A Survey of Schiller Literature The mass of literature pertaining to Schiller has now grown so great that an exhaustive bibliography would fill a good-sized volume. All that can be attempted here is a selection of the more important works. The fullest bibliography thus far is that contained in the fifth volume of Goedeke's Grundrisz zur Geschichte der deutschen Dichtung, 2nd edition, Dresden, 1893. Annual reviews of Schiller literature appear in the Jahresberichte fÜr neuere deutsche Litteraturgeschichte and in the Berichte des Freien Deutschen Hochstiftes. Valuable especially for its English titles is the bibliography compiled by John P. Anderson for Nevinson's Life of Schiller, London, 1889. EDITIONSDuring the lifetime of Schiller his writings were printed in different forms by different publishers, and owing to the absence of copyright unauthorized reprints were numerous. He himself undertook no complete and final redaction of all his works, though in his later years he revised and arranged a selection of his poems. 'Don Carlos' and some of the prose writings also underwent revision at the hands of their author. The first edition calling itself complete was that of KÖrner, which was published in 1812-15, in twelve volumes, by Cotta of Stuttgart. KÖrner divided the poems into three periods,—a division which has since been extensively copied. KÖrner's edition became the basis of the later Cotta editions (down to 1868), which were reprinted in various forms and degrees of completeness, but without important changes or additions. With the expiration of Cotta's monopoly and the opening of the philological era, the works of Schiller began to be deemed worthy of the same scrupulous editorial care that had long been bestowed on the Greek and Latin classics. The mid-century researches of Hoffmeister and others, particularly Hoffmeister's Supplemente zu Schillers Werken, 1840-1, had brought to light much new material not usually printed with the works of Schiller, and the received text, even of the more important works, was known to be more or less faulty and uncertain. To meet the new demand a historico-critical edition was undertaken by Goedeke, with the assistance of several sub-editors. The result was Schillers, SÄmmtliche Schriften, Historisch-kritische Ausgabe, 15 vols., Cotta, Stuttgart, 1868-76. This edition aimed at completeness, arranged the works chronologically and went deeply into the matter of variant readings. It is still indispensable to the scholar, though not free from pedantries. Contemporaneous with this work of critical scholarship was the cheaper and more popular edition of Boxberger and Maltzahn, published by Hempel in Berlin—Schillers Werke, nach den vorzÜglichsten Quellen revidierte Ausgabe, 16 parts in 6 vols., 1868-74,—which, though unsightly, is valuable for its introductions and notes. In more recent years several good editions have appeared, the most noteworthy being (1) that of Boxberger and Birlinger, published as a part of KÜrschner's Deutsche National-Litteratur, 12 vols., Stuttgart, 1882-91; (2) that of L. Bellermann, Kritisch durchgesehene und erlÄuterte Ausgabe, 14 vols., Leipzig, 1895 ff., and (3) the latest of the critical Cotta editions, completed in 16 vols. in 1894. The dramatic fragments have been twice edited by Kettner, Schillers Dramatischer Nachlasz nach den Handschriften herausgegeben, Weimar, 1895, and Schillers Dramatische EntwÜrfe und Fragmente aus dem Nachlasz zusammengestellt, Stuttgart, 1899. The Xenia have recently been edited by Schmidt and Suphan, Xenien 1796, nach den Handschriften des Goethe-Schiller Archivs herausgegeben, Weimar, 1893. As is well known the later plays of Schiller, to a certain extent also some of his prose writings, are familiar school classics wherever German is studied. The school editions, many of them meritorious works of scholarship, are very numerous. They are not mentioned here because a mere list of names and dates would be of no use, while a selection with discriminative or critical comment would be a difficult and invidious task to which the compiler of this survey has no inclination. Any of the scholarly editions published in recent years, in Germany, the United States or England, will usually be found to contain a sufficient bibliography of the particular work under consideration. LETTERS AND MEMOIRSIt was the opinion of Goethe that Schiller's style was at its best in his letters (see Eckermann's GesprÄche, 14. April, 1824). Letters of Schiller, including some forged ones to Karl Moser, began to get into print in the early years of the nineteenth century, and as interest increased the publications became exceedingly numerous (see the extensive bibliography in Goedeke's Grundrisz, V. 98 ff.). So far as the authentic letters of Schiller himself are concerned, these separate publications have now been superseded by the admirable work of F. Jonas, Schillers Briefe, Kritische Gesamtausgabe, 7 vols., Stuttgart, 1892 ff. It only remains, therefore, to make note of the more important publications that contain correspondence, or reminiscences having a biographical value. They are as follows: Briefwechsel zwischen Schiller und Goethe, mit einer Einleitung von F. Muncker, Stuttgart, 1893. The correspondence is also to be had, edited by Vollmer, in Cotta's Bibliothek der Weltlitteratur. It was first published in 1828-9 in 6 vols. Briefwechsel zwischen Schiller und Wilhelm von Humboldt, dritte vermehrte Ausgabe mit Anmerkungen von A. Leitzmann, Stuttgart, 1900. First published in 1830, with a Vorerinnerung by Von Humboldt. Schillers Briefwechsel mit KÖrner, herausgegeben von K. Goedeke, Leipzig, 1874; also a later edition by L. Geiger, Stuttgart, 1893. The correspondence was first published in 1847 and soon after translated into English by Simpson, 3 vols., London, 1849. Schiller und Lotte, dritte, den ganzen Briefwechsel umfassende Ausgabe, von W. Fielitz, Stuttgart, 1879; later edition, also by Fielitz, 1893. First published in 1856. Karl Augusts erstes AnknÜpfen mit Schiller, Stuttgart, 1857, edited by Schillers Beziehungen zu Eltern, Geschwistern und der Familie von Charlotte von Schiller und ihre Freunde, herausgegeben von L. Urlichs, 3 vols., Stuttgart, 1860-5. Briefwechsel zwischen Schiller and Iffland, herausgegeben von F. Briefwechsel zwischen Schiller und seiner Schwester Christophine, herausgegeben von W. von Maltzahn, Leipzig, 1875. Schillers Briefwechsel mit dem Herzog von Augustenburg, herausgegeben von Max MÜller, Berlin, 1875. GeschÄftsbriefe Schillers, gesammelt, erlÄutert und herausgegeben von K. Briefwechsel zwischen Schiller und Cotta, herausgegeben von W. Vollmer, To these may be added—here better than elsewhere: Charlotte von Kalb und ihre Beziehungen zu Goethe und Schiller, von E. BIOGRAPHYThe first account of Schiller by a conscientious and competent writer was that by KÖrner, which accompanied his edition of 1812-15. This, however, was a mere sketch. In 1825 Carlyle published his Life of Schiller at London, and a few years later the book was translated into German and supplied with an introduction by Goethe. It was based on very imperfect information, but was an inspiring work of genius nevertheless. It is now more valuable as a Carlyle document than as a Schiller-document. In 1830 Karoline von Wolzogen, Schiller's sister-in-law, published her memoir of the poet, which is now to be had in Cotta's Bibliothek der Weltlitteratur. It contained a large number of authentic letters and was based upon an intimate personal acquaintance dating from the year 1787. For the earlier years data were furnished by friends and relatives. The little book has many excellencies, but the portrait of Schiller, as it came from the hands of the talented but aging Baroness, is a shade too idealistic and sentimental. Of his virile youth one gets hardly an inkling. The year 1836 brought a valuable contribution to the knowledge of From this time on the biographies are numerous. A mediocre one by Doering, first published in 1832, was often reprinted in subsequent years. Between 1838 and 1842 appeared Schillers Leben, Geistesentwickelung und Werke im Zusammenhang, von Karl Hoffmeister. This monumental work of scholarship, in five volumes, has been indispensable to later biographers, however they might differ with Hoffmeister in matters of critical estimate. Hoffmeister's learned work was made the basis of a more popular biography by H. Viehoff, which appeared first in 1846. A new and revised edition was published in 1875. Of the shorter and more popular biographies which appeared down to 1859, it may suffice to mention those by G. Schwab (1840) and J.W. SchÄfer (1853). The sketch by Bulwer, which accompanied his translation of Schiller's poems, London, 1844, was based mainly on Hoffmeister and Schwab. The great Schiller-festival of 1859 called forth a mass of literature of which the titles fill ten octavo pages in Goedeke's Grundrisz. Of the longer biographies dating from this period the most important are that by J. Scherr, Schiller and seine Zeit, Leipzig, 1859 (English translation by Elizabeth MacLellan, Philadelphia, 1881), and that by E. Palleske, Schillers Leben und Werke, Berlin, 1858-9. Palleske's work, of which an English translation by Lady Wallace appeared in London in 1860, soon attained a remarkable popularity, which it still enjoys with some abatement. It is the work of a conscientious Schiller enthusiast, written with great warmth of feeling and great fulness of biographical detail, but not strong on the critical side. A twelfth edition, somewhat popularized by H. Fischer, appeared in 1886, a fifteenth edition in 1900. For some twenty years Palleske and Scherr held the field in Germany without serious competition, and then a new crop of biographies began to appear. That of H. DÜntzer, Schillers Leben, mit 46 Illustrationen und 5 Beilagen, Leipzig, 1881 (English translation by Pinkerton, London, 1883), retold the familiar story in a style less attractive than that of Palleske, and without adding anything of great importance in the way of critical appreciation. The same may be said of the biography by C. Hepp, Leipzig, 1885. Of an entirely different character are the contributions of Weltrich, Minor, and Brahm, which are essentially works of historico-critical interpretation. Unfortunately, however, they were begun on a scale of such magnitude, and with such an uncompromising respect for the infinitely little, that there is small prospect of their completion. Of the work of Weltrich, Friedrich Schiller, Geschichte seines Lebens und Charakteristik seiner Werke, unter kritischem Nachweis der biographischen Quellen, the first installment appeared in 1885, the second in 1891, and the third (completing the first volume) in 1899. The work of Minor, Schiller, sein Leben und seine Werke, of which two volumes appeared in 1890, ends with a discussion of 'Don Carlos'. More readable, but proportionally less thorough than either of these, is the work of Brahm, of which the second volume, first part, appeared in 1892, bringing the story down through Schiller's Kantian period. The learnedly philological character of the works just mentioned, together with their incompleteness, left room enough for further attempts at a popular biography of Schiller. This demand has been met in recent years by Wychgram, whose well-written and handsomely illustrated Schiller, Leipzig, 1891, is worthy of high commendation; and also by the little book of Harnack, Berlin, 1898 (one of the 'Geisteshelden' series), which is admirable within the limits set. Of the short biographies in English the best are those of Boyesen, Goethe and Schiller, New York, 1882, and Sime, Schiller, London, 1882. That of Nevinson, London, 1889 (one of the 'Great Writers' series), contains, along with much sound criticism, a good deal that is rather too peremptory and unsympathetic. CRITICISMThe following notes take no account of criticism contained in the general histories of German literature and philosophy, nor of the multitudinous articles, essays, reviews, programs and dissertations relating to particular works. Plays.—The best treatise on the plays as a whole is that of Bellermann, Schillers Dramen, 2nd edition, 2 vols., Berlin, 1898-9. Bellermann's point of view is that of a learned dramatic critic and expounder. He writes as a warm admirer of Schiller and is at his best when defending him against ill-grounded censures. Occasionally his friendly partisanship carries him a little too far.—A good discussion from the dramatic and histrionic point of view is contained in Bulthaupt, Dramaturgie des Schauspiels, 5th edition, Oldenburg, 1891.—The Studien zu Schillers Dramen, by W. Fielitz, Leipzig, 1876, are excellent, but relate only to 'Wallenstein', 'Maria Stuart' and 'The Maid of Orleans'.—Suggestive and eminently readable is Werder, Vorlesungen Über Wallenstein, Berlin, 1889.—Rather more valuable for facts than for criticism are the Schiller volumes of DÜntzers ErlÄuterungen zu den deutschen Klassikern (beginning in 1876).—References to Schiller are numerous in Freytag, Die Technik des Dramas (first edition in 1859), and also in the Shakespeare-Studien of Otto Ludwig (edited by Heyderich, 1872).—On the work of Schiller as translator and adapter consult A. KÖster, Schiller als Dramaturg, Berlin, 1891.—An up-to-date French treatise on the early plays is that of Kontz, Les drames de la jeunesse de Schiller, Paris, 1899. Poems.—Viehoff, Schillers Gedichte erlÄutert, und auf ihre Veranlassungen, Quellen und Vorbilder zurÜckgefÜhrt, 7th edition, Stuttgart, 1895.—Hauff, Schillerstudien, Stuttgart, 1880.—Philippi, Schillers Lyrische Gedankendichtung in ihrem ideellen Zusammenhange beleuchtet, Augsburg, 1888.—Helene Lange, Schillers Philosophische Gedichte, sechs VortrÄge, Berlin, 1887.—Schiller als Lyrischer Dichter in DÜntzers ErlÄuterungen.—Considerable commentary is contained in The Poems and Ballads of Schiller translated by Sir Edward Bulwer Lytton, 1st edition, London, 1844.—On the Xenia consult, in addition to the edition by Schmidt and Suphan, Boas, Schiller und Goethe im Xenienkampf, Stuttgart, 1851. Historical Writings.—Tomaschek, Schiller in seinem VerhÄltnisse zur Wissenschaft; von der kaiserlichen Akademie der Wissenschaften zu Wien gekrÖnte Preisschrift, Wien, 1862.—Janssen, Schiller als Historiker, 2nd edition, Freiburg, 1879.—Ueberweg, Schiller als Historiker und Philosoph, Leipzig, 1884 (written, however, in 1859 in competition for the prize of the Vienna Academy, which was won by Tomaschek). Philosophical Writings.—Harnack, Die klassische Aesthetik der Deutschen, WÜrdigung der kunsttheoretischen Arbeiten Schillers, Goethes und ihrer Freunde, Leipzig, 1892.—Berger, K. (pseudonym for Adolf Wechssler), Die Entwickelung von Schillers Aesthetik, Weimar, 1894.—KÜhnemann, Die Kantischen Studien Schillers und die Komposition des 'Wallenstein', Marburg, 1889.—Gneisse, Schillers Lehre von der aesthetischen Wahrnehmung, Berlin, 1893. Zimmermann, Schiller als Denker, 1859.—The works of Tomaschek and Ueberweg (see above under 'Historical Writings') deal also with Schiller as a philosophic thinker. Miscellaneous.—Fischer, Schiller-Schriften, Heidelberg, 1891 (revised edition of earlier studies comprising Schillers Jugend- und Wanderjahre in Selbstbekenntnissen, Schiller als Komiker, and Schiller als Philosoph).—Belling, Die Metrik Schillers, Breslau, 1883.—Rudolph, Schiller-Lexikon, ErlÄuterndes WÖrterbuch zu Schillers Dichterwerken, 2 vols., Berlin, 1890.—Rieger, Schillers VerhÄltnis zur franzÖsischen Revolution, Wien, 1885.—Pietsch, Schiller als Kritiker, KÖnigsberg, 1898.—Mauerhof, Schiller und Heinrich von Kleist, ZÜrich und Leipzig (no date).—Ehrlich, Goethe und Schiller, Berlin, 1897.—Portig, Schiller in seinem VerhÄltnis zur Freundschaft und Liebe, sowie in seinem inneren VerhÄltnis zu Goethe, Hamburg, 1894 (long-winded and amorphous, but useful in places). 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