The legend of Holger Danske, who is to be Denmark's deliverer when heavy troubles come upon her, is one which has its counterpart in other countries, resembling that of our own King Arthur and the German Frederick Barbarossa. When Denmark's necessity demands, Holger Danske will come to her aid; till then he sits "in the deep dark cellar of Kronborg Castle, into which none may enter. He is clad in iron and steel, and rests his head on his strong arms; his long beard hangs down upon the marble table, into which it has become firmly rooted; he sleeps and dreams. But in his dreams he sees all that happens in Denmark. On each Christmas Eve an angel comes to him and tells him all he has dreamed is true, and that he may sleep again in peace, as Denmark is not yet in real danger. But should danger ever come, then Holger Danske will rouse himself, and the table will burst asunder as he draws out his beard. Then he will come forth in all his strength, and strike a blow that shall sound in all the countries of the world." Once upon a time the Danes were in great trouble, for they had no King. But one day they saw a barque, splendidly decked, sailing towards the coast of Denmark. As the ship came nearer the shore they saw it was laden with quantities of gold and weapons, but not a soul was to be seen on board. When the Danes boarded the ship, they found a little boy lying asleep on the deck, and above his head floated a golden banner. Thinking that their god Odin had sent the boy, they brought him ashore and proclaimed him King. They named him Skjold, and he became a great and good King. His fame was such that the Danish Kings to this day are called "Skjoldunger." When this King died, his body was placed on board a ship which was loaded with treasure; and when it sailed slowly away over the blue water, the Danes stood on the shore Denmark is rich in legends. There is the legend about the "Danebrog," Denmark's national flag, which is a white cross on a crimson ground. This bright and beautiful flag looks thoroughly at home whatever its surroundings. The story goes that when Valdemar Seir (the Victorious) descended on the shores of Esthonia to help the knights who were hard pressed in a battle with the heathen Esthonians (1219), a miracle befell him. The valour of his troops soon made an impression on the pagans, and they began to sue for peace. It was granted, and the priests baptized the supposed converts. Very soon, however, the Esthonians, who had been secretly reinforcing while pretending submission, in order to throw dust in the eyes of the too confiding Danes, brought up their forces and commenced fighting anew. "It was the eve of St. Vitus, and the Danes were singing Vespers in camp, when suddenly a wild howl rang through the summer evening, and the heathens poured out of the woods, attacked the surprised Danes on all sides, and quickly thinned their ranks. The Danes began to waver, but the Prince of Rugen, who was stationed on the hill, had time to rally his followers and stay the progress of the enemy. It was a terrible battle. The Archbishop Andreas Sunesen with his priests mounted the hill to lay the sword of prayer in the scales of battle; the Danes rallied, and their swords were not blunt when they turned upon Folk-dancers.The Danes, like all the Scandinavians, are renowned for their love of dancing. Lately they have revived the beautiful old folk-dances, realizing at last the necessity of keeping the ancient costumes, dances and songs before the people, if they would not have them completely wiped out. A few patriotic Danes have formed a society of ladies and gentlemen to bring about this revival. These are called the folk-dancers, their object being to stimulate the love of old-time Denmark in the modern Dane, by showing him the dance, accompanied by folk-song, which his forefathers delighted in. Old-time ways the Dane of to-day is perhaps a little too ready to forget, but dance and song appeal to his northern nature. The beautiful old costumes of the Danish peasants have almost entirely disappeared, but those In olden times the voice was the principal accompaniment of the dance, and these folk-lorists generally sing while dancing; but occasionally a fiddler or flautist plays for them, and becomes the leader in the dance. Some of these dances are of a comical nature, and no doubt were invented to parody the shortcomings of some local character. Others represent local industries. A pretty dance is "Voeve Vadmel" (cloth-weaving). In this some dancers become the bobbins, others form the warp and woof; thus they go in and out, weaving themselves into an imaginary piece of cloth. Then, rolling themselves into a bale, they stand a moment, unwind, reverse, and then disperse. This dance is accompanied by the voices of the dancers, who, as they sing, describe each movement of the dance. A very curious dance is called "Seven Springs," and its principal figure is a series of springs from the floor, executed by the lady, aided by her partner. Another two are called respectively the "Men's Pleasure" and the "Girls' Pleasure." In these both men and girls choose their own partners, and coquet with them by alluring facial expressions during In the Faroe Islands the old-time way is still in vogue, and the dance is only accompanied by the voice and clapping of hands. Thus do these descendants of the old vikings keep high festival to celebrate a good "catch" of whales. The old folk-songs, which were sung by the people when dancing and at other times, have a national value which the Danes fully realize, many being written down and treasured in the country's archives. |