An old Roman kalendar, cited by Brand (Pop. Antiq. 1849, vol. i. p. 216), says that on the 30th of April boys go to seek the May-trees (Maii arbores a pueris exquiruntur), and in Dryden’s time this early observance of May seems to have been customary; one of his heroines

Cornwall.

At Penzance a number of young men and women assemble together at a public-house, and sit up till the clock strikes twelve, when they go round the town with violins, drums, and other instruments, and by sound of music call upon others to join them. As soon as the party is formed, they proceed to different farm-houses within four or five miles of the neighbourhood, where they are expected as regularly as May morning comes; and they there partake of a beverage called junket, made of raw milk and rennet, or running, as it is called, sweetened with sugar, and a little cream added. After this they take tea, and “heavy country cake,” composed of flour, cream, sugar, and currants, then partake of rum and milk, and conclude with a dance. After thus regaling themselves they gather the May. While some are breaking down the boughs, others sit and make the “May-music.” This is done by cutting a circle through the bark at a certain distance from the bottom of the May branches; then, by gently and regularly tapping the bark all round from the cut circle to the end, the bark becomes loosened, and slips away whole from the wood, and a hole being cut in the pipe, it is easily formed to emit a sound when blown through and becomes a whistle. The gathering and the “May-music” being finished, they then “bring home the May” by five or six o’clock in the morning, with the band playing and their whistles blowing. After dancing throughout the town they go to their respective employments. Although May-day should fall on a Sunday, they observe the same practice in all respects, with the omission of dancing in the town.—Every Day Book, vol. i. p. 561.

Devonshire.

On the last day of April, the proprietor of every flower-garden in the neighbourhood of Torquay receives visits from a great number of girls, who solicit “some flowers for the May-dolls.” This is usually complied with, and at no great cost, as flowers are commonly very abundant. Soon after nine o’clock on May-day, or the day following when that falls on Sunday, the same young folk call at every house, and stop everyone they meet, to show their May-dolls, collecting, at the same time, such small gratuities as may be offered.—Once a Week, Sept. 24th, 1870.

Huntingdonshire.

At Great Gransden on the evening or night preceding May-day, the young men (farmers’ servants) go and cut the May or hawthorn boughs, which they bring home in bundles, and leave some at almost every house, according to the numbers of young persons in it, singing what they call The Night Song. On the evening of May-day, and the following evenings, they go round to every house where they left a bough, and sing the May Song. One is dressed with a shirt over his other clothes, and decorated with ribbons, and is called the May Lord, another in girls’ clothes, is called the May Lady, or Mary. One has a handkerchief on a pole or stick as a flag, whose business is to keep off the crowd. The rest have ribbons in their hats. The money collected is spent in a feast of plum cake, bread and cheese, and tea.

Lancashire.

The evening before May-day is termed “Mischief Night” by the young people of Burnley and the surrounding district, when all kinds of mischief are perpetrated. Formerly shop-keepers’ sign-boards were exchanged: “John Smith, Grocer,” finding his name and vocation changed, by the sign over his door, to “Thomas Jones, Tailor,” and vice versÂ; but the police have put an end to these practical jokes. Young men and women, however, still continue to play each other tricks by placing branches of trees, shrubs, or flowers under each others’ windows, or before their doors. All these have a symbolical meaning, as significant, if not always as complimentary, as “the Language of Flowers.” Thus “a thorn” implies “scorn;” “wicken” (the mountain ash), “my dear chicken;” “a bramble,” for one who likes to ramble, &c. Much ill-feeling is at times engendered by this custom.—Harland and Wilkinson, Lancashire Folk Lore, 1867, p. 239; see N. & Q. 1st S. vol. v. p. 580; 4th S. vol. vii. p. 525.

While reading one evening towards the close of April 1861, says a writer in the Book of Days (vol. i. p. 546), I was on a sudden aware of a party of waits or carollers who had taken their stand on the lawn in my garden,[41] and were serenading the family with a song. There were four singers, accompanied by a flute and a clarionet, and together they discoursed most simple and rustic music. I was at a loss to divine the occasion of this loyal custom, seeing the time was not within any of the great festivals, Easter, May-day, or Whitsuntide. Inquiry resulted in my obtaining from an old “Mayer” the words of two songs, called by the singers themselves “May Songs,” though the rule and custom are that they must be sung before the 1st of May. My chief informant, an elderly man named Job Knight, tells me that he went out a May-singing for about fourteen years, but has now left it off. He says that the Mayers usually commence their singing-rounds about the middle of April, though some parties start as early as the beginning of that month. The singing invariably ceases on the evening of the 30th of April. Job says he can remember the custom for about thirty years, and he never heard any other than the two songs which follow. These are usually sung, he says, by five or six men, with a fiddle or flute and clarionet accompaniment. The songs are verbally as recited by Job Knight, the first of which leaves marks of some antiquity, both in construction and phraseology. There is its double refrain—the second and fourth lines in every stanza—which both musically and poetically are far superior to the others. Its quaint picture of manners, the worshipful master of the house in his chain of gold, the mistress with gold along her breast, &c., the phrases “house and harbour,” “riches and store,”—all seem to point to earlier times. The last line of this song appears to convey its object and to indicate a simple superstition that these songs were charms to draw or drive “these cold winters away.” There are several lines in both songs, in which the sense, no less than the rhythm, seems to have been marred from the songs having been handed down by oral tradition alone, but I have not ventured on any alteration.

[41] In the hamlet of Swinton, township of Worsley, parish of Eccles.