CHAPTER LXXX.

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Gunga's appearance is easily explained. On his arrival at PertÂbgurh Moro Trimmul had been sent to bring up some of the Rajah's Hetkurees from the Concan, the tract below the mountains next the sea, and he had besought the post of honour in the ensuing attack upon the Mussulman camp, which had been granted to him.

In this he had two motives: the one, personal distinction, and the desire of retaliation for Tooljapoor, which was shared commonly with all Brahmuns; and, secondly, and probably most urgent, the desire of revenge upon Fazil Khan, and, if possible, the capture of his sister and family. That either Afzool Khan or his son would survive the fight, he did not think possible, or if they escaped death, and were captured, that they would be spared.

Of the Rajah's intentions in regard to the Khan, he had no idea; and when Maloosray and Palkur were with their prince on the night preceding the Khan's visit to the fort, Moro Trimmul was in company with his own men, placing them in positions in the woods, ready to obey the signal which had been communicated to him. Gunga, therefore, had been sent on to the fort under charge of his servants, and directed not only to have the house swept and prepared, but, as the guns were fired from the fort, to offer sacrifice for him in the temple, and await his coming.

"Dost thou know her?" asked the Brahmun priest of Gunga, when he heard her speak to Tara, and observed the effect of her address.

"Know her?—Yes, Maharaj," returned Gunga, "she is a Moorlee of the temple at Tooljapoor, and I am another,—that's why I know her."

"It is curious," said the man, musing. "There, raise her up till my wife comes; we have had charge of her given to us, and she is to watch here to see if the Mother comes to her to prove herself what she says she is. Did she ever prophesy?"

"The Mother came to her once," replied Gunga, "when she was made a Moorlee; but I never saw her come afterwards. If she would be a true priestess, she perhaps would come; but she is only half a one at heart, and that's why trouble follows her."

"What trouble?" asked the priest.

"O, her father and mother are dead, killed in the fight at Tooljapoor, and she is here, among strangers, with no one to help her; is not that trouble enough, Maharaj?" replied the girl. "And she is so beautiful, too; they say she is a witch, and steals men's hearts, and throws them away; but I don't know that she is—she is only beautiful—look at her."

"Ah, that's the worst I have heard yet," said the man, musing.

"Yes, but she is pure, quite pure, sir," returned Gunga earnestly, "not like me and the rest of us; and we envied her, and I hated her; but I don't hate her now, and when she wakes I will tell her so. Tara, Tara! wake! She is not dead, sir, is she?" continued the girl dreamily, pushing away Tara's hair from her face, and looking into her eyes: "she does not answer me. O, speak to her!"

"No, she is alive," replied the Brahmun, feeling her hand and forehead. "Wait, I will bring some water."

"Would she were dead—dead ere he came," Gunga muttered to herself. "He will not spare her now—ah me! not now: and in the heat and confusion of victory, who will care for her? All those she loved last, too, are dead—all gone—and that fair boy with the rest! Ah me, better she died! Tara, drink! here is water!"

A woman came with a brass vessel full, and helped Gunga to raise her up, while she poured some into her mouth, and sprinkled her face gently. They saw Tara heave a great sigh; and presently, as the woman fanned her with the end of her garment, she awoke and looked dreamily around her—first to the woman, then to Gunga, against whom she was reclining. Her first impulse was to rise, but in the attempt she sank down again, and buried her face in her hands.

"Why art thou here?" she cried piteously. "O Gunga, go? leave me." She did not yet comprehend what had been said of victory, for she made no allusion to it.

"No, Tara, not now," said the girl—"not now. I will tell thee why. Go," she continued to the woman. "You are kind. Go now. I have that to say to my sister which no one must hear. Go! We are priestesses, and will serve the Mother in our own fashion. But if I need shelter for her, wilt thou give it?"

"Ah," replied the dame, "we are poor people, and can do little; but the MÁhÁ Ranee is kind and just—I will speak to her."

"True," replied Gunga absently; "if needs be, I will come to thee again—now, go. Tara!" she continued, stretching out her hands to her imploringly when the woman had gone out—"O Tara, look up! look up, and see if I be like what I was;—cast me not away now, for we are both in the like misery! O Mother!" she cried to the image on the altar, "bid her speak to me, ere it be too late;—bid her trust to me, and save herself! Tara, behold I kiss your feet; trust me now, as I swear on them not to fail you. No, no, never, never more—never more, except in death. See what I do!"

She arose, went to the shrine, and prostrated herself before it on her face, so that her hands embraced the feet of the image. "O, kill me, Mother—O, kill me, Mother!" Tara heard her cry, in a passionate burst of weeping; "kill me, if thou wilt, for touching thee, who am not worthy; but hear me, and help me to save Tara. She is thy child. O, let me save her for thee. I will,—I will, if thou wilt bid her trust me, for I am not lying now. I am true to thee and to her!"

The words were almost inarticulate, and gasped or sobbed, rather than spoken. They fell strangely on Tara's ears as Gunga still moaned rather than spoke. "Mother—O Mother, I am true, I am not lying; bid her trust me! bid her trust me!"

It was impossible to resist them. Tara rose and went across the vestibule to her. "Gunga," she said, "get up, I am here: what wouldst thou of me?"

The girl arose, put away the dishevelled hair from her face, and again bowed before Tara, embracing her knees. She was not repulsed this time. The priest had watched the scene wonderingly—he could not understand it. Tara was standing beside the door of the shrine, the light from within streaming out upon her. Her slight figure was drawn up to its full height, and her beautiful features were calm—almost sublime in their expression. Lying at her feet, and clasping them, was the other girl, still moaning in apparent agony.

"She hath done some terrible crime," thought the Brahmun, "and the other will intercede for her."

"O Tara—O Tara," cried Gunga piteously, "I dare not look up to thee now; all my shame is rushing back into my heart; my words and my touch are alike pollution to thee! O Tara, I dare not ask forgiveness—I who have wronged thee so foully. Speak, for time passes quickly, and they will be here—wilt thou trust me now? O Mother, Mother! what can I do? what can I say to make her trust me—to make her forgive me?"

"Look up, Gunga," said Tara, sitting down, and gently parting the hair on the girl's forehead, "what hast thou done? It was he, not thou; see, I forgive thee freely."

"O yes, it was he, not I," she cried,—"I resisted, and he used to beat me. Yes, he beat me cruelly only yesterday, when he left me, and then it came into my heart to save thee! Yes, the Mother told me—I know it now—to come here, and I have found thee. Listen!" she continued, rising, and looking hurriedly about her. "There is no one near—all are gone. Come! come! we are not seen;—come at once,—do not delay: we can escape during the confusion. Hark! they are fighting below—come! I tell thee the tigers and the bears on the mountain, are better for me and thee than they. Dost thou not hear?"

"It is the men firing for the Khan's arrival," said Tara gently; "there is no fighting. Who should fight?"

"Ah no," cried Gunga, "they are attacked,—the Khan is already killed. I heard it as I came in—they are all dead or dying. O Tara, I tell thee that no one will escape,—no, not one. Hark! the din increases, and thou art here: alas! alas! O Mother! tell it to her," she exclaimed, with passionate gesticulation, to the senseless image before them—"tell it to her—she will not believe me—Tara, dost thou not hear?"

Just then, an eddy, perhaps, of the mountain-wind, brought up to them from the deep valley below, a hoarse, confused din of shouts, shots, and conflict. It could not be mistaken. Tara had heard it once at Tooljapoor, but this was far more tremendous.

"Come!" again shrieked Gunga, seizing her arm, and dragging her away—"come! It is our last chance for life—do not throw it away. We can get out and hide among the bushes; and I will never leave thee, Tara, never."

But she spoke to one now wellnigh bereft of sense. The Khan killed, the rest attacked, and the fierce turmoil of the fight coming up stronger and stronger, till the fretted roof of the temple seemed filled with the sound, overpowered Tara; for at last, the hideous truth seemed to flash upon her, as she sat down and buried her face in her lap in an attitude of mute despair; but Gunga would not let her rest.

"Ah, I am believed now," she cried wildly: "listen! Moro Trimmul, with thousands upon thousands, has attacked the camp, and he swore to me to bring the Khan's wife and daughter hither. O Tara! will he spare them? He swore he would not, and he beat me when I pleaded for them. Look! here are bruises on me. I tell thee he will not spare them or you. Come!"

"I will die here,—I will not go from the Mother, Gunga," replied Tara. "I am her child now—only hers: let her do with me as she wills, I will not go. Save thyself, care not for me," and she arose and prostrated herself before the shrine. "O Mother," she cried piteously, "I will not leave thee again. Death or life, what matters it to me? let it be as thou wilt. I have promised not to leave thee, and I am here waiting." Then rising, she seated herself as she was used to do before the shrine, and spoke no more.

"I can at least die with thee, Tara; I will not leave thee," said Gunga. "Whatever comes, let it come to us both; I am as ready to die as thou art—I will not go."

They sat there long. The sun declined, and the evening was drawing in. Once only Gunga had gone out to see whether she could gain any intelligence, and had returned saying the doors of the temple enclosure were shut. The Brahmun priest had disappeared like the rest, but there were shouts as if of victory which rung through the building in bursts, evidently growing nearer. Tara seemed not to hear them. It might be that utter despair possessed her, or, as Gunga hoped, that some manifestation of the goddess was about to take place. She scarcely moved now, but when the shouts grew louder she shuddered, and drew the end of her garment more closely around her as if she were cold.

It was thus that the MÁhÁ Ranee, Sivaji's mother, found her and Gunga as she entered with her attendants for the evening prayer and worship, and to give thanks for the victory.

As the lady had approached the temple, the attendant priest told her of Tara, and why she had been left there by the Shastree and Govind Rao, and the tale had excited her curiosity, if not her compassion.

"She is sitting there before the Mother," he said, "and does not speak. Perhaps she will answer you, lady, but it seems as though a fit were coming on her. I will tell her at least that you have come," and, stepping forward, he advanced to Tara and whispered in her ear.

The MÁhÁ Ranee followed, and paused as she entered the vestibule. The light shone full upon Tara, and her expression of deep misery could not be mistaken. Long afterwards, the first sight of that pale, wan, despairing face recurred to the lady with pain, and she never forgot the look of hopeless grief which Tara had first turned upon her.

"There is no inspiration in that face," said the lady to the priest,—"none. It seems to me the Mother hath forsaken her. Of what is she accused?"

"She was taken from the Mussulman chief, we hear," said the Brahmun, "and was to have become a Mussulmani. They say, too, she is a sorceress, and does evil with her eyes; but Govind Rao placed her here, and knows about her."

"I fear her not," cried the Ranee, with flashing eyes. "Who is she, that she dare sit in my presence? Put her out! Away with thee, wench!" she continued to Tara, "get thee hence! If thou art forsworn, begone! The Mother hath drunk blood to-day, and will not spare thee! Take her away, Bheemee—she is an offence to us."

"Get up, girl," said Bheemee roughly, as she advanced, followed by several other women—"get up; dost thou not hear? else we will cast thee out."

Gunga came forward boldly. "Do not touch or hurt her," she said: "I fear she is not now in her right mind. If I may take her, I will look after her. Get up, Tara," she whispered in her ear: "come, we will go and hide ourselves. Come, for thy life, come!" and she tried to lift her up and drag her away.

But Tara could not rise; her limbs seemed paralysed by grief or terror, and she did not evidently understand what had occurred. Not noticing the MÁhÁ Ranee, she disengaged herself from Gunga, and once more stretched out her arms to the shrine before her, and cried in piteous tones which affected many around her to tears, "O Mother, I will not leave thee: do with me as thou wilt, even to death!" and so lay moaning.

"Send for Govind Rao and Wittul Shastree, lady," said the old Brahmun priest, who was sobbing and wiping his eyes: "they know of her, and you will hear about her from them."

"Good," replied the Ranee, already softened, "let them be brought instantly,—they are without. We will await their coming."

Some little time elapsed, and others assembled. No one knew what was going to happen. After a while Tara seemed to regain sense and to remember why she was there, for she sat up, and they saw her lips moving as if in prayer. As the trumpets sounded the setting of the first watch at sunset, and the great kettle-drums and pipes played the evening music in the Nobut Khana above the gate, the Brahmun priests entered with the usual offerings, and began to chant one of the evening hymns of praise, as they moved round the shrine in time with the faint clash of the silver cymbals, which one of them carried. Then, timidly and faintly at first, but increasing in power as she sang, Tara joined the chant. It was an emotion which she could not restrain, and which not even the sense of desolation and dull misery which had overwhelmed her, could repress. She was unconscious of the effect it produced upon those who listened to her, as her full rich voice rose above the hoarse and unmusical chant of the priests; but as it gradually ceased, and the sound died away in the recesses of the temple, it affected many of those who heard it to tears, and was never forgotten.

"No wonder," said the Ranee, who had listened to the hymn with emotion which she hardly chose to acknowledge,—"no wonder they say she is a sorceress. See, she has no fear—no perception of what is to happen, or who are around her. That is not natural; it is magic, and may not be looked upon."

"Lady," said Wittul Shastree, who, with Govind Rao and the other Brahmuns, now approached her, "we attend you; what are your commands?"

"We doubt the girl yonder, and they tell us she is dangerous, and a sorceress; we would have her removed ere we render sacrifice for victory," she replied; "but the priests tell us she is there by your order. Is it so?"

"By her own will," said the Shastree; "not our orders. We would have made her over to the council for chastisement and discipline, because, as a priestess of Kalee, she hath been residing among the Moslems; but she claimed ordeal and sanctuary with the goddess, and we sent her here. Has any vision appeared to her?" he asked of the attendant priest.

"None," replied the man. "They have been talking together, she and the girl beside her, who wanted her to get up and go away; but she has not stirred since the five guns were fired, and she was told of the victory."

"I will ask her again what she wishes, lady," said Govind Rao, "but better than I, Moro Trimmul should do it, who, we hear, has married his sister to her father. He, too, is without with the Rajah; they have just come up into the fort."

"Let him be called," replied the lady, "and keep out other strangers. Be ye all seated, sirs," she continued to the Brahmuns who had accompanied the Shastree, "while this inquiry lasts."


                                                                                                                                                                                                                                                                                                           

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