The finger of God hath left an inscription upon all his works, not graphical or composed of letters, but of their several forms, constitutions, parts, and operations, which, aptly joined together, do make one word that doth express their natures. By these letters God calls the stars by their names; and by this alphabet Adam assigned to every creature a name peculiar to its nature. In this economically governed world the same thing serves many uses. Who will take upon himself to enumerate the offices of sunlight, or water, or indeed of any object whatever? Because we know it to be good for this or that, it by no means follows that we have discovered what it was made for. What we have found out is perhaps only something by the way; as if a man should think the sun were created for his own private convenience. In some moods it seems doubtful whether we are yet acquainted with the real value of anything. But, be that as it may, we need not scruple to admire so much as our ignorance permits us to see of the workings of this divine frugality. The piece of woodland, for instance, which skirts the village,—how various are its ministries to the inhabitants, each of whom, without forethought or question, takes the benefit proper to himself! The poet saunters there as in a true Holy Land, to have his heart cooled and stilled. Mr. A. So is it with everything; and with all the rest, so is it with the birds. The interest they excite is of all grades, from that which looks upon them as items of millinery, up to that of the makers of ornithological systems, who ransack the world for specimens, and who have no doubt that the chief end of a bird is to be named and catalogued,—the more synonyms the better. Somewhere between these two extremes comes the person whose interest in birds is friendly rather than scientific; who has little But it is not proposed in this paper to attempt a new classification of any sort, even the most unscientific and fanciful. All I am to do is to set down at random a few studies in such a method as I have indicated; in short, a few studies in the temperaments of birds. Nor, in making this attempt, am I unmindful how elusive of analysis traits of character are, and how diverse is the impression which the same per Let our first example, then, be the common black-capped titmouse, or chickadee. He is, par excellence, the bird of the merry heart. There is a notion current, to be sure, that all birds are merry; but that is one of those second-hand opinions which a man who begins to observe for himself soon finds it necessary to give up. With many birds life is a hard struggle. Enemies are numerous, and the food supply is too often scanty. Of some species it is probable that very few die in their beds. But the chickadee seems to be exempt from all forebodings. His coat is thick, his heart is brave, and, whatever may happen, something will be found to eat. "Take no thought for the morrow" is his creed, which he accepts, not "for substance of To illustrate the chickadee's trustfulness, I may mention that a friend of mine captured one in a butterfly-net, and, carrying him into the house, let him loose in the sitting-room. The little stranger was at home immediately, and seeing the window full of plants, proceeded to go over them carefully, picking off the lice with which such window-gardens are always more or less infested. A little later he was taken into my friend's lap, and soon he climbed up to his shoulder; where, after hopping about for a few minutes on his coat-collar, he selected a com Our American goldfinch is one of the loveliest of birds. With his elegant plumage, his rhythmical, undulatory flight, his beautiful song, and his more beautiful soul, he ought to be one of the best beloved, if not one of the most famous; but he has never yet had half his deserts. He is like the chickadee, and yet different. He is not so extremely confiding, nor should I call him merry. But he is always cheerful, in spite of his so-called plaintive note, from which he gets one of his names, and always amiable. So far as I know, he never utters a harsh sound; even the young ones, asking for food, use only smooth, musical tones. During the pairing season his delight often becomes rapturous. To see him then, hovering and singing,—or, better still, to see the devoted pair hovering together, billing and singing,—is enough to do even a cynic good. "The gentle law, that each should be The other's heaven and harmony." The goldfinch has the advantage of the titmouse in several respects, but he lacks that sprightliness, that exceeding light-heartedness, which is the chickadee's most endearing characteristic. For the sake of a strong contrast, we may look next at the brown thrush, known to farmers as the planting-bird and to ornithologists as Harporhynchus rufus; a staid and solemn Puritan, whose creed is the Preacher's,—"Vanity of vanities, all is vanity." No frivolity and merry-making for him! After his brief annual period of intensely passionate song, he does penance for the remainder of the year,—skulking about, on the ground or near it, silent and gloomy. He seems ever on the watch against an enemy, and, unfortunately for his comfort, he has nothing of the reckless, bandit spirit, such as the jay possesses, which goes to make a moderate degree of danger almost a pastime. Not that he is without courage; when his nest is in question he will take great risks; but in general his manner is dispirited, "sicklied o'er with the pale cast of thought." Evidently he feels "The heavy and the weary weight Of all this unintelligible world;" and it would not be surprising if he sometimes raised the question, "Is life worth living?" It is the worst feature of his case that his melancholy is not of the sort which softens and refines the nature. There is no suggestion of saintliness about it. In fact, I am convinced that this long-tailed thrush has a constitutional taint of vulgarity. His stealthy, underhand manner is one mark of this, and the same thing comes out again in his music. Full of passion as his singing is (and we have hardly anything to compare with it in this regard), yet the listener cannot help smiling now and then; the very finest passage is followed so suddenly by some uncouth guttural note, or by some whimsical drop from the top to the bottom of the scale. In neighborly association with the brown thrush is the towhee bunting, or chewink. The two choose the same places for their summer homes, and, unless I am deceived, they often migrate in company. But though they are so much together, and in certain of their ways very much alike, their habits of mind are widely dissimilar. The towhee is of a peculiarly even disposition. I have seldom heard him scold, or use any note less good-natured and musical than his pleasant cherawink. I have never detected him in a quarrel such as nearly all birds are We have now named four birds, the chickadee, the goldfinch, the brown thrush, and the towhee,—birds so diverse in plumage that no eye could fail to discriminate them at a glance. But the four differ no more truly in bodily shape and dress than they do in that inscrutable something which we call temperament, disposition. If the soul of each were separated from the body and made to stand out in sight, those of us who have really known the birds in the flesh would have no difficulty in saying, This is the titmouse, and this the towhee. It would be with them as we hope it will be with our friends in the next world, whom we shall recognize there because we knew them here; that is, we knew them, and not merely the bodies they lived in. This kind of familiarity with birds has no necessary connection with ornithology. Personal intimacy and a knowledge of anatomy are still two different things. As we have all heard, ours is an age of science; but, thank fortune, matters have not yet gone so far that a man must It is a truth only too patent that taste and conscience are sometimes at odds. One man wears his faults so gracefully that we can hardly help falling in love with them, while another, alas, makes even virtue itself repulsive. I am moved to this commonplace reflection by thinking of the blue jay, a bird of doubtful character, but one for whom, nevertheless, it is impossible not to feel a sort of affection and even of respect. He is quite as suspicious as the brown thrush, and his instinct for an invisible perch is perhaps as unerring as the cuckoo's; and yet, even when he takes to hiding, his manner is not without a dash of boldness. He has a most irascible temper, also, but, unlike the thrasher, he does not allow his ill-humor to degenerate into chronic sulkiness. Instead, he flies into a furious passion, and is done with it. Some say that on such occasions he swears, and I have myself seen him when it was plain that nothing except a natural impossibility kept him from tearing his hair. His larynx would make him a singer, and his mental capacity is far above the average; but he has perverted his gifts, till his music is nothing but noise and his talent nothing but smartness. A like process of depravation the world has before now witnessed in It is natural to think of the shrike in connection with the jay, but the two have points of unlikeness no less than of resemblance. The Against the foil of the butcher-bird's stolidity we may set the inquisitive, garrulous temperament of the white-eyed vireo and the yellow-breasted chat. The vireo is hardly larger than the goldfinch, but let him be in one of his conversational moods, and he will fill a smilax thicket with noise enough for two or three cat-birds. Meanwhile he keeps his eye upon you, and seems to be inviting your attention to his loquacious abilities. The chat is perhaps even more voluble. Staccato whistles and snarls follow each other at most extraordinary intervals of pitch, and the attempt at showing off is sometimes unmistakable. Occasionally he takes to the air, and flies from one tree to another; teetering his body and jerking his tail, in an At best, it is very little we can know about what is passing in a bird's mind. We label him with two or three sesquipedalia verba, give his territorial range, describe his notes and his habits of nidification, and fancy we have rendered an account of the bird. But how should we like to be inventoried in such a style? "His name was John Smith; he lived in Boston, in a three-story brick house; he had a baritone voice, but was not a good singer." All true enough; but do you call that a man's biography? The four birds last spoken of are all wanting in refinement. The jay and the shrike are wild and rough, not to say barbarous, while the white-eyed vireo and the chat have the character which commonly goes by the name of oddity. All four are interesting for their strong individuality and their picturesqueness, but it is a pleasure to turn from them to creatures like our four common New England HylocichlÆ, or small thrushes. These are the real patricians. With their modest but rich dress, And what is true of the HylocichlÆ is true of every bird that flies. Anatomy and dress and even voice aside, who does not feel the dissimilarity between the cat-bird and the robin, and still more the difference, amounting to contrast, between the cat-bird and the bluebird? Distinctions of color and form are what first strike the eye, but on better acquaintance these are felt to be superficial and comparatively unimportant; the difference is not one of outside appearance. It is his gentle, high-bred manner and not his azure coat, which makes the bluebird; and the cat-bird would be a cat-bird in no matter what garb, so long as he retained his obtrusive self-consciousness and his prying, busy-body spirit; all of which, being inter Even in families containing many closely allied species, I believe that every species has its own proper character, which sufficient intercourse would enable us to make a due report of. Nobody ever saw a song-sparrow manifesting the spirit of a chipper, and I trust it will not be in my day that any of our American sparrows are found emulating the virtues of their obstreperous immigrant cousin. Of course it is true of birds, as of men, that some have much more individuality than others. But know any bird or any man well enough, and he will prove to be himself, and nobody else. To know the ten thousand birds of the world well enough to see how, in bodily structure, habit of life, and mental characteristics, every one is different from every other is the long and delightful task which is set before the ornithologist. But this is not all. The ornithology of the future must be ready to give an answer to the further question how these divergences of anatomy and temperament originated. How came the chickadee by his endless fund of happy spirits? Whence did the towhee derive his equanimity, and the brown thrush his saturnine temper? The waxwing and the vireo have the same vocal organs; why should the first do FOOTNOTES: |