I have ever held that the rod with which popular fancy invests criticism is properly the rod of divination: a hazel-switch for the discovery of buried treasure, not a birch-twig for the castigation of offenders. It has therefore been my aim in the following pages to direct attention to the best, not to forage for the worst—the small faults which acquire prominence only by isolation—of the poet with whose writings I am concerned. I wish also to give information, more or less detailed, about each of Mr. Browning's works; information sufficient to the purpose I have in view, which is to induce those who have hitherto deprived themselves of a stimulating pleasure to deprive themselves of it no longer. Further, my aim is in no sense controversial. In a book whose sole purpose is to serve as an introduction to the study of a single one of our contemporary poets, I have consciously and carefully refrained from instituting comparisons—which I deprecate as, to say the least, unnecessary—between the poet in question and any of the other eminent poets in whose time we have the honour of living.

I have to thank Mr. Browning for permission to reprint the interesting and now almost inaccessible prefaces to some of his earlier works, which will be found in Appendix II. I have also to thank Dr. Furnivall for permission to make use of his Browning Bibliography, and for other kind help. I wish to acknowledge my obligation to Mrs. Orr's Handbook to Robert Browning's Works, and to some of the Browning Society's papers, for helpful information and welcome light. Finally, I would tender my especial and grateful thanks to Mr. J. Dykes Campbell, who has given me much kindly assistance.

Sept. 15, 1886.