By HENRY WADSWOHTH LONGFELLOW

It was the schooner Hesperus,
That sailed the wintry sea;
And the skipper had taken his little daughter,
To bear him company.

Blue were her eyes as the fairy-flax,
Her cheeks like the dawn of day,
And her bosom white as the hawthorn buds
That ope in the month of May.

The skipper he stood beside the helm
His pipe was in his mouth,
And he watched how the veering flaw did blow
The smoke now West, now South.

Then up and spake an old Sailor,
Had sailed the Spanish Main,
"I pray thee, put into yonder port,
For I fear a hurricane.

"Last night the moon had a golden ring,
And to-night no moon we see!"
The skipper he blew a whiff from his pipe,
And a scornful laugh laughed he.

Colder and colder blew the wind
A gale from the Northeast;
The snow fell hissing in the brine,
And the billows frothed like yeast.

[Illustration: He Bound Her To The Mast.]

Down came the storm, and smote amain,
The vessel in its strength;
She shuddered and paused, like a frighted steed,
Then leaped her cable's length.

"Come hither! come hither! my little daughter,
And do not tremble so;
For I can weather the roughest gale,
That ever wind did blow."

He wrapped her warm in his seaman's coat
Against the stinging blast;
He cut a rope from a broken spar,
And bound her to the mast.

"O father! I hear the church-bells ring.
O say, what may it be?"
"'Tis a fog-bell on a rock-bound coast!"—
And he steered for the open sea.

"O father! I hear the sound of guns.
O say, what may it be?"
"Some ship in distress, that cannot live
In such an angry sea!"

"O father! I see a gleaming light.
O say, what may it be?"
But the father answered never a word,
A frozen corpse was he.

Lashed to the helm, all stiff and stark,
With his face turned to the skies,
The lantern gleamed through the gleaming snow
On his fixed and glassy eyes.

Then the maiden clasped her hands and prayed
That saved she might be;
And she thought of Christ, who stilled the wave,
On the Lake of Galilee.

And fast through the midnight dark and drear,
Through the whistling sleet and snow,
Like a sheeted ghost, the vessel swept
Towards the reef of Norman's Woe.

And ever the fitful gusts between
A sound came from the land;
It was the sound of the trampling surf,
On the rocks and the hard sea-sand.

The breakers were right beneath her bows,
She drifted a dreary wreck,
And a whooping billow swept the crew
Like icicles from her deck.

She struck where the white and fleecy waves
Looked soft as carded wool,
But the cruel rocks, they gored her side
Like the horns of an angry bull.

Her rattling shrouds, all sheathed in ice,

With the masts went by the board;
Like a vessel of glass, she stove and sank,
Ho! ho! the breakers roared!

At daybreak, on the bleak sea-beach,
A fisherman stood aghast,
To see the form of a maiden fair,
Lashed close to a drifting mast.

The salt sea was frozen on her breast,
The salt tears in her eyes;
And he saw her hair, like the brown sea-weed,
On the billows fall and rise.

Such was the wreck of the Hesperus,
In the midnight and the snow!
Christ save us all from a death like this,
On the reef of Norman's Woe!

A DOG OF FLANDERS
[Footnote: This story has been abridged somewhat]

By LOUISE DE LA RAMEE

Nello and Patrasche were left all alone in the world. They were friends in a friendship closer than brotherhood.

Nello was a little Ardennois; Patrasche was a big Fleming. They were both of the same age by length of years, yet one was still young and the other already old. They had dwelt together almost all their days; both were orphaned and destitute and owed their lives to the same hand.

Their home was a little hut on the edge of a little Flemish village, a league from Antwerp.

It was the hut of an old man—a poor man—of old Jehan Daas, who in his time had been a soldier and who remembered the wars that had trampled the country as oxen tread down the furrows, and who had brought from his service nothing except a wound which had made him a cripple.

When Jehan Daas had reached his full eighty his daughter had died in the Ardennes, hard by Stavelot, and had left him in legacy her two- year-old son. The old man could ill contrive to support himself, but he took up the additional burden uncomplainingly, and it soon became welcome and precious to him. Little Nello—which was but a pet diminutive for Nicholas—throve with him, and the old man and the little child lived in the poor little hut contentedly.

They were terribly poor—many a day they had nothing at all to eat. They never by any chance had enough. To have had enough to eat would have been to have reached paradise at once. But the old man was gentle and good to the boy and the boy was a beautiful, innocent, truthful, tender-hearted creature; and they were happy on a crust and a few leaves of cabbage and asked no more of earth or heaven, save, indeed, that Patrasche should be always with them, since without Patrasche where would they have been?

Jehan Daas was old and crippled and Nello was but a child—and
Patrasche was their dog.

A dog of Flanders—yellow of hide, large of limb, with wolflike ears that stood erect, and legs bowed and feet widened in the muscular development wrought in his breed by the many generations of hard service. Patrasche came of a race which had toiled hard and cruelly from sire to son in Flanders many a century—slaves of slaves, dogs of the people, beasts of the shafts and harness, creatures that lived training their sinews in the gall of the cart, and died breaking their hearts on the flints of the street.

Before he was fully grown he had known the bitter gall of the cart and collar. Before he had entered his thirteenth month he had become the property of a hardware dealer, who was accustomed to wander over the land north and south, from the blue sea to the green mountains. They sold him for a small price because he was so young.

This man was a drunkard and a brute. The life of Patrasche was a life of abuse.

His purchaser was a sullen, ill-living, brutal Brabantois, who heaped his cart full with pots and pans, and flagons and buckets, and other wares of crockery and brass and tin, and left Patrasche to draw the load as best he might while he himself lounged idly by the side in fat and sluggish ease, smoking his black pipe and stopping at every wine shop or cafÉ on the road.

One day, after two years of this long and deadly agony, Patrasche was going on as usual along one of the straight, dusty, unlovely roads that lead to the city of Rubens.

It was full midsummer and exceedingly warm. His cart was heavy, piled high with goods in metal and earthenware. His owner sauntered on without noticing him otherwise than by the crack of the whip as it curled around his quivering loins.

The Brabantois had paused to drink beer himself at every wayside house, but he had forbidden Patrasche to stop for a moment for a draft from the canal. Going along thus, in the full sun, on a scorching highway, having eaten nothing for twenty-four hours, and, which was far worse for him, not having tasted water for nearly twelve; being blind with dust, sore with blows, and stupefied with the merciless weight which dragged upon his loins, Patrasche, for once, staggered and foamed a little at the mouth and fell.

He fell in the middle of the white, dusty road, in the full glare of the sun; he was sick unto death and motionless. His master gave him the only medicine in his pharmacy—kicks and oaths and blows with the oak cudgel—which had been often the only food and drink, the only wage and reward, ever offered to him.

But Patrasche was beyond the reach of any torture or of any curses. Patrasche lay, dead to all appearances, down in the white powder of the summer dust. His master, with a parting kick, passed on and left him.

After a time, among the holiday makers, there came a little old man who was bent, and lame, and feeble. He was in no guise for feasting. He was poor and miserably clad, and he dragged his silent way slowly through the dust among the pleasure seekers.

He looked at Patrasche, paused, wondered, turned aside, then kneeled down in the rank grass and weeds of the ditch and surveyed the dog with kindly eyes of pity.

There was with him a little, rosy, fair-haired, dark-eyed child of a few years old, who pattered in amid the bushes, that were for him breast high, and stood gazing with a pretty seriousness upon the poor, great, quiet beast.

Thus it was that these two first met—the little Nello and the big Patrasche. They carried Patrasche home; and when he recovered he was harnessed to the cart that carried the milk cans of the neighbors to Antwerp. Thus the dog earned the living of the old man and the boy who saved him.

There was only one thing which caused Patrasche any uneasiness in his life, and it was this: Antwerp, as all the world knows, is full at every turn of old piles of stones, dark, and ancient, and majestic, standing in crooked courts, jammed against gateways and taverns, rising by the water's edge, with bells ringing above them in the air, and ever and again out of their arched doors a swell of music pealing.

There they remain, the grand old sanctuaries of the past, shut in amid the squalor, the hurry, the crowds, the unloveliness, and the commerce of the modern world, and all day long the clouds drift, and the birds circle, and the winds sigh around them, and beneath the earth at their feet there sleeps—Rubens.

And the greatness of the mighty master still rests upon Antwerp. Wherever we turn in its narrow streets his glory lies therein, so that all mean things are thereby transfigured; and as we pace slowly through the winding ways, and by the edge of the stagnant waters, and through the noisome courts, his spirit abides with us, and the heroic beauty of his visions is about us, and the stones that once felt his footsteps, and bore his shadow, seem to rise and speak of him with living voices. For the city which is the tomb of Rubens still lives to us through him, and him alone.

Now, the trouble of Patrasche was this:

Into these great, sad piles of stones, that reared their melancholy majesty above the crowded roofs, the child Nello would many and many a time enter and disappear through their dark, arched portals, while Patrasche, left upon the pavement, would wearily and vainly ponder on what could be the charm which allured from him his inseparable and beloved companion.

[Illustration: RESCUE OF PATRASCHE]

Once or twice he did essay to see for himself, clattering up the steps with his milk cart behind him, but thereon he had been always sent back again summarily by a tall custodian in black clothes and silver chains of office, and, fearful of bringing his little master into trouble, he desisted and crouched patiently before the church until such time as the boy reappeared.

What was it? wondered Patrasche.

He thought it could not be good or natural for the lad to be so grave, and in his dumb fashion he tried all he could to keep Nello by him in the sunny fields or in the busy market places.

But to the church Nello would go. Most often of all he would go to the great cathedral; and Patrasche, left without on the stones by the iron fragments of the Quentin Matsys's gate, would stretch himself and yawn and sigh, and even howl now and then, all in vain, until the doors closed and the child perforce came forth again, and, winding his arms about the dog's neck, would kiss him on his broad, tawny-colored forehead and murmur always the same words:

"If I could only see them, Patrasche! If I could only see them!"

What were they? pondered Patrasche, looking up with large, wistful, sympathetic eyes.

One day, when the custodian was out of the way and the doors left ajar, he got in for a moment after his friend, and saw. "They" were two great covered pictures on either side of the choir.

Nello was kneeling, wrapt as in an ecstasy, before the altar picture of the "Assumption," and when he noticed Patrasche and rose and drew the dog gently out into the air, his face was wet with tears, and he looked up at the veiled places as he passed them and murmured to his companion:

"It is so terrible not to see them, Patrasche, just because one is poor and cannot pay! He never meant that the poor should not see them when he painted them, I am sure. And they keep them shrouded there—- shrouded in the dark—-the beautiful things! And they never feel the light, and no eyes look upon them unless rich people come and pay. If I could only see them I would be content to die."

But he could not see them, and Patrasche could not help him, for to gain the silver piece that the church exacts for looking on the glories of the "Elevation of the Cross" and the "Descent from the Cross" was a thing as utterly beyond the powers of either of them as it would have been to scale the heights of the cathedral spire.

The whole soul of the little Ardennois thrilled and stirred with an absorbing passion for art.

Going on his way through the old city in the early daybreak before the sun or the people had seen them, Nello, who looked only a little peasant boy, with a great dog drawing milk to sell from door to door, was in a heaven of dreams whereof Rubens was the god. Nello, cold and hungry, with stockingless feet in wooden shoes, and the winter winds blowing among his curls and lifting his poor, thin garments, was in rapture of meditation wherein all that he saw was the beautiful face of the Mary of "Assumption," with the waves of her golden hair lying upon her shoulders and the light of an eternal sun shining down upon her brow. Nello, reared in poverty, and buffeted by fortune, and untaught in letters, and unheeded by men, had the compensation or the curse which is called genius.

No one knew it—he as little as any. No one knew it.

"I should go to my grave quite content if I thought, Nello, that when thou growest a man thou couldst own this hut and the little plat of ground and labor for thyself and be called Baas by thy neighbors," said the old man Jehan many an hour from his bed.

Nello dreamed of other things in the future than of tilling the little rood of earth, and living under the wattle roof, and being called Baas by neighbors, a little poorer or a little less poor than himself. The cathedral spire, where it rose beyond the fields in the ruddy evening skies or in the dim, gray, misty morning, said other things to him than this. But these he told only to Patrasche, whispering, childlike, his fancies in the dog's ear when they went together at their work through the fogs of the daybreak or lay together at their rest amongst the rustling rushes by the water's side.

There was only one other besides Patrasche to whom Nello could talk at all of his daring fancies. This other was little Alois, who lived at the old red mill on the grassy mound, and whose father, the miller, was the best-to-do husbandman in all the village.

Little Alois was a pretty baby, with soft, round, rosy features, made lovely by those sweet, dark eyes that the Spanish rule has left in so many a Flemish face.

Little Alois often was with Nello and Patrasche. They played in the fields, they ran in the snow, they gathered the daisies and bilberries, they went up to the old gray church together, and they often sat together by the broad wood fire in the millhouse.

One day her father, Baas Cogez, a good man, but stern, came on a pretty group in the long meadow behind the mill.

It was his little daughter sitting amidst the hay, with the great, tawny head of Patrasche on her lap, and many wreaths of poppies and blue cornflowers round them both. On a clean, smooth slab of pine wood the boy Nello drew their likeness with a stick of charcoal.

The miller stood and looked at the portrait with tears in his eyes, it was so strangely like, and he loved his own child closely and well. Then he roughly chid the little girl for idling there whilst her mother needed her within, and sent her indoors crying and afraid. Then, turning, he snatched the wood from Nello's hands.

[Illustration: NELLO AND PATRASCHE]

"Dost much of such folly?" he asked. But there a tremble in his voice.

Nello colored and hung his head. "I draw everything I see," he murmured.

Baas Cogez went into his millhouse sore troubled in his mind. "This lad must not be so much with Alois," he said to his wife that night. "Trouble may come of it hereafter. He is fifteen now and she is twelve, and the lad is comely." And from that day poor Nello was allowed in the millhouse no more.

Nello had a secret which only Patrasche knew. There was a little outhouse to the hut, which no one entered but himself—a dreary place but with an abundant clear light from the north. Here he had fashioned himself rudely an easel in rough lumber, and here, on the great sea of stretched paper, he had given shape to one of the innumerable fancies which possessed his brain.

No one ever had taught him anything; colors he had no means to buy; he had gone without bread many a time to procure even the poor vehicles that he had there; and it was only in black and white that he could fashion the things he saw. This great figure which he had drawn here in chalk was only an old man sitting on a fallen tree—only that. He had seen old Michel, the woodman, sitting so at evening many a time.

He never had had a soul to tell him of outline or perspective, of anatomy or of shadow, and yet he had given all the weary, worn-out age, all the sad, quiet patience, all the rugged, careworn pathos of his original, and given them so that the old, lonely figure was a poem, sitting there, meditative and alone, on the dead tree, with the darkness of descending night behind him.

It was rude, of course, in a way, and had many faults no doubt; and yet it was real, true to nature, true to art, mournful, and, in a manner, beautiful.

Patrasche had lain quiet countless hours watching its gradual creation after the labor of each day was done, and he knew that Nello had a hope—vain and wild perhaps, but strongly cherished—of sending this great drawing to compete for a prize of 200 francs a year, which it was announced in Antwerp would be open to every lad of talent, scholar or peasant, under eighteen, who attempted to win it with unaided work of chalk or pencil. Three of the foremost artists in the town of Rubens were to be the judges and elect the victor according to his merits.

All the spring and summer and autumn Nello had been at work upon this treasure, which, if triumphant, would build him his first steps toward independence and the mysteries of the arts, which he blindly, ignorantly and yet passionately adored.

The drawings were to go in on the 1st of December and the decision to be given on the 24th, so that he who should win might rejoice with all his people at the Christmas season.

In the twilight of a bitter winter day, and with a beating heart, now quick with hope, now faint with fear, Nello placed the great picture on his little green milk cart and left it, as enjoined, at the doors of a public building.

He took heart as he went by the cathedral. The lordly form of Rubens seemed to rise from the fog and darkness and to loom in its magnificence before him, whilst the lips, with their kindly smile, seemed to him to murmur, "Nay, have courage! It was not by a weak heart and by faint fears that I wrote my name for all time upon Antwerp."

The winter was sharp already. That night, after they reached the hut, snow fell, and it fell for many days after that, so that the paths and the divisions of the fields were all obliterated, and all the smaller streams were frozen over and the cold was intense upon the plains. Then, indeed, it became hard work to go round for milk, while the world was all dark, and carry it through the darkness to the silent town.

In the winter time all drew nearer to each other, all to all except to Nello and Patrasche, with whom none now would have anything to do, because the miller had frowned upon the child. Nello and Patrasche were left to fare as they might with the old, paralyzed, bedridden man in the little cabin, whose fire often was cold, and whose board often was without bread, for there was a buyer from Antwerp who had taken to drive his mule in of a day for the milk of the various dairies, and there were only three or four of the people who had refused the terms of purchase and remained faithful to the little green cart. So that the burden which Patrasche drew had become light, and the centime pieces in Nello's pouch had become, alas! light likewise.

The weather was wild and cold. The snow was six feet deep; the ice was firm enough to bear oxen and men upon it everywhere. At this season the little village always was gay and cheerful. At the poorest dwelling there were possets and cakes, sugared saints and gilded Jesus. The merry Flemish bells jingled everywhere on the horses, everywhere within doors some well-filled soup pot sang and smoked over the stove, and everywhere over the snow without laughing maidens pattered in bright kerchiefs and stout skirts going to and from mass. Only in the little hut it was dark and cold.

[Illustration: NELLO LEFT HIS PICTURE AT THE DOOR]

Nello and Patrasche were left utterly alone; for one night in the week before the Christmas day death entered there and took away from life forever old Jehan Daas. who had never known of life aught save poverty and pain. He had long been half dead, incapable of any movement except a feeble gesture, and powerless for anything beyond a gentle word. And yet his loss fell on them both with a great horror in it; they mourned him passionately. He had passed away from them in his sleep, and when in the gray dawn they learned their bereavement, unbearable solitude and desolation seemed to close around them. He had long been only a poor, feeble, paralyzed old man who could not raise a hand in their defense, but he had loved them well; his smile always had welcomed their return. They mourned for him unceasingly, refusing to be comforted, as in the white winter day they followed the deal shell that held his body to the nameless grave by the little church. They were his only mourners, these two whom he had left friendless upon the earth— the young boy and the old dog.

Nello and Patrasche went home with broken hearts. But even of that poor, melancholy, cheerless home they were denied the consolation. There was a month's rental overdue for the little place, and when Nello had paid the last sad service to the dead he had not a coin left. He went and begged grace of the owner of the hut, a cobbler who went every Sunday night to drink his pint of wine and smoke with Baas Cogez. The cobbler would grant no mercy. He claimed in default of his rent every stick and stone, every pot and pan in the hut, and bade Nello and Patrasche to be out of it by to-morrow.

All night long the boy and the dog sat by the fireless hearth in the darkness, drawn close together for warmth and sorrow. Their bodies were insensible to the cold, but their hearts seemed frozen in them.

When the morning broke over the white, chill earth it was the morning of Christmas eve. With a shudder Nello clasped close to him his only friend, while his tears fell hot and fast on the dog's forehead.

"Let us go, Patrasche; dear, dear Patrasche!" he murmured. "We will not wait to be kicked out. Let us go."

They took the old accustomed road into Antwerp. The winner of the drawing prize was to be proclaimed at noon, and to the public building where he had left his treasure Nello made his way. On the step and in the entrance hall there was a crowd of youths—some of his age, some older, all with parents or relatives or friends. His heart was sick with fear as he went amongst them, holding Patrasche close to him.

The great bells of the city clashed out the hour of noon with brazen clamor. The doors of the inner hall were opened; the eager, panting throng rushed in. It was known that the selected picture would be raised above the rest upon a wooden dais.

A mist obscured Nello's sight, his head swam, his limbs almost failed him. When his vision cleared he saw the drawing raised on high; it was not his own. A slow, sonorous voice was proclaiming aloud that victory had been adjudged to Stephan Kiesslinger, born in the burg of Antwerp, son of a wharfinger in that town.

When Nello recovered consciousness he was lying on the stones without, and Patrasche was trying with every art he knew to call him back to life. In the distance a throng of youths of Antwerp were shouting around their successful comrade and escorting him with acclamation to his home upon the quay.

He rallied himself as best he could, for he was weak from fasting, and retraced his steps to the village. Patrasche paced by his side with his head drooping and his strong limbs feeble under him from hunger and sorrow.

The snow was falling fast; a keen hurricane blew from the north; it was bitter as death on the plains. It took them long to traverse the familiar paths, and the bells were sounding four of the clock as they approached the hamlet. Suddenly Patrasche paused, arrested by a scent in the snow, scratched, whined, and drew out with his teeth a small case of brown leather. He held it up to Nello in the darkness. Where they were there stood a little Calvary, and a lamp burned dully under the cross. The boy mechanically turned the bag to the light. On it was the name of Baas Cogez and within it were notes for 6,000 francs.

The sight aroused the lad a little from his stupor. He thrust it in his shirt and stroked Patrasche and drew him onward.

Nello made straight for the millhouse and went to the house-door and struck on the panels. The miller's wife opened it, weeping, with little Alois clinging close to her skirts.

"Is it thee, thou poor lad?" she asked kindly through her tears. "Get thee gone ere the Baas sees thee. We are in sore trouble to-night. He is out seeking for a power of money that he has let fall riding homeward, and in this snow he never will find it. And God knows it will go nigh to ruin us. It is heaven's own judgment for the things we have done to thee."

Nello put the note case within her hand and signed to Patrasche within the house.

"Patrasche found the money to-night," he said quickly. "Tell Baas Cogez so. I think he will not deny the dog shelter and food in his old age. Keep him from pursuing me, and I pray of you to be good to him."

Ere woman or dog knew what he did he had stooped and kissed Patrasche, then had closed the door hurriedly on him and had disappeared in the gloom of the fast falling night.

It was six o'clock at night when, from an opposite entrance, the miller at last came, jaded and broken, into his wife's presence. "It is lost forever," he said, with an ashen cheek and a quiver in his voice. "We have looked with lanterns everywhere. It is gone—the little maiden's portion and all."

His wife put the money into his hand and told him how it had come back to her. The strong man sank, trembling, into a seat and covered his face with his hands, ashamed, almost afraid.

"I have been cruel to the lad," he murmured at length. "I deserve not to have good at his hands."

Little Alois, taking courage, crept close to her father, and nestled against him her curly, fair head.

"Nello may come here again, father?" she whispered. "He may come to- morrow, as he used to do?"

The miller pressed her in his arms. His hard, sunburned face was pale and his mouth trembled. "Surely, surely," he answered his child. "He shall bide here on Christmas day and any other day he will. In my greed I sinned, and the Lord chastened me. God helping me, I will make amends to the boy—I will make amends."

When the supper smoked on the board and the voices were loudest and gladdest, and the Christ child brought choicest gifts to Alois, Patrasche, watching always an occasion, glided out when the door was unlatched by a careless newcomer, and as swiftly as his weak and tired limbs would bear him, sped over the snow in the bitter, black night. He had only one thought—to follow Nello.

Snow had fallen freshly all evening long. It was now nearly ten o'clock. The trail of the boy's footsteps was almost obliterated. It took Patrasche long and arduous labor to discover any scent which could guide him in pursuit. When at last he found it, it was lost again quickly, and lost and recovered, and again lost, and again recovered a hundred times and more. It was all quite dark in the town. Now and then some light gleamed ruddily through the crevices and house shutters, or some group went homeward with lanterns, chanting drinking songs. The streets were all white with ice, and high walls and roofs loomed black against them. There was scarce a sound save the riot of the wind down the passages as it tossed the creaking signs.

So many passers-by had trodden through and through the snow, so many diverse paths had crossed and recrossed each other that the dog had a hard task to retain any hold of the track he followed. But he kept on his way though the cold pierced him to the bone and the jagged ice cut his feet, and the hunger in his body gnawed like a rat's tooth. But he kept on his way—a poor, gaunt, shivering, drooping thing—in the frozen darkness, that no one pitied as he went—and by long patience traced the steps he loved into the heart of the burg and up to the steps of the great cathedral.

"He is gone to the things that he loved," thought Patrasche. He could not understand, but he was full of sorrow and of pity for the art passion that to him was so incomprehensible and yet so sacred.

The portals of the cathedral were unclosed after the midnight mass. Some heedlessness in the custodians, too eager to go home and feast or sleep, or too drowsy to know whether they turned the keys aright, had left one of the doors unlocked. By that accident the footfalls Patrasche sought had passed through into the building, leaving the white marks of the snow upon the dark stone floor.

By that slender white thread, frozen as it fell, he was guided through the intense silence, through the immensity of the vaulted space—guided straight to the gates of the chancel—and stretched there upon the stones, he found Nello. He crept up noiselessly and touched the face of the boy.

"Didst thou dream that I should be faithless and forsake thee? I—a dog?" said that mute caress.

The lad raised himself with a low cry and clasped him close.

"Let us lie down and die together," he murmured. "Men have no need of us, and we are all alone."

In answer Patrasche crept closer yet and laid his head upon the young man's breast. The tears stood in his great, brown, sad eyes. Not for himself; for himself he was happy.

Suddenly through the darkness a great white radiance streamed through the vastness of the aisles. The moon, that was at her height, had broken through the clouds. The snow had ceased to fall. The light reflected from the snow without was clear as the light of dawn. It fell through the arches full upon the two pictures above, from which the boy, on his entrance, had flung back the veil. "The Elevation" and "The Descent from the Cross" for one instant were visible as by day.

Nello rose to his feet and stretched his arms to them. The tears of a passionate ecstasy glistened on the paleness of his face.

"I have seen them at last!" he cried aloud. "Oh God, it is enough!"

When the Christmas morning broke and the priests came to the temple they saw them lying on the stones together. Above, the veils were drawn back from the great visions of Rubens, and the fresh rays of the sunrise touched the thorn-crowned head of God.

As the day grew on there came an old, hard-featured man who wept as women weep.

"I was cruel to the lad," he murmured, "and now I would have made amends—yea, to the half of my substance—and he should have been to me as a son."

There came also as the day grew apace a painter who had fame in the world and who was liberal of hand and of spirit.

"I seek one who should have had the prize yesterday had worth won," he said to the people, "a boy of rare promise and genius. An old woodcutter on a fallen tree at eventide, that was all his theme. I would find him and take him with me and teach him art."

And a little child with curling fair hair, sobbing bitterly as she clung to her father's arm, cried aloud: "O Nello, come! We have all ready for thee. The Christ child's hands are full of gifts, and the old piper will play for us; and the mother says thou shalt stay by the hearth and burn nuts with us all the Noel week long—yes even to the feast of the kings! And Patrasche will be happy! O Nello, wake and come!"

But the young, pale face, turned upward to the great Rubens with a smile upon its mouth, answered them all, "It is too late."

For the sweet sonorous hells went ringing through the frost, and the sunlight shone upon the plains of snow, and the populace trooped gay and glad through the streets, but Nello and Patrasche no more asked charity at their hands. All they needed now Antwerp gave unbidden.

When they were found the arms of the boy were folded so closely around the dog that it was difficult to draw them away. The people of the little village, contrite and ashamed, took the little boy tenderly in their arms and bore him away to his last resting place. Patrasche was not forgotten, for all the villagers felt the strength of his devotion.

* * * * *

Of all the characters in this story, which is the most important and the most interesting? The author has showed us which she considers the most important by the title she has given to the tale—A Dog of Flanders. Let us see just what she has told us about Patrasche, that we may know whether he is worthy of being the hero of a story.

First, as to his appearance, we are given the following facts:

1. Yellow of hide.

2. Large of limb.

3. Wolflike ears.

4. Legs bowed and feet widened.

5. Large, wistful, sympathetic eyes.

6. Great, tawny head.

7. (Later) Drooping and feeble; gaunt.

The picture which the author paints for us of Patrasche's appearance is not beautiful; we do not love him just for his looks. As to his character and abilities, we are told, or are enabled to find out from his actions, the following things:

1. Strong and industrious. He used to draw the heavy cart of the hardware dealer.

2. Grateful. He loved those who had saved his life, and worked for them willingly.

3. Careful of his young master. He was troubled when Nello went into the dim churches.

4. Wise. He felt that it was good for Nello to be as much as possible in the sunny fields or among happy people.

5. Sympathetic. He looked at Nello with wistful, sympathetic eyes.

6. Understanding. He realized that the picture that Nello was drawing was something which meant much to him.

7. Loving. He grieved passionately with Nello at the old man's death.

8. Acute of sense. He discovered the pocket book in the snow.

9. Faithful. He refused to stay in the miller's warm kitchen while Nello was out in the cold.

10. Persistent and patient. He never gave up the search, difficult though it was, until he had found his master.

11. Unselfish. He was happy for himself, but he wept because his master was unhappy.

Do you think a dog could have all these qualities, or do you think the author, in her anxiety to have us like the dog, has given him characteristics which he could not really possess? Have you not, yourself, known dogs that were as intelligent, as affectionate and as faithful as Patrasche?