"Sing to us, Johnnie."

"Mais oui, chantez, Monsieur," said Madame La Motte.

Johnnie took up a chitarrone, the archlute, a large, double-necked Spanish instrument, which lay upon a marble table by his side in the courtyard.

He looked up into the sky, the painted sunset sky of Spain, as if to find some inspiration there.

The hum of Seville came to them in an almost organ-like harmony. Bells were tolling from the cathedral and the innumerable churches; pigeons were wheeling round the domes and spires; occasionally a faint burst of music reached them where they sat.

The young man looked gravely at the two women. His face at this moment was singularly tranquil and refined. He was dressed with scrupulous care—the long journey over, his natural habits resumed. He had all the air and grace of a gallant in a Court.

He bowed to Madame La Motte and to his sweetheart, smiling gently at them.

"By your patience, ladies," he said, "I will make endeavour to improvise for you upon a theme. We have spent this day in seeing beauties such as sure I never thought to see with my mortal eyes. We are in the land of colour, of sweet odours; the balmy smells of nard and cassia are flung about the cedarn alleys where we walk. We have sucked the liquid air in a veritable garden of the Hesperides, and, indeed, I looked to see the three fair daughters of Hesperus along those crispÈd shades and bowers. And we have seen also"—his voice was almost dreaming as he spoke—"the greatest church e'er built to God's glory by the hand of man. 'Tis indeed a mountain scooped out, a valley turned upsides. The towers of the Abbey Church at Westminster might walk erect in the middle nave; there are pillars with the girth of towers, and which appear so slender that they make one shudder as they rise from out the ground or depend them from the gloomy roof like stalactites in the cave of a giant."

Madame La Motte nodded, purred, and murmured to herself. The whimsical and studied Court language did not now fall upon her ears for the first time. In the fashion of that age all men of culture and position learnt to talk in this fashion upon occasion, with classic allusion and in graceful prose.

But to sweet Elizabeth it was all new and beautiful, and as she gazed at her lover her eyes were liquid with caressing wonder, her lips curved into a bow of pride at such dear eloquence.

Johnnie plucked the strings of the chitarrone once or twice, and then, his eyes half closed, began a simple improvisation in a minor key, the while he lifted his voice and began to sing his ballad of evening colours:

His voice faded away into silence; the mellow tenor ceasing in an imperceptible diminuendo of sound.

There was a silence, and then Lizzie's hand stole out and touched her lover's. "Oh, Johnnie," she said, "how gracious! And did those lovely words come into thy head as thou sangst them?"

"In truth they did, fairest lady of evening," he answered, bending low over her hand. "And sure 'twas thy dear presence that sent them to me, the musick of thy voice hath breathed a soul into this lute."

... They had arrived safely in Seville the night before, spending three days upon the journey from Cadiz, but travelling in very pleasant and easy fashion.

Mr. Mew, the mate of the St. Iago, had business in the city, and while the vessel was discharging its cargo at Cadiz he went up to Seville and took the four travellers with him on board an alijador—a long barge with quarters for passengers, and a hold for cargo, which was propelled partly by oars in the narrower reaches of the river, but principally by a large lug sail.

Don Perez had remained in Cadiz, but the tall and sinister young fellow whom Hull and Johnnie had rescued from the Atlantic came in the barge also. The fugitives from England had little to say to him, knowing what he was. Alonso—which was the man's name—had been profuse in his gratitude. His profuseness, however, had been mingled with a continuous astonishment, a brutish wonder which was quite inexplicable to Elizabeth.

"He seemeth," she said once to her esquire, "to think as if such a deed of daring as thou didst in thy kindness for a fellow-creature in peril hath never been known in the world before!"

Madame La Motte and Commendone, however, had said nothing. They knew very well why this poor wretch, who gained his food by such a hideous calling, was amazed at his rescue. They said nothing to the girl, however, dreading that she should ever have an inkling of what the man was.

On the voyage to Seville, a happy, lazy time under the bright sun, Johnnie could not quite understand an obvious friendship and liking which seemed to have sprung up between Alonso and Mr. Mew, who spoke Spanish very adequately.

"I cannot understand," he said upon one occasion to the sturdy man from the Isle of Wight, "I cannot understand, sir, how you that are an English mariner can talk and consort with this tool of hell."

Mr. Mew looked at him with a dry smile. "And yet, master," he said in the true Hampshire idiom and drawl, "bless your heart, you jumped overboard for this same man!"

"The case is different," Johnnie said; "'twas a fellow-creature, and I did as behoved me. But that is no reason to be friendly with such a wretch."

"Look you, Master Commendone," said Mr. Mew, "every man to his trade. I would burn both hands, myself, before I'd live by sworn torturing. But, then, 'tis not my trade. This man's father and his brother have been doing of it almost since birth, and they do it—and sure, a good Catholic like yourself," here he smiled dryly, "cannot but remember that 'tis done under the shield and order of Holy Church! The damned old Pope hath ordered it."

Johnnie crossed himself. "The sovereign Pontiff," he said, "hath established the Holy Office for punishment of heretics. But the punishment is light and without harshness in the states of His Holiness. In Spain 'tis a matter very different. It was under the Holy Father Innocent IV that this tribunal was created, and the Holy Office in Spain differed in no wise from the comparatively innocuous——"

"What is that, master? That word?"

"It meaneth 'harmless,' Master Mew. What was I saying? Oh, that it differed nothing at all in Spain from the harmless Council which was to detect heresy and reprove it. But during the reign of our good King Edward IV the Holy Office was changed in Spain. The Ebrews were plotting, or said to be plotting, against the realm, and they had come to much wealth and power. Pope Sixtus made many protests, but the right of appointing inquisitors and directing the operation of the Holy Office in Spain was reserved to the Spanish Crown. And from this date, Master Mew, Holy Church at any rate hath disclaimed to be responsible for it. That was then and is now the true feeling of Rome. 'Tis true that in Spain the Church tolerates the Inquisition, but its blood-stained acts are from the Crown and such priests as are ministers of the Crown."

Father Chilches had taught Johnnie his history, truly enough. But it seemed to make very little impression upon the mate.

"Art a gentleman," he said, "and know doubtless more than I, but such peddling with words and splicing of facts are not to my mind. The damned old Pope say I, and always shall, when it's safe to speak! But the pith of our talk, Master Commendone, was that you would not have me give comradeship with this Alonso. I see not your point of view. He is of his time and must do his duty."

The mate snapped a tarry thumb and finger with a tolerant smile. "You've saved him, so that he may go on with his torturin'," he said, "and I like to talk with him because I find him a good fellow, and that is all about it, Master Commendone."

Johnnie had not got much small change from his conference with the mate, but when they arrived at Seville, he saw him and the man called Alonso no more, and his mind was directed upon very other things.

They arrived at the city late at night, and their mails were taken to the great inn of Seville known as the Posada de las MuÑecas, or house of puppets, so called from the fact that in days gone by, at the great annual Seville fair, a famous performance of marionettes had taken place in front of it.

The Posada was an old Moorish palace, as beautiful under the sunlight as an Oriental song, and when they rose in the morning and Johnnie had despatched a serving-man to find if Don JosÉ Senebria was in residence, he and his companions wakened to the realisation of a loveliness of which they had never dreamed.

The sky was like a great hollow turquoise; the sun beat down upon the Pearl of Andalusia with limpid glory, and played perpetually upon the white and painted walls. The orange trees, only introduced into Spain some five-and-twenty years before from Asia, were globed with their golden fruit among the dark, jade-like leaves of polished green; feathery palms with their mailed trunks rose up to cut the blue, and on every side buildings which glowed like immense jewels were set to greet the unaccustomed northern eye. The Posada was a blaze of colour, half Moorish, half Gothic, fantastic and alluring as a rare dream.

Johnnie heard early in the morning that Don JosÉ would be away for two days, having travelled to his vineyards beyond the old Roman village of Sancios. The day therefore, and the morrow also, was left to them for sight-seeing. Both he and Elizabeth had in part forgotten the cloud of distress under which they had left their native land. The child often talked to him of her father, making many half-shy confidences about her happy life at Hadley, telling him constantly of that brave and stalwart gentleman. But she now accepted all that had happened with the perfect innocence and trustfulness of youth. Upon her white and stainless mind what she had undergone had left but little trace. Even now she only half realised her ravishment to the house with the red door, and that Madame La Motte was not a pattern of kindness, discretion, and fine feeling would never have entered Lizzie's simple mind. She was going to be married to Johnnie!—it was to be arranged almost at once—and then she knew that there need be no more trouble, no weariness, no further searchings of heart. She and Johnnie would be together for ever and ever, and that was all that mattered!

Indeed, under these bright skies, among the gay, good-humoured, and heedless people of Seville, it would have been very difficult for much older and more world-weary people than this young man and maid to be sad or apprehensive.

It had all been a feast, a never-ending feast for eye and ear. They had stood before pictures which were world-famous—they had seen that marvellous allegory in pigment, where "a hand holds a pair of scales, in which the sins of the world—set forth by bats, peacocks, serpents, and other emblems—are weighed against the emblems of the Passion of Christ our Lord; and eke in the same frame, which is thought to be the finer composition, Death, with a coffin under one arm, is about to extinguish a taper, which lighteth a table besprent with crowns, jewels, and all the gewgaws of this earthly pomp. 'In Ictu Oculi' are the words which circle the taper's gleaming light, while set upon the ground resteth a coffin open, the corpse within being dimly revealed."

They had walked through the long colonnade in the palace of the Alcazar, to the baths of Maria de Padilla, the lovely mistress of Pedro the Cruel, "at the Court of whom it was esteemed a mark of gallantry and loyalty to drink the waters of the bath after that Maria had performed her ablutions. Upon a day observing that one of his knights refrained from this act of homage, the King questioned him, and elicited the reply, 'I dare not drink of the water, Sire, lest, having tasted the sauce, I should covet the partridge.'"

All these things they had done together in their love and youth, forgetting all else but the incomparable beauties of art and nature which surrounded them, the music and splendour of Love within their hearts.

... A serving-man came through the patio.

"Puedo cenar?" Johnnie asked. "A quÉ hora es el cenar?"

The man told him that supper was ready then, and together with the ladies Johnnie left the courtyard and entered the long comedor, or dining-hall, a narrow room with good tapestries upon the walls, and a ceiling decorated with heads of warriors and ladies in carved and painted stucco.

It was lit by candle, and supper was spread for the three in the middle of one great table, an oasis of fruit, lights, and flowers.

"Este es un vino bueno," said the waiter who stood there.

"It is all good wine in Spain," Johnnie answered, with a smile, as the man poured out borgoÑa, and another brought them a dish of grilled salmon.

They lifted their glasses to each other, and fell to with a good appetite. Suddenly Johnnie stopped eating. "Where is John Hull?" he said. "God forgive me, I have not thought of him for hours."

"He will be safe enough," Madame La Motte answered, her mouth full of salmÓn asado. "Mon Dieu! but this fish is good! Fear not, Monsieur, thy serving-man can very well take care of himself."

"I suppose so," Johnnie replied, though with a little uneasiness.

"But, Johnnie," Elizabeth said, "Hull told me that he was to be with Master Mew, the mate of our late ship, to see the town with him, so all will be well."

Johnnie lifted his goblet of wine; he had never felt more free, careless, and happy in his life.

"Here," he said, "is to this sweet and hospitable land of Spain, whither we have come through long toils and dangers. 'Tis our Latium, for as the grandest of all poets, Vergil yclept, hath it, 'Per varios casus, per tot discrimina rerum, tendimus in Latium, sedes ubi fata quietas ostendunt.'"

"And what may that mean, Monsieur?" asked Madame La Motte, pulling the botella towards her. "My Credo, my Paternoster, and my Ave are all my Latin."

"It means, Madame," Johnnie answered, "that we have gone through many troubles and trials, through all sorts of changes in affairs, but we approach towards Latium, which the poet meaneth for Imperial Rome, where the fates will let us live in peace."

"In peace!" Elizabeth whispered.

"Aye, sweetheart mine," the young man answered; "we have won to peace at last. Thou and I together!"

For a moment or two they were all silent, and then the door of the comedor was suddenly opened, not quietly, as for the entrance of a serving-man, but flung open widely and with noise.

They all turned and looked towards the archway of the door.

In a moment more six or seven people pressed into the room—people dressed in black, people whose feet made no noise upon the floor.

Ere ever any of them at the table realised what was happening, they found themselves gripped by strong, firm hands, though there was never a word spoken.

Before he could reach the dagger in his belt—for he was not wearing his sword—Johnnie's arms were bound to his side, and he was held fast.

It was all done with strange deftness and silence, Elizabeth and the Frenchwoman being held also, each by two men, though their arms were not bound.

Johnnie burst out in indignant English, then, remembering where he was, changed to Spanish. "In God's name," he cried, "what means this outrage upon peaceable and quiet folk?"

His voice was loud and angry, but there was fear in it as he cried out. The answer came from a tall figure which came noiselessly through the door, a figure in a cassock, with a large gold cross hung upon its breast, and followed by two others in the dress of priests.

"Ah, Mr. Commendone, we meet again," came in excellent English, as the man removed his broad-brimmed felt hat.

"You have come a long way from England, Mr. Commendone, you and your—friends. But the arm of the King, the hand of the Church, which are as the arm of God Himself, can stretch swiftly and very far."

Johnnie's face grew dead white as he heard the well-remembered voice of Father Diego Deza. In a flash he remembered that King Philip's confessor and confidential adviser had told him that he was to leave England for Spain on the morning of the very day when he had rescued Elizabeth from shame.

His voice rattled in his throat and came hoarsely through parched lips. He made one effort, though he felt that it was hopeless.

"Don Diego," he said, "I am very glad to see you in Spain"—the other gave a nasty little laugh. "Don Diego," Johnnie continued, "I have offended nothing against the laws of England. What means this capture and durance of myself and my companions?"

"You are not in England now, Mr. Commendone," the priest replied; "but you are in the dominion of His Most Catholic Majesty; you are not accused of any crime against the civil law of England or of this country, but I, in my authority as Grand Inquisitor of the Holy Office in Seville—to do which duty I have now come to Spain—arrest you and your companions on charges which will be afterwards disclosed to you.

"Take them away," he said in Spanish to his officers.

There was a horrid wail, echoing and re-echoing through the long room and beating upon the ear-drums of all who were there....

Madame La Motte had heard all that the priest had said in English. She shrieked and shrieked again.

"Ah-h-h! C'est vrai alors! L'inquisition! qui lance la mort!"

With extraordinary and sudden strength she twisted herself away from the two sombre figures which held her. She bent forward over the table, snatched up a long knife, gripped the handle firmly with two fat white hands, and plunged it into her breast to the hilt.

For quite three seconds she stood upright. Her face of horror changed into a wonder, as if she was surprised at what she had done. Then she smiled foolishly, like a child who realises that it has made a silly mistake, coughed loudly like a man, and fell in heavy death upon the floor.