The inmates of the Conciergerie were still shivering under the horror of the death of the twenty-one Girondins when Madame Roland appeared among them. Her coming was an event which awakened the liveliest interest. For eight months she had been the most influential woman in France. She was the recognized inspiration of the party which had wrecked the monarchy and established the Republic, which had been conquered by the force it had called to life. To the majority she was but a name. They all knew that her death was a foregone conclusion. They felt that she, too, knew it, and they watched, many of them with curiosity—for numbers of the inmates were of constitutional and royalist sympathies—for signs of revolt and of weakness. Never, however, had she been calmer, never more serene. The prisons of Paris were at that time terribly overcrowded and poorly cared for. It was the custom to confine people together without any regard to their character or lives. “On the same straw, and behind Over many of the prisoners she exercised a kind of spell. “I experienced every day a new charm in listening to her,” says Comte Beugnot, a fellow-prisoner who, rare thing, escaped to write his memoirs; “less from what she said than from the magic of her manner.” “We were all attentive about her in a kind of stupefied admiration,” declares Rioffe. The next day after her arrival she was questioned for the first time; two days later she underwent a second examination. She had gone into the tribunal in her usual serene way. She came back deeply moved, her eyes wet. The interrogation was indeed most trying. The questions were so couched that in answering them honestly she condemned herself. Did she not entertain Brissot, Barbaroux, Buzot, PÉtion, in conference? She must admit it, and explain the “conference” as she would, the Revolutionary tribunal used her admission as a confession of a The night after her second interrogation, Madame Roland wrote a defence to read before the tribunal, in which she indignantly denied the accusations against her friends, and declared herself honored to perish for her fidelity to them. The defence was in her haughtiest, most uncompromising style, and showed her at the very end as resolute, as proud, as triumphant, as ever. But this defence was written in the heat of indignation at her examination, and for the hearing of the judges she despised. Away from her persecutors, many times during the days which followed, her strength failed and her fellow-prisoners remarked, almost with awe, that she had been weeping. The woman who served her told them: “Before you she collects all her strength, but in her chamber she remains often hours at a time, leaning against the window, weeping.” On the 7th of November, the witnesses against Madame Roland appeared. There were three of them;—her faithful bonne, for thirteen years in her service, and who during her imprisonment had That night Madame Roland’s lawyer, a courageous young man, Chauveau-Lagarde by name, who was ambitious to defend her, came to consult with her. She listened calmly to him and discussed several points of her defence. When he rose to go she drew a ring from her finger and, without a word, gave it to him. The young man divined the farewell. “Madame,” he cried, “we shall see each other to-morrow after the sentence.” “To-morrow I shall not be alive. I know the fate which awaits me. Your counsels are dear to me, but they might be fatal to you. They would ruin you without saving me. Let me never know the sorrow of causing the death of a good man. Do not come to the court, I shall disown you, but accept the only token my gratitude can offer. To-morrow I shall exist no more.” The next day, November 8th, was her trial. When she came out from her cell to await for her summons to the court, Comte Beugnot joined her. “She was clad carefully in white muslin, trimmed with blonde and fastened by a girdle of black velvet.” He says: “Her face seemed to me more animated than usual. Its color was exquisite and she had a smile on her lips. With one hand she held up the train of her gown; the other she had abandoned to a crowd of prisoners The accusation waited her. It was a charge of having “wickedly and designedly participated in a conspiracy against the unity and indivisibility of the Republic, against the liberty and surety of the French people, by collecting at her home the principal leaders of this conspiracy, and carrying on a correspondence with them tending to facilitate their murderous projects.” She was not allowed to read her defence, and the judgment was pronounced at once. She was convicted When she came out from the tribunal the cart awaited her in the prison court. Standing on the Pont au Change and looking down the Seine, is one of those fascinating river views of Paris where a wealth of associations disputes with endless charm the attention of the loiterer. The left of the view is filled by the Norman Towers of the Conciergerie, the faÇades of the prison, the irregular fronts of the houses facing on the Quai de l’Horloge, and ends in an old house of Henry IV.’s time. It is the house where Manon Phlipon passed her girlhood. When the cart drove across the Pont au Change, Madame Roland had before her the window from which, as a girl, she had leaned at sunset, and “with a heart filled with inexpressible joy, happy to exist, had offered to the Supreme Being a pure and worthy homage.” She faces death now as she faced life then. The girl and the woman, in spite of the drama between, are unchanged: the same ideals, the same courage, the same faith. Not even this tragic last encounter with the home of her youth moves her calm; for she passed the Pont Neuf, writes one who saw her, “upright and calm,—her eyes shining, her color It was a long and weary jolt in the rough cart from the Pont Neuf, where M. Tissot saw her passing, “erect and calm,” by the Rue Saint HonorÉ to the Place de la Concorde, then Place de la Guillotine. The hideous, howling crowd followed and cursed her. But nothing earthly could reach the heights whither she had risen. At the foot of the guillotine, so tradition goes, she asked for a pen to write the thoughts which had arisen in this awful journey to death, but it was refused. Sanson, the headsman, in a hurry, pressed her to mount the short ladder which led to the platform; for there was a grim guillotine etiquette which gave her the right to die first, but she asked him to give her place to her cringing companion and spare him the misery of seeing her die. Sanson demurred. It was against his orders. “Can you refuse a lady her last request?” she said, smiling, and he, a little shamefaced, consented. Then her turn came. As they fastened her to the fatal plank, her eyes fell on a colossal statue of liberty erected to celebrate the first anniversary of the 10th of August. “O libertÉ,” she cried, “comme on t’a jouÉe.” Then the axe dropped, the beautiful head fell; Madame Roland was dead. |