On Wits and Beaux.—Scotland Yard in Charles II.'s day.—Orlando of 'The Tatler.'—Beau Fielding, Justice of the Peace.—Adonis in Search of a Wife.—The Sham Widow.—Ways and Means.—Barbara Villiers, Lady Castlemaine.—Quarrels with the King.—The Beau's Second Marriage.—The Last Days of Fops and Beaux. Let us be wise, boys, here's a fool coming, said a sensible man, when he saw Beau Nash's splendid carriage draw up to the door. Is a beau a fool? Is a sharper a fool? Was Bonaparte a fool? If you reply 'no' to the last two questions, you must give the same answer to the first. A beau is a fox, but not a fool—a very clever fellow, who, knowing the weakness of his brothers and sisters in the world, takes advantage of it to make himself a fame and a fortune. Nash, the son of a glass-merchant—Brummell, the hopeful of a small shopkeeper—became the intimates of princes, dukes, and fashionables; were petty kings of Vanity Fair, and were honoured by their subjects. In the kingdom of the blind, the one-eyed man is king; in the realm of folly, the sharper is a monarch. The only proviso is, that the cheat come not within the jurisdiction of the law. Such a cheat is the beau or dandy, or fine gentleman, who imposes on his public by his clothes and appearance. BonÂ-fide monarchs have done as much: Louis XIV. won himself the title of Le Grand Monarque by his manners, his dress, and his vanity. Fielding, Nash, and Brummell did nothing more. It is not a question whether such roads to eminence be contemptible or not, but whether their adoption in one station of life be more so than in another. Was Brummell a whit more contemptible than 'Wales?' Or is John Thomas, the pride and glory of the Robert Fielding was, perhaps, the least of the beaux; but then, to make up for this, he belonged to a noble family: he married a duchess, and, what is more, he beat her. Surely in the kingdom of fools such a man is not to be despised. You may be sure he did not think he was, for was he not made the subject of two papers in 'The Tatler,' and what more could such a man desire? His father was a Suffolk squire, claiming relationship with the Earls of Denbigh, and therefore, with the Hapsburgs, from whom the Beau and the Emperors of Austria had the common honour of being descended. Perhaps neither of them had sufficient sense to be proud of the greatest intellectual ornament of their race, the author of 'Tom Jones;' but as our hero was dead before the humourist was born, it is not fair to conjecture what he might have thought on the subject. It does not appear that very much is known of this great gem of the race of Hapsburg. He had the misfortune to be very handsome, and the folly to think that his face would be his fortune: it certainly stood him in good stead at times, but it also brought him into a lamentable dilemma. His father was not rich, and sent his son to the Temple to study laws which he was only fitted to break. The young Adonis had sense enough to see that destiny did not beckon him to fame in the gloom of a musty law court, and removed a little further up to the Thames, and the more fashionable region of Scotland Yard. Here, where now Z 300 repairs to report his investigations to a Commissioner, the young dandies of Charles II.'s day strutted in gay doublets, swore hasty oaths of choice invention, smoked the true Tobago from huge pipe-bowls, and ogled the fair but not too bashful dames who passed to and fro in their chariots. The court took its name from the royalties of Scotland, who, when they visited the South, were there lodged, as being conveniently near to Whitehall Palace. It is odd enough that the three architects, Inigo Jones, Vanbrugh, and Wren, all lived in this yard. It was not to be supposed that a man who could so well appreciate a handsome face and well-cut doublet as Charles II. should long overlook his neighbour, Mr. Robert Fielding, and in due course the Beau, who had no other diploma, found himself in the honourable position of a justice of the peace. The emoluments of this office enabled Orlando, as 'The Tatler' calls him, to shine forth in all his glory. With an enviable indifference to the future, he launched out into an expenditure which alone would have made him popular in a country where the heaviest purse makes the greatest gentleman. His lacqueys were arrayed in the brightest yellow coats with black sashes—the Hapsburg colours. He had a carriage, of course, but, like Sheridan's, it was hired, though drawn by his own horses. This carriage was described as being shaped like a sea-shell; and 'the Tatler' calls it 'an open tumbril of less size than ordinary, to show the largeness of his limbs and the grandeur of his personage to the best advantage.' The said The fine gentleman, under the Stuarts, was fine only in his lace and his velvet doublet; his language was coarse, his manners coarser, his vices the coarsest of all. No wonder when the king himself could get so drunk with Sedley and Buckhurst as to be unable to give an audience appointed for; and when the chief fun of his two companions was to divest themselves of all the habiliments which civilization has had the ill taste to make necessary, and in that state run about the streets. 'Orlando' wore the finest ruffles and the heaviest sword; his wig was combed to perfection; and in his pocket he carried a little comb with which to arrange it from time to time, even as the dandy of to-day pulls out his whiskers or curls his moustache. Such a man could not be passed over; and accordingly he numbered half the officers and gallants of the town among his intimates. He drank, swore, and swaggered, and the snobs of the day proclaimed him a 'complete gentleman.' His impudence, however, was not always tolerated. In the playhouses of the day, it was the fashion for some of the spectators to stand upon the stage, and the places in that position were chiefly occupied by young gallants. The ladies came 'The fair sat pouting at the courtier's play, And not a mask went unimproved away: The modest fan was lifted up no more, And virgins smiled at what they blushed before,' were not too coy to be pleased with the fops' attentions, and replied in like strain. The players were unheeded; the audience laughed at the improvised and natural wit, when carefully prepared dialogues failed to fix their attention. The actors were disgusted, and, in spite of Master Fielding's herculean strength, kicked him off the stage, with a warning not to come again. The rÔle of a beau is expensive to keep up; and our justice of the peace could not, like Nash, double his income by gaming. He soon got deeply into debt, as every celebrated dresser has done. The old story, not new even in those days, was enacted and the brilliant Adonis had to keep watch and ward against tailors and bailiffs. On one occasion they had nearly caught him; but his legs being lengthy, he gave them fair sport as far as St. James's Palace, where the officers on guard rushed out to save their pet, and drove off the myrmidons of the law at the point of the sword. But debts do not pay themselves, nor die, and Orlando with all his strength and prowess could not long keep off the constable. Evil days gloomed at no very great distance before him, and the fear of a sponging-house and debtors' prison compelled him to turn his handsome person to account. Had he not broken a hundred hearts already? had he not charmed a thousand pairs of beaming eyes? was there not one owner of one pair who was also possessed of a pretty fortune? Who should have the honour of being the wife of such an Adonis? who, indeed, but she who could pay highest for it; and who could pay with a handsome income but a well-dowered widow? A widow it must be—a widow it should be. Noble indeed was the sentiment which inspired this great man to sacrifice himself on the altar of Hymen for the good of his creditors. Ye young men in the Guards, who do this kind of thing every day—that A widow was found, fat, fair, and forty—and oh!—charm greater far than all the rest—with a fortune of sixty thousand pounds; this was a Mrs. Deleau, who lived at Whaddon in Surrey, and at Copthall-court in London. Nothing could be more charming; and the only obstacle was the absence of all acquaintance between the parties—for, of course, it was impossible for any widow, whatever her attractions, to be insensible to those of Robert Fielding. Under these circumstances, the Beau looked about for an agent, and found one in the person of a Mrs. Villars, hairdresser to the widow. He offered this person a handsome douceur in case of success, and she was to undertake that the lady should meet the gentleman in the most unpremeditated manner. Various schemes were resorted to: with the alias, for he was not above an alias, of Major-General Villars, the Beau called at the widow's country house, and was permitted to see the gardens. At a window he espied a lady, whom he took to be the object of his pursuit—bowed to her majestically, and went away, persuaded he must have made an impression. But, whether the widow was wiser than wearers of weeds have the reputation of being, or whether the agent had really no power in the matter, the meeting never came on. The hairdresser naturally grew anxious, the douceur was too good to be lost, and as the widow could not be had, some one must be supplied in her place. One day while the Beau was sitting in his splendid 'night-gown,' as the morning-dress of gentlemen was then called, two ladies were ushered into his august presence. He had been warned of this visit, and was prepared to receive the yielding widow. The one, of course, was the hairdresser, the other a young, pretty, and apparently modest creature, who blushed much—though with some difficulty—at the trying position in which she found herself. The Beau, delighted, did his best to reassure her. He flung himself at her feet, swore, with oaths more fashionable than delicate, that she was the only woman he ever loved, and prevailed on the widow so far as to induce her to 'call again to-morrow.' Of course she came, and Adonis was in heaven. He wrote little poems to her—for, as a gallant, he could of course make verses—serenaded her through an Italian donna, invited her to suppers, at which the delicacies of the season were served without regard to the purveyor's account, and to which, coy as she was, she consented to come, and clenched the engagement with a ring, on which was the motto, 'Tibi Soli.' Nay, the Beau had been educated, and had some knowledge of 'the tongues,' so that he added to these attentions the further one of a song or two translated from the Greek. The widow ought to have been pleased, and was. One thing only she stipulated, namely, that the marriage should be private, lest her relations should forbid the banns. Having brought her so far, it was not likely that the fortune-hunter would stick at such a mere trifle, and accordingly an entertainment was got up at the Beau's own rooms, a supper suitable to the rank and wealth of the widow, provided by some obligingly credulous tradesman; a priest found—for, be it premised, our hero had changed so much of his religion as he had to change in the reign of James II., when Romanism was not only fashionable, but a sure road to fortune—and the mutually satisfied couple swore to love, honour, and obey one another till death them should part. The next morning, however, the widow left the gentleman's lodgings, on the pretext that it was injudicious for her friends to know of their union at present, and continued to visit her sposo and sup somewhat amply at his chambers from time to time. We can imagine the anxiety Orlando now felt for a cheque book at the heiress's bankers, and the many insinuations he may have delicately made, touching ways and means. We can fancy the artful excuses with which these hints were put aside by his attached wife. But the dupe was still in happy ignorance of the trick played on him, and for a time such ignorance was bliss. It must have been trying to him to be called on by Mrs. Villars for the promised douceur, but he consoled himself with the pleasures of hope. Unfortunately, however, he had formed the acquaintance of a woman of a very different reputation to the real Mrs. Deleau, and the intimacy which ensued was fatal to him. When Charles II. was wandering abroad, he was joined, among others, by a Mr. and Mrs. Palmer. The husband was a stanch old Romanist, with the qualities which usually accompanied that faith in those days—little respect for morality, and a good deal of bigotry. In later days he was one of the victims suspected of the Titus Oates plot, but escaped, and eventually died in Wales, in 1705, after having been James II.'s ambassador to Rome. This, in a few words, is the history of that Roger Palmer, afterwards Lord Castlemaine, who by some is said to have sold his wife—not at Smithfield, but at Whitehall—to his Majesty King Charles II., for the sum of one peerage—an Irish one, taken on consideration: by others, is alleged to have been so indignant with the king as to have remained for some time far from court; and so disgusted with his elevation to the peerage as scarcely to assume his title; and this last is the most authenticated version of the matter. Mrs. Palmer belonged to one of the oldest families in England, and traced her descent to Pagan de Villiers, in the days of William Rufus, and a good deal farther among the nobles of Normandy. She was the daughter of William, second Viscount Grandison, and rejoiced in the appropriate name of Barbara, for she could be savage occasionally. She was very beautiful, and very wicked, and soon became Charles's mistress. On the Restoration she joined the king in England, and when the poor neglected queen came over was foisted upon her as a bedchamber-woman, in spite of all the objections of that ill used wife. It was necessary to this end that she should be the wife of a peer; and her husband accepted the title of Earl of Castlemaine, well knowing to what he owed it. Pepys, who admired Lady Castlemaine more than any woman in England, describes the husband and wife meeting at Whitehall with a cold ceremonial bow: yet the husband was there. A quarrel between the two, strangely enough on the score of religion, her ladyship insisting that her child should be christened by a Protestant clergyman, while his lordship insisted on the ceremony Nor did her wickedness end here. We have some pity for one, who, like La ValliÈre, could be attracted by the attentions of a handsome, fascinating prince: we pity though we blame. But Lady Castlemaine was vicious to the very marrow: not content with a king's favour, she courted herself the young gallant of the town. Quarrels ensued between Charles and his mistress, in which the latter invariably came off victorious, owing to her indomitable temper; and the scenes recorded by De Grammont—when she threatened to burn down Whitehall, and tear her children in pieces—are too disgraceful for insertion. She forced the reprobate monarch to consent to all her extortionate demands: rifled the nation's pockets as well as his own; and at every fresh difference, forced Charles to give her some new pension. An intrigue with Jermyn, discovered and objected to by the King, brought on a fresh and more serious difference, which was only patched up by a patent of the Duchy of Cleveland. The Duchess of Cleveland was even worse than the Countess of Castlemaine. Abandoned in time by Charles, and detested by all people of any decent feeling, she consoled herself for the loss of a real king by taking up with a stage one. Hart and Goodman, the actors, were successively her cavalieri; the former had been a captain in the army; the latter a student at Cambridge. Both were men of the coarsest minds and most depraved lives. Goodman, in after-years was so reduced that, finding, as Sheridan advised his son to do, a pair of pistols handy, a horse saddled, and Hounslow Heath not a hundred miles distance, he took to the pleasant and profitable pastime of which Dick Turpin is the patron saint. He was all but hanged for his daring robberies The life of the once beautiful Barbara Villiers grew daily more and more depraved: at the age of thirty she retired to Paris, shunned and disgraced. After numerous intrigues abroad and at home, she put the crowning point to her follies by falling in love with the handsome Fielding, when she herself numbered sixty-five summers. Whether the Beau still thought of fortune, or whether having once tried matrimony, he was so enchanted with it as to make it his cacoËthes, does not appear: the legend explains not for what reason he married the antiquated beauty only three weeks after he had been united to the supposed widow. For a time he wavered between the two, but that time was short: the widow discovered his second marriage, claimed him, and in so doing revealed the well-kept secret that she was not a widow; indeed, not even the relict of John Deleau, Esq., of Whaddon, but a wretched adventurer of the name of Mary Wadsworth, who had shared with Mrs. Villars the plunder of the trick. The Beau tried to preserve his dignity, and throw over his duper, but in vain. The first wife reported the state of affairs to the second: and the duchess, who had been shamefully treated by Master Fielding, was only too glad of an opportunity to get rid of him. She offered Mary Wadsworth a pension of £100 a year, and a sum of £200 in ready money, to prove the previous marriage. The case came on, and Beau Fielding had the honour of playing a part in a famous state trial. With his usual impudence he undertook to defend himself at the Old Bailey, and hatched up some old story to prove that the first wife was married at the time of their union to one Brady; but the plea fell to the ground, and the fine gentle Thus ended a petty scandal of the day, in which all the parties were so disreputable that no one could feel any sympathy for a single one of them. How the dupe himself ended is not known. The last days of fops and beaux are never glorious. Brummell died in slovenly penury; Nash in contempt. Fielding lapsed into the dimmest obscurity; and as far as evidence goes, there is as little certainty about his death as of that of the Wandering Jew. Let us hope that he is not still alive: though his friends seemed to have cared little whether he were so or not, to judge from a couple of verses written by one of them:— 'If Fielding is dead, And rests under this stone, Then he is not alive You may bet two to one. 'But if he's alive, And does not lie there— Let him live till he's hanged, For which no man will care.' |