Mrs. Caroline Lee Hentz, novelist, was born at Lancaster, Massachusetts, June 1, 1800. When twenty-four years of age she was married to N. M. Hentz, a Frenchman, then associated with George Bancroft in conducting the Round Hill School at Northampton, Massachusetts. Two years after her marriage her husband was elected to the chair of modern languages in the University of North Carolina, and this position he held until 1830, when he removed to Covington, Kentucky, where he and his wife conducted a private school. Covington was the birthplace of Mrs. Hentz's first literary work. The directors of the Arch Street theatre, Philadelphia, had offered a prize of five hundred dollars for the best original tragedy founded on the conquest of the Moors in Spain, and Mrs. Hentz submitted De Lara, or, the Moorish Bride, which was awarded first place, but the prize was never paid the author. De Lara was later published and successfully produced on the stage. This encouraged Mrs. Hentz to write another tragedy, entitled Lamorah, or, the Western Wild, a tragedy of Indian life, which was staged in Cincinnati and published at Columbus, Georgia. Her Constance of Werdenberg was written at Covington. After two years at Covington, Mrs. Hentz crossed the Ohio river and opened a school at Cincinnati. Her novel, Lovell's Folly, was written there. In 1834 she removed to Alabama, and this State was her home for the subsequent fourteen years. Her first widely successful novel, Aunt Patty's Scrap-Bag (Philadelphia, 1846) was followed by her generally accepted masterpiece, Linda, or, the Young Pilot of the Belle Creole (1850). Now came in rapid succession her other works: Rena, or, the Snow Bird (1851); Marcus Warland (1852); Eoline; Wild Jack; Helen and Arthur; Ugly Effie; The Planter's Northern Bride (1854); Love after Marriage (1854); The Banished Son; Robert Graham (1856); and Ernest Lynwood (1856), her last book and by some critics regarded as her best. Mrs. Hentz began her literary work in Kentucky, as indicated above, and, though the claim of Kentucky is rather slender upon her it is, nevertheless, legitimate. She died at Marianna, Florida, February 11, 1856.

Bibliography. Appletons' Cyclopaedia of American Biography (New York, 1888, v. iii); Library of Southern Literature (Atlanta, Georgia, 1909, v. vi).

BESIDE THE LONG MOSS SPRING

[From Marcus Warland (1852)]

Marcus sat beside the Long Moss Spring, the morning sun-beams glancing through the broad leaves of the magnolia and the brilliant foliage of the holly, and playing on his golden hair. He held in his hand a fishing-rod, whose long line floated on the water; and though his eye was fixed on the buoyant cork, there was no hope or excitement in its gaze. His face was pale and wore a severe expression, very different from the usual joyousness and thoughtlessness of childhood. Even when the silvery trout and shining perch, lured by the bait, hung quivering on the hook, and were thrown, fluttering like wounded birds through the air, to fall panting, then pulseless, at his side, he showed no consciousness of success, no elation at the number of his scaly victims. Tears, even, large and slowly gathering tears, rolled gradually and reluctantly down his fair oval cheeks; they were not like the sudden, drenching shower, that leaves the air purer and the sky bluer, but the drops that issue from the wounded bark formed of the life-blood of the tree.

Beautiful was the spot where the boy sat, and beautiful the vernal morning that awakened Nature to the joy and the beauty of youth. The fountain, over whose basin he was leaning, was one of those clear, deep, pellucid springs, that gush up in the green wilds of southern Georgia, forming a feature of such exquisite loveliness in the landscape, that the traveler pauses on the margin, feeling as if he had found one of those enchanted springs of which we read in fairy land, whose waters are too bright, too pure, too serene for earth.

The stone which formed the basin of the fountain was smooth and calcareous, hollowed out by the friction of the waters, and gleaming white and cold through their diaphanous drapery. In the centre of this basin, where the spring gushed in all its depth and strength, it was so dark it looked like an opaque body, impervious to the eye, whence it flowed over the edge of its rocky receptacle in a full, rejoicing current, sweeping over its mossy bed, and bearing its sounding tribute to the Chattahoochee, "rolling rapidly." The mossy bed to which we have alluded was not the verdant velvet that covers with a short, curling nap the ancient rock and the gray old tree, but long, slender, emerald-green plumes, waving under the water, and assuming through its mirror a tinge of deep and irradiant blue. Nothing can be imagined more rich and graceful than this carpet for the fountain's silvery tread, and which seems to bend beneath it, as the light spray rustling in the breeze. The golden water-lily gleamed up through the crystal, and floated along the margin on its long and undulating stems.