IN

GREEK ETHICS

BEING
AN INQUIRY INTO THE PHENOMENON OF
SEXUAL INVERSION
ADDRESSED ESPECIALLY TO MEDICAL PSYCHOLOGISTS AND JURISTS

BY

JOHN ADDINGTON SYMONDS

PRIVATELY PRINTED
FOR
THE ??????G???G? SOCIETY
LONDON
1908

Privately Printed in Holland for the Society.

PREFACE.

The following treatise on Greek Love was written in the year 1873, when my mind was occupied with my Studies of Greek Poets. I printed ten copies of it privately in 1883. It was only when I read the Terminal Essay appended by Sir Richard Burton to his translation of the Arabian Nights in 1886, that I became aware of M. H. E. Meier's article on PÆderastie (Ersch and Gruber's EncyclopÆdie, Leipzig, Brockhaus, 1837). My treatise, therefore, is a wholly independent production. This makes Meier's agreement (in Section 7 of his article) with the theory I have set forth in Section X. regarding the North Hellenic origin of Greek Love, and its Dorian character, the more remarkable. That two students, working separately upon the same mass of material, should have arrived at similar conclusions upon this point strongly confirms the probability of the hypothesis.

J. A. SYMONDS.

CONTENTS.

———

A Problem in Greek Ethics.

I.

For the student of sexual inversion, ancient Greece offers a wide field for observation and reflection. Its importance has hitherto been underrated by medical and legal writers on the subject, who do not seem to be aware that here alone in history have we the example of a great and highly-developed race not only tolerating homosexual passions, but deeming them of spiritual value, and attempting to utilise them for the benefit of society. Here, also, through the copious stores of literature at our disposal, we can arrive at something definite regarding the various forms assumed by these passions, when allowed free scope for development in the midst of refined and intellectual civilisation. What the Greeks called paiderastia, or boy-love, was a phenomenon of one of the most brilliant periods of human culture, in one of the most highly organised and nobly active nations. It is the feature by which Greek social life is most sharply distinguished from that of any other people approaching the Hellenes in moral or mental distinction. To trace the history of so remarkable a custom in their several communities, and to ascertain, so far as this is possible, the ethical feeling of the Greeks upon this subject, must be of service to the scientific psychologist. It enables him to approach the subject from another point of view than that usually adopted by modern jurists, psychiatrists, writers on forensic medicine.

II.

The first fact which the student has to notice is that in the Homeric poems a modern reader finds no trace of this passion. It is true that Achilles, the hero of the Iliad, is distinguished by his friendship for Patroclus no less emphatically than Odysseus, the hero of the Odyssey, by lifelong attachment to Penelope, and Hector by love for Andromache. But in the delineation of the friendship of Achilles and Patroclus there is nothing which indicates the passionate relation of the lover and the beloved, as they were afterwards recognised in Greek society. This is the more remarkable because the love of Achilles for Patroclus added, in a later age of Greek history, an almost religious sanction of the martial form of paiderastia. In like manner the friendship of Idomeneus for Meriones, and that of Achilles, after the death of Patroclus, for Antilochus, were treated by the later Greeks as paiderastic. Yet, inasmuch as Homer gives no warrant for this interpretation of the tales in question, we are justified in concluding that homosexual relations were not prominent in the so-called heroic age of Greece. Had it formed a distinct feature of the society depicted in the Homeric poems, there is no reason to suppose that their authors would have abstained from delineating it. We shall see that Pindar, Æschylus and Sophocles, the poets of an age when paiderastia was prevalent, spoke unreservedly upon the subject.

Impartial study of the Iliad leads us to the belief that the Greeks of the historic period interpreted the friendship of Achilles and Patroclus in accordance with subsequently developed customs. The Homeric poems were the Bible of the Greeks, and formed the staple of their education; nor did they scruple to wrest the sense of the original, reading, like modern Bibliolaters, the sentiments and passions of a later age into the text. Of this process a good example is afforded by Æschines in the oration against Timarchus. While discussing this very question of the love of Achilles, he says: "He, indeed, conceals their love, and does not give its proper name to the affection between them, judging that the extremity of their fondness would be intelligible to instructed men among his audience." As an instance the orator proceeds to quote the passage in which Achilles laments that he will not be able to fulfil his promise to Menoetius by bringing Patroclus home to Opus. He is here clearly introducing the sentiments of an Athenian hoplite who had taken the boy he loved to Syracuse and seen him slain there.

Homer stood in a double relation to the historical Greeks. On the one hand, he determined their development by the influence of his ideal characters. On the other, he underwent from them interpretations which varied with the spirit of each successive century. He created the national temperament, but received in turn the influx of new thoughts and emotions occurring in the course of its expansion. It is, therefore, highly important, on the threshold of this inquiry, to determine the nature of that Achilleian friendship to which the panegyrists and apologists of the custom make such frequent reference.

III.

The ideal of character in Homer was what the Greeks called heroic; what we should call chivalrous. Young men studied the Iliad as our ancestors studied the Arthurian romances, finding there a pattern of conduct raised almost too high above the realities of common life for imitation, yet stimulative of enthusiasm and exciting to the fancy. Foremost among the paragons of heroic virtue stood Achilles, the splendour of whose achievements in the Trojan war was only equalled by the pathos of his friendship. The love for slain Patroclus broke his mood of sullen anger, and converted his brooding sense of wrong into a lively thirst for vengeance. Hector, the slayer of Patroclus, had to be slain by Achilles, the comrade of Patroclus. No one can read the Iliad without observing that its action virtually turns upon the conquest which the passion of friendship gains over the passion of resentment in the breast of the chief actor. This the Greek students of Homer were not slow to see; and they not unnaturally selected the friendship of Achilles for their ideal of manly love. It was a powerful and masculine emotion, in which effeminacy had no part, and which by no means excluded the ordinary sexual feelings. Companionship in battle and the chase, in public and in private affairs of life, was the communion proposed by Achilleian friends—not luxury or the delights which feminine attractions offered. The tie was both more spiritual and more energetic than that which bound man to woman. Such was the type of comradeship delineated by Homer; and such, in spite of the modifications suggested by later poets, was the conception retained by the Greeks of this heroic friendship. Even Æschines, in the place above quoted, lays stress upon the mutual loyalty of Achilles and Patroclus as the strongest bond of their affection: "regarding, I suppose, their loyalty and mutual goodwill as the most touching feature of their love."[1]

IV.

Thus the tale of Achilles and Patroclus sanctioned among the Greeks a form of masculine love, which, though afterwards connected with paiderastia properly so-called, we are justified in describing as heroic, and in regarding as one of the highest products of their emotional life. It will be seen, when we come to deal with the historical manifestations of this passion, that the heroic love which took its name from Homer's Achilles existed as an ideal rather than an actual reality. This, however, is equally the case with Christianity and chivalry. The facts of feudal history fall below the high conception which hovered like a dream above the knights and ladies of the Middle Ages; nor has the spirit of the Gospel been realised, in fact, by the most Christian nations. Still we are not on that account debarred from speaking of both chivalry and Christianity as potent and effective forces.

V.

Homer, then, knew nothing of paiderastia, though the Iliad contained the first and noblest legend of heroic friendship. Very early, however, in Greek history boy-love, as a form of sensual passion, became a national institution. This is proved abundantly by mythological traditions of great antiquity, by legendary tales connected with the founding of Greek cities, and by the primitive customs of the Dorian tribes. The question remains how paiderastia originated among the Greeks, and whether it was introduced or indigenous.

The Greeks themselves speculated on this subject, but they arrived at no one definite conclusion. Herodotus asserts that the Persians learned the habit, in its vicious form, from the Greeks;[2] but, even supposing this assertion to be correct, we are not justified in assuming the same of all barbarians who were neighbours of the Greeks; since we know from the Jewish records and from Assyrian inscriptions that the Oriental nations were addicted to this as well as other species of sensuality. Moreover, it might with some strain on language be maintained that Herodotus, in the passage above referred to, did not allude to boy-love in general, but to the peculiarly Hellenic form of it which I shall afterwards attempt to characterise.

A prevalent opinion among the Greeks ascribed the origin of paiderastia to Crete; and it was here that the legend of Zeus and Ganymede was localised.[3] "The Cretans," says Plato,[4] "are always accused of having invented the story of Ganymede and Zeus, which is designed to justify themselves in the enjoyment of such pleasures by the practice of the god whom they believe to have been their lawgiver."

In another passage,[5] Plato speaks of the custom that prevailed before the time of Laius—in terms which show his detestation of a vice that had gone far toward corrupting Greek society. This sentence indicates the second theory of the later Greeks upon this topic. They thought that Laius, the father of Œdipus, was the first to practise Hybris, or lawless lust, in this form, by the rape committed on Chrysippus, the son of Pelops.[6] To this crime of Laius, the Scholiast to the Seven against Thebes attributes all the evils which afterwards befell the royal house of Thebes, and Euripides made it the subject of a tragedy. In another but less prevalent Saga the introduction of paiderastia is ascribed to Orpheus.

It is clear from these conflicting theories that the Greeks themselves had no trustworthy tradition on the subject. Nothing, therefore, but speculative conjecture is left for the modern investigator. If we need in such a matter to seek further than the primal instincts of human nature, we may suggest that, like the orgiastic rites of the later Hellenic cultus, paiderastia in its crudest form was transmitted to the Greeks from the East. Its prevalence in Crete, which, together with Cyprus, formed one of the principal links between Phoenicia and Hellas proper, favours this view. Paiderastia would, on this hypothesis, like the worship of the Paphian and Corinthian Aphrodite, have to be regarded as in part an Oriental importation.[7] Yet, if we adopt any such solution of the problem, we must not forget that in this, as in all similar cases, whatever the Greeks received from adjacent nations, they distinguished with the qualities of their own personality. Paiderastia in Hellas assumed Hellenic characteristics, and cannot be confounded with any merely Asiatic form of luxury. In the tenth section of this Essay I shall return to the problem, and advance my own conjecture as to the part played by the Dorians in the development of paiderastia into a custom.

It is enough for the present to remark that, however introduced, the vice of boy-love, as distinguished from heroic friendship, received religious sanction at an early period. The legend of the rape of Ganymede was invented, according to the passage recently quoted from Plato, by the Cretans with the express purpose of investing their pleasures with a show of piety. This localisation of the religious sanction of paiderastia in Crete confirms the hypothesis of Oriental influence; for one of the notable features of GrÆco Asiatic worship was the consecration of sensuality in the Phallus cult, the Hiero douloi (temple slaves, or bayadÈres) of Aphrodite, and the eunuchs of the Phrygian mother. Homer tells the tale of Ganymede with the utmost simplicity. The boy was so beautiful that Zeus suffered him not to dwell on earth, but translated him to heaven and appointed him the cupbearer of the immortals. The sensual desire which made the king of gods and men prefer Ganymede to Leda, Io, DanaË, and all the maidens whom he loved and left on earth, is an addition to the Homeric version of the myth. In course of time the tale of Ganymede, according to the Cretan reading, became the nucleus around which the paiderastic associations of the Greek race gathered, just as that of Achilles formed the main point in their tradition of heroic friendship. To the Romans and the modern nations the name of Ganymede, debased to Catamitus, supplied a term of reproach, which sufficiently indicates the nature of the love of which he became eventually the eponym.

VI.

Resuming the results of the last four sections, we find two separate forms of masculine passion clearly marked in early Hellas—a noble and a base, a spiritual and a sensual. To the distinction between them the Greek conscience was acutely sensitive; and this distinction, in theory at least, subsisted throughout their history. They worshipped ErÔs, as they worshipped Aphrodite, under the twofold titles of Ouranios (celestial) and Pandemos (vulgar, or volvivaga); and, while they regarded the one love with the highest approval, as the source of courage and greatness of soul, they never publicly approved the other. It is true, as will appear in the sequel of this essay, that boy-love in its grossest form was tolerated in historic Hellas with an indulgence which it never found in any Christian country, while heroic comradeship remained an ideal hard to realise, and scarcely possible beyond the limits of the strictest Dorian sect. Yet the language of philosophers, historians, poets and orators is unmistakable. All testify alike to the discrimination between vulgar and heroic love in the Greek mind. I purpose to devote a separate section of this inquiry to the investigation of these ethical distinctions. For the present, a quotation from one of the most eloquent of the later rhetoricians will sufficiently set forth the contrast, which the Greek race never wholly forgot:[8]—

And again, in the same dissertation, Maximus Tyrius speaks to like purpose, clothing his precepts in imagery:—

With the baser form of paiderastia I shall have little to do in this essay. Vice of this kind does not vary to any great extent, whether we observe it in Athens or in Rome, in Florence of the sixteenth or in Paris of the nineteenth century;[9] nor in Hellas was it more noticeable than elsewhere, except for its comparative publicity. The nobler type of masculine love developed by the Greeks is, on the contrary, almost unique in[10] the history of the human race. It is that which more than anything else distinguishes the Greeks from the barbarians of their own time, from the Romans and from modern men in all that appertains to the emotions. The immediate subject of the ensuing inquiry will, therefore, be that mixed form of paiderastia upon which the Greeks prided themselves, which had for its heroic ideal the friendship of Achilles and Patroclus, but which in historic times exhibited a sensuality unknown to Homer.[11] In treating of this unique product of their civilisation I shall use the terms Greek Love, understanding thereby a passionate and enthusiastic attachment subsisting between man and youth, recognised by society and protected by opinion, which, though it was not free from sensuality, did not degenerate into mere licentiousness.

VII.

Before reviewing the authors who deal with this subject in detail, or discussing the customs of the several Greek states, it will be well to illustrate in general the nature of this love, and to collect the principal legends and historic tales which set it forth.

Greek love was, in its origin and essence, military. Fire and valour, rather than tenderness or tears, were the external outcome of this passion; nor had Malachia, effeminacy, a place in its vocabulary. At the same time it was exceedingly absorbing. "Half my life," says the lover, "lives in thine image, and the rest is lost. When thou art kind, I spend the day like a god; when thy face is turned aside, it is very dark with me."[12] Plato, in his celebrated description of a lover's soul, writes:[13]—

These passages show how real and vital was the passion of Greek love. It would be difficult to find more intense expressions of affection in modern literature. The effect produced upon the lover by the presence of his beloved was similar to that inspiration which the knight of romance received from his lady.

With the whole of this quotation we might compare what Plutarch in the Life of Pelopidas relates about the composition of a Sacred Band;[15] while the following anecdote from the Anabasis of Xenophon may serve to illustrate the theory that regiments should consist of lovers.[16] Episthenes of Olynthus, one of Xenophon's hoplites, saved a beautiful boy from the slaughter commanded by Seuthes in a Thracian village. The king could not understand why his orders had not been obeyed, till Xenophon excused his hoplite by explaining that Episthenes was a passionate boy-lover, and that he had once formed a corps of none but beautiful men. Then Seuthes asked Episthenes if he was willing to die instead of the boy, and he answered, stretching out his neck, "Strike," he says, "if the boy says 'Yes,'[17] and will be pleased with it." At the end of the affair, which is told by Xenophon with a quiet humour that brings a little scene of Greek military life vividly before us, Seuthes gave the boy his liberty, and the soldier walked away with him.

In order further to illustrate the hardy nature of Greek love, I may allude to the speech of Pausanias in the Symposium of Plato.[18] The fruits of love, he says, are courage in the face of danger, intolerance of despotism, the virtues of the generous and haughty soul.

VIII.

Among the myths to which Greek lovers referred with pride, besides that of Achilles, were the legends of Theseus and Peirithous, of Orestes and Pylades, of Talos and Rhadamanthus, of Damon and Pythias. Nearly all the Greek gods, except, I think, oddly enough, Ares, were famous for their love. Poseidon, according to Pindar, loved Pelops; Zeus, besides Ganymede, was said to have carried off Chrysippus. Apollo loved Ayacinth, and numbered among his favourites Branchos and Claros. Pan loved Cyparissus, and the spirit of the evening star loved HymenÆus. Hypnos, the god of slumber, loved Endymion, and sent him to sleep with open eyes, in order that he might always gaze upon their beauty. (Ath. xiii. 564). The myths of Phoebus, Pan, and Hesperus, it may be said in passing, are paiderastic parallels to the tales of Adonis and Daphne. They do not represent the specific quality of national Greek love at all in the same way as the legends of Achilles, Theseus, Pylades, and Pythias. We find in them merely a beautiful and romantic play of the mythopoeic fancy, after paiderastia had taken hold on the imagination of the race. The case is different with Herakles, the patron, eponym, and ancestor of Dorian Hellas. He was a boy-lover of the true heroic type. In the innumerable amours ascribed to him we always discern the note of martial comradeship. His passion for Iolaus was so famous that lovers swore their oaths upon the Theban's tomb;[19] while the story of his loss of Hylas supplied Greek poets with one of their most charming subjects. From the idyll of Theocritus called Hylas we learn some details about the relation between lover and beloved, according to the heroic ideal.

IX.

Passing from myth to semi-legendary history, we find frequent mention made of lovers in connection with the great achievements of the earliest age of Hellas. What Pausanias and PhÆdrus are reported to have said in the Symposium of Plato, is fully borne out by the records of the numerous tyrannicides and self-devoted patriots who helped to establish the liberties of the Greek cities. When Epimenides of Crete required a human victim in his purification of Athens from the Musos of the MegacleidÆ, two lovers, Cratinus and Aristodemus, offered themselves as a voluntary sacrifice for the city.[21] The youth died to propitiate the gods; the lover refused to live without him. Chariton and Melanippus, who attempted to assassinate Phalaris of Agrigentum, were lovers.[22] So were Diocles and Philolaus, natives of Corinth, who removed to Thebes, and after giving laws to their adopted city, died and were buried in one grave.[23] Not less celebrated was another Diocles, the Athenian exile, who fell near Megara in battle, fighting for the boy he loved.[24] His tomb was honoured with the rites and sacrifices specially reserved for heroes. A similar story is told of the Thessalian horseman Cleomachus.[25] This soldier rode into a battle which was being fought between the people of Eretria and Chalkis, inflamed with such enthusiasm for the youth he beloved, that he broke the foemen's ranks and won the victory for the Chalkidians. After the fight was over Cleomachus was found among the slain, but his corpse was nobly buried; and from that time forward love was honoured by the men of Chalkis. These stories might be paralleled from actual Greek history. Plutarch, commenting upon the courage of the sacred band of Thebans,[26] tells of a man "who, when his enemy was going to kill him, earnestly requested him to run him through the breast, that his lover might not blush to see him wounded in the back." In order to illustrate the haughty temper of Greek lovers, the same author, in his Erotic Dialogue, records the names of Antileon of Metapontum, who braved a tyrant in the cause of the boy he loved;[27] of Crateas, who punished Archelaus with death for an insult offered to him; of Pytholaus, who treated Alexander of PherÆ in like manner; and of another youth who killed the Ambracian tyrant Periander for a similar affront.[28] To these tales we might add another story by Plutarch in his Life of Demetrius Poliorketes. This man insulted a boy called Damocles, who, finding no other way to save his honour, jumped into a cauldron of boiling water and was killed upon the spot.[29] A curious legend, belonging to semi-mythical romance related by Pausanias,[30] deserves a place here, since it proves to what extent the popular imagination was impregnated by notions of Greek love. The city of Thespia was at one time infested by a dragon, and young men were offered to appease its fury every year. They all died unnamed and unremembered except one, Cleostratus. To clothe this youth, his lover, Menestratus, forged a brazen coat of mail, thick set with hooks turned upwards. The dragon swallowed Cleostratus and killed him, but died by reason of the hooks. Thus love was the salvation of the city and the source of immortality to the two friends.

difficult to multiply romances of this kind; the rhetoricians and moralists of later Greece abound in them.[31] But the most famous of all remains to be recorded. This is the story of Harmodius and Aristogeiton, who freed Athens from the tyrant Hipparchus. There is not a speech, a poem, essay, a panegyrical oration in praise of either Athenian liberty or Greek love which does not tell the tale of this heroic friendship. Herodotus and Thucydides treat the event as matter of serious history. Plato refers to it as the beginning of freedom for the Athenians. "The drinking-song in honour of these lovers, is one of the most precious fragments of popular Greek poetry which we possess. As in the cases of Lucretia and Virginia, so here a tyrant's intemperance was the occasion, if not the cause, of a great nation's rising. Harmodius and Aristogeiton were reverenced as martyrs and saviours of their country. Their names gave consecration to the love which made them bold against the despot, and they became at Athens eponyms of paiderastia."[32]

X.

A considerable majority of the legends which have been related in the preceding section are Dorian, and the Dorians gave the earliest and most marked encouragement to Greek love. Nowhere else, indeed, except among the Dorians, who were an essentially military race, living like an army of occupation in the countries they had seized, herding together in barracks and at public messes, and submitting to martial drill and discipline, do we meet with paiderastia developed as an institution. In Crete and LacedÆmon it became a potent instrument of education. What I have to say, in the first instance, on this matter is derived almost entirely from C. O. MÜllers's Dorians,[33] to which work I refer my readers for the authorities cited in illustration of each detail. Plato says that the law of Lycurgus in respect to love was Poikiles,[34] by which he means that it allowed the custom under certain restrictions. It would appear that the lover was called Inspirer, at Sparta, while the youth he loved was named Hearer. These local phrases sufficiently indicate the relation which subsisted between the pair. The lover taught, the hearer learned; and so from man to man was handed down the tradition of heroism, the peculiar tone and temper of the state to which, in particular among the Greeks, the Dorians clung with obstinate pertinacity. Xenophon distinctly states that love was maintained among the Spartans with a view to education; and when we consider the customs of the state, by which boys were separated early from their homes and the influences of the family were almost wholly wanting, it is not difficult to understand the importance of the paiderastic institution. The LacedÆmonian lover might represent his friend in the Assembly. He was answerable for his good conduct, and stood before him as a pattern of manliness, courage, and prudence. Of the nature of his teaching we may form some notion from the precepts addressed by the Megarian Theognis to the youth Kurnus. In battle the lovers fought side by side; and it is worthy of notice that before entering into an engagement the Spartans sacrificed to ErÔs. It was reckoned a disgrace if a youth found no man to be his lover. Consequently we find that the most illustrious Spartans are mentioned by their biographers in connection with their comrades. Agesilaus heard Lysander; Archidamus, his son, loved Cleonymus; Cleomenes III, was the hearer of Xenares and the inspirer of Panteus. The affection of Pausanias, on the other hand, for the boy Argilus, who betrayed him according to the account of Thucydides,[35] must not be reckoned among these nobler loves. In order to regulate the moral conduct of both parties, Lycurgus made it felony, punishable with death or exile, for the lover to desire the person of a boy in lust; and, on the other hand, it was accounted exceedingly disgraceful for the younger to meet the advances of the elder with a view to gain. Honest affection and manly self-respect were exacted on both sides; the bond of union implied no more of sensuality than subsists between a father and a son, a brother and a brother. At the same time great license of intercourse was permitted. Cicero, writing long after the great age of Greece, but relying probably upon sources to which we have no access, asserts that, "LacedÆmoni ipsi cum omnia concedunt in amore juvenum prÆter stuprum tenui sane muro dissÆpiunt id quod excipiunt: complexus enim concubitusque permittunt."[36] The LacedÆmonians, while they permit all things except outrage in the love of youths, certainly distinguish the forbidden by a thin wall of partition from the sanctioned, for they allow embraces and a common couch to lovers."

In Crete the paiderastic institutions were even more elaborate than at Sparta. The lover was called Philetor, and the beloved one Kleinos. When a man wished to attach to himself a youth in the recognised bonds of friendship, he took him away from his home, with a pretence of force, but not without the connivance, in most cases, of his friends.[37] For two months the pair lived together among the hills, hunting and fishing. Then the Philetor gave gifts to the youth, and suffered him to return to his relatives. If the Kleinos (illustrious or laudable) had received insult or ill-treatment during the probationary weeks, he now could get redress at law. If he was satisfied with the conduct of his would-be comrade, he changed his title from Kleinos to Parastates (comrade and bystander in the ranks of battle and life), returned to the Philetor, and lived thenceforward in close bonds of public intimacy with him.

The primitive simplicity and regularity of these customs make it appear strange to modern minds; nor is it easy to understand how they should ever have been wholly free from blame. Yet we must remember the influences which prevalent opinion and ancient tradition both contribute toward preserving a delicate sense of honour under circumstances of apparent difficulty. The careful reading of one Life by Plutarch, that, for instance, of Cleomenes or that of Agis, will have more effect in presenting the realities of Dorian existence to our imagination than any amount of speculative disquisition. Moreover, a Dorian was exposed to almost absolute publicity. He had no chance of hiding from his fellow-citizens the secrets of his private life. It was not, therefore, till the social and political complexion of the whole nation became corrupt that the institutions just described encouraged profligacy.[38] That the Spartans and the Cretans degenerated from their primitive ideal is manifest from the severe critiques of the philosophers. Plato, while passing a deliberate censure on the Cretans for the introduction of paiderastia into Greece,[39] remarks that syssitia, or meals in common, and gymnasia are favourable to the perversion of the passions. Aristotle, in a similar argument,[40] points out that the Dorian habits had a direct tendency to check the population by encouraging the love of boys and by separating women from the society of men. An obscure passage quoted from Hagnon by AthenÆus might also be cited to prove that the Greeks at large had formed no high opinion of Spartan manners.[41] But the most convincing testimony is to be found in the Greek language: "to do like the Laconians, to have connection in Laconian way, to do like the Cretans," tell their own tale, especially when we compare these phrases with, "to do like the Corinthians, the Lesbians, the Siphnians, the Phoenicians, and other verbs formed to indicate the vices localised in separate districts.

Up to this point I have been content to follow the notices of Dorian institutions which are scattered up and down the later Greek authors, and which have been collected by C. O. MÜller. I have not attempted to draw definite conclusions, or to speculate upon the influence which the Dorian section of the Hellenic family may have exercised in developing paiderastia. To do so now will be legitimate, always remembering that what we actually know about the Dorians is confined to the historic period, and that the tradition respecting their early customs is derived from second-hand authorities.

It has frequently occurred to my mind that the mixed type of paiderastia which I have named Greek Love took its origin in Doris. Homer, who knew nothing about the passion as it afterwards existed, drew a striking picture of masculine affection in Achilles. And Homer, I may add, was not a native of northern Greece. Whoever he was, or whoever they were, the poet, or the poets, we call Homer, belonged to the south-east of the Ægean. Homer, then, may have been ignorant of paiderastia. Yet friendship occupies the first place in his hero's heart, while only the second is reserved for sexual emotion. Now Achilles came from Phthia, itself a portion of that mountain region to which Doris belonged.[42] Is it unnatural to conjecture that the Dorians in their migration to LacedÆmon and Crete, the recognised headquarters of the custom, carried a tradition of heroic paiderastia along with them? Is it unreasonable to surmise that here, if anywhere in Hellas, the custom existed from prehistoric times? If so, the circumstances of their invasion would have fostered the transformation of this tradition into a tribal institution. They went forth, a band of warriors and pirates, to cross the sea in boats, and to fight their way along the hills and plains of Southern Greece. The dominions they had conquered with their swords they occupied like soldiers. The camp became their country, and for a long period of time they literally lived upon the bivouac. Instead of a city-state, with is manifold complexities of social life, they were reduced to the narrow limits and the simple conditions of a roving horde. Without sufficiency of women, without the sanctities of established domestic life, inspired by the memory of Achilles, and venerating their ancestor Herakles, the Dorian warriors had special opportunity for elevating comradeship to the rank of an enthusiasm. The incidents of emigration into a distant country—perils of the sea, passages of rivers and mountains, assaults of fortresses and cities, landings on a hostile shore, night-vigils by the side of blazing beacons, foragings for food, picquet services in the front of watchful foes—involved adventures capable of shedding the lustre of romance on friendship. These circumstances, by bringing the virtues of sympathy with the weak, tenderness for the beautiful, protection for the young, together with corresponding qualities of gratitude, self-devotion and admiring attachment, into play, may have tended to cement unions between man and man no less firm than that of marriage. On such connections a wise captain would have relied for giving strength to his battalion, and for keeping alive the flame of enterprise and daring. Fighting and foraging in company, sharing the same wayside board and heath-strewn bed, rallying to the comrade's voice in onset, relying on the comrade's shield when fallen, these men learned the meanings of the words Philetor and Parastates. To be loved was honourable, for it implied being worthy to be died for. To love was glorious, since it pledged the lover to self-sacrifice in case of need. In these conditions the paiderastic passion may have well combined manly virtue with carnal appetite, adding such romantic sentiment as some stern men reserve within their hearts for women.[43] A motto might be chosen for a lover of this early Dorian type from the Æolic poem ascribed to Theocritus: "And made me tender from the iron man I used to be."

In course of time, when the Dorians had settled down upon their conquered territories, and when the passions which had shown their more heroic aspect during a period of warfare came, in a period of idleness, to call for methods of restraint, then the discrimination between honourable and base forms of love, to which Plato pointed as a feature of the Dorian institutions, took place. It is also more than merely probable that in Crete where these institutions were the most precisely regulated, the Dorian immigrants came into contact with Phoenician vices, the repression of which required the adoption of a strict code.[44] In this way paiderastia, considered as a mixed custom, partly martial, partly luxurious, recognised by public opinion and controlled by law, obtained among the Dorian Tribes, and spread from them throughout the states of Hellas. Relics of numerous semi-savage habits—thefts of food, ravishment as a prelude to marriage, and so forth—indicate in like manner the survival among the Dorians of primitive tribal institutions.

It will be seen that the conclusion to which I have been drawn by the foregoing consideration is that the mixed form of paiderastia, called by me in this essay "Greek love," owed its peculiar quality, what Plato called its intricacy of "laws and customs," to two diverse strains of circumstances harmonised in the Greek temperament. Its military and enthusiastic elements were derived from the primitive conditions of the Dorians during their immigration into Southern Greece. Its refinements of sensuality and sanctified impurity are referable to contact with Phoenician civilisation. The specific form it assumed among the Dorians of the historic period, equally removed from military freedom and from Oriental luxury, can be ascribed to the operation of that organising, moulding and assimilating spirit which we recognise as Hellenic.

The position thus stated is, unfortunately, speculative rather than demonstrable; and in order to establish the reasonableness of the speculation, it would be natural at this point to introduce some account of paiderastia as it exists in various savage tribes, if their customs could be seen to illustrate the Doric phase of Greek love. This, however, is not the case. Study of Mr. Herbert Spencer's Tables, and of Bastian's Der Mensch in der Geschichte (vol. iii. pp. 304-323), together with the facts collected by travellers among the North American Indians, and the mass of curious information supplied by Rosenbaum in his Geschichte der Lustseuche im Alterthume, makes it clear to my mind that the unisexual vices of barbarians follow, not the type of Greek paiderastia, but that of the Scythian disease of effeminacy, described by Herodotus and Hippocrates as something essentially foreign and non-Hellenic. In all these cases, whether we regard the Scythian impotent effeminates, the North American Bardashes, the Tsecats of Madagascar, the Cordaches of the Canadian Indians and similar classes among Californian Indians, natives of Venezuela, and so forth—the characteristic point is that effeminate males renounce their sex, assume female clothes, and live either in promiscuous concubinage with the men of the tribe or else in marriage with chosen persons. This abandonment of the masculine attributes and habits, this assumption of feminine duties and costume, would have been abhorrent to the Doric custom. Precisely similar effeminacies were recognised as pathological by Herodotus, to whom Greek paiderastia was familiar. The distinctive feature of Dorian comradeship was that it remained on both sides masculine, tolerating no sort of softness. For similar reasons, what we know about the prevalence of sodomy among the primitive peoples of Mexico, Peru and Yucatan, and almost all half-savage nations,[45] throws little light upon the subject of the present inquiry. Nor do we gain anything of importance from the semi-religious practices of Japanese Bonzes or Egyptian priests. Such facts, taken in connection with abundant modern experience of what are called unnatural vices, only prove the universality of unisexual indulgence in all parts of the world and under all conditions of society. Considerable psychological interest attaches to the study of these sexual aberrations. It is also true that we detect in them the germ or raw material of a custom which the Dorians moralised or developed after a specific fashion; but nowhere do we find an analogue to their peculiar institutions. It was just that effort to moralise and adapt to social use a practice which has elsewhere been excluded in the course of civil growth, or has been allowed to linger half-acknowledged as a remnant of more primitive conditions, or has re-appeared in the corruption of society; it was just this effort to elevate paiderastia according to the Æsthetic standard of Greek ethics which constituted its distinctive quality in Hellas. We are obliged, in fact, to separate this, the true Hellenic manifestation of the paiderastic passion, from the effeminacies, brutalities, and gross sensualities which can be noticed alike in imperfectly civilised and in luxuriously corrupt communities.

Before leaving this part of the subject, I must repeat that what I have suggested regarding the intervention of the Dorians in creating the type of Greek love is a pure speculation. If it has any value, that is due to the fixed and regulated forms which paiderastic institutions displayed at a very early date in Crete and Sparta, and also to the remnants of savage customs embedded in them. It depends to a certain extent also upon the absence of paiderastia in Homer. But on this point something still remains to be said. Our Attic authorities certainly regarded the Homeric poems as canonical books, decisive for the culture of the first stage of Hellenic history. Yet it is clear that Homer refined Greek mythology, while many of the cruder elements of that mythology survived from pre-Homeric times in local cults and popular religious observances. We know, moreover, that a body of non-Homeric writings, commonly called the cyclic poems, existed by the side of Homer, some of the material of which is preserved to us by dramatists, lyrists, historians, antiquaries and anecdotists. It is not impossible that this so-called cyclical literature contained paiderastic elements, which were eliminated, like the grosser forms of myth, in the Homeric poems.[46] If this be conceded, we might be led to conjecture that paiderastia was a remnant of ancient savage habits, ignored by Homer, but preserved by tradition in the race. Given the habit, the Greeks were certainly capable of carrying it on without shame. We ought to resist the temptation to seek a high and noble origin for all Greek institutions. But there remains the fact that, however they acquired the habit, whether from North Dorian customs antecedent to Homer, or from conditions of experience subsequent to the Homeric age, the Greeks gave it a dignity and an emotional superiority which is absent in the annals of barbarian institutions. Instead of abandoning it as part of the obsolete lumber of their prehistoric origins, they chose to elaborate it into the region of romance and ideality. And this they did in spite of Homer's ignorance of the passion or of his deliberate reticence. Whatever view, therefore, we may take about Homer's silence, and about the possibility of paiderastia occurring in the lost poems of the cyclic type, or lastly, about its probable survival in the people from an age of savagery, we are bound to regard its systematical development among the Dorians as a fact of paramount significance.

In that passage of the Symposium[47] where Plato notices the Spartan law of love as Poikilos, he speaks with disapprobation of the Boeotians, who were not restrained by custom and opinion within the same strict limits. Yet it should here be noted that the military aspect of Greek love in the historic period was nowhere more distinguished than at Thebes. Epaminondas was a notable boy-lover; and the names of his beloved Asopichus and Cephisodorus are mentioned by Plutarch.[48] They died, and were buried with him at Mantinea. The paiderastic legend of Herakles and Iolaus was localised in Boeotia; and the lovers, Diocles and Philolaus, who gave laws to Thebes, directly encouraged those masculine attachments, which had their origin in the PalÆstra.[49] The practical outcome of these national institutions in the chief town of Boeotia was the formation of the so-called Sacred Band, or Band of Lovers, upon whom Pelopidas relied in his most perilous operations. Plutarch relates that they were enrolled, in the first instance, by Gorgidas, the rank and file of the regiment being composed of young men bound together by affection. Report goes that they were never beaten till the battle of ChÆronea. At the end of that day, fatal to the liberties of Hellas, Philip of Macedon went forth to view the slain; and when he "came to that place where the three hundred that fought his phalanx lay dead together, he wondered, and understanding that it was the band of lovers, he shed tears, and said, 'Perish any man who suspects that these men either did or suffered anything that was base.'"[50] As at all the other turning points of Greek history, so at this, too, there is something dramatic and eventful. Thebes was the last strong-hold of Greek freedom; the Sacred Band contained the pith and flower of her army; these lovers had fallen to a man, like the Spartans of Leonidas at ThermopylÆ, pierced by the lances of the Macedonian phalanx; then, when the day was over and the dead were silent, Philip, the victor in that fight, shed tears when he beheld their serried ranks, pronouncing himself therewith the fittest epitaph which could have been inscribed upon their stelË by a Hellene.

At ChÆronea, Greek liberty, Greek heroism, and Greek love, properly so-called, expired. It is not unworthy of notice that the son of the conqueror, young Alexander, endeavoured to revive the tradition of Achilleian friendship. This lad, born in the decay of Greek liberty, took conscious pleasure in enacting the part of a Homeric hero, on the altered stage of Hellas and of Asia, with somewhat tawdry histrionic pomp.[51] Homer was his invariable companion upon his marches; in the Troad he paid special honour to the tomb of Achilles, running naked races round the barrow in honour of the hero, and expressing the envy which he felt for one who had so true a friend and so renowned a poet to record his deeds. The historians of his life relate that, while he was indifferent to women,[52] he was madly given to the love of males. This the story of his sorrow for Hephaistion sufficiently confirms. A kind of spiritual atavism moved the Macedonian conqueror to assume on the vast Bactrian plain the outward trappings of Achilles Agonistes.[53]

Returning from this digression upon Alexander's almost hysterical archaism, it should next be noticed that Plato includes the people of Elis in the censure which he passes upon the Boeotians. He accused the Eleans of adopting customs which permitted youths to gratify their lovers without further distinction of age, or quality, or opportunity. In like manner, Maximus Tyrius distinguishes between the customs of Crete and Elis: "While I find the laws of the Cretans excellent, I must condemn those of Elis for their license."[54] Elis,[55] like Megara, instituted a contest for beauty among youths; and it is significant that the Megarians were not uncommonly accused of Hybris, or wanton lust, by Greek writers. Both the Eleans and the Megarians may therefore reasonably be considered to have exceeded the Greek standard of taste in the amount of sensual indulgence which they openly acknowledged. In Ionia, and other regions of Hellas exposed to Oriental influences, Plato says that paiderastia was accounted a disgrace.[56] At the same time he couples with paiderastia, in this place, both addiction to gymnastic exercise and to philosophical studies, pointing out that despotism was always hostile to high thoughts and haughty customs. The meaning of the passage, therefore, seems to be that the true type of Greek love had no chance of unfolding itself freely on the shores of Asia Minor. Of paiderastic Malakia, or effeminacy, there is here no question, else Plato would probably have made Pausanias use other language.

XI.

Before proceeding to discuss the conditions under which paiderastia existed in Athens, it may be well to pause and to consider the tone adopted with regard to it by some of the earlier Greek poets. Much that is interesting on the subject of the true Hellenic ErÔs can be gathered from Theognis, Solon, Pindar, Æschylus, and Sophocles; while the lyrics of Anacreon, AlcÆus, Ibycus, and others of the same period illustrate the wanton and illiberal passion (Hybris) which tended to corrode and undermine the nobler feeling.

It is well known that Theognis and his friend Kurnus were members of the aristocracy of Megara. After Megara had thrown off the yoke of Corinth in the early part of the sixth century, the city first submitted to the democratic despotism of Theagenes, and then for many years engaged in civil warfare. The larger number of the elegies of Theognis are specially intended to instruct Kurnus how he ought to act as an illustrious party-leader of the nobles (Esthloi) in their contest with the people (Deiloi). They consist, therefore, of political and social precepts, and for our present purpose are only important as illustrating the educational authority assumed by a Dorian Philetor over his friend. The personal elegies intermingled with these poems on conduct reveal the very heart of a Greek lover at his early period. Here is one on loyalty:—

"Love me not with words alone, while your mind and thoughts are otherwise, if you really care for me and the heart within you is loyal. But love me with a pure and honest soul, or openly disown and hate me; let the breach between us be avowed. He who hath a single tongue and a double mind is a bad comrade, Kurnus, better as a foe than a friend."[57]