial elegy, The Bivouac of the Dead, which he wrote at Frankfort in the summer of 1847, to remember young Henry Clay, Colonel McKee, Captain Willis, and the other brave fellows who fell in the war with Mexico. When their remains were returned to Frankfort and buried in the cemetery on the hill, Colonel O'Hara, their old companion in arms, wrote his stately in memoriam for them. He did not read it over them, as Ranck and the others have written, but he did publish it in The Kentucky Yeoman, a Democratic paper of Frankfort. The Bivouac of the Dead is the greatest single poem ever written by a Kentucky hand, is matchless, superb, and is read in the remotest corners of the world. Its opening lines have been cut deep within memorial shafts in many military cemeteries. Colonel O'Hara sleeps to-day on the outer circle of his comrades, one with them in death as in life, with the lofty military monument, which Kentucky has erected to commemorate her sons slain in the battles of the republic, casting its long shadows across his grave. His elegy in honor of Daniel Boone was written at the "old pioneer's" grave in the Frankfort cemetery before his now much-mutilated monument was erected. It was originally printed in The Kentucky Yeoman for December 19, 1850. Two other poems purporting to be his have been discovered, but there must be others sealed over and forgotten in the scattered and broken files of Southern newspapers and periodicals. So the poet has come down to us, like he who wrote The Burial of Sir John Moore, with one slender sheaf under his arm. But it is enough, enough for both of them.

Bibliography. George W. Ranck's little books: O'Hara and His Elegies (Baltimore, 1875); The Bivouac of the Dead and Its Author (1898; 1909); Daniel E. O'Sullivan's paper in The Southern Bivouac (Louisville, January, 1887); Robert Burns Wilson's fine tribute in The Century Magazine (May, 1890). The late Mrs. Susan B. Dixon, the Henderson historian, left a MS. life of O'Hara that is to be issued shortly.

THE BIVOUAC OF THE DEAD

[From O'Hara and His Elegies, by George W. Ranck (Baltimore, 1875)]

The muffled drum's sad roll has beat
The soldier's last tattoo;
No more on life's parade shall meet
The brave and daring few.
On Fame's eternal camping-ground
Their silent tents are spread,
And Glory guards with solemn round
The bivouac of the dead.
No answer of the foe's advance
Now swells upon the wind;
No troubled thought at midnight haunts
Of loved ones left behind;
No vision of the morrow's strife
The warrior's dream alarms;
No braying horn nor screaming fife
At dawn shall call to arms.
Their shivered swords are red with rust;
Their plumed heads are bowed;
Their haughty banner, trailed in dust,
Is now their martial shroud;
And plenteous funeral-tears have washed
The red stains from each brow,
And their proud forms, in battle gashed,
Are free from anguish now.
The neighing steed, the flashing blade,
The trumpet's stirring blast;
The charge, the dreadful cannonade,
The din and shout, are past;
No war's wild note, nor glory's peal,
Shall thrill with fierce delight
Those breasts that nevermore shall feel
The rapture of the fight.
Like the dread northern hurricane
That sweeps his broad plateau,
Flushed with the triumph yet to gain,
Came down the serried foe.[9]
Our heroes felt the shock, and leapt
To meet them on the plain;
And long the pitying sky hath wept
Above our gallant slain.
Sons of our consecrated ground
Ye must not slumber there,
Where stranger steps and tongues resound
Along the headless air.
Your own proud land's heroic soil
Shall be your fitter grave:
She claims from war his richest spoil—
The ashes of her brave.
So 'neath their parent turf they rest;
Far from the gory field;
Borne to a Spartan mother's breast
On many a bloody shield.
The sunshine of their native sky
Smiles sadly on them here,
And kindred hearts and eyes watch by
The heroes' sepulchre.
Rest on, embalmed and sainted dead!
Dear as the blood you gave,
No impious footsteps here shall tread
The herbage of your grave;
Nor shall your glory be forgot
While fame her record keeps,
Or honor points the hallowed spot
Where valor proudly sleeps.
Yon marble minstrel's voiceless tone
In deathless songs shall tell,
When many a vanquished age hath flown,
The story how ye fell.
Nor wreck, nor change, or winter's blight,
Nor time's remorseless doom,
Shall dim one ray of holy light
That gilds your glorious tomb.

THE OLD PIONEER

[From the same]

A dirge for the brave old pioneer!
Knight-errant of the wood!
Calmly beneath the green sod here
He rests from field and flood;
The war-whoop and the panther's screams
No more his soul shall rouse,
For well the aged hunter dreams
Beside his good old spouse.
A dirge for the brave old pioneer!
Hushed now his rifle's peal;
The dews of many a vanish'd year
Are on his rusted steel;
His horn and pouch lie mouldering
Upon the cabin-door;
The elk rests by the salted spring,
Nor flees the fierce wild boar.
A dirge for the brave old pioneer!
Old Druid of the West!
His offering was the fleet wild deer,
His shrine the mountain's crest.
Within his wildwood temple's space
An empire's towers nod,
Where erst, alone of all his race,
He knelt to Nature's God.
A dirge for the brave old pioneer!
Columbus of the land!
Who guided freedom's proud career
Beyond the conquer'd strand;
And gave her pilgrim sons a home
No monarch's step profanes,
Free as the chainless winds that roam
Upon its boundless plains.
A dirge for the brave old pioneer!
The muffled drum resound!
A warrior is slumb'ring here
Beneath his battle-ground.
For not alone with beast of prey
The bloody strife he waged,
Foremost where'er the deadly fray
Of savage combat raged.
A dirge for the brave old pioneer!
A dirge for his old spouse!
For her who blest his forest cheer,
And kept his birchen house.
Now soundly by her chieftain may
The brave old dame sleep on,
The red man's step is far away,
The wolf's dread howl is gone.
A dirge for the brave old pioneer!
His pilgrimage is done;
He hunts no more the grizzly bear
About the setting sun.
Weary at last of chase and life,
He laid him here to rest,
Nor recks he now what sport or strife
Would tempt him further west.
A dirge for the brave old pioneer!
The patriarch of his tribe!
He sleeps—no pompous pile marks where,
No lines his deeds describe.
They raised no stone above him here,
Nor carved his deathless name—
An empire is his sepulchre,
His epitaph is Fame.

SECOND LOVE

[From The Southern Bivouac (Louisville, Kentucky, January, 1887)]

Thou art not my first love,
I loved before we met,
And the memory of that early dream
Will linger round me yet;
But thou, thou art my last love,
The truest and the best.
My heart but shed its early leaves
To give thee all the rest.

A ROLLICKING RHYME

[From the same]

I'd lie for her,
I'd sigh for her,
I'd drink the river dry for her—
But d——d if I would die for her.

THE FAME OF WILLIAM T. BARRY

[From Obituary Addresses (Frankfort, Kentucky, 1855)]

On his accession to the Presidency, General Jackson—with that discerning appreciation of the most available ability and worth in his party which characterized him—called Mr. Barry into his cabinet to the position of Postmaster General. Here, as one of the most distinguished of the council of Jackson, during the greater part of his incumbency, he is entitled to his full share of the fame of that glorious administration. His health, however, failing him under the wasting labors of the toilsome department over which he presided, he was forced to relinquish it before the administration terminated; and General Jackson, unwilling entirely to lose the benefit of his able services, appointed him, in 1835, Minister Plenipotentiary and Envoy Extraordinary to Spain, a post in which, while its dignity did not disparage his civil rank, it was hoped that the lightness of the duties, and the influence of a genial climate, might serve to renovate his impaired health. But it was otherwise ordained above. He had reached Liverpool on the way to his mission, when the great conqueror, at whose summons the strongest manhood, the noblest virtue, the proudest genius, and the brightest wisdom must surrender, arrested his earthly career on the 30th of August, 1835; and here is all that is left to us of the patriot, the orator, the hero, the statesman, the sage—the rest belongs to Heaven and to fame.

Such, fellow-citizens, is a most cursory and feeble memento of the life and public services of the illustrious man in whose memory Kentucky has decreed the solemn honors of this day. It is well for her that she has felt "the late remorse of love," and reclaimed these precious ashes to her heart, after they have slumbered so many years unsepultured in a foreign land; that no guilty consciousness of unworthy neglect may weigh upon her spirit, and depress her proud front with shame; that no reproaching echo of that eloquent voice that once so sweetly thrilled her, pealing back upon her soul amidst her prideful recollections of the past, may appal her in her feast of memory, and blast her revel of glory; that no avenging muse, standing among the shrines of her departed greatness, and searching in vain for that which should mark her remembrance of one she should so devoutly hallow, shall have reason to sing of her as she has sung:

"Ungrateful Florence! Dante sleeps afar;
And Scipio, buried by the upbraiding shore."

Here, beneath the sunshine of the land he loved, and amid the scenes which he consecrated with his genius, he will sleep well. Sadly, yet proudly will his fond foster-mother receive within her bosom to-day this cherished remnant of the child she nursed for fame; doubly endeared to her, as he expired far away in a stranger land, beyond the reach of her maternal embrace, and with no kindred eyes to light the gathering darkness of death, no friendly hand to soften his descent to the grave, no pious orisons to speed his spirit on its long journey through eternity. Gently, reverently let us lay him in this proud tabernacle, where he will dwell embalmed in glory till the last trump shall reveal him to us all radiant with the halo of his life. Let the Autumn's wind harp on the dropping leaves her softest requiem over him; let the Winter's purest snows rest spotless on his grave; let Spring entwine her brightest garland for his tomb, and Summer gild it with her mildest sunshine. Here let the marble minstrel rise to sing to the future generations of the Commonwealth the inspiring lay of his high genius and his lofty deeds. Here let the patriot repair when doubts and dangers may encompass him, and he would learn the path of duty and of safety—an oracle will inhabit these sacred graves, whose responses will replenish him with wisdom, and point him the way to virtuous renown. Let the ingenuous youth who pants for the glories of the forum, and "the applause of listening Senates," come hither to tune his soul by those immortal echoes that will forever breathe about this spot and make its silence vocal with eloquence. And here, too, let the soldier of liberty come, when the insolent invader may profane the sanctuary of freedom—here by this holy altar may he fitly devote to the infernal gods the enemies of this country and of liberty.

We will now leave our departed patriot to his sleep of glory. And let no tear moisten the turf that shall wrap his ashes. Let no sound of mourning disturb the majestic solitude of his grand repose. He claims no tribute of sorrow. His body returns to its mother earth, his spirit dwells in the Elysian domain of God, and his deeds are written on the roll of Fame.

                                                                                                                                                                                                                                                                                                           

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