  - Achilles, modern, questioning Ulysses, 189
- After-harvest, stillness of, 99
- Aphrodite, 169
- Apollo and Pan, 27
- Apple blossom, 166-169
- Ash-tree, solitary, dying, endiademed with woe, 53, 54;
- how its leaves are shed, 124
- August, 73-76;
- Nature’s perfect poise, 73;
- cool places in, 73;
- the woods in, 75
- Autumn, 176
- Autumn bells, 174, 175
- Autumn garden, an, 93-96, 174, 175;
- farmhouse the royal flower of, 93;
- a farmer’s love of his, 95
- Ballad, a pathetic, described, 207, 208;
- on the horse, 190, 237
- Ballads and folk-songs, 206-208;
- their words and melodies richest in immortal symbols, 206, 207
- Barge, a black, 143-145;
- its strange cargo, 145
- Beech wood, a, 166
- Birdnesting, 60
- “Blue Bell,” the cosmic melody, 194
- Bodleian Library, August in, 73
- Books, a night with, 118
- Boy, long thoughts of, 3
- Brook, the, 88-92;
- its insect, mineral, and plant life, 88-91;
- its meandering course, 91, 92
- Burns, Robert, prejudice against his poetry for epitaphs, 114
- Calm, effect of, 2
- Carbonek, castle of, 225-232;
- now only a ruined crag, 226;
- dreary outlook from, 226;
- and Sir Launcelot’s vision, 229-232
- Cassiopeia, the constellation, 194
- Catullus, love of, song suggestive of, 208
- Centaur, farmer on horse compared to, 66
- Chalk hills, the, 171
- Cherry blossom, 153, 154
- Cherry of Zennor, Hunt’s story of, 198-201;
- her dissatisfaction with home, 199;
- her strange adventure, 199;
- her curiosity and its consequences, 200, 201
- Church bells, 176
- Church, decorated, description of,
al">8;
- river, seen from bridge, 8;
- names of streets an epitome of the world and time, 9;
- can it be told? 188, 189;
- The Soul of London, 188
- Love-race in a moonlit harvest-field, 201-204
- Lover’s game, children playing at, 59
- Lycius, Corinthian, and Lamia, 226
- Malory’s story of Sir Launcelot and the Sangreal, 228
- Marbles and Good Friday, 60
- March doubts, 37-40
- March haul, a, 211, 213
- Marlowe, love of, song suggestive of, 208
- Marsh, the, 220-222
- “Mary, come into the Field,” a peasant song, 34, 35, 237, 238
- Maypole, the village, 70
- Meadowland, 56-63;
- pastoral inhabitants of, 58
- Meadow-sweet, the, 75
- Men prisons to themselves, 7
- Meredith, Arabella, old man’s love-story concerning, 157-163;
- her prowess in the hunting-field, 158;
- her proposal of marriage, 159;
- at the Fair, 161;
- her lover’s daring swim, 162, 163;
- her death, 163
- Merediths, the, 157
- Metamorphosis of the trees, 124
- Mind, pool an image of the, 154
- Moon, reign of, 153, 154
- Moor and fell, 184
- Moor, under the, 198-201
- Moorhen, the home of the, 85
- Morning, pride of the, 121-123
- Morteise, water of, Sir Launcelot at the, 228
- Mountainous country, scene in, 183
- Mountains haunting the day, 184
- Mowing, extraordinary day’s work at, 80, 81;
- song, 11, 235
- Music, the romantic cry of matter striving to become spirit, 206
- Myratana and blind Tiriel, 226
- Names, of streets, an epitome, 9;
- of inns, rich in suggestion, 9
- Nature, sorrowing, 5;
- a philosopher of, 12;
- beauties of, at dawn, 15, 16, 119
- No man’s garden, 97-99
- Watercress-man, 2;
- conversation with, 11-15;
- as philosopher and flower-seller, 12;
- as landscape-painter, 12-13
- Water-mill, deserted, 97
- Wayfarer, the, 121
- Winter morning, a, 146
- Wood at sunrise, 44;
- antiquity of, 46;
- youth of, 47;
- an old, beauties of, 49-51;
- memories evoked by, 51;
- a triangular, 139
- Woodland walk, 26, 27, 44-51
- World, still primitive, the, 143
- Worshipper, modern and ancient gods, 42, 43
- Yeoman of long ancestry, 156;
- and Enid, his betrothed, 157, 160, 164
- Youth, wood of, 47
Richard Clay & Sons, Limited, London and Bungay.
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