ON THE RECEIPT OF MY MOTHER'S PICTURE

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By William Cowper

INTRODUCTORY NOTE

Before we read this beautiful little poem, let us prepare ourselves by learning something about the author.

William Cowper, the son of an English clergyman, was born in 1731. He was a delicate, sensitive little boy whose life was made miserable by his companions in play and at school. So timid was he that the larger boys tyrannized over him shamefully, and the smaller ones teased him as much as they liked. When his mother died, William was but six years old, and the shrinking little lad was placed in a large boarding school where the other boys were cruel and heartless. At least, so they seemed to the frightened newcomer. Probably they were no more cruel and heartless than most strong and healthy youngsters who are accustomed to give and take without whimpering. Young Cowper was merely the strange lad whose timid and hesitating manner seemed to call for discipline. Years afterwards, still remembering the agony of these years, he wrote of one big boy in particular.

“His savage treatment of me impressed such a dread of his figure upon my mind that I well remember of being afraid to lift my eyes up higher than to his knees, and that I knew him better by his shoe-buckles than by any other part of his dress.”

At ten he was removed to Westminster School, where he made some good friends. Here, too, he took a more manly stand, played football and cricket with the other boys, and redeemed himself from some of his weakness. But he had numerous spells of moodiness and sadness, during which he hid himself from his fellows and refused to join their plays even. He was unusually intelligent, distinguished himself in his studies, and became a favorite with his teachers.

Among his friends here was Warren Hastings, who long years afterwards, as governor of India, was convicted of cruelty and extortion. Cowper showed the loyalty of his nature by refusing utterly to believe in the guilt of his old friend.

William’s father wished to make a lawyer of his son, and when the boy had finished at Westminster he was sent to study law in London. If he had been unhappy in school, he became even more so now, for there was nothing in the legal profession to attract him. Instead of reading law he read literature; instead of writing legal papers he wrote poems and sketches. Finally, however, he became a lawyer, but he could never bring himself to practice his profession.

At one time he was given a clerkship, but in preparation for it he was asked to take an examination before the bar at the House of Lords. Here his old nervousness and timidity overpowered him, and he failed to appear; in fact, he ran away, planning to kill himself, but at the last moment his courage again failed him. After this, his mind gave way, and he was for a time in an asylum. In fact, at intervals thereafter, he had attacks of despondency and moodiness, of fear and discouragement, which showed how seriously his mind was affected.

So far this is not a very attractive picture; but it is one side of the great poet’s character. That there was another we knew, for he made the most loyal friends, who opened their homes to him and were ever willing to care for him.

At one time he was engaged to be married, but an attack of insanity prevented the union, though it did not destroy the ardent friendship of the lovers. Cowper could never wholly throw off the fear of the future. “Day and night,” he once wrote, “I was upon the rack, lying down in horror and rising up in despair.”

His most attached friends, the Unwins, were deeply religious people, and at their house Cowper spent his happiest years. It was a great shock to him when Mr. Unwin was thrown from a horse and killed. From that time a succession of kind friends aided him, watched him through his periods of despair and provided for his simple wants. He was passionately fond of pets, and was happiest in caring for his rabbits, cats and other animals. He liked gardening, too, and spent a great deal of energy upon his plants.

Cowper was one of the finest correspondents that ever wrote, and his graceful and humorous letters are still read with pleasure by all who know them. Strangely enough, his gloominess rarely found its way into his poetry, which often was highly amusing, as you know who have read John Gilpin. The Task is his greatest poem, though there are many short ones of great beauty.

Cowper was sincere and honest, and used good judgment in everything that did not concern himself. Occasionally he became dissatisfied with the style of poetry then most popular, because it was written so strictly according to rule and because heart and nature were all forgotten. What he wrote was different; putting his truthful eyes on birds and flowers, on fine scenery and on noble men and women, he wrote exactly as he saw, and let his fine sentiment and loving heart find gracious expression. The result was that he led the way for Wordsworth, the greater man, who brought our poetry back from the bonds of formality and made it beautiful, sincere and true.

The final years of Cowper were sad ones. Mrs. Unwin was stricken with paralysis, and the poet repaid her years of care and protection by an unfailing attention that lasted till she died. It is said that after the one heart-breaking cry he uttered when he saw her dead body, he never again mentioned her name, though he lived for four years. His end came peacefully enough, in April, 1800.

When Cowper was fifty-six years old his cousin sent to him from Norfolk a picture of his mother, who had then been dead for half a century. How vivid a recollection of her loving care remained to the saddened man may be seen in the poem.


                                                                                                                                                                                                                                                                                                           

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