Henry Osborn Taylor

(Continued)

CHAPTER XXV

THE HEART OF HELOÏSE

The romantic growth and imaginative shaping of chivalric love having been followed in the fortunes of its great exemplars, Tristan, Iseult, Lancelot, Guinevere, Parzival, a different illustration of mediaeval passion may be had by turning from these creations of literature to an actual woman, whose love for a living man was thought out as keenly and as tragically felt as any heart-break of imagined lovers, and was impressed with as entire a self-surrender as ever ravished the soul of nun panting with love of the God-man.

There has never been a passion between a man and woman more famous than that which brought happiness and sorrow to the lives of Abaelard and HeloÏse. Here fame is just. It was a great love, and its course was a perfect soul’s tragedy. Abaelard was a celebrity, the intellectual glory of an active-minded epoch. His love-story has done as much for his posthumous fame as all his intellectual activities. HeloÏse became known in her time through her relations with Abaelard; in his songs her name was wafted far. She has come down to us as one of the world’s love-heroines. Yet few of those who have been touched by her story have known that HeloÏse was a great woman, possessed of an admirable mind, a character which proved its strength through years, and, above all, a capacity for loving—for loving out to the full conclusions of love’s convictions, and for feeling in their full range and power whatever moods and emotions could arise from an unhappy situation and a passion as deeply felt as it was deeply thought upon.Abaelard was not a great character—aside from his intellect. He was vain and inconsiderate, a man who delighted in confounding and supplanting his teachers, and in being a thorn in the flesh of all opponents. But he became chastened through his misfortunes and through HeloÏse’s high and self-sacrificing love. In the end, perhaps, his love was worthy of the love of HeloÏse. Yet her love from the beginning was nobler and deeper than his love of her. Love was for him an incident in his experience, then an element in his life. Love made the life of HeloÏse; it remained her all. Moreover, in the records of their passion, HeloÏse’s love is unveiled as Abaelard’s is not. For all these reasons, the heart of HeloÏse rather than the heart of Abaelard discloses the greatness of a love that wept itself out in the twelfth century, and it is her love rather than his that can teach us much regarding the mediaeval capacity for loving. Hers is a story of mediaeval womanhood, and sin, and repentance perhaps, with peace at last, or at least the lips shut close and further protest foregone.

Abaelard’s stormy intellectual career[1] and the story of the love between him and the canon’s niece are well known. Let us follow him in those parts of his narrative which disclose the depth and power of HeloÏse’s love for him. We draw from his Historia calamitatum, written “to a friend,” apparently an open letter intended to circulate.

“There was,” writes he, referring to the time of his sojourn in Paris, when he was about thirty-six years old, and at the height of his fame as a lecturer in the schools—

“There was in Paris a young girl named HeloÏse, the niece of a canon, Fulbert. It was his affectionate wish that she should have the best education in letters that could be procured. Her face was not unfair, and her knowledge was unequalled. This attainment, so rare in women, had given her great reputation.

“I had hitherto lived continently, but now was casting my eyes about, and I saw that she possessed every attraction that lovers seek; nor did I regard my success as doubtful, when I considered my fame and my goodly person, and also her love of letters. Inflamed with love, I thought how I could best become intimate with her. It occurred to me to obtain lodgings with her uncle, on the plea that household cares distracted me from study. Friends quickly brought this about, the old man being miserly and yet desirous of instruction for his niece. He eagerly entrusted her to my tutorship, and begged me to give her all the time I could take from my lectures, authorizing me to see her at any hour of the day or night, and punish her when necessary. I marvelled with what simplicity he confided a tender lamb to a hungry wolf. As he had given me authority to punish her, I saw that if caresses would not win my object, I could bend her by threats and blows. Doubtless he was misled by love of his niece and my own good reputation. Well, what need to say more: we were united first by the one roof above us, and then by our hearts. Our hours of study were given to love. The books lay open, but our words were of love rather than philosophy, there were more kisses than aphorisms; and love was oftener reflected in our eyes than the lettered page. To avert suspicion, I struck her occasionally—very gentle blows of love. The joy of love, new to us both, brought no satiety. The more I was taken up with this pleasure, the less time I gave to philosophy and the schools—how tiresome had all that become! I became unproductive, merely repeating my old lectures, and if I composed any verses, love was their subject, and not the secrets of philosophy; you know how popular and widely sung these have become. But the students! what groans and laments arose from them at my distraction! A passion so plain was not to be concealed; every one knew of it except Fulbert. A man is often the last to know of his own shame. Yet what everybody knows cannot be hid forever, and so after some months he learned all. Oh how bitter was that uncle’s grief! and what was the grief of the separated lovers! How ashamed I was, and afflicted at the affliction of the girl! And what a storm of sorrow came over her at my disgrace. Neither complained for himself, but each grieved at what the other must endure.”

Although Abaelard was moved at the plight of HeloÏse, he bitterly felt his own discomfiture in the eyes of the once admiring world. But the sentence touching HeloÏse is a first true note of her devoted love: what a storm of sorrow (moeroris aestus) came over her at my disgrace. Through this trouble and woe, HeloÏse never thought of her own pain save as it pained her to be the source of grief to Abaelard.

Abaelard continues:

“The separation of our bodies joined our souls more closely and inflamed our love. Shame spent itself and made us unashamed, so small a thing it seemed compared with satisfying love. Not long afterwards the girl knew that she was to be a mother, and in the greatest exultation wrote and asked me to advise what she should do. One night, as we agreed on, when Fulbert was away I bore her off secretly and sent her to my own country, Brittany, where she stayed with my sister till she gave birth to a son, whom she named Astralabius.

“The uncle, on his return to his empty house, was frantic. He did not know what to do to me. If he should kill or do me some bodily injury, he feared lest his niece, whom he loved, would suffer for it among my people in Brittany. He could not seize me, as I was prepared against all attempts. At length, pitying his anguish, and feeling remorse at having caused it, I went to him as a suppliant and promised whatever satisfaction he should demand. I assured him that nothing in my conduct would seem remarkable to any one who had felt the strength of love or would take the pains to recall how many of the greatest men had been thrown down by women, ever since the world began. Whereupon I offered him a satisfaction greater than he could have hoped, to wit, that I would marry her whom I had corrupted, if only the marriage might be kept secret so that it should not injure me in the minds of men. He agreed and pledged his faith, and the faith of his friends, and sealed with kisses the reconciliation which I had sought—so that he might more easily betray me!”

It will be remembered that Abaelard was a clerk, a clericus, in virtue of his profession of letters and theology. Never having taken orders, he could marry; but while a clerk’s slip could be forgotten, marriage might lead people to think he had slighted his vocation, and would certainly bar the ecclesiastical preferment which such a famous clericus might naturally look forward to. Nevertheless, he at once set out to fetch HeloÏse from Brittany, to make her his wife.

The stand which she now took shows both her mind and heart:

“She strongly disapproved, and urged two reasons against the marriage, to wit, the danger and the disgrace in which it would involve me. She swore—and so it proved—that no satisfaction would ever appease her uncle. She asked how she was to have any glory through me when she should have made me inglorious, and should have humiliated both herself and me. What penalties would the world exact from her if she deprived it of such a luminary; what curses, what damage to the Church, what lamentations of philosophers, would follow on this marriage. How indecent, how lamentable would it be for a man whom nature had made for all, to declare that he belonged to one woman, and subject himself to such shame. From her soul, she detested this marriage which would be so utterly ignominious for me, and a burden to me. She expatiated on the disgrace and inconvenience of matrimony for me and quoted the Apostle Paul exhorting men to shun it. If I would not take the apostle’s advice or listen to what the saints had said regarding the matrimonial yoke, I should at least pay attention to the philosophers—to Theophrastus’s words upon the intolerable evils of marriage, and to the refusal of Cicero to take a wife after he had divorced Terentia, when he said that he could not devote himself to a wife and philosophy at the same time. ‘Or,’ she continued, laying aside the disaccord between study and a wife, ‘consider what a married man’s establishment would be to you. What sweet accord there would be between the schools and domestics, between copyists and cradles, between books and distaffs, between pen and spindle! Who, engaged in religious or philosophical meditations, could endure a baby’s crying and the nurse’s ditties stilling it, and all the noise of servants? Could you put up with the dirty ways of children? The rich can, you say, with their palaces and apartments of all kinds; their wealth does not feel the expense or the daily care and annoyance. But I say, the state of the rich is not that of philosophers; nor have men entangled in riches and affairs any time for the study of Scripture or philosophy. The renowned philosophers of old, despising the world, fleeing rather than relinquishing it, forbade themselves all pleasures, and reposed in the embraces of philosophy.’”

Speaking thus, HeloÏse fortified her argument with quotations from Seneca, and the examples of Jewish and Gentile worthies and Christian saints, and continued:

“It is not for me to point out—for I would not be thought to instruct Minerva—how soberly and continently all these men lived who, according to Augustine and others, were called philosophers as much for their way of life as or their knowledge. If laymen and Gentiles, bound by no profession of religion, lived thus, surely you, a clerk and canon, should not prefer low pleasures to sacred duties, nor let yourself be sucked down by this Charybdis and smothered in filth inextricably. If you do not value the privilege of a clerk, at least defend the dignity of a philosopher. If reverence for God be despised, still let love of decency temper immodesty. Remember, Socrates was tied to a wife, and through a nasty accident wiped out this blot upon philosophy, that others afterwards might be more cautious; which Jerome relates in his book against Jovinianus, how once when enduring a storm of Xanthippe’s clamours from the floor above, he was ducked with slops, and simply said, ‘I knew such thunder would bring rain.’“Finally she said that it would be dangerous for me to take her back to Paris; it was more becoming to me, and sweeter to her, to be called my mistress, so that affection alone might keep me hers and not the binding power of any matrimonial chain; and if we should be separated for a time, our joys at meeting would be the dearer for their rarity. When at last with all her persuasions and dissuasions she could not turn me from my folly, and could not bear to offend me, with a burst of tears she ended in these words: ‘One thing is left: in the ruin of us both the grief which follows shall not be less than the love which went before.’ Nor did she here lack the spirit of prophecy.”

HeloÏse’s reasonings show love great and true and her absolute devotion to Abaelard’s interests. None the less striking is her clear intelligence. She reasoned correctly; she was right, the marriage would do great harm to Abaelard and little good to her. We see this too, if we lay aside our sense of the ennobling purity of marriage—a sentiment not commonly felt in the twelfth century. Marriage was holy in the mind of Christ. But it did not preserve its holiness through the centuries which saw the rise of monasticism and priestly celibacy. A way of life is not pure and holy when another way is holier and purer; this is peculiarly true in Christianity, which demands the ideal best with such intensity as to cast reflection on whatever falls below the highest standard. From the time of the barbarian inroads, on through the Carolingian periods, and into the later Middle Ages, there was enough barbarism and brutality to prevent the preservation, or impede the development, of a high standard of marriage. Not monasticism, but his own half-barbarian, lustful heart led Charlemagne to marry and remarry at will, and have many mistresses besides. It was the same with the countless barons and mediaeval kings, rude and half civilized. This was barbarous lust, not due to the influence of monasticism. But, on the other hand, it was always the virgin or celibate state that the Church held before the eyes of all this semi-barbarous laity as the ideal for a Christian man or woman. The Church sanctioned marriage, but hardly lauded it or held it up as a condition in which lives of holiness and purity could be led. Such were the sentiments in which HeloÏse was born and bred. They were subconscious factors in her thoughts regarding herself and her lover. Devoted and unselfish was her love; undoubtedly HeloÏse would have sacrificed herself for Abaelard under any social conditions. Nevertheless, with her, marriage added little to love; it was a mere formal and binding authorization; love was no purer for it. To her mind, for a man in Abaelard’s situation to be entangled in a temporary amour was better than to be chained to his passion, with his career irrevocably ruined, in marriage. In so far as her thoughts or Abaelard’s were influenced by the environment of priestly thinking, marriage would seem a rendering permanent of a passionate and sinful state, which it were best to cast off altogether. For herself, as she said truly, the marriage would bring obloquy rather than reinstatement. She had been mistress to a clerk; marriage would make her the partner of his abandonment of his vocation, the accomplice of broken purposes if not of broken vows. And finally, as there was then no line of disgrace as now between bastard and lawful issue, HeloÏse had no thought that the interests of her son demanded that his mother should become his father’s wife.

“Leaving our son in my sister’s care, we stole back to Paris, and shortly after, having in the night celebrated our vigils in a certain church, we were married at dawn in the presence of her uncle and some of his and our friends. We left at once separately and with secrecy, and afterwards saw each other only in privacy, so as to conceal what we had done. But her uncle and his household began at once to announce the marriage and violate his word; while she, on the contrary, protested vehemently and swore that it was false. At that he became enraged and treated her vilely. When I discovered this I sent her to the convent of Argenteuil, near Paris, where she had been educated. There I had her take the garb of a nun, except the veil. Hearing this, the uncle and his relations thought that I had duped them, ridding myself of HeloÏse by making her a nun. So having bribed my servant, they came upon me by night, when I was sleeping, and took on me a vengeance as cruel and irretrievable as it was vile and shameful. Two of the perpetrators were pursued and vengeance taken.

“In the morning the whole town was assembled, crying and lamenting my plight, especially the clerks and students; at which I was afflicted with more shame than I suffered physical pain. I thought of my ruined hopes and glory, and then saw that by God’s just judgment I was punished where I had most sinned, and that Fulbert had justly avenged treachery with treachery. But what a figure I should cut in public! how the world would point its finger at me! I was also confounded at the thought of the Levitical law, according to which I had become an abomination to the Church.[2] In this misery the confusion of shame—I confess it—rather than the ardour of conversion drove me to the cover of the cloister, after she had willingly obeyed my command to take the veil. I became a monk in the abbey of St. Denis, and she a nun in the convent of Argenteuil. Many begged her not to set that yoke upon her youth; at which, amid her tears, she broke out in Cornelia’s lament: ‘O great husband! undeserving of my couch! Has fortune rights over a head so high? Why did I, impious, marry thee to make thee wretched? Accept these penalties, which I gladly pay.’[3] With these words, she went straight to the altar, received the veil blessed by the bishop, and took the vows before them all.”

Abaelard’s Historia calamitatum now turns to troubles having no connection with HeloÏse: his difficulties with the monks of St. Denis, with other monks, with every one, in fact, except his scholars; his arraignment before the Council of Soissons, the public burning of his book, De Unitate et Trinitate divina, and various other troubles, till, seeking a retreat, he constructed an oratory on the bank of the Ardisson. He named it the Paraclete, and there he taught and lectured. He was afterwards elected abbot of a monastery in Brittany, where he discovered that those under him were savage beasts rather than monks. Here the Historia calamitatum was written.

The monks of St. Denis had never ceased to hate Abaelard for his assertion that their great Saint was not really Dionysius the Areopagite who heard Paul preach. Their abbot now brought forward and proved an ancient title to the land where stood the convent of Argenteuil, “in which,” to resume Abaelard’s account,

“she, once my wife, now my sister in Christ, had taken the veil, and was at this time prioress. The nuns were rudely driven out. News of this came to me as a suggestion from the Lord to bethink me of the deserted Paraclete. Going thither, I invited HeloÏse and her nuns to come and take possession. They accepted, and I gave it to them. Afterward Pope Innocent II. confirmed this grant to them and their successors in perpetuity. There for a time they lived in want; but soon the Divine Pity showed itself the true Paraclete, and moved the people of the neighbourhood to take compassion on them, and they soon knew no lack. Indeed as women are the weaker sex, their need moves men more readily to pity, and their virtues are the more grateful to both God and man. And on our sister the Lord bestowed such favour in the eyes of all, that the bishops loved her as a daughter, the abbots as a sister, the laity as a mother; and all wondered at her piety, her wisdom, and her gentle patience in everything. She rarely let herself be seen, that she might devote herself more wholly to prayers and meditations in her cell; but all the more persistently people sought her spiritual counsel.”

What were those meditations and those prayers uttered or unuttered in that cell? They did not always refer to the kingdom of heaven, judging from the abbess’s first letter to her former lover. After the installation of HeloÏse and her nuns, Abaelard rarely visited the Paraclete, although his advice and instruction was desired there. His visits gave rise to too much scandal. In the course of time, however, the Historia calamitatum came into the hands of HeloÏse, and occasioned this letter, which seems to issue forth out of a long silence; ten years had passed since she became a nun. The superscription is as follows:

“To her master, rather to a father, to her husband, rather to a brother, his maid or rather daughter, his wife or rather sister, to Abaelard, HeloÏse.

“Your letter, beloved, written to comfort a friend, chanced recently to reach me. Seeing by its first lines from whom it was, I burned to read it for the love I bear the writer, hoping also from its words to recreate an image of him whose life I have ruined. Those words dropped gall and absinthe as they brought back the unhappy story of our intercourse and thy ceaseless crosses, O my only one. Truly the letter must have convinced the friend that his troubles were light compared with yours, as you showed the treachery and persecutions which had followed you, the calumnies of enemies and the burning of your glorious book, the machinations of false brothers, and the vile acts of those worthless monks whom you call your sons. No one could read it with dry eyes. Your perils have renewed my griefs; here we all despair of your life and each day with trembling hearts expect news of your death. In the name of Christ, who so far has somehow preserved thee for himself, deign with frequent letters to let these weak servants of Him and thee know of the storms overwhelming the swimmer, so that we who alone remain to thee may be participators of thy pain or joy. One who grieves may gain consolation from those grieving with him; a burden borne by many is more lightly borne. And if this tempest abates, how happy shall we be to know it. Whatever the letters may contain they will show at least that we are not forgotten. Has not Seneca said in his letter to Lucilius, that the letters of an absent friend are sweet? When no malice can stop your giving us this much of you, do not let neglect prove a bar.

“You have written that long letter to console a friend with the story of your own misfortunes, and have thereby roused our grief and added to our desolation. Heal these new wounds. You owe to us a deeper debt of friendship than to him, for we are not only friends, but friends the dearest, and your daughters. After God, you alone are the founder of this place, the builder of this oratory and of this congregation. This new plantation for a holy purpose is your own; the delicate plants need frequent watering. He who gives so much to his enemies, should consider his daughters. Or, leaving out the others here, think how this is owing me from thee: what thou owest to all women under vows, thou shalt pay more devotedly to thine only one. How many books have the holy fathers written for holy women, for their exhortation and instruction! I marvel at thy forgetfulness of these frail beginnings of our conversion. Neither respect of God nor love of us nor the example of the blessed fathers, has led thee by speech or letter to console me, cast about, and consumed with grief. This obligation was the stronger, because the sacrament of marriage joined thee to me, and I—every one sees it—cling to thee with unmeasured love.

“Dearest, thou knowest—who knows not?—how much I lost in thee, and that an infamous act of treachery robbed me of thee and of myself at once. The greater my grief, the greater need of consolation, not from another but from thee, that thou who art alone my cause of grief may be alone my consolation. It is thou alone that canst sadden me or gladden me or comfort me. And thou alone owest this to me, especially since I have done thy will so utterly that, unable to offend thee, I endured to wreck myself at thy command. Nay, more than this, love turned to madness and cut itself off from hope of that which alone it sought, when I obediently changed my garb and my heart too in order that I might prove thee sole owner of my body as well as of my spirit. God knows, I have ever sought in thee only thyself, desiring simply thee and not what was thine. I asked no matrimonial contract, I looked for no dowry; not my pleasure, not my will, but thine have I striven to fulfil. And if the name of wife seemed holier or more potent, the word mistress (amica) was always sweeter to me, or even—be not angry!—concubine or harlot; for the more I lowered myself before thee, the more I hoped to gain thy favour, and the less I should hurt the glory of thy renown. This thou didst graciously remember, when condescending to point out in that letter to a friend some of the reasons (but not all!) why I preferred love to wedlock and liberty to a chain. I call God to witness that if Augustus, the master of the world, would honour me with marriage and invest me with equal rule, it would still seem to me dearer and more honourable to be called thy strumpet than his empress. He who is rich and powerful is not the better man: that is a matter of fortune, this of merit. And she is venal who marries a rich man sooner than a poor man, and yearns for a husband’s riches rather than himself. Such a woman deserves pay and not affection. She is not seeking the man but his goods, and would wish, if possible, to prostitute herself to one still richer. Aspasia put this clearly when she was trying to effect a reconciliation between Xenophon and his wife: ‘Until you come to think that there is nowhere else a better man or a woman more desirable, you will be continually looking for what you think to be the best, and will wish to be married to the man or woman who is the very best.’ This is indeed a holy, rather than a philosophical sentiment, and wisdom, not philosophy, speaks. This is the holy error and blessed deception between man and wife, when affection perfect and unimpaired keeps marriage inviolate not so much by continency of body as by chastity of mind. But what with other women is an error, is, in my case, the manifest truth: since what they suppose in their husbands, I—and the whole world agrees—know to be in thee. My love for thee is truth, being free from all error. Who among kings or philosophers can vie with your fame? What country, what city does not thirst to see you? Who, I ask, did not hurry to see you appearing in public and crane his neck to catch a last glimpse as you departed? What wife, what maid did not yearn for you absent, and burn when you were present? What queen did not envy me my joys and couch? There were in you two qualities by which you could draw the soul of any woman, the gift of poetry and the gift of singing, gifts which other philosophers have lacked. As a distraction from labour, you composed love-songs both in metre and in rhyme, which for their sweet sentiment and music have been sung and resung and have kept your name in every mouth. Your sweet melodies do not permit even the illiterate to forget you. Because of these gifts women sighed for your love. And, as these songs sung of our loves, they quickly spread my name in many lands, and made me the envy of my sex. What excellence of mind or body did not adorn your youth? No woman, then envious, but now would pity me bereft of such delights. What enemy even would not now be softened by the compassion due me?

“I have brought thee evil, thou knowest how innocently. Not the result of the act but the disposition of the doer makes the crime; justice does not consider what happens, but through what intent it happens. My intent towards thee thou only hast proved and alone canst judge. I commit everything to thy weighing and submit to thy decree.

“Tell me one thing: why, after our conversion, commanded by thee, did I drop into oblivion, to be no more refreshed by speech of thine or letter? Tell me, I say, if you can, or I will say what I feel and what every one suspects: desire rather than friendship drew you to me, lust rather than love. So when desire ceased, whatever you were manifesting for its sake likewise vanished. This, beloved, is not so much my opinion as the opinion of all. Would it were only mine and that thy love might find defenders to argue away my pain. Would that I could invent some reason to excuse you and also cover my cheapness. Listen, I beg, to what I ask, and it will seem small and very easy to you. Since I am cheated of your presence, at least put vows in words, of which you have a store, and so keep before me the sweetness of thine image. I shall vainly expect you to be bountiful in acts if I find you a miser in words. Truly I thought that I merited much from you, when I had done all for your sake and still continue in obedience. When little more than a girl I took the hard vows of a nun, not from piety but at your command. If I merit nothing from thee, how vain I deem my labour! I can expect no reward from God, as I have done nothing from love of Him. Thee hurrying to God I followed, or rather went before. For, as you remembered how Lot’s wife turned back, you first delivered me to God bound with the vow, and then yourself. That single act of distrust, I confess, grieved me and made me blush. God knows, at your command I would have followed or preceded you to fiery places. For my heart is not with me, but with thee; and now more than ever, if not with thee it is nowhere, for it cannot exist without thee. That my heart may be well with thee, see to it, I beg; and it will be well if it finds thee kind, rendering grace for grace—a little for much. Beloved, would that thy love were less sure of me so that it might be more solicitous; I have made you so secure that you are negligent. Remember all I have done and think what you owe. While I enjoyed carnal joy with you, many people were uncertain whether I acted from love or lust. Now the end makes clear the beginning; I have cut myself off from pleasure to obey thy will. I have kept nothing, save to be more than ever thine. Think how wicked it were in thee where all the more is due to render less, nothing almost; especially when little is asked, and that so easy for you. In the name of God to whom you have vowed yourself, give me that of thee which is possible, the consolation of a letter. I promise, thus refreshed, to serve God more readily. When of old you would call me to pleasures, you sought me with frequent letters, and never failed with thy songs to keep thy HeloÏse on every tongue; the streets, the houses re-echoed me. How much fitter that you should now incite me to God than then to lust? Bethink thee what thou owest; heed what I ask; and a long letter I will conclude with a brief ending: farewell only one!”

Remarks upon this letter would seem to profane a shrine—had the man profaned that shrine? He had not always worshipped there. HeloÏse knew this, for all her love. She said it too, writing in phraseology which had been brutalized through the denouncing spirit of Latin monasticism. How truly she puts the situation and how clearly she thinks withal, discerning as it were the beautiful and true in love and marriage. The whole letter is well arranged, and written in a style showing the writer’s training in Latin mediaeval rhetoric. It was not the less deeply felt because composed with care and skill. Evidently the writer is of the Middle Ages; her occasional prolixity was not of her sex but of her time; and she quotes the ancients so naturally; what they say should be convincing. How the letter bares the motives of her own conduct: not for God’s sake, or the kingdom of heaven’s sake, but for Abaelard’s sake she became a nun. She had no inclination thereto; her letters do not indicate that she ever became really and spontaneously devoted to her calling. Abaelard was her God, and as her God she held him to the end; though she applied herself to the consideration of religious topics, as we shall see. Moreover, her position as nun and abbess could not fail to force such topics on her consideration.

Is there another such love-letter, setting forth a situation so triple-barred and hopeless? And the love which fills the letter, which throbs and burns in it, which speaks and argues in it, how absolute is this love. It is love carried out to its full conclusions; it includes the whole woman and the whole of her life; whatever lies beyond its ken and care is scorned and rejected. This love is extreme in its humility, and yet realizes its own purity and worth; it is grieved at the thought of rousing a feeling baser than itself. HeloÏse had been and still was HeloÏse, devoted and self-sacrificing in her love. But the situation has become torture; her heart is filled with all manner of pain, old and new, till it is driven to assert its right at least to consolation. Thus HeloÏse’s love becomes insistent and requiring. Was it possibly burdensome to the man who now might wish to think no more of passion? who might wish no longer to be loved in that way? In his reply Abaelard does not unveil himself; he seems to take an attitude which may have been the most faithful expression that he could devise of his changed self.

“To HeloÏse his beloved sister in Christ, Abaelard her brother in the Same.”

This superscription was a gentle reminder of their present relationship—in Christ. The writer begins: his not having written since their conversion was to be ascribed not to his negligence, but to his confidence in her wisdom; he did not think that she who, so full of grace, had consoled her sister nuns when prioress, could as abbess need teaching or exhortation for the guidance of her daughters; but if, in her humility, she felt the need of his instruction in matters pertaining to God, she might write, and he would answer, as the Lord should grant. Thanks be to God who had filled their hearts—hers and her nuns—with solicitude for his perils, and had made them participators in his afflictions; through their prayers the divine pity had protected him. He had hastened to send the Psalter, requested by his sister, formerly dear to him in the world and now most dear in Christ, to assist their prayers. The potency of prayer, with God and the saints, and especially the prayer of women for those dear to them, is frequently declared in Scripture; he cites a number of passages to prove it. May these move her to pray for him. He refers with affectionate gratitude to the prayers which the nuns had been offering for him, and encloses a short prayer for his safety, which he begs and implores may be used in their daily canonical hours. If the Lord, however, delivers him into the hands of his enemies to kill him, or if he meet his death in any way, he begs that his body may be brought to the Paraclete for burial, so that the sight of his sepulchre may move his daughters and sisters in Christ to pray for him; no place could be so safe and salutary for the soul of one bitterly repenting of his sins, as that consecrated to the true Paraclete—the Comforter; nor could fitter Christian burial be found than among women devoted by their vows to Christ. He begs that the great solicitude which they now have for his bodily safety, they will then have for the salvation of his soul, and by the suffrage of their prayer for the dead man show how they had loved him when alive. The letter closes, not with a personal word to HeloÏse, but with this distich:

Thus as against HeloÏse’s beseeching love, Abaelard lifted his hands, palms out, repelling it. His letter ignored all that filled the soul and the letter of HeloÏse. His reply did not lack words of spiritual affection, and its tone was not as formal then as it now seems. When Abaelard asked for the prayers of HeloÏse and her nuns, he meant it; he desired the efficacy of their prayers. Then he wished to be buried among them. We are touched by this; but, again, Abaelard meant it, as he said, for his soul’s welfare; it was no love sentiment. The letter stirred the heart of HeloÏse to a rebellious outcry against the cruelty of God, if not of Abaelard, a soul’s cry against life and the calm attitude of one who no longer was—or at least meant to be no longer—what he had been to her.

This letter gives a view of HeloÏse’s mind, its strong grasp and its capacity for reasoning, though its reasoning is here distraught with passion. Scathingly, half-blinded by her pain, she declares the perversities of Providence, as they glared upon her. Such a disclosure of the woman’s mind suggests how broadly based in thought and largely reared was that great love into which her whole soul had been poured, the mind as well as heart. Her love was great, unique, not only from its force of feeling, but from the power and scope of thought by which passion and feeling were carried out so far and fully to the last conclusions of devotion. The letter also shows a woman driven by stress of misery to utter cries and clutch at remedies that her calmer self would have put by. It is not hypocrisy to conceal the desires or imaginings which one would never act upon. To tell these is not true disclosure of oneself, but slander. Torn by pain, HeloÏse makes herself more vile and needy than in other moments she knew herself to be. Yet the letter also uncovers her, and in nakedness there is some truth. Doubtless her nun’s garb did clothe a hypocrite. Whatever she felt—and here we see the worst she felt—before the world she had to act the nun. We shall soon see how she forced herself to act, or be, the nun toward Abaelard.

Abaelard replied in a letter filled with religious argument and consolation. It was self-controlled, firm, authoritative, and strong in those arguments regarding God’s mercy which have stood the test of time. If they sometimes fail to satisfy the embittered soul, at least they are the best that man has known. And withal, the letter is calmly and nobly affectionate—what place was there for love’s protestations? They would have increased the evil, adding fuel to HeloÏse’s passionate misery.

The master-note is struck in the address: “To the spouse of Christ, His servant.” The letter seeks to turn HeloÏse’s thoughts to her nun’s calling and her soul’s salvation. It divides her expressions of complaint under four heads. First, he had put her name first, because she had become his superior from the moment of her bridal with his master Christ. Jerome writing to Eustochium called her Lady, when she had become the spouse of Jerome’s Lord. Abaelard shows, with citations from the Song of Songs, the glory of the spouse, and how her prayers should be sought by one who was the servant of her Husband. Second, as to the terrors roused in her by his mention of his peril and possible death, he points out that in her first letter she had bidden him write of those perils; if they brought him death, she should deem that a kind release. She should not wish to see his miseries drawn out, even for her sake. Third, he shows that his praise of her was justified even by her disclaimer of merit—as it is written, Who humbles himself shall be exalted. He warns her against false modesty which may be vanity.He turns at last to the old and ceaseless plaint which she makes against God for cruelty, when she should rather glorify Him; he had thought that that bitterness had departed, so dangerous for her, so painful to him. If she wished to please him, let her lay it aside; retaining it, she could not please him or advance with him to blessedness; let her have this much religion, not to separate herself from him hastening to God; let her take comfort in their journeying to the same goal. He then shows her that his punishment was just as well as merciful; he had deserved it from God and also from Fulbert. If she will consider, she will see in it God’s justice and His mercy; God had saved them from shipwreck; had raised a barrier against shame and lust. For himself the punishment was purification, not privation; will not she, as his inseparable comrade, participate in the workings of this grace, even as she shared the guilt and its pardon? Once he had thought of binding her to him in wedlock; but God found a means to turn them both to Him; and the Lord was continuing His mercy towards her, causing her to bring forth spiritual daughters, when otherwise she would only have borne children in the flesh; in her the curse of Eve is turned to the blessing of Mary. God had purified them both; whom God loveth He correcteth. Oh! let her thoughts dwell with the Son of God, seized, dragged, beaten, spit upon, crowned with thorns, hung on a vile cross. Let her think of Him as her spouse, and for Him let her make lament; He bought her with himself, He loved her. In comparison with His love, his own (Abaelard’s) was lust, seeking the pleasure it could get from her. If he, Abaelard, had suffered for her, it was not willingly nor for her sake, as Christ had suffered, and for her salvation. Let her weep for Him who made her whole, not for her corrupter; for her Redeemer, not for her defiler; for the Lord who died for her, not for the living servant, himself just freed from the death. Let his sister accept with patience what came to her in mercy from Him who wounded the body to save the soul.

In her next letter HeloÏse obeys, and turns her pen if not her thoughts to the topics suggested by Abaelard’s admonitions. The short scholastically phrased address cannot be rendered in any modern fashion: “Domino specialiter sua singulariter.”

The rest of this long letter shows HeloÏse putting her principles in practice. She is forcing her mind to consider and her pen to discourse upon topics which might properly occupy an abbess’s thoughts—topics, moreover, which would satisfy Abaelard and call forth long letters in reply. Whether she cared really for these matters or ever came to care for them; or whether she turned to them to distract her mind and keep up some poor makeshift of intercourse with one who would and could no longer be her lover; or whether all these motives mingled, and in what proportion, perhaps may best be left to Him who tries the heart.

The abbess writes:

HeloÏse, having set this task for Abaelard, proceeds to show how the various monastic regulae, from Benedict’s downward, failed to make suitable provision for the habits and requirements and weaknesses of women, the regulae hitherto having been concerned with the weaknesses of men. She enters upon matters of clothing and diet, and everything concerning the lives of nuns. She writes as one learned in Scripture and the writings of the Fathers, and sets the whole matter forth, in its details, with admirable understanding of its intricacies. She concludes, reminding Abaelard that it is for him in his lifetime to set a regula for them to follow forever; after God, he is their founder. They might thereafter have some teacher who would build in alien fashion; such a one might have less care and understanding, and might not be as readily obeyed as himself; it is for him to speak, and they will listen. Vale.

The first of HeloÏse’s letters is a great expression of a great love; in the second, anguish drives the writer’s hand; in the third, she has gained self-control; she suppresses her heart, and writes a letter which is discursive and impersonal from the beginning to the little Vale at the end.

Abaelard returned a long epistle upon the Scriptural origin of the order of nuns, and soon followed it with another, still longer, containing instruction, advice, and rules for the nuns of the Paraclete. He also wrote them a letter upon the study of Scripture. From this time forth he proved his devotion to HeloÏse and her nuns by the large body of writings which he composed for their edification. HeloÏse sent him a long list of questions upon obscure phrases and knotty points of Scripture, which he answered diligently in detail.[6] He then sent her a collection of hymns written or “rearranged” by himself for the use of the nuns, accompanied by a prefatory letter: “At thy prayers, my sister HeloÏse, once dear to me in the world, now most dear in Christ, I have composed what in Greek are called hymns, and in Hebrew tillim.” He then explains why, yielding to the requests of the nuns, he had written hymns, of which the Church had such a store.

Next he composed for them a large volume of sermons, which he also sent with a letter to HeloÏse: “Having completed the book of hymns and sequences, revered in Christ and loved sister HeloÏse, I have hastened to compose some sermons for your congregation; I have paid more attention to the meaning than the language. But perhaps an unstudied style is well suited to simple auditors. In composing and arranging these sermons I have followed the order of Church festivals. Farewell in the Lord, servant of His, once dear to me in the world, now most dear in Christ: in the flesh then my wife, now my sister in the spirit and partner in our sacred calling.”

At a subsequent period, when his opinions were condemned by the Council of Sens, he sent to HeloÏse a confession of faith. Shortly afterward his stormy life found a last refuge in the monastery of Cluny. His closing years (of peace?) are described in a letter to HeloÏse from the good and revered abbot, Peter the Venerable. He writes that he had received with joy the letter which her affection had dictated,[7] and now took the first opportunity to express his recognition of her affection and his reverence for herself. He refers to her keenly prosecuted studies (so rare for women) before taking the veil, and then to the glorious example of her sage and holy life in the nun’s sacred calling—her victory over the proud Prince of this World. His admiration for her was deep; his expression of it was extreme. A learned, wise, and holy woman could not be praised more ardently than HeloÏse is praised by this good man. He had spoken of the advantages his monastery would have derived from her presence, and then continued:

The abbot afterwards visited the Paraclete, and on returning to Cluny received this letter from the abbess:

The good abbot replied with a kind and affectionate letter, confirming his gift of the Tricenarium, promising to do all he could for Astralabius, and sending with his letter the record of Abaelard’s absolution, as follows:

Abaelard died in the year 1142, aged sixty-three. Twenty-one years afterward HeloÏse died at the same age, and was buried in the same tomb with him at the Paraclete:

CHAPTER XXVI

GERMAN CONSIDERATIONS: WALTHER VON DER VOGELWEIDE

A criticism of the world of feudalism, chivalry, and love may be had from the impressions and temperamental reactions of a certain thinking atom revolving in the same. The atom referred to was Walther von der Vogelweide, a German, a knight, a Minnesinger, and a national poet whose thoughts were moved by the instincts of his caste and race.

In language, temperament, and character, the Germans east of the Rhine were Germans still in the thirteenth century. They had accepted, and even vitally appropriated, Latin Christianity; those of them who were educated had received a Latin education. Yet their natures, though somewhat tempered, showed largely and distinctly German. Moreover, through the centuries, they had acquired—or rather they had never lost—a national antipathy toward those Roman papal well-springs of authority, which seemed to suck back German gold and lands in return for spiritual assurance and political betrayal.

A different and already mediaevalized element had also become part of German culture, to wit, the matter of the French Arthurian romances and the lyric fashions of Provence, which, working together, had captivated modish German circles from the Rhine to the Danube. Nevertheless the German character maintained itself in the Minnelieder which followed ProvenÇal poetry, and in the hÖfisch (courtly) epics which were palpable translations from the French.[8] The distinguished group of German poets whose lives fall around the year 1200, were as German as their language, although they borrowed from abroad the form and matter of their compositions.

There could be no better Germans than the two most thoughtful of this group, Wolfram von Eschenbach and Walther von der Vogelweide. Most Germanically the former wrestled with that ancient theme, “from suffering, wisdom,” which he pressed into the tale of Parzival. His great poem, achieved with toil and sweat, was mighty in its climaxes, and fit to strengthen the hearts of those men who through sorrow and loneliness and despair’s temptations were growing “slowly wise.”

The virtues which Wolfram praised and embodied in his hero were those praised in the verses, and even, one may think, strugglingly exemplified in the conduct, of Walther von der Vogelweide,[9] most famous of Minnesingers, and a power in the German lands through his SprÜche, or verses personal and political. Less is known of his life than of his whole and manly views, his poetic fancies, his musings, his hopes, and great depressions. Many places have claimed the honour of his birth, which took place somewhat before 1170. He was poor, and through his youth and manhood moved about from castle to castle, and from court to court, seeking to win some recompense for his excellent verses and good company. Thus he learned much of men, “climbing another’s stairs,” with his fellows, at the Landgraf Hermann’s Wartburg, or at the Austrian ducal Court.

Walther’s SprÜche render his moods most surely, and reflect his outlook on the world. His charming Minnelieder bear more conventional evidence. The courtly German love-songs passing by this name were affected by the conceits and conventions of the ProvenÇal poetry upon which they were modelled. A strong nature might use such with power, or break with their influence. Walther made his own the high convention of trouvÈre and troubadour, that love uplifts the lover’s being. Besides this, and besides the lighter forms and phrases current in such poetry, his Lieder carry natural feeling, joy, and moral levity, according to the theme; they also may express Walther’s convictions.

To take examples: Walther’s Tagelied[10] imitates the ProvenÇal alba (dawn), in which knight and truant lady bewail the coming of the light and the parting which it brings. Far more joyous, and as immoral as one pleases, is Unter der Linde, most famous of his songs. Marvellously it gives the mood of love’s joy remembered—and anticipated too. The immorality is complete (if we will be serious), and is rendered most alluring by the utter gladness of the girl’s song—no repentance, no regret; only joy and roguish laughter.

Walther was young, he was a knight and a Minnesinger; he had doubtless loved, in this way! His love-songs have plenty to say of the red mouth, good for kissing—I care not who knows it either. But he also realizes, and greatly sings, the height and breadth and worth of love the true and stable, the blessing and completion of two lives, which comes to a false heart never.[11] He seems to feel it necessary to defend love for itself, perhaps because marriage was taken more seriously in this imitative German literature than in the French and ProvenÇal originals: “Who says that love is sin, let him consider well. Many an honour dwells with her, and troth and happiness. If one does ill to the other, love is grieved. I do not mean false love; that were better named un-love. No friend of that, am I.” But his thoughts turn quickly to love as a lasting union: “He happy man, she happy woman, whose hearts are to each other true; both lives increased in price and worth; blessed their years and all their days.”[12]

Giving play to his caustic temper, Walther puts scorn upon the light of love: “Fool he who cannot understand what joy and good, love brings. But the light man is ever pleased with light things, as is fit!”[13] This Minnesinger applied most earnest standards to life; lofty his praise of the qualities of womanhood, which are better than beauty or riches: “woman” is a higher word than “lady”[14]—it took a German to say this. “He who carries hidden sorrow in his heart, let him think upon a good woman—he is freed.”[15] With a burst of patriotism, in one of his greatest poems Walther praises German women as the best in all the world.[16]

But even in the Minnelieder, Walther has his despondencies. One of the most definite, and possibly conventional, was regret for love’s labour lost, and the days of youth spent in service of an ungracious fair. The poet wonders how it is that he who has helped other men is tongue-tied before his lady. Again, his reflections broaden from thoughts of unresponsive fair ones to a conviction of life’s thanklessness. “I have well served the World (Frau Welt, Society), and gladly would serve her more, but for her evil thanks and her way of preferring fools to me.... Come, World, give me better greeting—the loss is not all mine.” He knows his good unbending temper which will not endure to hear ill spoken of the upright. But he thinks, what is the use? why speak so sweetly, why sing, when virtue and beauty are so lightly held, and every one does evil, fearing nought? The verse which carries these reflections is tossing in the squally haven of Society; soon the poet will encounter the wild sea without. Still from the windy harbour comes one grand lament over art’s decline: “The worst songs please, frogs’ voices! Oh, I laugh from anger! Lady World, no score of mine is on your devil’s slate. Many a life of man and woman have I made glad—might I so have gladdened mine! Here, I make my Will, and bequeath my goods—to the envious my ill-luck, my sorrows to the liars, my follies to false lovers, and to the ladies my heart’s pain.”[17] He makes a solemn offering of his poems: “Good women, worthy men, a loving greeting is my due. Forty years have I sung fittingly of love; and now, take my songs which gladden, as my gift to you. Your favour be my return. And with my staff I will fare on, still wooing worth with undisheartened work, as from my childhood. So shall I be, in lowly lot, one of the Noble—for me enough.”

To relish Walther’s love-songs, one need not know whether she was dark or fair, kept forest-tryst or listened by some castle’s hearth, or in what German land that castle stood. Likewise in his SprÜche, which have other bearing, the roll of his protesting voice carries the universal human. To comprehend them it were well to know that life was then as now niggardly in rewarding virtue; beyond this, one needs to have the type-idea of the Empire and the Papacy, those two powers which were set, somewhat antagonistically, on the decree of God; both claiming the world’s headship; the one, Roman in tradition, but in strength and temper German, and of this world decidedly. The other, Roman in the genius of its organization, and Christian in its subordination of the life below to the life to come, if not in the methods of establishing this consummation; Christian too, but more especially mediaeval, in its formal disdain for whatever belonged to earth. In Germany these two partial opposites were further antagonized, since the native resources recoiled from the foreign drain upon them, and the struggling patriotism of a broken land resented the pressure of a state within and above the state of duke and king and emperor.

In Walther’s time Innocent III. swayed the nations from Peter’s throne. Just before Innocent’s accession, Germany’s able emperor, Henry VI., died suddenly in Sicily (September 1197), leaving an heir not two years old. The queen-mother, dying the next year, bequeathed this child, Frederick, to the paternal care of Innocent, his feudal as well as ghostly lord, since the queen, for herself and child, had accepted the Pope as the feudal suzerain of their kingdom of Sicily. In Germany (using that name loosely and broadly) Philip Hohenstauffen, Henry’s brother and Duke of Suabia, claimed the throne. His unequal opponent was Otto of Brunswick, of the ever-rebellious house of Henry the Lion. The Pope opposed the Hohenstauffen; but was obliged to acknowledge him when the course of the ten years of wasting civil war in Germany decided in his favour—whereupon, alack! Philip was murdered (1207). Quickly the Pope turned back to Otto; but the latter, after he had been crowned king and emperor, became intolerable to Innocent through the compulsion of his position as the head of an empire inherently hostile to the papacy. To thwart him Innocent set up his own ward, Frederick. Soon this precocious youth began to make head against pope-forsaken Otto; and then the excommunicated emperor was overthrown in 1214 by Philip Augustus of France, who had intervened in Frederick’s favour. So Otto passed away, and, some time after, Frederick was crowned German king at Aix-la-Chapelle.[18] In the meanwhile Innocent died (1216), and amity followed between Frederick and the gentle Honorius III., who crowned Frederick emperor at Rome in 1220. This peace ended quickly when the sterner Gregory IX. ascended the papal throne on the death of Honorius in 1227.

Walther’s life extended through these events. Though apparently changing sides under the stress of his necessities, he was patriotically German to the end. First he clave to the Hohenstauffen, Philip, as the true upholder of German interests against Otto and the Pope. On Philip’s death, he turned to Otto; but with all the world left him at last for Frederick. It is known that Walther, an easily angered man, felt himself ill-used by Otto and justified in turning to the open-handed Frederick, who finally gave him a small fief. To the last, Walther upheld him as Germany’s sovereign. Probably the poet died in the year 1228, just as Gregory was succeeding Honorius, and the death-struggle of the Empire with the Papacy was opening.

With no light heart, as well may be imagined, had Walther looked about him on the death of the emperor Henry in 1197. “I sat upon a rock, crossed knee on knee, and with elbow so supported, chin on hand I leaned. Anxiously I pondered. I could see no way to win gain without loss. Honour and riches do not go hand in hand, both of less value than God’s favour. Would I have them all? Alas! riches and worldly honour and God’s favour come not within the closure of one heart’s wishes. The ways are barred; perfidy lurks in secret, and might walks the highroads. Peace and law are wounded.”[19]The personal dilemma of the poet with his fortune to make, but desirous of doing right, mirrors the desperate situation of the State: “Woe is thee, German tongue; ill stand thy order and thy honour!—I hear the lies of Rome betraying two kings!” And in verses of wrath Walther inveighs against the Pope. The sweeping nature of his denunciation raises the question whether he merely attacked the supposed treachery of the reigning pope, or was opposed to the papacy as an institution hostile to the German nation.

The answer is not clear. Mediaeval denunciations of the Church range from indictments of particular abuses, on through more general invectives, to the clear protests of heretics impugning the ecclesiastical system. It is not always easy to ascertain the speaker’s meaning. Usually the abuse and not the system is attacked. Hostility to the latter, however sweeping the language of satirist or preacher, is not lightly to be inferred. The invectives of St. Bernard and Damiani are very broad; but where had the Church more devoted sons? Even the satirists composing in Old French rarely intended an assault upon her spiritual authority. It would seem as if, at least in the Romance countries, one must look for such hostility to heretical circles, the Waldenses for example. And from the orthodox mediaeval standpoint, this was their most accursed heresy.

It would have been hard for any German to use broader language than some of the French satirists and Latin castigators. If there was a difference, it must be sought in the specific matter of the German disapproval viewed in connection with the political situation. Was a position ever taken incompatible with the Church’s absolute spiritual authority? or one intrinsically irreconcilable with the secular power of the papacy? At any time, in any country, papal claims might become irreconcilable with the royal prerogative—as William the Conqueror had held those of Gregory VII. in England, and as, two centuries afterwards, Philip the Fair was to hold those of Boniface VIII. in France. But in neither case was there such sheer and fundamental antagonism as men felt to exist between the Empire and the Papacy. Perhaps it was possible in the early thirteenth century for a German whose whole heart was on the German side to dispute even the sacerdotal principle of papal authority. It is hard to judge otherwise of Freidank, the very German composer or collector of trenchant sayings in the early thirteenth century. Many of these sneer at Rome and the Pope, and some of them strike the gist of the matter: “Sunde nieman mac vergeben wan Got alein” (“God alone can forgive sins”). This is the direct statement; he gives its scornful converse: “Could the Pope absolve me from my oaths and duties, I’d let other sureties go and fasten to him alone.”[20] Such words mean denial of the Church’s authority to forgive, and the Pope’s to grant absolution from oaths of allegiance. Freidank is very near rejecting the principles of the ecclesiastical system.

Walther, Freidank’s contemporary, is more picturesque: “King Constantine, he gave so much—as I will tell you—to the Chair of Rome: spear, cross, and crown. At once the angels cried: ‘Alas! Alas! Alas! Christendom before stood crowned with righteousness. Now is poison fallen on her, and her honey turned to gall—sad for the world henceforth!’ To-day the princes all live in honour; only their highest languishes—so works the priest’s election. Be that denounced to thee, sweet God! The priests would upset laymen’s rights: true is the angels’ prophecy.”[21]

On Constantine’s apocryphal gift, symbolized by the emblems of Christ’s passion, rested the secular authority of the popes, which Walther laments with the angels. “The Chair of Rome was first set up by Sorcerer Gerbert! [Queer history this, but we see what he means.] He destroyed his own soul only; but this one would bring down Christendom with him to perdition. When will all tongues call Heaven to arms, and ask God how long He will sleep? They bring to nought His work, distort His Word. His steward steals His treasure; His judge robs here and murders there; His shepherd has become a wolf among His sheep.”[22] The clergy point their fingers heavenward while they travel fast to hell.[23] How laughs the Pope at us, when at home with his Italians, at the way he empties our German pockets into his “poor boxes.”[24] Walther’s hatred of the foreign Pope is roused at every point. And at last, in a Spruch full of implied meaning, he declares that Christ’s word as to the tribute money meant that the emperor should receive his royal due.[25]

These utterances, considered in the light of the political and racial situation, seem to deny, at least implicitly, the secular power of the papacy. Yet in matters of religion Walther apparently was entirely orthodox, and a pious Christian. He has left a sweet prayer to Christ, with ample recognition of the angels and the saints, and a beautiful verse of penitent contrition, in which he confesses his sins to God very directly—how that he does the wrong, and leaves the right, and fails in love of neighbour. “Father, Son, may thy Spirit lighten mine; how may I love him who does me ill? Ever dear to me is he who treats me well!”[26] Walther’s questing spirit also pondered over God’s greatness and incomprehensibility.[27] His open mind is shown by the famous line: “Him (God) Christians, Jews, and heathen serve,”[28] a breadth of view shared by his friend Wolfram von Eschenbach, who speaks of the chaste virtue of a heathen lady as equal to baptism.[29]

The personal lot of this proud heart was not an easy one; homelessness broke him down, and the bitterness of eating others’ bread. Too well had he learned of the world and all its changing ways, and how poor becomes the soul that follows them. Mortality is a trite sorrow; there are worse: “We all complain that the old die and pass away; rather let us lament taints of another hue, that troth and seemliness and honour are dead.”[30] At the last Walther’s grey memory of life and his vainly yearning hope took form in a great elegy. After long years he seemed, with heavy steps, and leaning on his wanderer’s staff, to be returning to a home which was changed forever: “Alas! whither are they vanished, my many years! Did I dream my life, or is it real? what I once deemed it, was it that? And now I wake, and all the things and people once familiar, strange! My playmates, dull and old! And the fields changed; only that the streams still flow as then they flowed, my heart would break with thinking on the glad days, vanished in the sea. And the young people! slow and mirthless! and the knights go clad as peasants! Ah! Rome! thy ban! Our groans have stilled the song of birds. Fool I, to speak and so despair,—and the earth looks fair! Up knights again: your swords, your armour! would to God I might fare with your victor band, and gain my pay too—not in lands of earth! Oh! might I win the eternal crown from that sweet voyage beyond the sea, then would I sing O joy! and never more, alas—never more, alas.”[31]