It really was appalling!

All the others had seen this sort of thing many times, and it did not appeal to them with the same first flush of horror and dismay as it did to Mary Marriott.

She turned to Fabian Rose.

"Oh, Mr. Rose," she said, "it is dreadful, more dreadful than I could ever have thought!"

"There is much worse than this, my dear," he answered in a grave tone, from which all the accustomed mockery had gone. "A painful experience is before you, but you must endure it. At the end of that time——"

Mary looked into the great Socialist's face, and she knew what his unspoken words would have conveyed. She knew well that she was on a trial, a test; that this strange expedition had been devised, not only that her art as an actress might be stimulated to its highest power, but that the very strings of her pity and womanhood should be touched also. Her new friends knew well that when at last she was on the boards of the Park Lane Theatre, acting there for all the rich and fashionable world to see, her work could only accomplish its great mission with success if it came poignantly from her heart.

"Yes," she said in answer to his look, "I am beginning to see, I am beginning to hear the cry of the down-trodden and the oppressed, the wailing of the poor."

Rose nodded gravely.

"Now, Miss Marriott and gentlemen," said Inspector Brown, "we will turn down here, if you please. I should like to show you one or two tenements."

As he spoke he turned to the right, down a narrow alley. Tall, grimy old houses rose up on either side of them, and there was hardly room for two members of the party to walk abreast. The flags upon which they trod were soft with grease and filth. The air was foetid and chill. It was, indeed, as though they were treading a passage-way to horror!

The whole party came out into a court, a sort of quadrangle some thirty yards by twenty. The space between the houses and the floor of the quadrangle was of beaten earth, though here and there some half-uprooted flagstone showed that it had once been paved. The whole of it was covered with garbage and refuse. Decayed cabbage leaves lay in little pools of greasy water. Old boots and indescribable rags of filthy clothes were piled on heaps of cinders.

As they came into the square Mary shrank back with a little cry; her foot had almost trodden upon a litter of one-day old kittens which had been drowned and flung there.

The houses all round this sinister spot had apparently at one time, though many years ago, been buildings of some substance and importance. Now they wore an indescribable aspect of blindness and misery. There was hardly a whole window in any of the houses. The broken panes were stopped with dirty rags or plastered with newspaper. The doors of the houses stood open, and upon the steps swarms of children—dirty, pale, pallid, and hopeless—squirmed like larvÆ. A drunken old woman, her small and ape-like face caked and encrusted with dirt, was reeling from one side of the square to another, singing a hideous song in a cracked gin-ridden voice, which shivered up into the cold, dank air in a forlorn and bestial mockery of music.

"What is this?" Mary said, turning round to the police inspector by her side.

"This, miss," said the bearded man grimly, "is called Taverner's Rents. Every room in these houses is occupied by a family; some rooms are occupied by two families. The people that live here are the poorest of the poor. The boys that sell newspapers, the little shoeless boys and girls who hawk the cheaper kinds of flowers about the streets, the cab-runners, the people who come out at night and pick over the dust-bins for food, those are the people that live here, miss. And there's a fairly active criminal population as well."

Mary shuddered. The inspector noticed her involuntary shrinking.

"Miss," he said, "you have only seen a little of it yet. Wait until I take you inside some of these places, then you will see what life in London can be like."

The clergyman, Mr. Conrad, broke in.

"You have come, Miss Marriott," he said, "now to the home of the utterly degraded and the utterly lost. Nothing I or anybody else can say or do is possible to redeem this generation. Their brains have almost gone, through filth and starvation. They live more terribly than any animal lives. Their lives are too feeble and too awful, either for description or for betterment. It is, indeed, difficult for one who, as myself, believes most thoroughly in the fact that each one of us has an immortal soul, that each one of us in the next world will start again, according to what we have done in this, to realise that the poor creatures whom you have seen now are human. Come!"

It was almost with the slowness and solemnity of a funeral procession that the party passed up the broken steps of one of the houses and entered what had once, in happier bygone days, been the hall of a mansion of some substance and fair-seeming.

The broken stairs stretched up above. The banisters which guarded them had long since been broken and pulled away. The doors all round were almost falling from their hinges.

"Come in here, gentlemen," said the sanitary inspector of the London County Council, pushing a door open with his foot as he did so.

They all followed into a large front room.

A slight fire was burning in a broken grate, and by it, upon a stool, sat an immensely fat woman of middle-age. Her hair was extremely scanty and caught up at the back of her head in a knot hardly bigger than a Tangerine orange. Through the thin dust-coloured threads the dirty pink scalp showed in patches. The face was inordinately large, bloated, and of a waxen yellow. The eyes were little gimlet holes. The mouth, with its thick lips of pale purple, smiled a horrid toothless smile as they came in.

All round the walls of the room were things which had once been mattresses, but from which damp straw was bursting in every direction. These mattresses were black, sodden, and filthy, and upon them—covered, or hardly covered as the case might be, with scraps of old quilt or discarded clothing—lay young children of from one year to eighteen months old. These little mites were almost motionless. Their heads seemed to be extraordinarily large, their unknowing, unseeing eyes blazed in their faces.

The fat woman, suffering from dropsy, rose from her seat and curtsied as she saw the sanitary inspector and his colleagues.

"It is all right, gentlemen," she said in a wee, fawning voice. "There's food on the fire for the little dearies, and they're going to have their meal, bless 'em, as soon as it's boiled up."

She pointed to an iron pot full of something that looked like oatmeal which was simmering upon the few coals.

"That's all right, Mary," the County Council inspector said in a rough but genial voice. "We haven't come to make any trouble to-day. We know you do your best. It is not your fault."

"Thank you, sir," the woman answered, subsiding heavily once more upon her stool. "I have never done away with any children yet, and I am glad you know it. I've never been up before any beak yet, and I does my best. They comes to me when they've got the insurances on the kids, and I ses, 'No,' I ses, 'you take 'em where you know wot you wants will be done. You won't have far to go,' I ses, and so they takes 'em away. 'My bizness,' I ses, 'is open and aboveboard.' I looks arter the kids for a penny a day, and I gives 'm back to their mothers when they comes 'ome, feeding them meanwhile as well as I can."

Mary was standing horror-struck in the middle of the room. She turned to Inspector Brown.

"Oh," she said, "how awful! How terrible! How utterly awful!"

The inspector looked down at her with grave face.

"You may well say so, miss," he answered. "I am a married man myself, and it goes to my heart. But you must know that all this woman says is absolutely true. She is dying of dropsy, and she looks after these children for their mothers while they are at the match factories in Bethnal Green or making shirts in some Jew sweater's den. She is not what you may call a 'baby-farmer.' She is not one of those women who make a profession of killing children by starvation and cold in order that their parents may get the insurance money. As she goes, this woman is honest."

"But look, look!" Mary answered, pointing with quivering finger to the swarming things upon the mattresses.

"I know," the inspector answered, "but, miss, there are worse things than this that you could see in the neighbourhood."

Suddenly Mary's blood, which had been cooled and chilled by the awful spectacle, rose to boiling point in a single second. She felt sick, she said, wheeling round and turning to Fabian Rose—she felt sick that all these terrible things should be. "Why should such things be allowed?"

"My dear," Rose answered very gravely, "it is the fault of our modern system. It is the fault of capitalism. This is one of the reasons why we are Socialists."

"Then," Mary said, her eyes flashing, her breast heaving, "then, Mr. Rose, I am a Socialist, too—from this day, from this hour."

As she spoke she did not see that Aubrey Flood, the actor-manager, was regarding her with a keen, intense scrutiny. He watched her every movement. He listened to every inflection of her voice, and then—even in that den of horror—he turned aside and smiled quietly to himself.

"Yes," he thought, "Fabian was right. Here, indeed, is the one woman who shall make our play a thing which shall beat at the doors of London like a gong."

Inspector Brown spoke to Mary in his calm official voice.

"Now, what should you think, miss," he said, "this woman—Mrs. Church—pays weekly for this room?"

"Pays?" Mary answered. "Pays? Does she pay for such a room as this?"

The fat woman upon the stool answered in a heavy, thick, watery voice: "Pye, miss? I pye eight shillings a week for this ere room."

Mary started; she could not understand it.

"What?" she said with a little stamp of her foot upon the ground.

"It is perfectly true, miss," the County Council inspector interposed. "The rents of these places—these single rooms—are extremely high."

"Then why do they pay them?" Mary asked.

"Because, miss," the inspector answered, "if they didn't they would have nowhere to go at all, except to the workhouse. You see, people of this sort cannot move from where they are. They are as much tied to places of this sort as a prisoner in gaol is confined in his cell. It is either this or the streets."

"But for all that money," Mary said, "surely they could give them a decent place to live in?"

"We are doing all we can, miss, on the County Council, of course," the man replied, "and the workmen's dwellings which are springing up all over London are, indeed, a great improvement, but they are taken up at once by the hard-working artisan class, in more or less regular employment. It would be impossible to let any of the County Council tenements to a woman like this. Her income is so precarious, and there are others far more thrifty and deserving who must have first choice."

"Who is the landlord?" Mary asked. She was standing next to the dropsical woman by the fireside as she spoke.

"Oh, missie"—the woman answered her question—"the 'ead-landlord is Colonel Simpson at the big estyte orffice in Oxford Street, but, of course, we don't never see 'im. The collectors comes raund week by week and we pyes them. If we wants anythink then we arsts them, and they ses they'll mention it at 'eadquarters, but, of course, nuthink does get done. I don't suppose Colonel Simpson ever 'ears of nuthink."

"It is perfectly true, miss," said the inspector. "It is only when we absolutely prosecute the estate agency for some flagrant breach of sanitary regulations that anything can be done in houses like this, and even then the lawyers in their employ are so conversant with all the recent enactments, and so shrewd in the science of evading them, that practically we can do nothing at all."

When Mary turned to Fabian Rose he was standing side by side with the Reverend Peter Conrad.

Both men were looking at her gravely and a little curiously.

"Who is this Colonel Simpson?" she asked. "Could not he be exposed in the Press? Could not he be held up to execration? Could not you, Mr. Goodrick," she said, flashing upon the editor, who had hitherto remained in the background and said no word, "could not you tell the world of the wickedness of this Colonel Simpson?"

The little man with the straw-coloured moustache and the keen eyes smiled.

"Miss Marriott," he said, "you realise very little as yet. You do not know what the forces of capitalism and monopoly mean. Day by day we are driving our chisels into the basis of the structure, and some day it will begin to totter; some day, again, it will fall, but not yet, not yet. Mr. Simpson is a mere nobody. He is a machine. His object in life is to get as much money as he can out of the vast properties which he controls for another. He is an agent, nothing more."

"Then who does this really belong to? Who is really responsible?" Mary asked.

Fabian Rose looked at her very meaningly.

"Once more," he said, "I will pronounce that ill-omened name—the Duke of Paddington."

"Let us go away," Mr. Conrad said suddenly. He noticed that Mary's face was very pale, and that she was swaying a little.

They went out into the hall and stood there for a moment undecided as to what to do.

Mary seemed about to faint.

Suddenly from the back of the hall, steps were heard coming towards them, and in a moment more the face of a clean-shaven man appeared. He was mounting from the stairs that led down into what had once been the kitchens or cellars of the old house.

Just half of his body was visible, when he stopped suddenly, as if turned to stone.

As he did so the bearded Inspector Brown stepped quickly forward and caught him by the shoulder.

"Ah, it is you, is it?" he said. "Come up and let us have a look at you."

The man's face grew absolutely white, then, with a sudden eel-like movement, he twisted away from under the inspector's hand and vanished down the stairs.

In a flash the inspector and his companion were after him.

"Come on!" they shouted to the others, "come on, we shall want you!"

Rose and Conrad dashed after them. Mary could hear them stumbling down the stairs, and then a confused noise of shouting as if from the bowels of the earth.

She was left alone, standing there with Mr. Goodrick, when she suddenly became aware that the staircase leading to the upper part of the house had become crowded with noiseless figures, looking down upon what was toward with motionless, eager faces.

"What shall we do?" Mary said. "What does it all mean?"

"I am sure I don't know," Goodrick answered, "but if you are not afraid, don't you think we had better follow our friends? I suppose the inspector is after some thief or criminal whom he has just recognised."

"I am not afraid," Mary said.

"Come along, then," he answered, and together they went to the end of the hall and stumbled down some greasy steps.

A light was at the bottom, red light through an open door, and they turned into a sort of kitchen.

There was nobody there, but one man who crouched in a corner and a fat, elderly Jewish woman, whose mouth dropped in fear, and whose eyes were set and fixed in terror, like the eyes of a doll.

Through an open door in a corner of the kitchen beyond there came strange sounds—oaths, curses—sounds which seemed even farther away than the door suggested that they were.

The sounds seemed to rise up from the very bowels of the earth, from some deeper inferno even than this.

Then Mary, for the first time, began to be in real terror. She clung to the imperturbable little editor.

"Oh, what is it?" she cried. "What does it all mean?"

The Jewess turned round with an almost crouching attitude and peered fearfully into the dimly lit gloom through the doorway. Then, quite suddenly, without any warning, she fell back against the wall of the kitchen and began to shriek and wail like a lost soul. As she did so, and through her piercing shrieks, Mary heard the distant noises were becoming louder and louder.

She reeled in the hot and filthy air of this dreadful place and pressed her hand against the wall for support. Even as she did so she saw the two police inspectors stagger into the room, bearing a burden between them, the burden, as it seemed, of a dead man.

Then everything began to sway, the place was filled with a louder and louder noise, the whole room grew fuller and fuller of people, and Mary Marriott fainted dead away.